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Negro Art In Belgian Congo
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Book Synopsis Negro Art in Belgian Congo by : Léon Kochnitzky
Download or read book Negro Art in Belgian Congo written by Léon Kochnitzky and published by . This book was released on 1948 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Negro Art in Belgian Congo (Classic Reprint) by : Leon Kochnitzky
Download or read book Negro Art in Belgian Congo (Classic Reprint) written by Leon Kochnitzky and published by . This book was released on 2017-07-18 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Negro Art in Belgian CongoAn African work of art is almost isolated from its cultural background. It has to be considered and studied without the help of little-known African history. The social, economic and religious evolution of the Dark Continent throws little light on the real meaning of such work. The only part of human knowledge to which the art historian can have recourse for information is ethnology. This is the chief reason why the study of African art has, for a whole century, been so strongly linked to this science.Ethnology and aesthetics do not make a happy marriage. The ethnologist is not concerned with the artistic significance of the objects. He examines. He cares nothing for the spirit that pervades the statue or the mask he handles; and he remains indifferent to the feeling that inspired the work. Even the technique and the style employed by the artist are of no interest to him, if they do not allow him to ascertain so'me purely material facts concerning the evolution of culture or the degree of civilization attained by the craftsman.And yet, during the whole period of discovery of Africa Tenebrosa, it was the ethnologist, and not the art scholar, who was the keeper and often the possessor of the treasures discovered by the explorer. Independent research was out of the question. The art scholar, unaware of the treasures that had perhaps been discarded, was forced to enter the museum of the ethnologist, to accept the latter's indoctrination, his classification in short, the learned man's opinion.Science is not to be blamed for this astounding state of affairs.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Book Synopsis Negro Art in Belgian Congo by : Leon Kochnitzky
Download or read book Negro Art in Belgian Congo written by Leon Kochnitzky and published by Lushena Books. This book was released on 2023-10-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An African work of art is almost isolated from its cultural background. It has to be considered and studied without the help of little-known African history. The social, economic and religious evolution of the Dark Continent throws little light on the real meaning of such work. The only part of human knowledge to which the art historian can have recourse for information is ethnology. This is the chief reason why the study of African art has, for a whole century, been so strongly linked to this science. Ethnology and aesthetics do not make a happy marriage. The ethnologist is not concerned with the artistic significance of the objects. He examines. He cares nothing for the spirit that pervades the statue or the mask he handles; and he remains indifferent to the feeling that inspired the work. Even the technique and the style employed by the artist are of no interest to him, if they do not allow him to ascertain so'me purely material facts concerning the evolution of culture or the degree of civilization attained by the craftsman. And yet, during the whole period of discovery of Africa Tenebrosa, it was the ethnologist, and not the art scholar, who was the keeper and often the possessor of the treasures discovered by the explorer. Independent research was out of the question. The art scholar, unaware of the treasures that had perhaps been discarded, was forced to enter the museum of the ethnologist, to accept the latter's indoctrination, his classification in short, the learned man's opinion. Science is not to be blamed for this astounding state of affairs.
Book Synopsis Negro Art in the Belgian Congo by : Léon Kochnitzky
Download or read book Negro Art in the Belgian Congo written by Léon Kochnitzky and published by . This book was released on 1958 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Primitive Negro Art by : Brooklyn Museum
Download or read book Primitive Negro Art written by Brooklyn Museum and published by . This book was released on 1923 with total page 70 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Negro Art in Belgian Congo by : Léon Kochnitzky
Download or read book Negro Art in Belgian Congo written by Léon Kochnitzky and published by . This book was released on 1952 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Dictionary Catalog of the Schomburg Collection of Negro Literature & History by : Schomburg Center for Research in Black Culture
Download or read book Dictionary Catalog of the Schomburg Collection of Negro Literature & History written by Schomburg Center for Research in Black Culture and published by . This book was released on 1962 with total page 980 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis African Negro Art by : Museum of Modern Art (New York, N.Y.)
Download or read book African Negro Art written by Museum of Modern Art (New York, N.Y.) and published by . This book was released on 1935 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Black Art Renaissance by : Joshua I. Cohen
Download or read book The Black Art Renaissance written by Joshua I. Cohen and published by University of California Press. This book was released on 2020-07-21 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Book Synopsis The Museum of Other People by : Adam Kuper
Download or read book The Museum of Other People written by Adam Kuper and published by Pantheon. This book was released on 2024-04-16 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: A MOST ANTICIPATED BOOK • From one of the world’s most distinguished anthropologists, an important and timely work of cultural history that looks at the origins and much debated future of anthropology museums “A provocative look at questions of ethnography, ownership and restitution . . . the argument [Kuper] makes in The Museum of Other People is important precisely because just about no one else is making it. He asks the questions that others are too shy to pose. . . . Required reading.” –Financial Times (UK) In this deeply researched, immersive history, Adam Kuper tells the story of how foreign and prehistoric peoples and cultures were represented in Western museums of anthropology. Originally created as colonial enterprises, their halls were populated by displays of plundered art, artifacts, dioramas, bones, and relics. Kuper reveals the politics and struggles of trying to build these museums in Germany, France, and England in the mid-19th century, and the dramatic encounters between the very colorful and eccentric collectors, curators, political figures, and high members of the church who founded them. He also details the creation of contemporary museums and exhibitions, including the Smithsonian, the Harvard’s Peabody Museum of American Archaeology and Ethnology, and the famous 1893 World’s Columbian Exposition in Chicago which was inspired by the Paris World Fair of 1889. Despite the widespread popularity and cultural importance of these institutions, there also lies a murky legacy of imperialism, colonialism, and scientific racism in their creation. Kuper tackles difficult questions of repatriation and justice, and how best to ensure that the future of these museums is an ethical, appreciative one that promotes learning and cultural exchange. A stunning, unique, accessible work based on a lifetime of research, The Museum of Other People reckons with the painfully fraught history of museums of natural history, and how curators, anthropologists, and museumgoers alike can move forward alongside these time-honored institutions.
Book Synopsis Photography and American Coloniality by : Raoul J. Granqvist
Download or read book Photography and American Coloniality written by Raoul J. Granqvist and published by MSU Press. This book was released on 2017-04-01 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to question both why and how the colonialist mythologies represented by the work of photographer Eliot Elisofon persist. It documents and discusses a heterogeneous practice of American coloniality of power as it explores Elisofon’s career as war photographer-correspondent and staff photographer for LIFE, filmmaker, author, artist, and collector of “primitive art” and sculpture. It focuses on three areas: Elisofon’s narcissism, voyeurism, and sexism; his involvement in the homogenizing of Western social orders and colonial legacies; and his enthused mission of “sending home” a mass of still-life photographs, annexed African artifacts, and assumed vintage knowledge. The book does not challenge his artistic merit or his fascinating personality; what it does question is his production and imagining of “difference.” As the text travels from World War II to colonialism, postcolonialism, and the Cold War, from Casablanca to Leopoldville (Kinshasa), it proves to be a necessarily strenuous and provocative trip.
Book Synopsis Primitivism and Twentieth-Century Art by : Jack Flam
Download or read book Primitivism and Twentieth-Century Art written by Jack Flam and published by Univ of California Press. This book was released on 2003-03-27 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."—Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."—Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."—Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."—Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa
Book Synopsis Alain Locke and the Visual Arts by : Kobena Mercer
Download or read book Alain Locke and the Visual Arts written by Kobena Mercer and published by Yale University Press. This book was released on 2022-01-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh perspective on the influential critic, offering new ways of understanding the art of the Harlem Renaissance Alain Locke (1885-1954), leading theorist of the Harlem Renaissance, maintained a lifelong commitment to the visual arts. Offering an in-depth study of Locke's writings and art world interventions, Kobena Mercer focuses on the importance of cross-cultural entanglement. This distinctive approach reveals Locke's vision of modern art as a dynamic space where images and ideas generate new forms under the fluid conditions of diaspora. Positioning the philosopher as an advocate for an Afromodern aesthetic that drew from both formal experiments in Europe and the iconic legacy of the African past, Mercer shows how Aaron Douglas, Loïs Mailou Jones, and other New Negro artists acknowledged the diaspora's rupture with the ancestral past as a prelude to the rebirth of identity. In his 1940 picture book, The Negro in Art, Locke also explored the different ways black and white artists approached the black image. Mercer's reading highlights the global mobility of black images as they travel across national and ethnic frontiers. Finally, Mercer examines how Locke's investment in art was shaped by gay male aestheticism. Black male nudes, including works by Richmond Barthé and Carl Van Vechten, thus reveal the significance of queer practices in modernism's cross-cultural genesis Published in association with the Hutchins Center for African & African American Research, Harvard University
Book Synopsis Contemporary Cultures of Display by : Emma Barker
Download or read book Contemporary Cultures of Display written by Emma Barker and published by Yale University Press. This book was released on 1999-01-01 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contiene:
Book Synopsis Potential History by : Ariella Aïsha Azoulay
Download or read book Potential History written by Ariella Aïsha Azoulay and published by Verso Books. This book was released on 2019-11-19 with total page 657 pages. Available in PDF, EPUB and Kindle. Book excerpt: A passionately urgent call for all of us to unlearn imperialism and repair the violent world we share, from one of our most compelling political theorists In this theoretical tour-de-force, renowned scholar Ariella Aïsha Azoulay calls on us to recognize the imperial foundations of knowledge and to refuse its strictures and its many violences. Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while it tries to destroy what came before, and voraciously seeks out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the original imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas at the moment of conquest to the Congo ruled by Belgium's brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day. In Potential History, Azoulay travels alongside historical companions—an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums—to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as “past” and making the repair of torn worlds the substance of politics.
Book Synopsis Art Treasures of Belgium: Sculpture by : Marguerite Devigne
Download or read book Art Treasures of Belgium: Sculpture written by Marguerite Devigne and published by . This book was released on 1954 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art Books written by and published by . This book was released on 1979 with total page 1562 pages. Available in PDF, EPUB and Kindle. Book excerpt: Including an international directory of museum permanent collection catalogs.