Musical Modernism at the Turn of the Twenty-First Century

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Author :
Publisher : Cambridge University Press
ISBN 13 : 9781107402805
Total Pages : 0 pages
Book Rating : 4.4/5 (28 download)

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Book Synopsis Musical Modernism at the Turn of the Twenty-First Century by : David Metzer

Download or read book Musical Modernism at the Turn of the Twenty-First Century written by David Metzer and published by Cambridge University Press. This book was released on 2011-08-11 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing an interesting approach to developments in modernist music - from 1980 onwards - this study also presents an intriguing perspective on the larger history of modernism. Far from being supplanted by a postmodern period, argues David Metzer, modernist idioms remain vital in the contemporary scene. The vitality comes from the ways in which those idioms have extended impulses of modernist styles from the early twentieth century. Since that time, works have participated in lines of inquiry into various compositional and aesthetic topics, particularly the explorations of how to build pieces around such aesthetic ideals as purity and silence and how to deliver and manipulate expressive utterances. Metzer shows how these inquiries have played crucial roles in defining directions taken since 1980, and how, through the inquiries, we can gain a clearer idea of what makes the decades after 1980 a distinct period in the history of modernism.

The Mental Life of Modernism

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Author :
Publisher : MIT Press
ISBN 13 : 0262043491
Total Pages : 240 pages
Book Rating : 4.2/5 (62 download)

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Book Synopsis The Mental Life of Modernism by : Samuel Jay Keyser

Download or read book The Mental Life of Modernism written by Samuel Jay Keyser and published by MIT Press. This book was released on 2020-03-03 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: An argument that Modernism is a cognitive phenomenon rather than a cultural one. At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic developments have been attributed to cultural factors ranging from the Industrial Revolution and the technical innovation of photography to Freudian psychoanalysis. In this book, Samuel Jay Keyser argues that the stylistic innovations of Western modernism reflect not a cultural shift but a cognitive one. Behind modernism is the same cognitive phenomenon that led to the scientific revolution of the seventeenth century: the brain coming up against its natural limitations. Keyser argues that the transformation in poetry, music, and painting (the so-called sister arts) is the result of the abandonment of a natural aesthetic based on a set of rules shared between artist and audience, and that this is virtually the same cognitive shift that occurred when scientists abandoned the mechanical philosophy of the Galilean revolution. The cultural explanations for Modernism may still be relevant, but they are epiphenomenal rather than causal. Artists felt that traditional forms of art had been exhausted, and they began to resort to private formats—Easter eggs with hidden and often inaccessible meaning. Keyser proposes that when artists discarded their natural rule-governed aesthetic, it marked a cognitive shift; general intelligence took over from hardwired proclivity. Artists used a different part of the brain to create, and audiences were forced to play catch up.

Music at the Turn of the Century

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Publisher : Univ of California Press
ISBN 13 : 0520311663
Total Pages : 440 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis Music at the Turn of the Century by : Joseph Kerman

Download or read book Music at the Turn of the Century written by Joseph Kerman and published by Univ of California Press. This book was released on 2024-03-29 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most of the essays in this book were solicited for the tenth anniversary of the journal 19th Century Music, which has sought to encourage innovative writing about music--musicological, theoretical, and/or critical writing--since its founding in 1977. We invited former contributors and some others to submit articles on the general question of the relations between nineteenth-century music and music of the early twentieth century. Responses to our invitation were published in two special issues in the spring and summer of 1987. The breadth and scope of these articles, and their collective cogency, sparked the idea of reissuing them under a single cover, as a book. --From the Preface This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.

Transformations of Musical Modernism

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Publisher : Cambridge University Press
ISBN 13 : 1107127211
Total Pages : 369 pages
Book Rating : 4.1/5 (71 download)

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Book Synopsis Transformations of Musical Modernism by : Erling E. Guldbrandsen

Download or read book Transformations of Musical Modernism written by Erling E. Guldbrandsen and published by Cambridge University Press. This book was released on 2015-10-26 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.

Music of the Twentieth Century

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Publisher : Amsterdam University Press
ISBN 13 : 9053567658
Total Pages : 223 pages
Book Rating : 4.0/5 (535 download)

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Book Synopsis Music of the Twentieth Century by : Ton de Leeuw

Download or read book Music of the Twentieth Century written by Ton de Leeuw and published by Amsterdam University Press. This book was released on 2005 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.

Luigi Dallapiccola and Musical Modernism in Fascist Italy

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Publisher : Cambridge University Press
ISBN 13 : 0521844037
Total Pages : 321 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis Luigi Dallapiccola and Musical Modernism in Fascist Italy by : Ben Earle

Download or read book Luigi Dallapiccola and Musical Modernism in Fascist Italy written by Ben Earle and published by Cambridge University Press. This book was released on 2013-08-15 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.

The Ballad in American Popular Music

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Publisher : Cambridge University Press
ISBN 13 : 1107161525
Total Pages : 245 pages
Book Rating : 4.1/5 (71 download)

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Book Synopsis The Ballad in American Popular Music by : David Metzer

Download or read book The Ballad in American Popular Music written by David Metzer and published by Cambridge University Press. This book was released on 2017-09-21 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to explore the ballad's history and emotional appeal, surveying seventy years of the genre in modern America.

The Cambridge History of Modernism

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Publisher : Cambridge University Press
ISBN 13 : 1316720535
Total Pages : 1579 pages
Book Rating : 4.3/5 (167 download)

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Book Synopsis The Cambridge History of Modernism by : Vincent Sherry

Download or read book The Cambridge History of Modernism written by Vincent Sherry and published by Cambridge University Press. This book was released on 2017-01-11 with total page 1579 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.

The Graph Music of Morton Feldman

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Publisher : Cambridge University Press
ISBN 13 : 1316565211
Total Pages : 405 pages
Book Rating : 4.3/5 (165 download)

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Book Synopsis The Graph Music of Morton Feldman by : David Cline

Download or read book The Graph Music of Morton Feldman written by David Cline and published by Cambridge University Press. This book was released on 2016-05-26 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: Morton Feldman is widely regarded as one of America's greatest composers. His music is famously idiosyncratic, but, in many cases, the way he presented it is also unusual because, in the 1950s and 1960s, he often composed in non-standard musical notations, including a groundbreaking variety on graph paper that facilitated deliberately imprecise specifications of pitch and, at times, other musical parameters. Feldman used this notation, intermittently, over seventeen years, producing numerous graph works that invite analysis as an evolving series. Taking this approach, David Cline marshals a wide range of source materials - many previously unpublished - in clarifying the ideology, organisation and generative history of these graphs and their formative role in the chronicle of post-war music. This assists in pinpointing connections with Feldman's compositions in other formats, works by other composers, notably John Cage, and contemporary currents in painting. Performance practice is examined through analysis of Feldman's non-notated preferences and David Tudor's celebrated interpretations.

Coherence in New Music: Experience, Aesthetics, Analysis

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Author :
Publisher : Routledge
ISBN 13 : 1317164644
Total Pages : 383 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Coherence in New Music: Experience, Aesthetics, Analysis by : Mark Hutchinson

Download or read book Coherence in New Music: Experience, Aesthetics, Analysis written by Mark Hutchinson and published by Routledge. This book was released on 2016-06-10 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Adès, Kaija Saariaho, Tōru Takemitsu and György Kurtág, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, as well as listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time.

Harrison Birtwistle's Operas and Music Theatre

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Publisher : Cambridge University Press
ISBN 13 : 0521895340
Total Pages : 489 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis Harrison Birtwistle's Operas and Music Theatre by : David Beard

Download or read book Harrison Birtwistle's Operas and Music Theatre written by David Beard and published by Cambridge University Press. This book was released on 2012-10-25 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: A definitive source study of the stage works of Harrison Birtwistle, one of Britain's foremost living composers.

Ideology in Britten's Operas

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Publisher : Cambridge University Press
ISBN 13 : 1108416365
Total Pages : 346 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Ideology in Britten's Operas by : J. P. E. Harper-Scott

Download or read book Ideology in Britten's Operas written by J. P. E. Harper-Scott and published by Cambridge University Press. This book was released on 2018-09-06 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thematic examination of Britten's operas focuses on the way that ideology is presented on stage. To watch or listen is to engage with a vivid artistic testament to the ideological world of mid-twentieth-century Britain. But it is more than that, too, because in many ways Britten's operas continue to proffer a diagnosis of certain unresolved problems in our own time. Only rarely, as in Peter Grimes, which shows the violence inherent in all forms of social and psychological identification, does Britten unmistakably call into question fundamental precepts of his contemporary ideology. This has not, however, prevented some writers from romanticizing Britten as a quiet revolutionary. This book argues, in contrast, that his operas, and some interpretations of them, have obscured a greater social and philosophical complicity that it is timely - if at the same time uncomfortable - for his early twenty-first-century audiences to address.

Peter Maxwell Davies, Selected Writings

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Publisher : Cambridge University Press
ISBN 13 : 1107157994
Total Pages : 349 pages
Book Rating : 4.1/5 (71 download)

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Book Synopsis Peter Maxwell Davies, Selected Writings by : Peter Maxwell Davies

Download or read book Peter Maxwell Davies, Selected Writings written by Peter Maxwell Davies and published by Cambridge University Press. This book was released on 2018 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: A varied and wide-ranging collection in which the celebrated post-war composer Peter Maxwell Davies presents his work and his opinions.

Quotation and Cultural Meaning in Twentieth-Century Music

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Publisher : Cambridge University Press
ISBN 13 : 9780521825092
Total Pages : 248 pages
Book Rating : 4.8/5 (25 download)

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Book Synopsis Quotation and Cultural Meaning in Twentieth-Century Music by : David Metzer

Download or read book Quotation and Cultural Meaning in Twentieth-Century Music written by David Metzer and published by Cambridge University Press. This book was released on 2003-04-17 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the twentieth century, musicians frequently incorporated bits of works by other musicians into their own compositions and performances. When a musician borrows from a piece, he or she draws upon not only a melody but also the cultural associations of the original piece. By working with and altering a melody, a musician also transforms those associations. This book explores that vibrant practice, examining how musicians used quotation to participate in the cultural dialogues sustained around such areas as race, childhood, madness, and the mass media.

Ligeti's Laments: Nostalgia, Exoticism, and the Absolute

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Author :
Publisher : Routledge
ISBN 13 : 1351560204
Total Pages : 253 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Ligeti's Laments: Nostalgia, Exoticism, and the Absolute by : Amy Bauer

Download or read book Ligeti's Laments: Nostalgia, Exoticism, and the Absolute written by Amy Bauer and published by Routledge. This book was released on 2017-07-05 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: When the Hungarian composer Gyrgy Ligeti passed away in June 2006, he was widely feted as being one of the greatest composers of our time. His complete published works were recorded during his lifetime and his music continues to inspire a steady stream of performances and scholarship. Ligeti's Laments provides a critical analysis of the composer's works, considering both the compositions themselves and the larger cultural implications of their reception. Bauer both synthesizes and challenges the prevailing narratives surrounding the composer's long career and uses the theme of lament to inform a discussion of specific musical topics, including descending melodic motives, passacaglia and the influence of folk music. But Ligeti 'laments' in a larger sense; his music fuses rigour and sensuality, tradition and the new and influences from disparate high and low cultures, with a certain critical and ironic distance, reflected in his spoken commentary as well as in the substance of his music. The notions of nostalgia, exoticism and the absolute are used to relate works of different eras and genres, along with associated concepts of allegory, melancholy, contemporary subjectivity and the voice.

György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque

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Author :
Publisher : Routledge
ISBN 13 : 1315531283
Total Pages : 175 pages
Book Rating : 4.3/5 (155 download)

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Book Synopsis György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque by : Peter Edwards

Download or read book György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque written by Peter Edwards and published by Routledge. This book was released on 2016-08-05 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: György Ligeti’s Le Grand Macabre (1974–77, revised 1996) has consolidated its position as one of the major operatic works of the twentieth century. Few operas composed since the 1970s have received such numerous productions, bringing the eclectic score to a global audience. Famously dubbed by Ligeti as an ‘anti-anti-opera’, the piece is a highly ambiguous, apocalyptic fable about the human condition, fear of death and the final judgement. As the first book in English solely dedicated to discussion of this work, György Ligeti’s Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque offers new perspectives on the opera’s musico-dramatic identity in the context of musical postmodernism. Peter Edwards draws on a range of modernist and postmodernist theories to explore the collision of past styles and genre models in the opera, its expressive states and its engagement with the grotesque. This is ably supported by musical analysis and extensive study of Ligeti’s sketch materials held at the Paul Sacher Foundation in Basel. Edwards’s analyses culminate in a new approach to examining the opera’s rich multiplicities, the composition of the musical material and the nature of Ligeti’s relationship with the musical past. This is a key reference work in the fields of musical modernism and postmodernism, opera studies and the music of Ligeti.

Avant-Garde on Record

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Publisher : Cambridge University Press
ISBN 13 : 1009363441
Total Pages : 337 pages
Book Rating : 4.0/5 (93 download)

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Book Synopsis Avant-Garde on Record by : Jonathan Goldman

Download or read book Avant-Garde on Record written by Jonathan Goldman and published by Cambridge University Press. This book was released on 2023-11-09 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovative contribution to music history, cultural studies, and sound studies, Avant-garde on Record revisits post-war composers and their technologically oriented brand of musical modernism. It describes how a broad range of figures (including Pierre Boulez, Karlheinz Stockhausen, Henri Pousseur, Toshirō Mayuzumi, Claire Schapira, Anthony Braxton and Gunther Schuller) engaged with avant-garde aesthetics while responding to a rapidly changing, technologically fuelled, spatialized audio culture. Jonathan Goldman focuses on how contemporary listeners understood these composers' works in the golden age of LPs and explores how this reception was mediated through consumer-oriented sound technology that formed a prism through which listeners processed the 'music of their time'. His account reveals unexpected aspects of twentieth-century audio culture: from sonic ping-pong to son et lumière shows, from Venetian choral music by Stravinsky to the soundscape of Niagara Falls, from a Buddhist Cantata to an LP box set cast as a parlour game.