Computational Music Analysis

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Publisher : Springer
ISBN 13 : 3319259318
Total Pages : 483 pages
Book Rating : 4.3/5 (192 download)

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Book Synopsis Computational Music Analysis by : David Meredith

Download or read book Computational Music Analysis written by David Meredith and published by Springer. This book was released on 2015-10-27 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an in-depth introduction and overview of current research in computational music analysis. Its seventeen chapters, written by leading researchers, collectively represent the diversity as well as the technical and philosophical sophistication of the work being done today in this intensely interdisciplinary field. A broad range of approaches are presented, employing techniques originating in disciplines such as linguistics, information theory, information retrieval, pattern recognition, machine learning, topology, algebra and signal processing. Many of the methods described draw on well-established theories in music theory and analysis, such as Forte's pitch-class set theory, Schenkerian analysis, the methods of semiotic analysis developed by Ruwet and Nattiez, and Lerdahl and Jackendoff's Generative Theory of Tonal Music. The book is divided into six parts, covering methodological issues, harmonic and pitch-class set analysis, form and voice-separation, grammars and hierarchical reduction, motivic analysis and pattern discovery and, finally, classification and the discovery of distinctive patterns. As a detailed and up-to-date picture of current research in computational music analysis, the book provides an invaluable resource for researchers, teachers and students in music theory and analysis, computer science, music information retrieval and related disciplines. It also provides a state-of-the-art reference for practitioners in the music technology industry.

Theory, Analysis and Meaning in Music

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Publisher : Cambridge University Press
ISBN 13 : 9780521028301
Total Pages : 248 pages
Book Rating : 4.0/5 (283 download)

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Book Synopsis Theory, Analysis and Meaning in Music by : Anthony Pople

Download or read book Theory, Analysis and Meaning in Music written by Anthony Pople and published by Cambridge University Press. This book was released on 2006-11-02 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.

Algorithmic Composition

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Publisher : Springer Science & Business Media
ISBN 13 : 3211755403
Total Pages : 294 pages
Book Rating : 4.2/5 (117 download)

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Book Synopsis Algorithmic Composition by : Gerhard Nierhaus

Download or read book Algorithmic Composition written by Gerhard Nierhaus and published by Springer Science & Business Media. This book was released on 2009-08-28 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Algorithmic composition – composing by means of formalizable methods – has a century old tradition not only in occidental music history. This is the first book to provide a detailed overview of prominent procedures of algorithmic composition in a pragmatic way rather than by treating formalizable aspects in single works. In addition to an historic overview, each chapter presents a specific class of algorithm in a compositional context by providing a general introduction to its development and theoretical basis and describes different musical applications. Each chapter outlines the strengths, weaknesses and possible aesthetical implications resulting from the application of the treated approaches. Topics covered are: markov models, generative grammars, transition networks, chaos and self-similarity, genetic algorithms, cellular automata, neural networks and artificial intelligence are covered. The comprehensive bibliography makes this work ideal for the musician and the researcher alike.

The Computer Music Tutorial, second edition

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Publisher : MIT Press
ISBN 13 : 026236154X
Total Pages : 1287 pages
Book Rating : 4.2/5 (623 download)

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Book Synopsis The Computer Music Tutorial, second edition by : Curtis Roads

Download or read book The Computer Music Tutorial, second edition written by Curtis Roads and published by MIT Press. This book was released on 2023-06-06 with total page 1287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Expanded, updated, and fully revised—the definitive introduction to electronic music is ready for new generations of students. Essential and state-of-the-art, The Computer Music Tutorial, second edition is a singular text that introduces computer and electronic music, explains its motivations, and puts topics into context. Curtis Roads’s step-by-step presentation orients musicians, engineers, scientists, and anyone else new to computer and electronic music. The new edition continues to be the definitive tutorial on all aspects of computer music, including digital audio, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, and psychoacoustics, but the second edition also reflects the enormous growth of the field since the book’s original publication in 1996. New chapters cover up-to-date topics like virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, and instrument and patch editors. Exhaustively referenced and cross-referenced, the second edition adds hundreds of new figures and references to the original charts, diagrams, screen images, and photographs in order to explain basic concepts and terms. Features New chapters: virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, instrument and patch editors, and an appendix on machine learning Two thousand references support the book’s descriptions and point readers to further study Mathematical notation and program code examples used only when necessary Twenty-five years of classroom, seminar, and workshop use inform the pace and level of the material

Readings in Music and Artificial Intelligence

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Publisher : Routledge
ISBN 13 : 1136652787
Total Pages : 307 pages
Book Rating : 4.1/5 (366 download)

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Book Synopsis Readings in Music and Artificial Intelligence by : Eduardo Reck Miranda

Download or read book Readings in Music and Artificial Intelligence written by Eduardo Reck Miranda and published by Routledge. This book was released on 2013-10-28 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: The interplay between emotional and intellectual elements feature heavily in the research of a variety of scientific fields, including neuroscience, the cognitive sciences and artificial intelligence (AI). This collection of key introductory texts by top researchers worldwide is the first study which introduces the subject of artificial intelligence and music to beginners. Eduardo Reck Miranda received a Ph.D. in music and artificial intelligence from the University of Edinburgh, Scotland. He has published several research papers in major international journals and his compositions have been performed worldwide. Also includes 57 musical examples.

Composing Electronic Music

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Publisher : Oxford University Press
ISBN 13 : 0199911401
Total Pages : 513 pages
Book Rating : 4.1/5 (999 download)

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Book Synopsis Composing Electronic Music by : Curtis Roads

Download or read book Composing Electronic Music written by Curtis Roads and published by Oxford University Press. This book was released on 2015-06-17 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Opening the door to an unlimited universe of sound, it engages spatialization as an integral aspect of composition and focuses on sound transformation as a core structural strategy. In this new domain, pitch occurs as a flowing and ephemeral substance that can be bent, modulated, or dissolved into noise. Similarly, time occurs not merely as a fixed duration subdivided by ratios, but as a plastic medium that can be generated, modulated, reversed, warped, scrambled, and granulated. Envelope and waveform undulations on all time scales interweave to generate form. The power of algorithmic methods amplify the capabilities of music technology. Taken together, these constitute game-changing possibilities. This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice. Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.

The Analysis and Cognition of Melodic Complexity

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Publisher : University of Chicago Press
ISBN 13 : 9780226568423
Total Pages : 460 pages
Book Rating : 4.5/5 (684 download)

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Book Synopsis The Analysis and Cognition of Melodic Complexity by : Eugene Narmour

Download or read book The Analysis and Cognition of Melodic Complexity written by Eugene Narmour and published by University of Chicago Press. This book was released on 1992-11 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this work, Eugene Narmour extends the unique theories of musical perception presented in The Analysis and Cognition of Basic Melodic Structures. The two books together constitute the first comprehensive theory of melody founded on psychological research. Narmour's earlier study dealt with cognitive relations between melodic tones at their most basic level. After summarizing the formalized methodology of the theory described in that work, Narmour develops an elaborate and original symbology to show how sixteen archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways. He then explains and speculates on the cognitive operations by which listeners assimilate and ultimately encode these complex melodic structures. More than 250 musical examples from different historical periods and non-Western cultures demonstrate the panstylistic scope of Narmour's model. Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists.

New Technologies for the Humanities

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Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 311097827X
Total Pages : 532 pages
Book Rating : 4.1/5 (19 download)

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Book Synopsis New Technologies for the Humanities by : Christine Mullings

Download or read book New Technologies for the Humanities written by Christine Mullings and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-05-20 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: No detailed description available for "New Technologies for the Humanities".

Iranian Classical Music

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Publisher : Routledge
ISBN 13 : 1351926233
Total Pages : 300 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis Iranian Classical Music by : Laudan Nooshin

Download or read book Iranian Classical Music written by Laudan Nooshin and published by Routledge. This book was released on 2017-03-02 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questions of creativity, and particularly the processes which underlie creative performance or ’improvisation’, form some of the central areas of interest in current musicology. Yet the predominant discourses on which musicological thought in this area are based have rarely been challenged. In this book Laudan Nooshin interrogates musicological discourses of creativity from the perspective of critical theory and postcolonial studies, examining their ideological underpinnings, the relationships of alterity which they sustain, and the profound implications for our understanding of creative processes in music. The repertoire which forms the book’s main focus is Iranian classical music, a tradition in which the performer plays a central creative role. Addressing a number of issues regarding the nature of musical creativity, the author explores both the discourses through which ideas about creativity are constructed, exchanged and negotiated within this tradition, and the practice by which new music comes into being. For the latter she compares a number of performances by musicians playing a range of instruments and spanning a period of more than 30 years, focusing on one particular section of repertoire, dastgāh Segāh, and providing transcriptions of the performances as the basis for analytical exploration of the music’s underlying compositional principles. This book is about understanding musical creativity as a meaningful social practice. It is the first to examine the ways in which ideas about tradition, authenticity, innovation and modernity in Iranian classical music form part of a wider social discourse on creativity, and in particular how they inform debates regarding national and cultural identity.

Methods of Computer-assisted Music Analysis

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Publisher :
ISBN 13 :
Total Pages : 716 pages
Book Rating : 4.3/5 (129 download)

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Book Synopsis Methods of Computer-assisted Music Analysis by : Nico Stephan Schuler

Download or read book Methods of Computer-assisted Music Analysis written by Nico Stephan Schuler and published by . This book was released on 2000 with total page 716 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Musical Networks

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Publisher : MIT Press
ISBN 13 : 9780262071819
Total Pages : 422 pages
Book Rating : 4.0/5 (718 download)

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Book Synopsis Musical Networks by : Niall Griffith

Download or read book Musical Networks written by Niall Griffith and published by MIT Press. This book was released on 1999 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents the most up-to-date collection of neural network models of music and creativity gathered together in one place. Chapters by leaders in the field cover new connectionist models of pitch perception, tonality, musical streaming, sequential and hierarchical melodic structure, composition, harmonization, rhythmic analysis, sound generation, and creative evolution. The collection combines journal papers on connectionist modeling, cognitive science, and music perception with new papers solicited for this volume. It also contains an extensive bibliography of related work. Contributors Shumeet Baluja, M.I. Bellgard, Michael A. Casey, Garrison W. Cottrell, Peter Desain, Robert O. Gjerdingen, Mike Greenhough, Niall Griffith, Stephen Grossberg, Henkjan Honing, Todd Jochem, Bruce F. Katz, John F. Kolen, Edward W. Large, Michael C. Mozer, Michael P.A. Page, Caroline Palmer, Jordan B. Pollack, Dean Pomerleau, Stephen W. Smoliar, Ian Taylor, Peter M. Todd, C.P. Tsang, Gregory M. Werner

Linguistics and Semiotics in Music

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Publisher : Routledge
ISBN 13 : 1134346735
Total Pages : 384 pages
Book Rating : 4.1/5 (343 download)

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Book Synopsis Linguistics and Semiotics in Music by : Raymond Monelle

Download or read book Linguistics and Semiotics in Music written by Raymond Monelle and published by Routledge. This book was released on 2014-04-08 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook for advanced students explains the various applications to music of methods derived from linguistics and semiotics. The book is aimed at musicians familiar with the ordinary range of aesthetic and theoretical ideas in music; no specialized knowledge of linguistic or semiotic terminology is necessary. In the two introductory chapters, semiotics is related to the tradition of music aesthetics and to well-known works like Deryck Cooke's The Language of Music, and the methods of linguistics are explained in language intelligible to musicians. There is no limitation to one school or tradition; linguistic applications not avowedly semiotic, and semiotic theories not connected with linguistics, are all included. The book gives clear and simple descriptions with ample diagrams and music examples of the 'neutral level', 'semiotic analysis', transformation and generation, structural semantics and narrative grammar, intonation theory, the ideas of C.S. Peirce, and applications in ethnomusicology.

Affective Computing and Intelligent Interaction

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Publisher : Springer
ISBN 13 : 3540322736
Total Pages : 1025 pages
Book Rating : 4.5/5 (43 download)

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Book Synopsis Affective Computing and Intelligent Interaction by : Jianhua Tao

Download or read book Affective Computing and Intelligent Interaction written by Jianhua Tao and published by Springer. This book was released on 2005-11-15 with total page 1025 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains the proceedings of the 1st International Conference on A?ective Computing and Intelligent Interaction (ACII 2005) held in Beijing, China, on 22–24 October 2005. Traditionally, the machine end of human–machine interaction has been very passive, and certainly has had no means of recognizing or expressing a?ective information. But without the ability to process such information, computers cannot be expected to communicate with humans in a natural way. The ability to recognize and express a?ect is one of the most important features of - man beings. We therefore expect that computers will eventually have to have the ability to process a?ect and to interact with human users in ways that are similar to those in which humans interact with each other. A?ective computing and intelligent interaction is a key emerging technology that focuses on m- iad aspects of the recognition, understanding, and expression of a?ective and emotional states by computers. The topic is currently a highly active research area and is receiving increasing attention. This strong interest is driven by a wide spectrum of promising applications such as virtual reality, network games, smart surveillance, perceptual interfaces, etc. A?ective computing and intelligent interaction is a multidisciplinary topic, involving psychology, cognitive science, physiology and computer science. ACII 2005 provided a forum for scientists and engineers to exchange their technical results and experiences in this fast-moving and exciting ?eld. A total of 45 oral papers and 82 poster papers included in this volume were selected from 205 c- tributionssubmittedbyresearchersworldwide.

Beyond MIDI

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Publisher : MIT Press
ISBN 13 : 9780262193948
Total Pages : 662 pages
Book Rating : 4.1/5 (939 download)

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Book Synopsis Beyond MIDI by : Eleanor Selfridge-Field

Download or read book Beyond MIDI written by Eleanor Selfridge-Field and published by MIT Press. This book was released on 1997 with total page 662 pages. Available in PDF, EPUB and Kindle. Book excerpt: The establishment of the Musical Instrument Digital Interface (MIDI) in the late 1980s allowed hobbyists and musicians to experiment with sound control in ways that previously had been possible only in research studios. MIDI is now the most prevalent representation of music, but what it represents is based on hardware control protocols for sound synthesis. Programs that support sound input for graphics output necessarily span a gamut of representational categories. What is most likely to be lost is any sense of the musical work. Thus, for those involved in pedagogy, analysis, simulation, notation, and music theory, the nature of the representation matters a great deal. An understanding of the data requirements of different applications is fundamental to the creation of interchange codes. The contributors to Beyond MIDI present a broad range of schemes, illustrating a wide variety of approaches to music representation. Generally, each chapter describes the history and intended purposes of the code, a description of the representation of the primary attributes of music (pitch, duration, articulation, ornamentation, dynamics, and timbre), a description of the file organization, some mention of existing data in the format, resources for further information, and at least one encoded example. The book also shows how intended applications influence the kinds of musical information that are encoded. Contributors David Bainbridge, Ulf Berggren, Roger D. Boyle, Donald Byrd, David Cooper, Edmund Correia, Jr., David Cottle, Tim Crawford, J. Stephen Dydo, Brent A. Field, Roger Firman, John Gibson, Cindy Grande, Lippold Haken, Thomas Hall, David Halperin, Philip Hazel, Walter B. Hewlett, John Howard, David Huron, Werner Icking, David Jaffe, Bettye Krolick, Max V. Mathews, Toshiaki Matsushima, Steven R. Newcomb, Kia-Chuan Ng, Kjell E. Nordli, Sile O'Modhrain, Perry Roland, Helmut Schaffrath, Bill Schottstaedt, Eleanor Selfrdige-Field, Peer Sitter, Donald Sloan, Leland Smith, Andranick Tanguiane, Lynn M. Trowbridge, Frans Wiering

Structuring Music through Markup Language: Designs and Architectures

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Publisher : IGI Global
ISBN 13 : 1466624981
Total Pages : 274 pages
Book Rating : 4.4/5 (666 download)

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Book Synopsis Structuring Music through Markup Language: Designs and Architectures by : Steyn, Jacques

Download or read book Structuring Music through Markup Language: Designs and Architectures written by Steyn, Jacques and published by IGI Global. This book was released on 2012-11-30 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book offers a different approach to music by focusing on the information organization and the development of XML-based language, presenting a new set of tools for practical implementations, and a new investigation into the theory of music"--Provided by publisher.

Embodied Music Cognition and Mediation Technology

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Publisher : MIT Press
ISBN 13 : 0262122936
Total Pages : 317 pages
Book Rating : 4.2/5 (621 download)

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Book Synopsis Embodied Music Cognition and Mediation Technology by : Marc Leman

Download or read book Embodied Music Cognition and Mediation Technology written by Marc Leman and published by MIT Press. This book was released on 2007-08-03 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: A proposal that an embodied cognition approach to music research—drawing on work in computer science, psychology, brain science, and musicology—offers a promising framework for thinking about music mediation technology. Digital media handles music as encoded physical energy, but humans consider music in terms of beliefs, intentions, interpretations, experiences, evaluations, and significations. In this book, drawing on work in computer science, psychology, brain science, and musicology, Marc Leman proposes an embodied cognition approach to music research that will help bridge this gap. Assuming that the body plays a central role in all musical activities, and basing his approach on a hypothesis about the relationship between musical experience (mind) and sound energy (matter), Leman argues that the human body is a biologically designed mediator that transfers physical energy to a mental level—engaging experiences, values, and intentions—and, reversing the process, transfers mental representation into material form. He suggests that this idea of the body as mediator offers a promising framework for thinking about music mediation technology. Leman proposes that, under certain conditions, the natural mediator (the body) can be extended with artificial technology-based mediators. He explores the necessary conditions and analyzes ways in which they can be studied. Leman outlines his theory of embodied music cognition, introducing a model that describes the relationship between a human subject and its environment, analyzing the coupling of action and perception, and exploring different degrees of the body's engagement with music. He then examines possible applications in two core areas: interaction with music instruments and music search and retrieval in a database or digital library. The embodied music cognition approach, Leman argues, can help us develop tools that integrate artistic expression and contemporary technology.

Music Inside Out

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Publisher : Routledge
ISBN 13 : 1134396228
Total Pages : 200 pages
Book Rating : 4.1/5 (343 download)

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Book Synopsis Music Inside Out by : John Rahn

Download or read book Music Inside Out written by John Rahn and published by Routledge. This book was released on 2014-03-18 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Rahn's prolific activities as a composer-theorist-teacher, inventor of computer sound-synthesis software, editor of Perspectives of New Music during the 1980s and 90s, and author of an exemplary text on atonal theory are conspicuously in the foreground of the academic music-intellectual world. This collection of essays charts Rahn's progression from the construal of music's data structures to the articulation of its experiential structures, leading to the question of its moral infrastructures and its value systems of the internal and external worlds. This book shows Rahn's remarkable intellectual evolution, culminating in the recognition that the pressure bearing on discourse can only be contained by thought formulated in the non-referential language of the arts themselves. Also includes 18 musical examples.