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Music In Epic Film
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Book Synopsis Music in Epic Film by : Stephen C. Meyer
Download or read book Music in Epic Film written by Stephen C. Meyer and published by Routledge. This book was released on 2016-09-01 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.
Book Synopsis Music in Epic Film by : Stephen Meyer
Download or read book Music in Epic Film written by Stephen Meyer and published by Taylor & Francis. This book was released on 2016-09-01 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.
Book Synopsis Composing for the Cinema by : Ennio Morricone
Download or read book Composing for the Cinema written by Ennio Morricone and published by Scarecrow Press. This book was released on 2013-10-10 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Book Synopsis The Encyclopedia of Epic Films by : Constantine Santas
Download or read book The Encyclopedia of Epic Films written by Constantine Santas and published by Scarecrow Press. This book was released on 2014-03-21 with total page 713 pages. Available in PDF, EPUB and Kindle. Book excerpt: Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains: Major personnel behind the camera, including directors and screenwriters Cast and character listings Plot summary Analysis Academy Award wins and nominations DVD and Blu-ray availability Resources for further study This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.
Book Synopsis Music by Max Steiner by : Steven C. Smith
Download or read book Music by Max Steiner written by Steven C. Smith and published by Cultural Biographies. This book was released on 2020 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this biography the author interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences
Download or read book American Epic written by Bernard MacMahon and published by Simon and Schuster. This book was released on 2017-05-02 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1920s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. The recordings they made of the ethnic groups of America helped democratize the nation and gave a voice to all its people: a woman picking cotton in Mississippi, a coal miner in Virginia, or a tobacco farmer in Tennessee could have his or her thoughts and feelings heard on records played in living rooms across the country. These records blended the intertwining strands of Europe, Africa, the Pacific Islands, and the Americas and formed the bedrock for modern music as we know it. Today, virtually no documentation of these extraordinary events survives, and nearly 90 percent of the music masters have been destroyed. Bernard MacMahon and Allison McGourty spent years traveling around the U.S. on a mission to rescue this history, interviewing hundreds of families and scouring attics and basements, collecting vintage film footage and hundreds of photographs that haven't been seen in nearly a century. This written account continues the journey of the PBS television series and features additional stories, photographs, and artwork. It also contains contributions from many of the musicians who participated, including Taj Mahal, Nas, Willie Nelson, and Steve Martin, plus a behind-the-scenes look at the incredible adventure across America in search of these recordings and eyewitness accounts.
Book Synopsis Return of the Epic Film by : Andrew B.R. Elliott
Download or read book Return of the Epic Film written by Andrew B.R. Elliott and published by Edinburgh University Press. This book was released on 2014-03-11 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Return of the Epic Film offers a fresh way of thinking about a body of films which has dominated our screens for a decade. With contributions from top scholars in the field, the collection adopts a range of interdisciplinary perspectives to explore the epic film in the twenty-first century.
Book Synopsis Music in Action Film by : James Buhler
Download or read book Music in Action Film written by James Buhler and published by Routledge. This book was released on 2020-11-16 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Action Film is the first volume to address the central role of music and sound in action film—arguably the most dominant form of commercial cinema today. Bringing together 15 essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies.
Book Synopsis 'Broadsword Calling Danny Boy' by : Geoff Dyer
Download or read book 'Broadsword Calling Danny Boy' written by Geoff Dyer and published by Vintage. This book was released on 2019-02-12 with total page 71 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Zona, Geoff Dyer—‘one of our most original writers’ (New York)—devoted a whole book to Andrei Tarkovsky’s cult masterpiece, Stalker. Now, in this warm and funny tribute to one of his favorite movies, he revisits the action classic Where Eagles Dare. A thrilling Alpine adventure headlined by a magnificent, bleary-eyed Richard Burton and a dynamically lethargic Clint Eastwood, Where Eagles Dare is the apex of 1960s war movies, by turns enjoyable and preposterous. ‘Broadsword Calling Danny Boy’ is Dyer’s hilarious tribute to a film he has loved since childhood: it’s a scene-by-scene analysis—or should that be send-up?—taking us from the movie’s snowy, Teutonic opening credits to its vertigo-inducing climax.
Book Synopsis The Epic Films of David Lean by : Constantine Santas
Download or read book The Epic Films of David Lean written by Constantine Santas and published by Scarecrow Press. This book was released on 2012 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, David Lean's now undervalued epics--The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, Ryan's Daughter, and A Passage to India--are restored to the elevated esteem they once held.
Book Synopsis Film and Video Editing by : Roger Crittenden
Download or read book Film and Video Editing written by Roger Crittenden and published by Routledge. This book was released on 2003-12-16 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the history and current practice in film and television arguing that a solid base of knowledge of the craft of the skill is essential for the proper application of the new techniques. Based on the highly acclaimed and well-used first edition published by Thames and Hudson a decade and a half ago, this second edition has been thoroughly updated, revised and extended. The aesthetics and techniques of editing are examined in depth and illustrated with numerous examples from past and present films and individual editors' work. Of relevance to the directors, camera and sound people as well as editors and aspiring editors, it will provide an invaluable reference tool to all students of film and video.
Book Synopsis Soviet Film Music by : Tatiana Egorova
Download or read book Soviet Film Music written by Tatiana Egorova and published by Routledge. This book was released on 2014-07-10 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the years 1917 to 1991, despite unfavorable prevailing conditions, there were outstanding achievements in the music created for the cinema in the Soviet Union. Perhaps in no other country was film music associated with so many distinguished composers: Sergei Prokofiev, Dmitry Shostakovich, Isaak Dunayevsky, Georgy Sviridov, Aram Khachaturian, Alfred Schnittke, Nikolai Karetnikov, Edward Artemyev, Edison Denisov, and Sofia Gubaidulina. They were ready to accept film directors' invitations because they considered the cinema to be a perfect laboratory for testing the concepts and themes for future operas, symphonies, oratorios, and other large-scale compositions. A remarkable characteristic of Soviet film music was the appearance of successful director - composer collaborations, such as the famous 'duets' of Eisenstein - Prokofiev, Kozintsev - Shostakovich and Tarkovsky - Artemyev. This fascinating volume is the first attempt at a historical analysis of Soviet film music - a unique and full
Book Synopsis Soviet Film Music by : Tatʹi︠a︡na K. Egorova
Download or read book Soviet Film Music written by Tatʹi︠a︡na K. Egorova and published by Psychology Press. This book was released on 1997 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Film Music Analysis by : Frank Lehman
Download or read book Film Music Analysis written by Frank Lehman and published by Taylor & Francis. This book was released on 2024-05-31 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the establishment of film music studies, there has been a steady growth of serious analytical work on the film music repertoire. Film Music Analysis: Studying the Score offers the first collection of essays dedicated to the close investigation of musical structure and meaning in film music. Showcasing scholarship from a diverse and distinguished group of music theorists and musicologists, this book presents the many ways to inspect the inner workings of film music in a manner that is exciting and accessible to anyone curious about this music, regardless of their background in film or music theory. Each chapter takes as its focus one music-theoretical parameter and explores how that concept can be used to analyze and interpret film music. Covering theoretical concepts that range from familiar categories such as leitmotif and pitch structure to more cutting-edge ideas such as timbral associativity, topic theory, and metrical states, the book provides a toolkit with which to explore this captivatingly varied repertoire. With example analyses drawn from classic and contemporary films, Film Music Analysis: Studying the Score is a valuable teaching tool and an indispensable addition to the library of any lover of film and music.
Book Synopsis Theories of the Soundtrack by : James Buhler
Download or read book Theories of the Soundtrack written by James Buhler and published by . This book was released on 2019 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: A theory of the soundtrack is concerned with what belongs to the soundtrack, how a soundtrack is effectively organized, how its status in a multimedia object affects the nature of the object, the tools available for its analysis, and the interpretive regime that the theory mandates for determining the meaning, sense, and structure that sound and music bring to film and other audiovisual media. Beyond that, a theory may also delineate the range of possible uses of sound and music, classify the types of relations that films have used for image and sound, identify the central problems, and reflect on and describe effective uses of sound in film. This book summarizes and critiques major theories of the soundtrack from roughly 1929 until today. Rather than providing an exhaustive historical survey, it sketches out the range of theoretical approaches that have been applied to the soundtrack since the commercial introduction of the sound film. The basic theoretical framework of each approach is presented, taking into account the explicit and implicit claims about the soundtrack and its relation to other theories. The organization is both chronological and topical, the former in that the chapters move steadily from early film theory through models of the classical system to more recent critical theories; the latter in that the chapters highlight central issues for each generation: the problem of film itself, then of image and sound, of adequate analytical-descriptive models, and finally of critical-interpretative models.
Book Synopsis The Oxford Handbook of Cinematic Listening by : Carlo Cenciarelli
Download or read book The Oxford Handbook of Cinematic Listening written by Carlo Cenciarelli and published by Oxford University Press. This book was released on 2021 with total page 789 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.
Book Synopsis Music in Films on the Middle Ages by : John Haines
Download or read book Music in Films on the Middle Ages written by John Haines and published by Routledge. This book was released on 2013-10-30 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema’s main development in the course of the twentieth century as an American appropriation of European culture. The book treats six pervasive moments that define the genre of medieval film: the church-tower bell, the trumpet fanfare or horn call, the music of banquets and courts, the singing minstrel, performances of Gregorian chant, and the music that accompanies horse-riding knights, with each chapter visiting representative films as case studies. These six signal musical moments, that create a fundamental visual-aural core central to making a film feel medieval to modern audiences, originate in medievalist works predating cinema by some three centuries.