Music: Black, White & Blue

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Author :
Publisher : Quill
ISBN 13 : 9780688050252
Total Pages : 196 pages
Book Rating : 4.0/5 (52 download)

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Book Synopsis Music: Black, White & Blue by : Ortiz Walton

Download or read book Music: Black, White & Blue written by Ortiz Walton and published by Quill. This book was released on 1980 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Blue and the Gray in Black and White

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Author :
Publisher :
ISBN 13 :
Total Pages : 14 pages
Book Rating : 4.:/5 (368 download)

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Book Synopsis The Blue and the Gray in Black and White by :

Download or read book The Blue and the Gray in Black and White written by and published by . This book was released on 199? with total page 14 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Black and Blue

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Author :
Publisher : Schirmer Trade Books
ISBN 13 :
Total Pages : 484 pages
Book Rating : 4.3/5 (97 download)

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Book Synopsis Black and Blue by : Barry Singer

Download or read book Black and Blue written by Barry Singer and published by Schirmer Trade Books. This book was released on 1992 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Black and Blue" is the triumphant story of the African-American experience on Broadway, seen through the rediscovered life of a unique lyric-writing genius. Born Andrea Razafkeriefo- a direct descendant of the royal family of Madagascar -in 1895, Andy Razaf's life is a tale of breathtaking lyric talent ending in obscurity, set against Prohibition-era Tin Pan Alley, Broadway, and Harlem "after-hours" nightclubs and speakeasies.

Sounding the Color Line

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Author :
Publisher : University of Georgia Press
ISBN 13 : 082034835X
Total Pages : 232 pages
Book Rating : 4.8/5 (23 download)

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Book Synopsis Sounding the Color Line by : Erich Nunn

Download or read book Sounding the Color Line written by Erich Nunn and published by University of Georgia Press. This book was released on 2015-06-01 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull--between segregationist cultural logics and music's disrespect of racially defined boundaries--is an animating force in twentieth-century American popular culture.

The New Blue Music

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Author :
Publisher : Univ. Press of Mississippi
ISBN 13 : 1496801288
Total Pages : 303 pages
Book Rating : 4.4/5 (968 download)

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Book Synopsis The New Blue Music by : Richard J. Ripani

Download or read book The New Blue Music written by Richard J. Ripani and published by Univ. Press of Mississippi. This book was released on 2009-09-23 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.”

Cats of Any Color

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Author :
Publisher : Oxford University Press
ISBN 13 : 0195356136
Total Pages : 257 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Cats of Any Color by : Gene Lees

Download or read book Cats of Any Color written by Gene Lees and published by Oxford University Press. This book was released on 1995-12-21 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: It was none other than Louis Armstrong who said, "These people who make the restrictions, they don't know nothing about music. It's no crime for cats of any color to get together and blow." "You can't know what it means to be black in the United States--in any field," Dizzy Gillespie once said, but Gillespie vigorously objected to the proposition that only black people could play jazz. "If you accept that premise, well then what you're saying is that maybe black people can only play jazz. And black people, like anyone else, can be anything they want to be." In Cats of Any Color, Gene Lees, the acclaimed author of three previous collections of essays on jazz and popular music, takes a long overdue look at the shocking pervasiveness of racism in jazz's past and present--both the white racism that long ghettoized the music and generations of talented black musicians, and what Lees maintains is an increasingly virulent reverse racism aimed at white jazz musicians. In candid interviews, living jazz legends, critics, and composers step forward and share their thoughts on how racism has affected their lives. Dave Brubeck, part Modoc Indian, discusses native Americans' contribution to jazz and the deeply ingrained racism that for a time made it all but impossible for jazz groups with black and white players to book tours and television appearances. Horace Silver looks back on his long career, including the first time he ever heard jazz played live. Blacks were not not allowed into the pavilion in Connecticut where Jimmie Lunceford's band was performing, so the ten-year-old Silver listened and watched through the wooden slats surrounding the pavilion. "And oh man! That was it!" Silver recalls. Red Rodney recalls his early days with Charlie "Bird" Parker, and pianist and composer Cedar Walton tells of the time Duke Ellington played at the army base at Ford Dix and allowed the young enlisted Walton to sit in. Tracing the jazz world's shifting attitude towards race, many of the stories Lees tells are inspiring--Brubeck cancelling 23 out of 25 concert dates in the South rather than replace black bass player Eugene Wright, or Silver insisting that while he strives to provide his fellow black musicians opportunities, "I just want the best musicans I can get. I don't give a damn if they're pink or polka dot." Others are profoundly disturbing--Lees' first encounter with Oscar Peterson, after a Canadian barber flatly refused to cut Peterson's hair, or Wynton Marsalis on television claiming that blacks have been held back for so many years because the music business is controlled by "people who read the Torah and stuff." From the old shantytowns of Louisville, to the streets of South Central L.A., to the up-to-the-minute controversies surrounding Marsalis's jazz program at Lincoln Center, and the Jazz Masters awards given by the NEA, Cats of Any Color confronts racism head-on. At its heart is a passionate plea to recognize jazz not as the sole property of any one group, but as an art form celebrating the human spirit--not just for the protection of individual musicians, but for the preservation of the music itself.

Music

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Author :
Publisher :
ISBN 13 :
Total Pages : 180 pages
Book Rating : 4.:/5 (753 download)

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Book Synopsis Music by : Oritz Walton

Download or read book Music written by Oritz Walton and published by . This book was released on 1974 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Blacks, Whites, and Blues

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Author :
Publisher :
ISBN 13 :
Total Pages : 118 pages
Book Rating : 4.3/5 ( download)

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Book Synopsis Blacks, Whites, and Blues by : Tony Russell

Download or read book Blacks, Whites, and Blues written by Tony Russell and published by . This book was released on 1970 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An historical examination of the complex relationship between the Negro and White folk music traditions and the importance of the blues in both"--from page [4] of book jacket.

Music: Black, White & Blue

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Author :
Publisher :
ISBN 13 :
Total Pages : 200 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Music: Black, White & Blue by : Ortiz Walton

Download or read book Music: Black, White & Blue written by Ortiz Walton and published by . This book was released on 1972 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Beale Black and Blue

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Author :
Publisher : LSU Press
ISBN 13 : 9780807118863
Total Pages : 284 pages
Book Rating : 4.1/5 (188 download)

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Book Synopsis Beale Black and Blue by : Margaret McKee

Download or read book Beale Black and Blue written by Margaret McKee and published by LSU Press. This book was released on 1993-09-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: W. C. Handy, Furry Lewis, Booker White, Lillie May Glover, Roosevelt Sykes, Arthur Crudup, B. B. King, Bobby Blue Bland, Muddy Waters -- these and other musicians, singers, and songwriters, including the young Elvis Presley, eventually went to Beale Street in Memphis, Tennessee, to learn, improve, and practice their art. "To Handy and untold other blacks, Beale became as much a symbol of escape from black despair as Harriet Tubman's underground railroad," says Margaret McKee and Fred Chisenhall. They present Beale as a living microcosm of determination, survival, and change -- from its early days as a raucous haven for gamblers and grafters and as a black show business center to its present-day languishing. Choosing the former newspaper columnist, disc jockey, and schoolteacher Nat. D. Williams, as their main authority for the first part of this volume -- the street's history -- the authors have selected an individual with wisdom, perspective, and a distinctive voice that speaks from a lifetime of experience on Beale. His radio show on WDIA, "Tan Town Jamboree," was heard by thirteen-year-old Elvis Presley. Nat D. said, "We had a boast that if you made it on Beale Street, you can make it anywhere. And Elvis Presley made it on Beale first." Another Beale Streeter recalls, "He got that shaking, that wiggle, from Charlie Burse -- Ukulele Ike we called him -- right there at the Gray Mule on Beale." The street's history is richly complemented by the rare, extensive interviews that constitute the second half of the volume. "We undertook our research," the authors tell us, "not as a study of the blues but of the blues musicians themselves. They were a dying breed, these wandering minstrels who had become the principal storytellers of their people." Most of the musicians interviewed grew up in the rural southern areas where the authors found them, sometimes not far from their early homes. They tell of the music that took them to Memphis' street of the living blues. All show a resilience to despair, despite life's harsh times. Arthur "Big Boy" Crudup, who never received his accumulated royalties, shrugs, "I come here with nothing and I ain't going away with nothing, and it's no need worrying my life with it." In the life of Beale Street and in the conversations of its musicians, we experience with penetrating awareness a delicate balance of humor, courage, and pain.

Shreveport Sounds in Black and White

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Author :
Publisher : Univ. Press of Mississippi
ISBN 13 : 1604733039
Total Pages : 396 pages
Book Rating : 4.6/5 (47 download)

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Book Synopsis Shreveport Sounds in Black and White by : Kip Lornell

Download or read book Shreveport Sounds in Black and White written by Kip Lornell and published by Univ. Press of Mississippi. This book was released on 2008 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shreveport, Louisiana, is one of America's most important 'regional-sound cities', its musical distinctiveness shaped by individuals and ensembles, record label and radio station owners, announcers and disc jockeys, club owners and sound engineers, music journalists and musicians. The area's music is a kaleidoscope of country, blues, R & B, rockabilly, and rock. This book presents that evolution in a collection of scholarly and popular writing that covers institutions and people who nurtured the musical life of the city and its surroundings.

Blue Notes in Black and White

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Author :
Publisher : University of Chicago Press
ISBN 13 : 9780226098753
Total Pages : 0 pages
Book Rating : 4.0/5 (987 download)

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Book Synopsis Blue Notes in Black and White by : Benjamin Cawthra

Download or read book Blue Notes in Black and White written by Benjamin Cawthra and published by University of Chicago Press. This book was released on 2011-10-01 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Miles Davis, supremely cool behind his shades. Billie Holiday, eyes closed and head tilted back in full cry. John Coltrane, one hand behind his neck and a finger held pensively to his lips. These iconic images have captivated jazz fans nearly as much as the music has. Jazz photographs are visual landmarks in American history, acting as both a reflection and a vital part of African American culture in a time of immense upheaval, conflict, and celebration. Charting the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the ’60s, Blue Notes in Black and White is the first of its kind: a fascinating account of the partnership between two of the twentieth century’s most innovative art forms. Benjamin Cawthra introduces us to the great jazz photographers—including Gjon Mili, William Gottlieb, Herman Leonard, Francis Wolff, Roy DeCarava, and William Claxton—and their struggles, hustles, styles, and creative visions. We also meet their legendary subjects, such as Duke Ellington, sweating through a late-night jam session for the troops during World War II, and Dizzy Gillespie, stylish in beret, glasses, and goatee. Cawthra shows us the connections between the photographers, art directors, editors, and record producers who crafted a look for jazz that would sell magazines and albums. And on the other side of the lens, he explores how the musicians shaped their public images to further their own financial and political goals. This mixture of art, commerce, and racial politics resulted in a rich visual legacy that is vividly on display in Blue Notes in Black and White. Beyond illuminating the aesthetic power of these images, Cawthra ultimately shows how jazz and its imagery served a crucial function in the struggle for civil rights, making African Americans proudly, powerfully visible.

Black, White and Blue

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Author :
Publisher :
ISBN 13 :
Total Pages : 448 pages
Book Rating : 4.:/5 (23 download)

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Book Synopsis Black, White and Blue by : Ulrich Adelt

Download or read book Black, White and Blue written by Ulrich Adelt and published by . This book was released on 2007 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Music

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Author :
Publisher :
ISBN 13 :
Total Pages : 180 pages
Book Rating : 4.:/5 (611 download)

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Book Synopsis Music by : Ortiz Walton

Download or read book Music written by Ortiz Walton and published by . This book was released on 1972 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Beale Black and Blue

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Author :
Publisher : LSU Press
ISBN 13 : 9780807118863
Total Pages : 284 pages
Book Rating : 4.1/5 (188 download)

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Book Synopsis Beale Black and Blue by : Margaret McKee

Download or read book Beale Black and Blue written by Margaret McKee and published by LSU Press. This book was released on 1993-09-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: W. C. Handy, Furry Lewis, Booker White, Lillie May Glover, Roosevelt Sykes, Arthur Crudup, B. B. King, Bobby Blue Bland, Muddy Waters -- these and other musicians, singers, and songwriters, including the young Elvis Presley, eventually went to Beale Street in Memphis, Tennessee, to learn, improve, and practice their art. "To Handy and untold other blacks, Beale became as much a symbol of escape from black despair as Harriet Tubman's underground railroad," says Margaret McKee and Fred Chisenhall. They present Beale as a living microcosm of determination, survival, and change -- from its early days as a raucous haven for gamblers and grafters and as a black show business center to its present-day languishing. Choosing the former newspaper columnist, disc jockey, and schoolteacher Nat. D. Williams, as their main authority for the first part of this volume -- the street's history -- the authors have selected an individual with wisdom, perspective, and a distinctive voice that speaks from a lifetime of experience on Beale. His radio show on WDIA, "Tan Town Jamboree," was heard by thirteen-year-old Elvis Presley. Nat D. said, "We had a boast that if you made it on Beale Street, you can make it anywhere. And Elvis Presley made it on Beale first." Another Beale Streeter recalls, "He got that shaking, that wiggle, from Charlie Burse -- Ukulele Ike we called him -- right there at the Gray Mule on Beale." The street's history is richly complemented by the rare, extensive interviews that constitute the second half of the volume. "We undertook our research," the authors tell us, "not as a study of the blues but of the blues musicians themselves. They were a dying breed, these wandering minstrels who had become the principal storytellers of their people." Most of the musicians interviewed grew up in the rural southern areas where the authors found them, sometimes not far from their early homes. They tell of the music that took them to Memphis' street of the living blues. All show a resilience to despair, despite life's harsh times. Arthur "Big Boy" Crudup, who never received his accumulated royalties, shrugs, "I come here with nothing and I ain't going away with nothing, and it's no need worrying my life with it." In the life of Beale Street and in the conversations of its musicians, we experience with penetrating awareness a delicate balance of humor, courage, and pain.

Whose Blues?

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Author :
Publisher : UNC Press Books
ISBN 13 : 1469660377
Total Pages : 333 pages
Book Rating : 4.4/5 (696 download)

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Book Synopsis Whose Blues? by : Adam Gussow

Download or read book Whose Blues? written by Adam Gussow and published by UNC Press Books. This book was released on 2020-09-28 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.

The Amazing Bud Powell

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Author :
Publisher : Univ of California Press
ISBN 13 : 0520243919
Total Pages : 256 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis The Amazing Bud Powell by : Guthrie P. Ramsey

Download or read book The Amazing Bud Powell written by Guthrie P. Ramsey and published by Univ of California Press. This book was released on 2013-05-28 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bud Powell was not only one of the greatest bebop pianists of all time, he stands as one of the twentieth century’s most dynamic and fiercely adventurous musical minds. His expansive musicianship, riveting performances, and inventive compositions expanded the bebop idiom and pushed jazz musicians of all stripes to higher standards of performance. Yet Powell remains one of American music’s most misunderstood figures, and the story of his exceptional talent is often overshadowed by his history of alcohol abuse, mental instability, and brutalization at the hands of white authorities. In this first extended study of the social significance of Powell’s place in the American musical landscape, Guthrie P. Ramsey, Jr. shows how the pianist expanded his own artistic horizons and moved his chosen idiom into new realms. Illuminating and multi-layered, The Amazing Bud Powell centralizes Powell’s contributions as it details the collision of two vibrant political economies: the discourses of art and the practice of blackness.