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Les Grotesques
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Book Synopsis The Works of Théophile Gautier: The grotesques: François Villon, Théophile de Viau, Saint-Amant, Cyrano de Bergerac, George de Scudéry, Paul Scarron by : Théophile Gautier
Download or read book The Works of Théophile Gautier: The grotesques: François Villon, Théophile de Viau, Saint-Amant, Cyrano de Bergerac, George de Scudéry, Paul Scarron written by Théophile Gautier and published by . This book was released on 1901 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Grotesques by : Théophile Gautier
Download or read book The Grotesques written by Théophile Gautier and published by . This book was released on 1901 with total page 766 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Works of Theophile Gautier: The grotesques by : Théophile Gautier
Download or read book The Works of Theophile Gautier: The grotesques written by Théophile Gautier and published by . This book was released on 1901 with total page 782 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The grotesque by : Frances K. Barasch
Download or read book The grotesque written by Frances K. Barasch and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-12-17 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: No detailed description available for "The grotesque".
Book Synopsis Bartók and the Grotesque by : Julie A. Brown
Download or read book Bartók and the Grotesque written by Julie A. Brown and published by Ashgate Publishing, Ltd.. This book was released on 2007-01-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.
Book Synopsis Bartók and the Grotesque by : Julie Brown
Download or read book Bartók and the Grotesque written by Julie Brown and published by Routledge. This book was released on 2017-07-05 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart as composing.
Book Synopsis Les grotesques by : Théophile Gautier
Download or read book Les grotesques written by Théophile Gautier and published by Schena Editore. This book was released on 1985 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Complete Works: The grotesques. Travels in Spain by : Théophile Gautier
Download or read book The Complete Works: The grotesques. Travels in Spain written by Théophile Gautier and published by . This book was released on 1901 with total page 778 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The grotesques: François Villon, Théophile de Viau, Saint-Amant, Cyrano de Bergerac, George de Scudéry, Paul Scarron by : Théophile Gautier
Download or read book The grotesques: François Villon, Théophile de Viau, Saint-Amant, Cyrano de Bergerac, George de Scudéry, Paul Scarron written by Théophile Gautier and published by . This book was released on 1901 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Early Modern Grotesque by : Liam Semler
Download or read book The Early Modern Grotesque written by Liam Semler and published by Routledge. This book was released on 2018-10-26 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque. While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.
Book Synopsis Rethinking the Concept of the Grotesque by : Shun-Liang Chao
Download or read book Rethinking the Concept of the Grotesque written by Shun-Liang Chao and published by Routledge. This book was released on 2017-07-05 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: How are we to define what is grotesque, in art or literature? Since the Renaissance the term has been used for anything from the fantastic to the monstrous, and been associated with many artistic genres, from the Gothic to the danse macabre. Shun-Liang Chao's new study adopts a rigorous approach by establishing contradictory physicality and the notion of metaphor as two keys to the construction of a clear identity of the grotesque. With this approach, Chao explores the imagery of Richard Crashaw, Charles Baudelaire, and Rene Magritte as individual exemplars of the grotesque in the Baroque, Romantic, and Surrealist ages, in order to suggest a lineage of this curious aesthetic and to cast light on the functions of the visual and of the verbal in evoking it.
Book Synopsis The Concept of the Grotesque from the Reneissance to the Twentieth Century. A Critical Study by : Kébir Sandy
Download or read book The Concept of the Grotesque from the Reneissance to the Twentieth Century. A Critical Study written by Kébir Sandy and published by GRIN Verlag. This book was released on 2016-04-21 with total page 27 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scientific Essay from the year 2015 in the subject Literature - General, , language: English, abstract: A good understanding of the grotesque necessitates not only an account of the historical development of the word “grotesque” and its usage, but also the various concepts with which it has often been associated, and the different theories and opinions expressed about it. We begin, first of all, by giving a brief examination of the history of the term, its origin, derivation, and semantic evolution. It is widely agreed that the word “grotesque originated to describe the murals which were discovered, in the course of excavation, beneath the baths of Titus in Rome at the end of the 15th century”. These paintings present a style of art which was completely unknown at the time. It is mainly characterized by its heterogeneous nature; it combines many different and ambivalent elements: human, animal, and vegetable. In English the word “grotesque” was introduced around 1640 to replace other previous forms, which came either from the Italian, like grotesco or crotesco, or the French like, crotesque. In fact, according to the O.E.D. the French form was the first to be recorded in the language. In French, crotesque occurred in 1532 and continued to prevail until the end of the 17th century. As early as the 16th century, the word “grotesque extended in French to non artistic things and literature. In his Essai, Montaigne wrote: “Que sont ce icy aussi (Les Essais) a la vérité que crotesques et corps monstrueux”. And Rabelais used it to refer to parts of the body in "Gargantua et Pantagruel" (1535), (“Couillon crotesque”). From the late 17th century, the word as an adjective knew a large usage. But in both England and Germany, it remained restricted to its early original usage until the 18th century when it got a wide application. It was associated with caricature which provoked too much emphasis on the ridiculous and a neglect of the terrible and terrifying side of the grotesque.
Book Synopsis The Grotesque in the Fiction of Charles Dickens and Other 19th-century European Novelists by : Isabelle Hervouet-Farrar
Download or read book The Grotesque in the Fiction of Charles Dickens and Other 19th-century European Novelists written by Isabelle Hervouet-Farrar and published by Cambridge Scholars Publishing. This book was released on 2015-01-12 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an overview of the literary grotesque in 19th-century Europe, with special emphasis on Charles Dickens, whose use of this complex aesthetic category is thus addressed in relation with other 19th-century European writers. The crossing of geographical boundaries allows an in-depth study of the different modes of the grotesque found in 19th-century fiction. It provides a comprehensive analysis of the reasons behind the extensive use of such a favoured mode of expression. Intertextuality and comparative or cultural analysis are thus used here to shed new light on Dickens’s influences (both given and received), as well as to compare and contrast his use of the grotesque with that of key 19th-century writers like Hugo, Gogol, Thackeray, Hardy and a few others. The essays of this volume examine the various forms taken by the grotesque in 19th-century European fiction, such as, for example, the fusion of the familiar and the uncanny, or of the terrifying and the comic; as well as the figures and narrative techniques best suited for the expression of a novelist’s grotesque vision of the world. These essays contribute to an assessment of the links between the grotesque, the gothic and the fantastic, and, more generally, the genres and aesthetic categories which the 19th-century grotesque fed on, like caricature, the macabre and tragicomedy. They also examine the novelists’ grotesque as contributing to the questioning of society in Victorian Britain and 19th-century Europe, echoing its raging conflicts and the shocks of scientific progress. This study naturally adopts as its theoretical basis the works of key theorists and critics of the grotesque: namely, Victor Hugo, Charles Baudelaire and John Ruskin in the 19th century, and Mikhail Bakhtin, Wolfgang Kayser, Geoffrey Harpham and Elisheva Rosen in the 20th century.
Book Synopsis Works of Gautier: The grotesques ; Travels in Spain by : Théophile Gautier
Download or read book Works of Gautier: The grotesques ; Travels in Spain written by Théophile Gautier and published by . This book was released on 1901 with total page 776 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Works of Thǒphile Gautier: The grotesques: Franȯis Villon, Thǒphile de Viau, Saint-Amant, Cyrano de Bergerac, George de Scudřy, Paul Scarron by : Thǒphile Gautier
Download or read book The Works of Thǒphile Gautier: The grotesques: Franȯis Villon, Thǒphile de Viau, Saint-Amant, Cyrano de Bergerac, George de Scudřy, Paul Scarron written by Thǒphile Gautier and published by . This book was released on 1901 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Holy Monsters, Sacred Grotesques by : Michael E. Heyes
Download or read book Holy Monsters, Sacred Grotesques written by Michael E. Heyes and published by Lexington Books. This book was released on 2018-08-10 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Holy Monsters, Sacred Grotesques examines the intersection of religion and monstrosity in a variety of different time periods in the hopes of addressing two gaps in scholarship within the field of monster studies. The first part of the volume—running from the medieval to the Early Modern period—focuses upon the view of the monster through non-majority voices and accounts from those who were themselves branded as monsters. Overlapping partially with the Early Modern and proceeding to the present day, the contributions of the second part of the volume attempt to problematize the dichotomy of secular/religious through a close look at the monsters this period has wrought.
Book Synopsis Gargoyles, Grotesques & Green Men by : Gary R. Varner
Download or read book Gargoyles, Grotesques & Green Men written by Gary R. Varner and published by Lulu.com. This book was released on 2007-04-10 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: The symbols and strange images that we find in our cemeteries, religious structures, banks and in our parks are the same symbols that have been part of the framework of the human psyche for thousands of years. While contemporary man may think that they are simply decorative manifestations of a by-gone era, they represent the fears, dreams, ideas, beliefs and struggles that humankind has endured since we began to walk upright. This book surveys many of these icons and will give a meaning for them both in the context of ancient history and folklore as well as a meaning that is suitable for our contemporary times. Illustrated with dozens of photographs, this book will be of interest to anyone interested in historic preservation, ancient symbolism, the Green Man and the universal application of imagery. Gary R. Varner has written numerous books on ancient traditions, folklore, the environment and contemporary issues. He is a member of the American Folklore Society and the Foundation for Mythological Studies.