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Book Synopsis The Dance Theatre of Kurt Jooss by : Suzanne Walther
Download or read book The Dance Theatre of Kurt Jooss written by Suzanne Walther and published by Routledge. This book was released on 1997-12-23 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Modern Dance in Germany and the United States by : Isa Partsch-Bergsohn
Download or read book Modern Dance in Germany and the United States written by Isa Partsch-Bergsohn and published by Routledge. This book was released on 2013-11-05 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1995. In Modern Dance in Germany and the United States: Crosscurrents and Influences Isa PartschBergsohn discusses the phenomenon of the modem dance movement between 1902 and 1986 in an international context, focussing on its beginnings in Europe and its philosophy as formulated by the pioneers Dalcroze, Laban, Wigman and Jooss. The author traces the effects the Third Reich had on these artists, and shows the influence these key choreographers had on the developing American modem dance movement through the postwar years, concentrating in particular on Kurt Jooss and his Tanztheater. When America took the lead in modem dance innovation during the sixties, artists such as Martha Graham, Jose Limon, Paul Taylor, Alvin Ailey and Alwin Nikolais overwhelmed European audiences. Subsequently, the artists of the New German Tanztheater revitalized German theatre traditions by blending new content with some of the American contemporary dance techniques. Although the history of modem dance in these two countries is closely linked, the author describes how each country has kept its own unique and distinctive style.
Download or read book The Green Table written by Kurt Jooss and published by Theatre Arts Books. This book was released on 2003 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: * Score, photographs, and production details of one of this century's best-loved ballets * Includes rare archival material * Packaged with audio CD This work brings together the complete dance score of The Green Table--one of the most famous ballets of the 20th century--in Labanotation, along with music notation for the piano accompaniment and a complete recording of the accompaniment on CD. It also includes several essays about the work and its genesis, and many historic production photographs. This book is an important item for all colleges with dance programs to own in their libraries and for scholars interested in the study of contemporary dance.
Download or read book Dance of Death written by Suzanne Walther and published by Routledge. This book was released on 2013-11-05 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Dance, Modernism, and Modernity by : Ramsay Burt
Download or read book Dance, Modernism, and Modernity written by Ramsay Burt and published by Routledge. This book was released on 2019-09-17 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of new essays explores connections between dance, modernism, and modernity by examining the ways in which leading dancers have responded to modernity. Burt and Huxley examine dance examples from a period beginning just before the First World War and extending to the mid-1950s, ranging across not only mainland Europe and the United States but also Africa, the Caribbean, the Pacific Asian region, and the UK. They consider a wide range of artists, including Akarova, Gertrude Colby, Isadora Duncan, Katherine Dunham, Margaret H’Doubler, Hanya Holm, Michio Ito, Kurt Jooss, Wassily Kandinsky, Margaret Morris, Berto Pasuka, Uday Shankar, Antony Tudor, and Mary Wigman. The authors explore dancers’ responses to modernity in various ways, including within the contexts of natural dancing and transnationalism. This collection asks questions about how, in these places and times, dancing developed and responded to the experience of living in modern times, or even came out of an ambivalence about or as a reaction against it. Ideal for students and practitioners of dance and those interested in new modernist studies, Dance, Modernism, and Modernity considers the development of modernism in dance as an interdisciplinary and global phenomenon.
Download or read book The Art of Movement written by Dick Mccaw and published by Taylor & Francis. This book was released on 2023-12-14 with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Art of Movement: Rudolf Laban’s Unpublished Writings offers new perspectives on the thinking and practice of Rudolf Laban – one of the pioneers of modern European dance and movement analysis. A wealth of Laban’s previously untranslated writings broadens our understanding of his work through new perspectives on his thinking and practice. Alongside these key primary sources, interviews with Laban’s family and colleagues and editorial commentaries shed new light on the significance of his life and career. Laban’s own texts also offer further elaboration of the key themes of his work – eukinetics, choreutics, lay dance, pedagogy and dance notation. This essential companion to The Laban Sourcebook is an ideal resource for any students or scholars of modern dance, dance studies, dance history and movement analysis looking for a deeper understanding of this seminal figure in their field.
Book Synopsis Modernist Mysteries: Persephone by : Tamara Levitz
Download or read book Modernist Mysteries: Persephone written by Tamara Levitz and published by Oxford University Press. This book was released on 2012-08-15 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernist Mysteries: Perséphone is a landmark study that will move the field of musicology in important new directions. The book presents a microhistorical analysis of the premiere of the melodrama Perséphone at the Paris Opera on April 30th, 1934, engaging with the collaborative, transnational nature of the production. Author Tamara Levitz demonstrates how these collaborators-- Igor Stravinsky, André Gide, Jacques Copeau, and Ida Rubinstein, among others-used the myth of Persephone to perform and articulate their most deeply held beliefs about four topics significant to modernism: religion, sexuality, death, and historical memory in art. In investigating the aesthetic and political consequences of the artists' diverging perspectives, and the fall-out of their titanic clash on the theater stage, Levitz dismantles myths about neoclassicism as a musical style. The result is a revisionary account of modernism in music in the 1930s. As a result of its focus on the collaborative performance, this book differs from traditional accounts of musical modernism and neoclassicism in several ways. First and foremost, it centers on the performance of modernism, highlighting the theatrical, performative, and sensual. Levitz places Christianity in the center of the discussion, and questions the national distinctions common in modernist research by involving a transnational team of collaborators. She further breaks new ground in shifting the focus from "history" to "memory" by emphasizing the commemorative nature of neoclassic listening rituals over the historicist stylization of its scores, and contends that modernists captured on stage and in philosophical argument their simultaneous need and inability to mourn the past. The book as a whole counters the common criticism that neoclassicism was a "reactionary" musical style by suggesting a more pluralistic, ambivalent, and sometimes even progressive politics, and reconnects musical neoclassicism with a queer classicist tradition extending from Winckelmann through Walter Pater to Gide. Modernist Mysteries concludes that 1930s modernists understood neoclassicism not as formalist compositional approaches but rather as a vitalist art haunted by ghosts of the past and promissory visions of the future.
Book Synopsis The Green Table by : Ann Hutchinson Guest
Download or read book The Green Table written by Ann Hutchinson Guest and published by Routledge. This book was released on 2013-10-11 with total page 451 pages. Available in PDF, EPUB and Kindle. Book excerpt: * Score, photographs, and production details of one of this century's best-loved ballets * Includes rare archival material * Packaged with audio CD This work brings together the complete dance score of The Green Table--one of the most famous ballets of the 20th century--in Labanotation, along with music notation for the piano accompaniment and a complete recording of the accompaniment on CD. It also includes several essays about the work and its genesis, and many historic production photographs. This book is an important item for all colleges with dance programs to own in their libraries and for scholars interested in the study of contemporary dance.
Book Synopsis The Pina Bausch Sourcebook by : Royd Climenhaga
Download or read book The Pina Bausch Sourcebook written by Royd Climenhaga and published by Routledge. This book was released on 2013 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pina Bausch's work has had tremendous impact across the spectrum of late twentieth-century performance practice. It helped to redefine the possibilities of what both dance and theater can be. This edited collection presents a compendium of source material combined with contextual essays that serve as a base for the study of Pina Bausch's performance work. Edited by a renowned Bausch expert, Royd Climenhaga, it promises to help to open up Bausch's performative world for students, scholars and practitioners alike.
Book Synopsis Introduction to the Dance by : John Martin
Download or read book Introduction to the Dance written by John Martin and published by IICA. This book was released on 1965 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Second Chance by : Werner Eugen Mosse
Download or read book Second Chance written by Werner Eugen Mosse and published by Mohr Siebeck. This book was released on 1991 with total page 702 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Watching Weimar Dance by : Kate Elswit
Download or read book Watching Weimar Dance written by Kate Elswit and published by Oxford University Press. This book was released on 2014-07-17 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Watching Weimar Dance asks what audiences saw on stages from cabaret and revue to concert dance and experimental theatre in the turbulent moment of the Weimar Republic. Spectator reports that performers died or became half-machine archive not only the physicality of past performance, but also the ways audiences used the temporary world of the theatre to negotiate pressing social issues, from female visibility within commodity culture to human functioning in an era of increasing technologization. Archives of watching a range of performance artists, including Oskar Schlemmer, Valeska Gert, Kurt Jooss, Mary Wigman, Bertolt Brecht, Anita Berber, and the Tiller Girl troupes also revise and complicate our understanding of Ausdruckstanz as the representative dance of this moment in Germany. They further reveal how such practices came to be imbued with different significance in the postwar era as well as in transnational context. By bringing insights from theatre, dance, and performance studies to German cultural studies, and vice versa, Watching Weimar Dance develops a culturally-situated model of spectatorship that not only offers a new narrative but also demonstrates new methods for dance scholarship to shape cultural history.
Book Synopsis The London Stage 1930-1939 by : J. P. Wearing
Download or read book The London Stage 1930-1939 written by J. P. Wearing and published by Rowman & Littlefield. This book was released on 2014-05-15 with total page 1133 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Book Synopsis The Roberto Gerhard Companion by : Monty Adkins
Download or read book The Roberto Gerhard Companion written by Monty Adkins and published by Routledge. This book was released on 2016-02-24 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than forty years after the composer's death, the music of Roberto Gerhard (1896-1970) continues to be recorded and performed and to attract international scholarly interest. The Roberto Gerhard Companion is the first full length scholarly work on this composer noted for his sharp intellect and original, exploring mind. This book builds on the outcomes of two recent international conferences and includes contributions by scholars from Spain, the USA and UK. The essays collected here explore themes and trends within Gerhard’s work, using individual or groups of works as case studies. Among the themes presented are the way Gerhard’s work was shaped by his Catalan heritage, his education under Pedrell and Schoenberg, and his very individual reaction to the latter’s teaching and methods, notably Gerhard’s very distinctive approach to serialism. The influence of these and other cultural and literary figures is an important underlying theme that ties essays together. Exiled from Catalonia from 1939, Gerhard spent the remainder of his life in Cambridge, England, composing a string of often ground-breaking compositions, notably the symphonies and concertos composed in the 1950s and 1960s. A particular focus in this book is Gerhard's electronic music. He was a pioneer in this genre and the book will contain the first rigorous studies of this music as well as the first accurate catalogue of this electronic output. His ground-breaking output of incidental music for radio and the stage is also given detailed consideration.
Book Synopsis The London Stage 1950-1959 by : J. P. Wearing
Download or read book The London Stage 1950-1959 written by J. P. Wearing and published by Rowman & Littlefield. This book was released on 2014-09-16 with total page 1003 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1950–1959: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1950, through the 31st of December, 1959. The volume chronicles more than 3,100 productions at 52 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Look Back in Anger, One Way Pendulum, The Birthday Party, A Taste of Honey, Chicken Soup with Barley, Five Finger Exercise, The Hostage, and Waiting for Godot, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1950-1959 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Book Synopsis The London Stage 1940-1949 by : J. P. Wearing
Download or read book The London Stage 1940-1949 written by J. P. Wearing and published by Rowman & Littlefield. This book was released on 2014-08-22 with total page 721 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1940–1949: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1940 through December 1949. The volume chronicles more than 2,400 productions at 53 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Light of Heart, Mr. Bolfry, Perchance to Dream, Pacific 1860, Bless the Bride, The Lady’s Not for Burning, The Late Edwina Black, Outrageous Fortune, Seagulls over Sorrento, and Buoyant Billions, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1940-1949 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Download or read book Equipoise written by Dawn Lille and published by The Rosen Publishing Group, Inc. This book was released on 2009-12-01 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this insightful biography, dance historian Dawn Lille traces the life of Alfredo Corvino from his roots as a quiet, athletic boy in Montevideo, Uruguay, through his international performing career with some of the greatest companies of the 20th century to his long and fruitful years as a beloved teacher and ballet master. By weaving together interviews with Corvino s colleagues, students, and family with archival material from the Juilliard School, the Metropolitan Opera Ballet as well as the Corvino family, Lille has created a touching portrait of this wise, fun-loving and enigmatic man. Setting Corvino s own story within the context of the social, political, and artistic events of his time, Lille vividly explores the many forces and challenges that shaped this artist and educator. More than 40 photos, many never before published, illustrate the various stages of Corvino s life. Discussions with and commentary from his daughters Andra and Ernesta elucidate his teaching theory and basic exercises. Photographs with line drawing overlays by functional anatomy teacher and former Corvino student, Irene Dowd illustrate the equipoise of Corvino s approach to classical ballet technique. A foreword by Dominique Mercy, leading dancer with Tanztheater Wuppertal reveals the great gift Corvino gave to dancers and dance lovers everywhere through his life work.
