Ciné Ethnography

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Publisher : U of Minnesota Press
ISBN 13 : 9781452906102
Total Pages : 432 pages
Book Rating : 4.9/5 (61 download)

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Book Synopsis Ciné Ethnography by : Jean Rouch

Download or read book Ciné Ethnography written by Jean Rouch and published by U of Minnesota Press. This book was released on with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most influential figures in documentary and ethnographic filmmaking, Jean Rouch has made more than one hundred films in West Africa and France. In such acclaimed works as Jaguar, The Lion Hunters, and Cocorico, Monsieur Poulet, Rouch has explored racism, colonialism, African modernity, religious ritual, and music. He pioneered numerous film techniques and technologies, and in the process inspired generations of filmmakers, from New Wave directors, who emulated his cinema verite style, to today's documentarians. Cine-Ethnography is a long-overdue English-language resource that collects Rouch's key writings, interviews, and other materials that distill his thinking on filmmaking, ethnography, and his own career. Editor Steven Feld opens with a concise overview of Rouch's career, highlighting the themes found throughout his work. In the four essays that follow, Rouch discusses the ethnographic film as a genre, the history of African cinema, his experiences of filmmaking among the Songhay, and the intertwined histories of French colonialism, anthropology, and cinema. And in four interviews, Rouch thoughtfully reflects on each of his films, as well as his artistic, intellectual, and political concerns. Cine-Ethnography also contains an annotated transcript of Chronicle of a Summer--one of Rouch's most important works--along with commentary by the filmmakers, and concludes with a complete, annotated filmography and a bibliography. The most thorough resource on Rouch available in any language, Cine-Ethnography makes clear this remarkable and still vital filmmaker's major role in the history of documentary cinema.

The Adventure of the Real

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Publisher : University of Chicago Press
ISBN 13 : 0226327167
Total Pages : 534 pages
Book Rating : 4.2/5 (263 download)

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Book Synopsis The Adventure of the Real by : Paul Henley

Download or read book The Adventure of the Real written by Paul Henley and published by University of Chicago Press. This book was released on 2010-01-15 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though relatively unsung in the English-speaking world, Jean Rouch (1917–2004) was a towering figure of ethnographic cinema. Over the course of a fifty-year career, he completed over one hundred films, both documentary and fiction, and exerted an influence far beyond academia. Exhaustively researched yet elegantly written, The Adventure of the Real is the first comprehensive analysis of his practical filmmaking methods. Rouch developed these methods while conducting anthropological research in West Africa in the 1940s–1950s. His innovative use of unscripted improvisation by his subjects had a profound impact on the French New Wave, Paul Henley reveals, while his documentary work launched the genre of cinema-vérité. In addition to tracking Rouch’s pioneering career, Henley examines the technical strategies, aesthetic considerations, and ethical positions that contribute to Rouch’s cinematographic legacy. Featuring over one hundred and fifty images, The Adventure of the Real is an essential introduction to Rouch’s work.

The Cinematic Griot

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Publisher : University of Chicago Press
ISBN 13 : 9780226775463
Total Pages : 280 pages
Book Rating : 4.7/5 (754 download)

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Book Synopsis The Cinematic Griot by : Paul Stoller

Download or read book The Cinematic Griot written by Paul Stoller and published by University of Chicago Press. This book was released on 1992-06-15 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most prolific ethnographic filmmaker in the world, a pioneer of cinéma vérité and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his emergence as a cinematic griot, a peripatetic bard who "recites" the story of a people through provocative imagery. Against this backdrop, Stoller considers Rouch's writings on Songhay history, myth, magic and possession, migration, and social change. By analyzing in depth some of Rouch's most important films and assessing Rouch's ethnography in terms of his own expertise in Songhay culture, Stoller demonstrates the inner connection between these two modes of representation. Stoller, who has done more fieldwork among the Songhay than anyone other than Rouch himself, here gives the first full account of Rouch the griot, whose own story scintillates with important implications for anthropology, ethnography, African studies, and film.

Three Documentary Filmmakers

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Publisher : SUNY Press
ISBN 13 : 9781438425023
Total Pages : 256 pages
Book Rating : 4.4/5 (25 download)

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Book Synopsis Three Documentary Filmmakers by : William Rothman

Download or read book Three Documentary Filmmakers written by William Rothman and published by SUNY Press. This book was released on 2009-03-05 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uses new critical approaches to demonstrate deep affinities in these vastly different filmmakers’ philosophies on film, fantasy, and reality.

Building Bridges

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Publisher :
ISBN 13 :
Total Pages : 350 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Building Bridges by : Joram Ten Brink

Download or read book Building Bridges written by Joram Ten Brink and published by . This book was released on 2007 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building Bridges: The Cinema of Jean Rouch is the first title to fully explore the work and legacy of French documentary-maker Jean Rouch. A figure as comfortable in front of the camera as behind it, Rouch created some of the most enduring sociological films about French and francophone African culture, and his playful documentaries make him the spiritual ancestor of filmmakers such as Nick Broomfield and Michael Moore, and a precursor to the world of Big Brother and reality TV. Based on a major inter-national conference, this study contains over twenty new essays from a global cast of filmmakers, film critics, academics and actors, including a number of Rouch's African-based collaborators, and discusses his massive contribution to ethnographic filmmaking with films such as Les Maitres fous (1955), Le Pyramide humaine (1961) and Chronique d'un t (1961). This collection is set to become a benchmark study of one of the most influential documentary presences of the last century.

The Ethnographer's Eye

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Publisher : Cambridge University Press
ISBN 13 : 9780521774758
Total Pages : 246 pages
Book Rating : 4.7/5 (747 download)

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Book Synopsis The Ethnographer's Eye by : Anna Grimshaw

Download or read book The Ethnographer's Eye written by Anna Grimshaw and published by Cambridge University Press. This book was released on 2001-04-30 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grimshaw discusses issues of vision in anthropology, considering some key figures throughout the twentieth century.

Innovation in Ethnographic Film

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Publisher : University of Chicago Press
ISBN 13 : 9780226492261
Total Pages : 244 pages
Book Rating : 4.4/5 (922 download)

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Book Synopsis Innovation in Ethnographic Film by : Peter Loizos

Download or read book Innovation in Ethnographic Film written by Peter Loizos and published by University of Chicago Press. This book was released on 1993-07-15 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first coprehensive introduction to the nature and development of ethnographic film, Peter Loizos reviews fifty of the most important films made between 1955 and 1985. Going beyond programmatic statements, he analyzes the films themselves, identifying and discussing their contributions to ethnographic documentation. Loizos begins by reviewing works of John Marshall and Timothy Asch in the 1950s and moves through those of Jean Rouch, Robert Gardner, and many more recent filmmakers. He reveals a steady course of innovations along four dimensions: production technology, subject matter, strategies of argument, and ethnographic authentication. His analyses of individual films address questions of realism, authenticity, genre, authorial and subjective voice, and representation of the films' creators as well as their subjects. Innovation in Ethnographic Film, as a systematic and iluminating review of developments in ethnographic film, will be an important resource for the growing number of anthropologists and other scholars who use such films as tools for research and teaching.

Experimental Ethnography

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Publisher : Duke University Press
ISBN 13 : 9780822323198
Total Pages : 422 pages
Book Rating : 4.3/5 (231 download)

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Book Synopsis Experimental Ethnography by : Catherine Russell

Download or read book Experimental Ethnography written by Catherine Russell and published by Duke University Press. This book was released on 1999 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sophisticated theoretical consideration of the related aesthetics and histories of ethnographic and experimental non-fiction films.

Beyond observation

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Publisher : Manchester University Press
ISBN 13 : 1526131374
Total Pages : 405 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Beyond observation by : Paul Henley

Download or read book Beyond observation written by Paul Henley and published by Manchester University Press. This book was released on 2020-01-20 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Beyond Observation is structured by the argument that the ‘ethnographicness’ of a film should not be determined by the fact that it is about an exotic culture – the popular view – nor because it has apparently not been authored – a long-standing academic view – but rather because it adheres to the norms of ethnographic practice more generally. On these grounds, the book covers a large number of films made in a broad range of styles across a 120-year period, from the Arctic to Africa, from the cities of China to rural Vermont. Paul Henley discusses films made within reportage, exotic melodrama and travelogue genres in the period before the Second World War, as well as more conventionally ethnographic films made for academic or state-funded educational purposes. The book explores the work of film-makers such as John Marshall, Asen Balikci, Ian Dunlop and Timothy Asch in the post-war period, considering ideas about authorship developed by Jean Rouch, Robert Gardner and Colin Young. It also discusses films authored by indigenous subjects themselves using the new video technology of the 1970s and the ethnographic films that flourished on British television until the 1990s. In the final part of the book, Henley examines the recent work of David and Judith MacDougall and the Harvard Sensory Ethnography Lab, before concluding with an assessmentof a range of films authored in a participatory manner as possible future models.

Killer Images

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Publisher : Columbia University Press
ISBN 13 : 0231850247
Total Pages : 345 pages
Book Rating : 4.2/5 (318 download)

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Book Synopsis Killer Images by : Joram ten Brink

Download or read book Killer Images written by Joram ten Brink and published by Columbia University Press. This book was released on 2013-01-08 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This book brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Contributors explore such topics as the tension between remembrance and performance, the function of moving images in the execution of political violence, and nonfiction filmmaking methods that facilitate communities of survivors to respond to, recover, and redeem a history that sought to physically and symbolically annihilate them

Documenting the Documentary

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Publisher : Wayne State University Press
ISBN 13 : 0814339727
Total Pages : 604 pages
Book Rating : 4.8/5 (143 download)

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Book Synopsis Documenting the Documentary by : Barry Keith Grant

Download or read book Documenting the Documentary written by Barry Keith Grant and published by Wayne State University Press. This book was released on 2013-12-16 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balance between theory and criticism, abstract conceptualization and concrete analysis.

Selfless Cinema?

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Publisher : Routledge
ISBN 13 : 9781904713128
Total Pages : 0 pages
Book Rating : 4.7/5 (131 download)

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Book Synopsis Selfless Cinema? by : Sarah Cooper

Download or read book Selfless Cinema? written by Sarah Cooper and published by Routledge. This book was released on 2006 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Selfless Cinema?, Sarah Cooper maps out the power relations of making, and viewing, documentaries in ethical terms. The ethics of filmmaking are often examined on largely legalistic terms, dominated by issues of consent, responsibility, and participants' or film-makers' rights, but Cooper approaches four representative French film-makers - Jean Rouch, Chris Marker, Raymond Depardon, and Agnes Varda - in a far less juridical way, drawing on the ethical philosophy of Emmanuel Levinas. She argues that, in spite of Levinas' iconoclastic, anti-ocular thinking, his concept of visage is richly applicable to film, and especially to documentary.

Ethnographic Film

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Publisher :
ISBN 13 :
Total Pages : 190 pages
Book Rating : 4.:/5 (321 download)

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Book Synopsis Ethnographic Film by : Karl G. Heider

Download or read book Ethnographic Film written by Karl G. Heider and published by . This book was released on 1976 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides history of ethnographic film

Documentary Film Classics

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Publisher : Cambridge University Press
ISBN 13 : 9780521456814
Total Pages : 242 pages
Book Rating : 4.4/5 (568 download)

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Book Synopsis Documentary Film Classics by : William Rothman

Download or read book Documentary Film Classics written by William Rothman and published by Cambridge University Press. This book was released on 1997-01-28 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of classic documentary film.

The Subject of Documentary

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Publisher : U of Minnesota Press
ISBN 13 : 9780816634415
Total Pages : 318 pages
Book Rating : 4.6/5 (344 download)

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Book Synopsis The Subject of Documentary by : Michael Renov

Download or read book The Subject of Documentary written by Michael Renov and published by U of Minnesota Press. This book was released on 2004 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: The documentary, a genre as old as cinema itself, has traditionally aspired to objectivity. Whether making ethnographic, propagandistic, or educational films, documentarians have pointed the camera outward, drawing as little attention to themselves as possible. In recent decades, however, a new kind of documentary has emerged in which the filmmaker has become the subject of the work. Whether chronicling family history, sexual identity, or a personal or social world, this new generation of nonfiction filmmakers has defiantly embraced autobiography.In The Subject of Documentary, Michael Renov focuses on how documentary filmmaking has become an important means for both examining and constructing selfhood. By looking at key figures in documentary filmmaking as well as noncanonical video art and avant-garde artists, Renov broadens the definition of what counts as documentary, and explores the intersection of the personal and political, considering how memory can create a way into asking troubling questions about identity, oppression, and resiliency.Offering historical context for the explosion of personal nonfiction filmmaking in the 1980s and 1990s, Renov analyzes films in which the subjectivity of the filmmaker is expressly defined in relation to political struggle or historical trauma, from Haskell Wexler's Medium Cool to Jonas Mekas's Lost, Lost, Lost. And, looking beyond the traditional documentary, Renov contemplates such nontraditional modes of autobiographical practice as the essay film, the video confession, and the personal Web page.Unique in its attention to diverse expressions of personal nonfiction filmmaking, The Subject of Documentary forges a new understanding of the heightened role and function of subjectivity in contemporary documentary practice.Michael Renov is professor of critical studies at the USC School of Cinema-Television. He is the editor of Theorizing Documentary and the coeditor of Resolutions: Contemporary Video Practices (Minnesota, 1996) and Collecting Visible Evidence (Minnesota, 1999).

Nonfiction Film

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Publisher : Indiana University Press
ISBN 13 : 9780253207067
Total Pages : 508 pages
Book Rating : 4.2/5 (7 download)

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Book Synopsis Nonfiction Film by : Richard Barsam

Download or read book Nonfiction Film written by Richard Barsam and published by Indiana University Press. This book was released on 1992-11-22 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television

Everything Is Cinema

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Publisher : Macmillan + ORM
ISBN 13 : 1429924314
Total Pages : 721 pages
Book Rating : 4.4/5 (299 download)

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Book Synopsis Everything Is Cinema by : Richard Brody

Download or read book Everything Is Cinema written by Richard Brody and published by Macmillan + ORM. This book was released on 2008-05-13 with total page 721 pages. Available in PDF, EPUB and Kindle. Book excerpt: From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times). When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable. In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers. Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.