Italian Opera In London 1760 1800

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Opera in London

Author : Theodore Fenner
Publisher : SIU Press
ISBN 13 : 9780809319121
Total Pages : 830 pages
Book Rating : 4.3/5 (191 download)

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Book Synopsis Opera in London by : Theodore Fenner

Download or read book Opera in London written by Theodore Fenner and published by SIU Press. This book was released on 1994 with total page 830 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.

Italian Opera in London, 1760-1800

Author : Frederick Curtis Petty
Publisher :
ISBN 13 :
Total Pages : 452 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Italian Opera in London, 1760-1800 by : Frederick Curtis Petty

Download or read book Italian Opera in London, 1760-1800 written by Frederick Curtis Petty and published by . This book was released on 1980 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:

London Opera Observed 1711-1844, Volume I

Author : Michael Burden
Publisher : Taylor & Francis
ISBN 13 : 1040245080
Total Pages : 320 pages
Book Rating : 4.0/5 (42 download)

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Book Synopsis London Opera Observed 1711-1844, Volume I by : Michael Burden

Download or read book London Opera Observed 1711-1844, Volume I written by Michael Burden and published by Taylor & Francis. This book was released on 2024-08-23 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.

Opera and Drama in Eighteenth-Century London

Author : Ian Woodfield
Publisher : Cambridge University Press
ISBN 13 : 1139432222
Total Pages : 357 pages
Book Rating : 4.1/5 (394 download)

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Book Synopsis Opera and Drama in Eighteenth-Century London by : Ian Woodfield

Download or read book Opera and Drama in Eighteenth-Century London written by Ian Woodfield and published by Cambridge University Press. This book was released on 2001-05-10 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management.

London Opera Observed 1711-1844

Author : Michael Burden
Publisher : Taylor & Francis
ISBN 13 : 1040156118
Total Pages : 1819 pages
Book Rating : 4.0/5 (41 download)

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Book Synopsis London Opera Observed 1711-1844 by : Michael Burden

Download or read book London Opera Observed 1711-1844 written by Michael Burden and published by Taylor & Francis. This book was released on 2024-07-31 with total page 1819 pages. Available in PDF, EPUB and Kindle. Book excerpt: The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which — during the seventeenth, eighteenth and nineteenth centuries — used the concept of ‘spying’ or ‘observing’ by a narrator, or rambler, as a means of establishing a discourse on aspects of London life. The material in this five-volume reset edition examines opera not simply as a genre of performance, but as a wider topic of comment and debate. The stories that surrounded the Italian opera singers illuminate contemporary British attitudes towards performance, sexuality and national identity. The collection includes only complete, published material organised chronologically so as to accurately retain the contexts in which the original readers encountered them — placing an emphasis on rare texts that have not been reproduced in modern editions. The aim of this collection is not to provide a history of opera in England but to facilitate the writing of them or to assist those wishing to study topics within the field. Headnotes and footnotes establish the publication information and provide an introduction to the piece, its author, and the events surrounding it or which caused its publication. The notes concentrate on attempting to identify those figures mentioned within the texts. The approach is one of presentation, not interpretation, ensuring that the collection occupies a position that is neutral rather than polemical.

Singers of Italian Opera

Author : John Rosselli
Publisher : Cambridge University Press
ISBN 13 : 9780521426978
Total Pages : 296 pages
Book Rating : 4.4/5 (269 download)

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Book Synopsis Singers of Italian Opera by : John Rosselli

Download or read book Singers of Italian Opera written by John Rosselli and published by Cambridge University Press. This book was released on 1995-03-02 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.

Antonio Salieri and Viennese Opera

Author : John A. Rice
Publisher : University of Chicago Press
ISBN 13 : 9780226711256
Total Pages : 688 pages
Book Rating : 4.7/5 (112 download)

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Book Synopsis Antonio Salieri and Viennese Opera by : John A. Rice

Download or read book Antonio Salieri and Viennese Opera written by John A. Rice and published by University of Chicago Press. This book was released on 1998 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description

Operatic Pasticcios in 18th-Century Europe

Author : Berthold Over
Publisher : transcript Verlag
ISBN 13 : 3839448859
Total Pages : 799 pages
Book Rating : 4.8/5 (394 download)

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Book Synopsis Operatic Pasticcios in 18th-Century Europe by : Berthold Over

Download or read book Operatic Pasticcios in 18th-Century Europe written by Berthold Over and published by transcript Verlag. This book was released on 2021-04-30 with total page 799 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.

Music in Eighteenth-Century Britain

Author : David Wyn Jones
Publisher : Routledge
ISBN 13 : 1351557416
Total Pages : 333 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music in Eighteenth-Century Britain by : David Wyn Jones

Download or read book Music in Eighteenth-Century Britain written by David Wyn Jones and published by Routledge. This book was released on 2017-07-05 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

The Oxford Handbook of the Operatic Canon

Author : Cormac Newark
Publisher : Oxford University Press
ISBN 13 : 0190224215
Total Pages : 456 pages
Book Rating : 4.1/5 (92 download)

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Book Synopsis The Oxford Handbook of the Operatic Canon by : Cormac Newark

Download or read book The Oxford Handbook of the Operatic Canon written by Cormac Newark and published by Oxford University Press. This book was released on 2020-09-18 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.

Regina Mingotti: Diva and Impresario at the King's Theatre, London

Author : Michael Burden
Publisher : Routledge
ISBN 13 : 1351551701
Total Pages : 167 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Regina Mingotti: Diva and Impresario at the King's Theatre, London by : Michael Burden

Download or read book Regina Mingotti: Diva and Impresario at the King's Theatre, London written by Michael Burden and published by Routledge. This book was released on 2017-07-05 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: Regina Mingotti was the first female impresario to run London's opera house. Born in Naples in 1722, she was the daughter of an Austrian diplomat, and had worked at Dresden under Hasse from 1747. Mingotti left Germany in 1752, and travelled to Madrid to sing at the Spanish court, where the opera was directed by the great castrato, Farinelli. It is not known quite how Francesco Vanneschi, the opera promoter, came to hire Mingotti, but in 1754 (travelling to England via Paris), she was announced as being engaged for the opera in London 'having been admired at Naples and other parts of Italy, by all the Connoisseurs, as much for the elegance of her voice as that of her features'. Michael Burden offers the first considered survey of Mingotti?s London years, including material on Mingotti's publication activities, and the identification of the characters in the key satirical print 'The Idol'. Burden makes a significant contribution to the knowledge and understanding of eighteenth-century singers' careers and status, and discusses the management, the finance, the choice of repertory, and the pasticcio practice at The King's Theatre, Haymarket during the middle of the eighteenth century. Burden also argues that Mingotti?s years with Farinelli influenced her understanding of drama, fed her appreciation of Metastasio, and were partly responsible for London labelling her a 'female Garrick'. The book includes the important publication of the complete texts of both of Mingotti's Appeals to the Publick, accounts of the squabble between Mingotti and Vanneschi, which shed light on the role a singer could play in the replacement of arias.

The Cambridge Companion to Eighteenth-Century Opera

Author : Anthony R. DelDonna
Publisher : Cambridge University Press
ISBN 13 : 0521873584
Total Pages : 343 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis The Cambridge Companion to Eighteenth-Century Opera by : Anthony R. DelDonna

Download or read book The Cambridge Companion to Eighteenth-Century Opera written by Anthony R. DelDonna and published by Cambridge University Press. This book was released on 2009-06-25 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.

Opera

Author : Guy A. Marco
Publisher : Routledge
ISBN 13 : 113557801X
Total Pages : 655 pages
Book Rating : 4.1/5 (355 download)

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Book Synopsis Opera by : Guy A. Marco

Download or read book Opera written by Guy A. Marco and published by Routledge. This book was released on 2002-05-03 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.

The Librettist of Venice

Author : Rodney Bolt
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1596919825
Total Pages : 460 pages
Book Rating : 4.5/5 (969 download)

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Book Synopsis The Librettist of Venice by : Rodney Bolt

Download or read book The Librettist of Venice written by Rodney Bolt and published by Bloomsbury Publishing USA. This book was released on 2008-12-11 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1805, Lorenzo Da Ponte was the proprietor of a small grocery store in New York. But since his birth into an Italian Jewish family in 1749, he had already been a priest, a poet, the lover of many women, a scandalous Enlightenment thinker banned from teaching in Venice, the librettist for three of Mozart's most sublime operas, a collaborator with Salieri, a friend of Casanova, and a favorite of Emperor Joseph II. He would go on to establish New York City's first opera house and be the first professor of Italian at Columbia University. An inspired innovator but a hopeless businessman, who loved with wholehearted loyalty and recklessness, Da Ponte was one of the early immigrants to live out the American dream. In Rodney Bolt's rollicking and extensively researched biography, Da Ponte's picaresque life takes readers from Old World courts and the back streets of Venice, Vienna, and London to the New World promise of New York City. Two hundred and fifty years after Mozart's birth, the life and legacy of his librettist Da Ponte are as astonishing as ever.

Domenico Dragonetti in England (1794-1846)

Author : Fiona M. Palmer
Publisher : Clarendon Press
ISBN 13 : 0191583480
Total Pages : 314 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis Domenico Dragonetti in England (1794-1846) by : Fiona M. Palmer

Download or read book Domenico Dragonetti in England (1794-1846) written by Fiona M. Palmer and published by Clarendon Press. This book was released on 1997-11-13 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dragonetti devoted his life to the double bass. His career in England (1794-1846) is one of the most remarkable success stories in the annals of musical history. His unprecedented virtuosity elevated the double bass to a new status. In combination with his charismatic personality his musical talent dominated the English cultural world for more than fifty years. As performer, composer, collector, and friend, he exposed the unforeseen potential of the double bass. His formidable talent as a musician and businessman provides an unusual insight into nineteenth-century entrepreneurship. This first substantial biography and assessment of Dragonetti's career allows us to understand his importance in the history of music in general and of double-bass performance in particular.

Word and Music Studies

Author : Suzanne M. Lodato
Publisher : Rodopi
ISBN 13 : 9789042009936
Total Pages : 340 pages
Book Rating : 4.0/5 (99 download)

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Book Synopsis Word and Music Studies by : Suzanne M. Lodato

Download or read book Word and Music Studies written by Suzanne M. Lodato and published by Rodopi. This book was released on 2002 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher's many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner. The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate - and often problematize - widespread assumptions regarding 'national' and 'cultural' music, language, plots, and production values in musical stage works. Topics include the National Socialists' construction of German national identity; reception-based examinations of cultural identity and various "national" opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.

Word and Music Studies

Author :
Publisher : BRILL
ISBN 13 : 9004334068
Total Pages : 332 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Word and Music Studies by :

Download or read book Word and Music Studies written by and published by BRILL. This book was released on 2016-08-29 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher’s many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner.The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate – and often problematize – widespread assumptions regarding ‘national’ and ‘cultural’ music, language, plots, and production values in musical stage works. Topics include the National Socialists’ construction of German national identity; reception-based examinations of cultural identity and various “national” opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.