Identity And Locality In Early European Music 1028 1740

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Identity and Locality in Early European Music, 1028–1740

Author : Jason Stoessel
Publisher : Routledge
ISBN 13 : 1351563386
Total Pages : 272 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Identity and Locality in Early European Music, 1028–1740 by : Jason Stoessel

Download or read book Identity and Locality in Early European Music, 1028–1740 written by Jason Stoessel and published by Routledge. This book was released on 2017-07-05 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers such as Ad r de Chabannes, Bartolino da Padova, Ciconia, Josquin, Senfl, Alessandro Scarlatti, Heinichen and Zelenka. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre-modern and early modern European culture.

"Identity and Locality in Early European Music, 1028?740 "

Author : Jason Stoessel
Publisher : Routledge
ISBN 13 : 1351563378
Total Pages : 239 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis "Identity and Locality in Early European Music, 1028?740 " by : Jason Stoessel

Download or read book "Identity and Locality in Early European Music, 1028?740 " written by Jason Stoessel and published by Routledge. This book was released on 2017-07-05 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers such as Ad?r de Chabannes, Bartolino da Padova, Ciconia, Josquin, Senfl, Alessandro Scarlatti, Heinichen and Zelenka. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre-modern and early modern European culture.

The Making of European Music in the Long Eighteenth Century

Author : D. R. M. Irving
Publisher : Oxford University Press
ISBN 13 : 0197632203
Total Pages : 353 pages
Book Rating : 4.1/5 (976 download)

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Book Synopsis The Making of European Music in the Long Eighteenth Century by : D. R. M. Irving

Download or read book The Making of European Music in the Long Eighteenth Century written by D. R. M. Irving and published by Oxford University Press. This book was released on 2024-09-03 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.

Music, Modernity and Locality in Prewar Japan: Osaka and Beyond

Author : Alison Tokita
Publisher : Routledge
ISBN 13 : 1317091639
Total Pages : 332 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Music, Modernity and Locality in Prewar Japan: Osaka and Beyond by : Alison Tokita

Download or read book Music, Modernity and Locality in Prewar Japan: Osaka and Beyond written by Alison Tokita and published by Routledge. This book was released on 2016-12-05 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology addresses the modern musical culture of interwar Osaka and its surrounding Hanshin region. Modernity as experienced in this locale, with its particular historical, geographic and demographic character, and its established traditions of music and performance, gave rise to configurations of the new, the traditional and the hybrid that were distinct from their Tokyo counterparts. The Taisho and early Showa periods, from 1912 to the early 1940s, saw profound changes in Japanese musical life. Consumption of both traditional Japanese and Western music was transformed as public concert performances, music journalism, and music marketing permeated daily life. The new bourgeoisie saw Western music, particularly the piano and its repertoire, as the symbol of a desirable and increasingly affordable modernity. Orchestras and opera troupes were established, which in turn created a need for professional conductors, and both jazz and a range of hybrid popular music styles became viable bases for musical livelihood. Recording technology proliferated; by the early 1930s, record players and SP discs were no longer luxury commodities, radio broadcasts reached all levels of society, and ’talkies’ with music soundtracks were avidly consumed. With the perceived need for music that suited 'modern life', the seeds for the pre-eminent position of Euro-American music in post-Second-World war Japan were sown. At the same time many indigenous musical genres continued to thrive, but were hardly immune to the effects of modernization; in exploring new musical media and techniques drawn from Western music, performer-composers initiated profound changes in composition and performance practice within traditional genres. This volume is the first to draw together research on the interwar musical culture of the Osaka region and addresses comprehensively both Western and non-Western musical practices and genres, questions the common perception of their being wholly separate domains

Music and Performance in the Book of Hours

Author : Michael Alan Anderson
Publisher : Routledge
ISBN 13 : 1000591956
Total Pages : 310 pages
Book Rating : 4.0/5 (5 download)

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Book Synopsis Music and Performance in the Book of Hours by : Michael Alan Anderson

Download or read book Music and Performance in the Book of Hours written by Michael Alan Anderson and published by Routledge. This book was released on 2022-06-14 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study uncovers the musical foundations and performance suggestions of books of hours, guides to prayer that were the most popular and widespread books of the late Middle Ages. Exploring a variety of musical genres and sections of books of hours with musical implications, this book presents a richly textured sound world gleaned from dozens of extant manuscript sources from fifteenth-century France. It offers the first overview of the musical content of these handbooks to liturgy and devotional prayer, together with cues that show scribal awareness for the articulation of sacred plainchants. Although books of hours lack musical notation, this survey elucidates the full range of musical genres and styles suggested both within and beyond the liturgical offices prescribed in books of hours. Privileging sound and ritual enactment in the experience of the hours, the survey complements studies of visual imagery that have dominated the category. The book’s interdisciplinary approach within a musical context, and beautiful full-color illustrations, will attract not only specialists in musicology, liturgy, and late medieval studies, but also those more broadly interested in the history of the book, memory, performance studies, and art history.

The Cambridge History of Fifteenth-Century Music

Author : Anna Maria Busse Berger
Publisher : Cambridge University Press
ISBN 13 : 1316298299
Total Pages : 1058 pages
Book Rating : 4.3/5 (162 download)

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Book Synopsis The Cambridge History of Fifteenth-Century Music by : Anna Maria Busse Berger

Download or read book The Cambridge History of Fifteenth-Century Music written by Anna Maria Busse Berger and published by Cambridge University Press. This book was released on 2015-07-16 with total page 1058 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

A History of Western Philosophy of Music

Author : James O. Young
Publisher : Cambridge University Press
ISBN 13 : 1108570933
Total Pages : 684 pages
Book Rating : 4.1/5 (85 download)

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Book Synopsis A History of Western Philosophy of Music by : James O. Young

Download or read book A History of Western Philosophy of Music written by James O. Young and published by Cambridge University Press. This book was released on 2023-01-31 with total page 684 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). All aspects of the philosophy of music are discussed, including music and the cosmos, music's value, music's relation to the other arts, the problem of opera, the origins of musical genius, music's emotional impact, the moral effects of music, the ontology of musical works, and the relevance of music's historical context. The volume will be valuable for students and scholars in philosophy and musicology, and all who are interested in the ways in which philosophers throughout history have thought about music.

Composing Community in Late Medieval Music

Author : Jane D. Hatter
Publisher : Cambridge University Press
ISBN 13 : 1108474918
Total Pages : 301 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Composing Community in Late Medieval Music by : Jane D. Hatter

Download or read book Composing Community in Late Medieval Music written by Jane D. Hatter and published by Cambridge University Press. This book was released on 2019-05-02 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.

Where Heaven and Earth Meet: Essays on Medieval Europe in Honor of Daniel F. Callahan

Author : Michael Frassetto
Publisher : BRILL
ISBN 13 : 9004274162
Total Pages : 246 pages
Book Rating : 4.0/5 (42 download)

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Book Synopsis Where Heaven and Earth Meet: Essays on Medieval Europe in Honor of Daniel F. Callahan by : Michael Frassetto

Download or read book Where Heaven and Earth Meet: Essays on Medieval Europe in Honor of Daniel F. Callahan written by Michael Frassetto and published by BRILL. This book was released on 2014-04-17 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Where Heaven and Earth Meet is a Festschrift in honor of Daniel F. Callahan, Professor of History at the University of Delaware. It is an interdisciplinary collection that celebrates and advances research in his principal scholarly interests. One central focus is on the writings of Ademar of Chabannes and what they reveal about heresy, music, warfare, and the Peace of God in the early Middle Ages. Another is on Western religious history (ecclesiastical houses, hagiography, and papal writings), and the collection is rounded out by studies of early Islamic Jerusalem as well as Arabic numismatics. Contributing authors include Professor Callahan’s former classmates, graduate students, colleagues and admirers of his research. The collection will be of interest to researchers in art history, history, musicology, and religion. Contributors are: Bernard S. Bachrach, Daniel F. Callahan, Lawrence G. Duggan, Michael Frassetto, Matthew Gabriele, James Grier, John D. Hosler, Anna Trumbore Jones, Lawrence Nees, Richard R. Ring, Jane T. Schulenburg

Music and the Renaissance

Author : Philippe Vendrix
Publisher : Routledge
ISBN 13 : 1351557491
Total Pages : 671 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music and the Renaissance by : Philippe Vendrix

Download or read book Music and the Renaissance written by Philippe Vendrix and published by Routledge. This book was released on 2017-07-05 with total page 671 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume unites a collection of articles which illustrate brilliantly the complexity of European cultural history in the Renaissance. On the one hand, scholars of this period were inspired by classical narratives on the sublime effects of music and, on the other hand, were affected by the profound religious upheavals which destroyed the unity of Western Christianity and, in so doing, opened up new avenues in the world of music. These articles offer as broad a vision as possible of the ways of thinking about music which developed in the fifteenth and sixteenth centuries.

Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music

Author : Dr Mattias Lundberg
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409455076
Total Pages : 352 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music by : Dr Mattias Lundberg

Download or read book Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music written by Dr Mattias Lundberg and published by Ashgate Publishing, Ltd.. This book was released on 2012-08-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mattias Lundberg investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the twenty-first, coeval music theory is able to shed light on the problems it has posed to modal and tonal practice at various historical stages. The musical settings studied hold up a mirror to the general development of psalmody, concerning practices of organum, diverse regional forms of fauxbourdon, cantus firmus composition, free imitation, parody, fugue, quodlibet, monody, and many other compositional techniques where the unique features of the psalm-tone have necessitated modification of existing practices. The conclusions drawn reveal a musico-liturgical tradition that was not in real danger of extinction until the general decline of Western liturgy that followed in the eighteenth century, at which point the historiography of the tonus peregrinus became a factor stimulating scholarly and musical interest in its alleged pre-Christian origins. Lundberg demonstrates that the succession of works based on the tonus peregrinus often preserved a distinctly conservative musical and theological conception even during periods of drastic liturgical reform.

2009

Author : Massimo Mastrogregori
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110317494
Total Pages : 428 pages
Book Rating : 4.1/5 (13 download)

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Book Synopsis 2009 by : Massimo Mastrogregori

Download or read book 2009 written by Massimo Mastrogregori and published by Walter de Gruyter GmbH & Co KG. This book was released on 2013-12-18 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Motet in the Late Middle Ages

Author : Margaret Bent
Publisher : Oxford University Press
ISBN 13 : 0190063807
Total Pages : 777 pages
Book Rating : 4.1/5 (9 download)

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Book Synopsis The Motet in the Late Middle Ages by : Margaret Bent

Download or read book The Motet in the Late Middle Ages written by Margaret Bent and published by Oxford University Press. This book was released on 2023-11-03 with total page 777 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words and music of motets from many different angles: foundational verbal quotations and pre-existent chant excerpts and their contexts, citations both of words and music from other compositions, function, dating, structure, theory, and number symbolism. Individual studies of these original creations tease out a range of strategies, ingenuity, playfulness, striking juxtapositions, and even subversion. Half of the thirty-two chapters consist of new material; the other half are substantially revised and updated versions of previously published articles and chapters, organized into seven Parts. With new analyses of text and music together, new datings, new attributions, and new hypotheses about origins and interrelationships, Bent uncovers little-explored dimensions, provides a window into the craft and thought processes of medieval composers, and opens up many directions for future work.

The Carole

Author : Robert Mullally
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9781409412489
Total Pages : 182 pages
Book Rating : 4.4/5 (124 download)

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Book Synopsis The Carole by : Robert Mullally

Download or read book The Carole written by Robert Mullally and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: The carole was the principal social dance in France and England from c.1100 to c.1400 and was frequently mentioned in French and English medieval literature, but has been widely misunderstood by contributors in recent citations in dictionaries and reference books, both linguistic and musical. Dr Robert Mullally's groundbreaking study establishes all the characteristics of this dance: etymological, choreographical, lyrical, musical and iconographical.

The Astrological Autobiography of a Medieval Philosopher

Author : Steven Vanden Broecke
Publisher : Leuven University Press
ISBN 13 : 9462701555
Total Pages : 305 pages
Book Rating : 4.4/5 (627 download)

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Book Synopsis The Astrological Autobiography of a Medieval Philosopher by : Steven Vanden Broecke

Download or read book The Astrological Autobiography of a Medieval Philosopher written by Steven Vanden Broecke and published by Leuven University Press. This book was released on 2018-11-26 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critical edition of the earliest known astrological autobiography The present book reveals the riches of the earliest known astrological autobiography, authored by Henry Bate of Mechelen (1246–after 1310). Exploiting all resources of contemporary astrological science, Bate conducts in his Nativitas a profound self-analysis, revealing the peculiarities of his character and personality at a crucial moment of his life (1280). The result is an extraordinarily detailed and penetrating attempt to decode the fate of one’s own life and its idiosyncrasies. The Astrological Autobiography of a Medieval Philosopher offers the first critical edition of Bate’s Nativitas. An extensive introduction presents Bate’s life and work and sheds new light on the reception and use of Greek, Latin, Arabic, and Hebrew texts among scholars in Paris at the end of the 13th century. The book thus provides a major new resource for scholars working on medieval science, autobiography, and notions of personhood and individuality.

Senza Vestimenta: The Literary Tradition of Trecento Song

Author : Lauren Jennings
Publisher : Routledge
ISBN 13 : 1317057090
Total Pages : 396 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Senza Vestimenta: The Literary Tradition of Trecento Song by : Lauren Jennings

Download or read book Senza Vestimenta: The Literary Tradition of Trecento Song written by Lauren Jennings and published by Routledge. This book was released on 2016-04-01 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: The metaphor of marriage often describes the relationship between poetry and music in both medieval and modern writing. While the troubadours stand out for their tendency to blur the distinction between speaking and singing, between poetry and song, a certain degree of semantic slippage extends into the realm of Italian literature through the use of genre names like canzone, sonetto, and ballata. Yet, paradoxically, scholars have traditionally identified a 'divorce' between music and poetry as the defining feature of early Italian lyric. Senza Vestimenta reintegrates poetic and musical traditions in late medieval Italy through a fresh evaluation of more than fifty literary sources transmitting Trecento song texts. These manuscripts have been long noted by musicologists, but until now they have been used to bolster rather than to debunk the notion that so-called 'poesia per musica' was relegated to the margins of poetic production. Jennings revises this view by exploring how scribes and readers interacted with song as a fundamentally interdisciplinary art form within a broad range of literary settings. Her study sheds light on the broader cultural world surrounding the reception of the Italian ars nova repertoire by uncovering new, diverse readers ranging from wealthy merchants to modest artisans.

A World of Popular Entertainments

Author : Gillian Arrighi
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443838047
Total Pages : 295 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis A World of Popular Entertainments by : Gillian Arrighi

Download or read book A World of Popular Entertainments written by Gillian Arrighi and published by Cambridge Scholars Publishing. This book was released on 2012-03-15 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking volume of critical essays about popular entertainments brings together the work of eighteen established, emerging, and independent scholars with backgrounds in Archives, Theatre and Performance, Music, and Historical Studies, currently working across five continents. The first of its kind to examine popular entertainments from a global and multi-disciplinary perspective, this collection examines a broad cross-section of historical and contemporary popular entertainment forms from Australia, England, Japan, North America, and South Africa, and considers their social, cultural and political significance. Despite the vibrant, complex, and ubiquitous nature of popular entertainments, the field has suffered from a lack of sustained academic attention. Nevertheless, popular entertainments have a global reach and a transnational significance at odds with the fact that the meaning and definition of both ‘popular’ and ‘entertainment’ remain widely contested. Since the late-nineteenth century, class-based prejudices in Western culture have championed the superiority of art and literature over the dubious and fleeting pleasures of ‘entertainment.’ Similarly, the term ‘popular’ has carried pejorative connotations, indicating something common and outside the conventional and highbrow productions of the purpose-built theatre house or concert hall. Irrespective of whether ‘popular’ is code for a cultural product with a folk origin, or a term indicating the mass appeal of a cultural product, this volume’s re-assessment of popular entertainments from a global perspective is timely. The performance research embodied in this volume was first discussed at A World of Popular Entertainments International Conference (University of Newcastle, Australia, 2009) in response to a multi-disciplinary call for scholars to explore a variety of topics relevant to the study of popular entertainments.