Identities and Audiences in the Musical

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Author :
Publisher : Oxford University Press
ISBN 13 : 0190877812
Total Pages : 248 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis Identities and Audiences in the Musical by : Raymond Knapp

Download or read book Identities and Audiences in the Musical written by Raymond Knapp and published by Oxford University Press. This book was released on 2018-09-04 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Issues of identity have always been central to the American musical in all its guises. Who appears in musicals, who or what they are meant to represent, and how, over time, those representations have been understood and interpreted, provide the very basis for our engagement with the genre. In this third volume of the reissued Oxford Handbook of the American Musical, chapters focus on race, ethnicity, gender, and sexuality, regional vs. national identity, and the cultural and class significance of the musical itself. As important as the question of who appears in musicals are the questions of who watches and listens to them, and of how specific cultures of reception attend differently to the musical. Chapters thus address cultural codes inherent to the genre, in particular those found in traditional school theater programs.

Handbook of Musical Identities

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Author :
Publisher : Oxford University Press
ISBN 13 : 0191092347
Total Pages : 1013 pages
Book Rating : 4.1/5 (91 download)

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Book Synopsis Handbook of Musical Identities by : Raymond MacDonald

Download or read book Handbook of Musical Identities written by Raymond MacDonald and published by Oxford University Press. This book was released on 2017-03-09 with total page 1013 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music can also be a means of communication through which aspects of people's identities are constructed. Music can have a profound influence on our developing sense of identity, our values, and our beliefs, be it from rock music, classical music, or jazz. Musical identities (MacDonald, Hargreaves and Miell, 2002) was unique in being in being one of the first books to explore this fascinating topic. This new book documents the remarkable expansion and growth in the study of musical identities since the publication of the earlier work. The editors identify three main features of current psychological approaches to musical identities, which concern their definition, development, and the identification of individual differences, as well as four main real-life contexts in which musical identities have been investigated, namely in music and musical institutions; specific geographical communities; education; and in health and well-being. This conceptual framework provides the rationale for the structure of the Handbook. The book is divided into seven main sections. The first, 'Sociological, discursive and narrative approaches', includes several general theoretical accounts of musical identities from this perspective, as well as some more specific investigations. The second and third main sections deal in depth with two of the three psychological topics described above, namely the development of and individual differences in musical identities. The fourth, fifth and sixth main sections pursue three of the real-life contexts identified above, namely 'Musical institutions and practitioners', 'Education', and 'Health and well-being'. The seventh and final main section of the Handbook - 'Case studies' - includes chapters which look at particular musical identities in specific times, places, or contexts. The multidisciplinary range and breadth of the Handbook's contents reflect the rapid changes that are taking place in music, in digital technology, and in their role in society as a whole, such that the study of musical identity is likely to proliferate even further in the future.

Media Audiences and Identity

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Author :
Publisher : Springer
ISBN 13 : 0230501117
Total Pages : 235 pages
Book Rating : 4.2/5 (35 download)

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Book Synopsis Media Audiences and Identity by : S. Bailey

Download or read book Media Audiences and Identity written by S. Bailey and published by Springer. This book was released on 2005-09-08 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using a unique combination of cultural studies research, neo-pragmatist philosophy, and psychoanalytic theory, the author sheds light on the formation of a social identity and the important role that mass media play in this process. Case studies covering a range of media and communities provide a model for developing a truly explanatory as well as descriptive account of self-media interaction that bridges the two opposing sides of the media audience debate and provides a significant new dimension to notions of 'passive' and 'active' media audiences.

Postnational Musical Identities

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Author :
Publisher : Lexington Books
ISBN 13 : 9780739118214
Total Pages : 260 pages
Book Rating : 4.1/5 (182 download)

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Book Synopsis Postnational Musical Identities by : Ignacio Corona

Download or read book Postnational Musical Identities written by Ignacio Corona and published by Lexington Books. This book was released on 2008 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. "Hybridity," "postnationalism," "transnationalism," "globalization," "diaspora," and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification.

Popular Music Fandom

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Author :
Publisher : Routledge
ISBN 13 : 1134467699
Total Pages : 244 pages
Book Rating : 4.1/5 (344 download)

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Book Synopsis Popular Music Fandom by : Mark Duffett

Download or read book Popular Music Fandom written by Mark Duffett and published by Routledge. This book was released on 2013-11-07 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores popular music fandom from a cultural studies perspective that incorporates popular music studies, audience research, and media fandom. The essays draw together recent work on fandom in popular music studies and begin a dialogue with the wider field of media fan research, raising questions about how popular music fandom can be understood as a cultural phenomenon and how much it has changed in light of recent developments. Exploring the topic in this way broaches questions on how to define, theorize, and empirically research popular music fan culture, and how music fandom relates to other roles, practices, and forms of social identity. Fandom itself has been brought center stage by the rise of the internet and an industrial structure aiming to incorporate, systematize, and legitimate dimensions of it as an emotionally-engaged form of consumerism. Once perceived as the pariah practice of an overly attached audience, media fandom has become a standardized industrial subject-position called upon to sell box sets, concert tickets, new television series, and special editions. Meanwhile, recent scholarship has escaped the legacy of interpretations that framed fans as passive, pathological, or defiantly empowered, taking its object seriously as a complex formation of identities, roles, and practices. While popular music studies has examined some forms of identity and audience practice, such as the way that people use music in daily life and listener participation in subcultures, scenes and, tribes, this volume is the first to examine music fans as a specific object of study.

Sources of Identity

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Author :
Publisher : Brepols Publishers
ISBN 13 : 9782503567785
Total Pages : 0 pages
Book Rating : 4.5/5 (677 download)

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Book Synopsis Sources of Identity by : Lisa Colton

Download or read book Sources of Identity written by Lisa Colton and published by Brepols Publishers. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The papers included in this volume were presented, in much shorter form, at a conference entitled 'Sources of Identity: Makers, Owners and Users of Music Sources Before 1600' held at the University of Sheffield in 2013. The stated aim of the event was to leave aside the traditionally dominant view of early music sources as a means of access to medieval and Renaissance repertoires, focussing instead on the people who commissioned, made, owned and used music books, and on their reasons for so doing. In the terms proposed by a recent study of art patronage in the period, what was the 'payoff' enjoyed by individuals and groups who created and deployed such objects?

Dissonant Identities

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Author :
Publisher : Wesleyan University Press
ISBN 13 : 0819572675
Total Pages : 315 pages
Book Rating : 4.8/5 (195 download)

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Book Synopsis Dissonant Identities by : Barry Shank

Download or read book Dissonant Identities written by Barry Shank and published by Wesleyan University Press. This book was released on 2012-01-01 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice capable of transforming identities. While his focus is primarily on progressive country and rock, Shank also writes about traditional country, blues, rock, disco, ethnic, and folk musics. Using empirical detail and an expansive theoretical framework, he shows how Austin became the site for "a productive contestation between two forces: the fierce desire to remake oneself through musical practice, and the equally powerful struggle to affirm the value of that practice in the complexly structured late-capitalist marketplace."

The American Musical and the Performance of Personal Identity

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Author :
Publisher : Princeton University Press
ISBN 13 : 1400832683
Total Pages : 489 pages
Book Rating : 4.4/5 (8 download)

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Book Synopsis The American Musical and the Performance of Personal Identity by : Raymond Knapp

Download or read book The American Musical and the Performance of Personal Identity written by Raymond Knapp and published by Princeton University Press. This book was released on 2010-06-21 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: The American musical has long provided an important vehicle through which writers, performers, and audiences reimagine who they are and how they might best interact with the world around them. Musicals are especially good at this because they provide not only an opportunity for us to enact dramatic versions of alternative identities, but also the material for performing such alternatives in the real world, through songs and the characters and attitudes those songs project. This book addresses a variety of specific themes in musicals that serve this general function: fairy tale and fantasy, idealism and inspiration, gender and sexuality, and relationships, among others. It also considers three overlapping genres that are central, in quite different ways, to the projection of personal identity: operetta, movie musicals, and operatic musicals. Among the musicals discussed are Camelot, Candide; Chicago; Company; Evita; Gypsy; Into the Woods; Kiss Me, Kate; A Little Night Music; Man of La Mancha; Meet Me in St. Louis; The Merry Widow; Moulin Rouge; My Fair Lady; Passion; The Rocky Horror Picture Show; Singin' in the Rain; Stormy Weather; Sweeney Todd; and The Wizard of Oz. Complementing the author's earlier work, The American Musical and the Formation of National Identity, this book completes a two-volume thematic history of the genre, designed for general audiences and specialists alike.

Musical Identities

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Author :
Publisher : OUP Oxford
ISBN 13 : 0198509324
Total Pages : 223 pages
Book Rating : 4.1/5 (985 download)

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Book Synopsis Musical Identities by : Raymond A. R. MacDonald

Download or read book Musical Identities written by Raymond A. R. MacDonald and published by OUP Oxford. This book was released on 2002-07-18 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music plays an important role in all our lives, and is a channel through which we can express emotions, thoughts, political statements, and social relationships. However, just as music can be a channel through which we express ourselves, it can also have a profound influence on our own developing sense of identity. This is the first book to explore the powerful effect that music can have as we develop our sense of identity, from adolescence through to adulthood. Bringing together leading experts from psychology and music, it will be a valuable addition to the music psychology literature, and essential for music psychologists, social and developmental psychologists, and educational psychologists.

Creative Explorations

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Author :
Publisher : Routledge
ISBN 13 : 1134155093
Total Pages : 225 pages
Book Rating : 4.1/5 (341 download)

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Book Synopsis Creative Explorations by : David Gauntlett

Download or read book Creative Explorations written by David Gauntlett and published by Routledge. This book was released on 2007-05-07 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon an array of disciplines from neuroscience to philosophy, and art to social theory, David Gauntlett here explores the ways in which researchers can embrace people's everyday creativity in order to understand social experience.

Flamenco Music and National Identity in Spain

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Publisher : Routledge
ISBN 13 : 1317134869
Total Pages : 192 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Flamenco Music and National Identity in Spain by : William Washabaugh

Download or read book Flamenco Music and National Identity in Spain written by William Washabaugh and published by Routledge. This book was released on 2016-04-15 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Flamenco Music and National Identity in Spain explores the efforts of the current government in southern Spain to establish flamenco music as a significant patrimonial symbol and marker of cultural identity. Further, it aims to demonstrate that these Andalusian efforts form part of the ambitious project of rethinking the nation-state of Spain, and of reconsidering the nature of national identity. A salient theme in this book is that the development of notions of style and identity are mediated by social institutions. Specifically, the book documents the development of flamenco's musical style by tracing the genre's development, between 1880 and 1980, and demonstrating the manner in which the now conventional characterization of the flamenco style was mediated by krausist, modernist, and journalist institutions. Just as importantly, it identifies two recent institutional forces, that of audio recording and cinema, that promote a concept of musical style that sharply contrasts with the conventional notion. By emphasizing the importance of forward-looking notions of style and identity, Flamenco Music and National Identity in Spain makes a strong case for advancing the Spanish experiment in nation-building, but also for re-thinking nationalism and cultural identity on a global scale.

Rap Music and the Poetics of Identity

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Author :
Publisher : Cambridge University Press
ISBN 13 : 9780521634472
Total Pages : 236 pages
Book Rating : 4.6/5 (344 download)

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Book Synopsis Rap Music and the Poetics of Identity by : Adam Krims

Download or read book Rap Music and the Poetics of Identity written by Adam Krims and published by Cambridge University Press. This book was released on 2000-04-24 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to discuss in detail how rap music is put together musically and how it contributes to the formation of cultural identities for both artists and audiences. It also argues that current skeptical attitudes toward music analysis in popular music studies are misplaced and need to be reconsidered if cultural studies are to treat seriously the social force of rap music, popular musics, and music in general. Drawing extensively on recent scholarship in popular music studies, cultural theory, communications, critical theory, and musicology, Krims redefines 'music theory' as meaning simply 'theory about music', in which musical poetics (the study of how musical sound is deployed) may play a crucial role when its claims are contextualized and demystified. Theorizing local and global geographies of rap, Krims discusses at length the music of Ice Cube, the Goodie MoB, KRS-One, Dutch group the Spookrijders, and Canadian Cree rapper Bannock.

Puccini’s La fanciulla del West and American Musical Identity

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Author :
Publisher : Routledge
ISBN 13 : 1351594877
Total Pages : 301 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Puccini’s La fanciulla del West and American Musical Identity by : Kathryn Fenton

Download or read book Puccini’s La fanciulla del West and American Musical Identity written by Kathryn Fenton and published by Routledge. This book was released on 2019-08-30 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: On 10 December 1910, Giacomo Puccini’s seventh opera, La fanciulla del West, had its premiere before a sold-out audience at New York City’s Metropolitan Opera House. The performance was the Metropolitan Opera Company’s first world premiere by any composer. By all accounts, the premiere was an unambiguous success and the event itself recognized as a major moment in New York cultural history. The initial public opinion matched Puccini’s own evaluation of his opera. He called it "the best he had ever written" and expected it to become as popular as La Bohème. Yet the music reviews tell a different story. Marked by ambivalence, the reviews expose the New York City critics’ struggle to reconcile the opera they expected to see with the one they actually saw, and the opera itself became embroiled in controversy over the essence of musical Americanness and the nativist perception that a uniquely American national opera tradition continued to elude both American- and foreign-born opera composers. This book seeks to account for the differences between Puccini’s own assessments of the opera and those of its first audience. Offering transcriptions of the central reviews and of letters unavailable elsewhere, the book provides a historically informed understanding of La fanciulla del West and the reception of this European work as it intersected with both opera production and consumption in the United States and with the process of American musical identity formation during the very period that Americans actively sought to eradicate European cultural influences. As such, it offers a window into the development of nativism and "cosmopolitan nationalism" in New York City’s musical life during the first decade of the twentieth century.

Audience, Agency and Identity in Black Popular Culture

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Author :
Publisher : Routledge
ISBN 13 : 1135235643
Total Pages : 159 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis Audience, Agency and Identity in Black Popular Culture by : Shawan M. Worsley

Download or read book Audience, Agency and Identity in Black Popular Culture written by Shawan M. Worsley and published by Routledge. This book was released on 2009-09-10 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shawan M. Worsley analyzes black cultural representations that appropriate anti-black stereotypes. Her examination furthers our understanding of the historical circumstances that are influencing contemporary representations of black subjects that are purposefully derogatory and documents the consequences of these images.

Ethnic and Cultural Identity in Music and Song Lyrics

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Author :
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443896209
Total Pages : 270 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Ethnic and Cultural Identity in Music and Song Lyrics by : Victor Kennedy

Download or read book Ethnic and Cultural Identity in Music and Song Lyrics written by Victor Kennedy and published by Cambridge Scholars Publishing. This book was released on 2017-06-20 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ethnic and Cultural Identity in Music and Song Lyrics looks at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals. Charles Taylor says that “it is through story that we find or devise ways of living bearably in time”; one can make the same claim for music. Inexorably tied to time, to the measure of the beat, but freed from time by the polysemous potential of the words, song rapidly becomes “our” song, helping to cement memory and community, to make the past comprehensible and the present bearable. The authors of the fifteen chapters in this volume demonstrate how lyrics set to music can reflect, express and construct collective identities, both traditional and contemporary.

The SAGE Handbook of Popular Music

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Author :
Publisher : SAGE
ISBN 13 : 147391440X
Total Pages : 1027 pages
Book Rating : 4.4/5 (739 download)

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Book Synopsis The SAGE Handbook of Popular Music by : Andy Bennett

Download or read book The SAGE Handbook of Popular Music written by Andy Bennett and published by SAGE. This book was released on 2015-01-19 with total page 1027 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field." - Will Straw, McGill University "Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of teaching and research across the Anglophone world and is certain to be cited for years to come." - Barry Shank, author of ′The Political Force of Musical Beauty′ (2014) The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method The Business of Popular Music Popular Music History The Global and the Local The Star System Body and Identity Media Technology Digital Economies Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.

Music and Identity Politics

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Author :
Publisher : Routledge
ISBN 13 : 1351557734
Total Pages : 484 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music and Identity Politics by : Ian Biddle

Download or read book Music and Identity Politics written by Ian Biddle and published by Routledge. This book was released on 2017-07-05 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together for the first time book chapters, articles and position pieces from the debates on music and identity, which seek to answer classic questions such as: how has music shaped the ways in which we understand our identities and those of others? In what ways has scholarly writing about music dealt with identity politics since the Second World War? Both classic and more recent contributions are included, as well as material on related issues such as music's role as a resource in making and performing identities and music scholarship's ambivalent relationship with scholarly activism and identity politics. The essays approach the music-identity relationship from a wide range of methodological perspectives, ranging from critical historiography and archival studies, psychoanalysis, gender and sexuality studies, to ethnography and anthropology, and social and cultural theories drawn from sociology; and from continental philosophy and Marxist theories of class to a range of globalization theories. The collection draws on the work of Anglophone scholars from all over the globe, and deals with a wide range of musics and cultures, from the Americas, Australasia, Europe, the Middle East and Africa. This unique collection of key texts, which deal not just with questions of gender, sexuality and race, but also with other socially-mediated identities such as social class, disability, national identity and accounts and analyses of inter-group encounters, is an invaluable resource for music scholars and researchers and those working in any discipline that deals with identity or identity politics.