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Ida Rubinstein 1885 1960
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Book Synopsis Ida Rubinstein (1885-1960) by : Michael De Cossart
Download or read book Ida Rubinstein (1885-1960) written by Michael De Cossart and published by . This book was released on 1987 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study of the career and achievement of a multi-talented personality. Ida Rubinstein was born in 1885 in tsarist Russia and from an early age she used her immense family fortune to commission original stage works in which she herself invariably appeared. She started out with the intention of making a name for herself as an actress, but her gifts as a mime and dancer attracted Diaghilev and he introduced her to western audiences when his Ballets Russes came to Paris in 1909. Ida Rubinstein was too much of an egoist to remain in his shadow and she subsequently went on to pursue an independent career as an impresario, in many ways Diaghilev’s equal, as a dancer of as high a caliber as Karsavina (but of greater versatility) and as a dramatic actress who came a very close second to Sarah Bernhardt. In the process she worked with some of the greatest creative geniuses of the twentieth century, designers, choreographers, writers and composers. When she finally withdrew into voluntary seclusion after the Second World War, she left behind a remarkable legacy of works as a contribution to that high point of western civilization, the Third French Republic. Her name will continue to be associated with such masterpieces as Debussy’s Le Martyre de Saint Sebastien, Ravel’s La Valse and Bolero, Stravinsky’s Persephone and Honegger’s Jeanne d’Arc au bucher. She will also be long remembered as the epitome of extravagance, high style and good taste, unrivalled even in an era renowned for its panache and hedonism. Most of the illustrations in this book have never been published before.
Book Synopsis Ida Rubinstein by : Michael de Cossart
Download or read book Ida Rubinstein written by Michael de Cossart and published by . This book was released on 1987 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :Judith Chazin-Bennahum Publisher :State University of New York Press ISBN 13 :1438487991 Total Pages :272 pages Book Rating :4.4/5 (384 download)
Book Synopsis Ida Rubinstein by : Judith Chazin-Bennahum
Download or read book Ida Rubinstein written by Judith Chazin-Bennahum and published by State University of New York Press. This book was released on 2022-03-01 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ida Rubinstein (1883–1960) captivated Paris's dancers, composers, artists, and audiences from her time in the Ballets Russes in 1909 to her final performances in 1939. Trained in Russia as an actress and a dancer, her life spanned the artistic freedom of the Belle Époque through the ravages of World War I, the Depression, and finally World War II. This critical biography carefully examines aspects of Rubinstein's life and career that have previously received little attention. These include her early life in Russia, her writing about performance aesthetics, her curated approach to acting and dancing roles, and her encumbered position as a woman and a Jew. Rubinstein used her considerable fortune to produce dozens of plays, lyric creations, and ballets, making her one of the foremost producers of the first half of the twentieth century. Employing the greatest scenic artists, Léon Bakst and Alexander Benois; the distinguished composers Igor Stravinsky, Arthur Honegger, and Claude Debussy; celebrated writers including Paul Valéry and André Gide; and the brilliant choreographer Bronislava Nijinska, Rubinstein transformed twentieth-century theater and dance.
Download or read book Ida Rubinstein written by Ida Rubinstein and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Embodied Texts written by Mary Fleischer and published by Rodopi. This book was released on 2007 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Embodied Texts: Symbolist Playwright-Dancer Collaborations explores the dynamic relationship between Symbolist theatre and early modern dance across Europe from the 1890s through the 1930s. Gabriele D'Annunzio's projects with Ida Rubinstein; Hugo von Hofmannsthal's pantomimes for Grete Wiesenthal; W. B. Yeats's work with Michio Ito and Ninette de Valois; and Paul Claudel's collaborations with Jean Börlin and the Ballets Suédois are studied in depth to shed new light on an evolving dance-theatre form within Symbolist culture. Buoyed by the era's heightened interest in the expressive qualities of the body, these playwrights were highly invested in the authority of language, yet were drawn to the capacity of dance to evoke spiritual or psychological states which words could not completely capture. In its belief of fundamental correspondences among the arts, Symbolism encouraged experimentation across disciplines, and this study traces interconnections among many of its significant figures including Max Reinhardt, Claude Debussy, Gertrud Eysoldt, Edward Gordon Craig, Bronislava Nijinksa, Isadora Duncan, Jaques Dalcroze, Darius Milhaud, Vsevolod Meyerhold, Mariano Fortuny, Terence Gray, George Antheil, Eleonora Duse, and Michel Fokine.
Book Synopsis Performing Antiquity by : Samuel N. Dorf
Download or read book Performing Antiquity written by Samuel N. Dorf and published by Oxford University Press, USA. This book was released on 2019 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1930 investigates collaborations between French and American scholars of Greek antiquity (archaeologists, philologists, classicists, and musicologists), and the performing artists (dancers, composers, choreographers and musicians) who brought their research to life at the birth of Modernism. The book tells the story of performances taking place at academic conferences, the Paris Op ra, ancient amphitheaters in Delphi, and private homes. These musical and dance collaborations are built on reciprocity: the performers gain new insight into their craft while learning new techniques or repertoire and the scholars gain an opportunity to bring theory into experimental practice, that is, they have a chance see/hear/experience what they have studied and imagined. The performers receive the imprimatur of scholarship, the stamp of authenticity, and validation for their creative activities. Drawing from methods and theory from musicology, dance studies, performance studies, queer studies, archaeology, classics and art history the book shows how new scholarly methods and technologies altered the performance, and, ultimately, the reception of music and dance of the past. Acknowledging and critically examining the complex relationships performers and scholars had with the pasts they studied does not undermine their work. Rather, understanding our own limits, biases, dreams, obsessions, desires, loves, and fears enriches the ways we perform the past.
Book Synopsis Revealing Masks by : W. Anthony Sheppard
Download or read book Revealing Masks written by W. Anthony Sheppard and published by Univ of California Press. This book was released on 2001-02-01 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse—and in some instances, little-known—range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance—such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.
Book Synopsis Léon Bakst. The art of Theatre and dance by : Elisabeth Ingles
Download or read book Léon Bakst. The art of Theatre and dance written by Elisabeth Ingles and published by Parkstone International. This book was released on 2024-06-10 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the beginning of the XXth century, there was an unprecedented explosion of creativity in all artistic fields. Overwhelming both Europe and North America, the Russian Ballet revolutionized theatrical design with their stage sets and their costumes that were ablaze with colour yet refind in effect, bearing much of the mystic of the Orient yet also visually influenced by the work of the Persian miniaturists. Together with Diaghilev, Léon Bakst showed himself to be the most talented of the theatre group designers of his time. The costumes he devised with exclusive art seemed to shimmer with a thousand colours. Dazzled by such powers of imagination, the author, Jean Cocteau, dedicated his book "Bonjour Monsieur Bakst" to him. The great contemporary composers Tchaïkovsky, Rimsky-Korsakov and Stravinsky, among others, all had occasion to call upon his creative genius. Today, his designs remain very popular and may still be seen on stage scenes all over the world, admired by a public that remains as enthusiastic as ever.
Book Synopsis Multimedia Archaeologies by : Andrea Mirabile
Download or read book Multimedia Archaeologies written by Andrea Mirabile and published by Rodopi. This book was released on 2014-03-01 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paris, 1910-1915. Artists, intellectuals, and international celebrities crowd the city as never before. Decadent dreams and avant-garde manifestos celebrate the marriage between art and life. Creative experiments and vital joy dance hand in hand—on the edge of the abyss of WWI. Gabriele D’Annunzio is one of the highly influential yet semi-forgotten protagonists of this season and an emblem of its contradictions. A child of the Decadence, but also a forerunner of Modernism, the Italian poet defies the barriers between art forms, languages, and aesthetic practices. Tellingly, some of the period’s major figures across the arts are involved in D’Annunzio’s projects, including Canudo, Bakst, Brooks, Debussy, Montesquiou, and Rubinstein. In particular, in his sacred drama Le Martyre de Saint Sébastien, the poet combines French, Italian, literature, theater, mime, dance, music, painting, and cinema in a way that fuses old and new. D’Annunzio’s hybrid experiments challenge Wagner’s ‘total artwork’ theories, search for a synthesis between pictorial stillness and filmic movement, and anticipate contemporary multimedia experiences. These artistic collaborations end suddenly at the outbreak of the Great War, when Dannunzian total artworks migrate from the stage to the battlefield, generating a controversial legacy that calls for renewed critical investigations.
Download or read book Satanic Feminism written by Per Faxneld and published by Oxford University Press. This book was released on 2017-08-24 with total page 577 pages. Available in PDF, EPUB and Kindle. Book excerpt: According to the Bible, Eve was the first to heed Satan's advice to eat the forbidden fruit and thus responsible for all of humanity's subsequent miseries. The notion of woman as the Devil's accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renée Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.
Download or read book Chaïm Soutine written by Klaus H. Carl and published by Parkstone International. This book was released on 2015-05-13 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chaïm Soutine (1893-1943), the unconventional and controversial painter of Belorussian origin, combines influences of classic European painting with Post-Impressionism and Expressionism. As a member of the Artists from Belarus, a group within the Parisian School, he created an oeuvre mainly consisting of landscapes, still lifes, and portraits. His individual style, characterised by displays of humour and despair and by use of luminous colours, makes him a modern master who is still little understood.
Download or read book Soutine written by Klaus H. Carl and published by Parkstone International. This book was released on 2015-07-13 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chaïm Soutine (1893-1943), the unconventional and controversial painter of Belorussian origin, combines influences of classic European painting with Post-Impressionism and Expressionism. As a member of the Artists from Belarus, a group within the Parisian School, he created an oeuvre mainly consisting of landscapes, still lifes, and portraits. His individual style, characterised by displays of humour and despair and by use of luminous colours, makes him a modern master who is still little understood.
Book Synopsis Dance and American Art by : Sharyn R. Udall
Download or read book Dance and American Art written by Sharyn R. Udall and published by University of Wisconsin Pres. This book was released on 2012-06-19 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: From ballet to burlesque, from the frontier jig to the jitterbug, Americans have always loved watching dance, whether in grand ballrooms, on Mississippi riverboats, or in the streets. Dance and American Art is an innovative look at the elusive, evocative nature of dance and the American visual artists who captured it through their paintings, sculpture, photography, and prints from the early nineteenth century through the mid-twentieth century. The scores of artists discussed include many icons of American art: Winslow Homer, George Caleb Bingham, Mary Cassatt, James McNeill Whistler, Alexander Calder, Joseph Cornell, Edward Steichen, David Smith, and others. As a subject for visual artists, dance has given new meaning to America’s perennial myths, cherished identities, and most powerful dreams. Their portrayals of dance and dancers, from the anonymous to the famous—Anna Pavlova, Isadora Duncan, Loïe Fuller, Josephine Baker, Martha Graham—have testified to the enduring importance of spatial organization, physical pattern, and rhythmic motion in creating aesthetic form. Through extensive research, sparkling prose, and beautiful color reproductions, art historian Sharyn R. Udall draws attention to the ways that artists’ portrayals of dance have defined the visual character of the modern world and have embodied culturally specific ideas about order and meaning, about the human body, and about the diverse fusions that comprise American culture.
Download or read book Pagan Light written by Jamie James and published by Macmillan + ORM. This book was released on 2019-03-19 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: A New York Times Book Review Editors' Choice "Pagan Light is mesmerizing. Every detail is compelling. I felt I was reading a family history of a family far more interesting than mine." --Edmund White, author of Our Young Man A rich, intimate embrace of Capri, which was a magnet for artistic renegades and a place of erotic refuge Isolated and arrestingly beautiful, the island of Capri has been a refuge for renegade artists and writers fleeing the strictures of conventional society from the time of Augustus, who bought the island in 29 BC after defeating Antony and Cleopatra, to the early twentieth century, when the poet and novelist Jacques d’Adelswärd-Fersen was in exile there after being charged with corrupting minors, to the 1960s, when Truman Capote spent time on the island. We also meet the Marquis de Sade, Goethe, Mark Twain, Oscar Wilde, Compton Mackenzie, Rilke, Lenin, and Gorky, among other astonishingly vivid characters. Grounded in a deep intimacy with Capri and full of captivating anecdotes, Jamie James’s Pagan Light tells how a tiny island served as a wildly permissive haven for people—queer, criminal, sick, marginalized, and simply crazy—who had nowhere else to go.
Book Synopsis The Letters of Henry Adams by : Henry Adams
Download or read book The Letters of Henry Adams written by Henry Adams and published by Harvard University Press. This book was released on 1982 with total page 910 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The European Outthrust and Encounter by : David B. Quinn
Download or read book The European Outthrust and Encounter written by David B. Quinn and published by Liverpool University Press. This book was released on 1994-01-01 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: For half a century David Beers Quinn wrote on the history of the early relationship between England and North America. This volume was presented in tribute to his meticulous and authoritative but cautious scholarship, on the occasion of his 85th birthday. It includes his "Reflections" on a lifetime of research, and his bibliography. But his interests in the early period of "the expansion of Europe" have never been limited to England or North America, and this volume accordingly takes as its theme the widest historical context of the subject and period, the whole European outthrust and encounter, in its first phase. Ten contributions by recognized scholars provide select exemplars, to serve as a stimulating introduction to this vast theme. Three overview essays deal with specific regions of the outthrust, chosen because of differences in outcome: Ethiopia, the Far East, and Siberia. The remaining essays consider specific episodes in localities ranging from Guayana to China, and their discursive echoes, and are essentially concerned with a leading feature of David Quinn’s scholarship, the discovery, examination and interpretation of sources. A preliminary essay discusses the theme and links the various contributions within a framework of critical generalization.
Book Synopsis The Creative Labor of Music Patronage in Interwar France by : Louis K. Epstein
Download or read book The Creative Labor of Music Patronage in Interwar France written by Louis K. Epstein and published by Boydell & Brewer. This book was released on 2022 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenges the longstanding perception that modernist composers made art, not money, and that those who made money somehow failed to make art.Patrons have long appeared as colorful, exceptional figures in music history, but this book recasts patrons and patronage as creative forces that shaped the sounds and meanings of new French music between the world wars. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Patrons developed new pathways to participate in music-making, going beyond commissions to establish ballet companies, manage performance venues, and establish state programs. The impressive variety of patronage activities led to an explosion of new music as well as new styles and -isms, indelibly marking the repertoire that this book examines, including a number of pieces frequently heard in concert halls today. In addition to offering new perspectives on well-known French repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.nch repertoire, this book challenges conceptions of patronage as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons. as a bygone phenomenon. Complementing a dwindling cast of aristocratic patrons were new ranks of music publishers, impresarios, state bureaucrats, opera directors, and others capitalizing on their savings, social connections, and artistic vision to bring new music into the world. In chapters on French discourse around patronage, aristocratic commissions, the stimulus provided by the interwar dance craze, music publishing, the Paris Opéra, state intervention in French musical life, and transatlantic musical exchanges, the book blends cultural history with primary source study and music analysis. It not only improves our understanding of French musical life and culture during the early twentieth century but also supplies us with essential insights into the ways modern music emerged at the intersection of music composition, aesthetic and national politics, and the creative labor of patrons.
