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Author :
Publisher :
ISBN 13 :
Total Pages : 213 pages
Book Rating : 4.:/5 (971 download)
Download or read book Historia del cine 3 written by and published by . This book was released on 1994 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Georges Sadoul
Publisher : Siglo XXI
ISBN 13 : 9789682305337
Total Pages : 904 pages
Book Rating : 4.3/5 (53 download)
Download or read book Historia del cine mundial written by Georges Sadoul and published by Siglo XXI. This book was released on 1983 with total page 904 pages. Available in PDF, EPUB and Kindle. Book excerpt: El cine ñdesde sus inicios hasta la época presenteñ, con sus altas y bajas, su importancia para nuestro mundo, la diversión que aporta y los valores que representa, aparece bajo la pluma incisiva y enterada del gran crítico e historiador francés del cine.
Author : Román Gubern
Publisher : Editorial Lumen
ISBN 13 :
Total Pages : 622 pages
Book Rating : 4.3/5 (91 download)
Download or read book Historia del cine written by Román Gubern and published by Editorial Lumen. This book was released on 1989 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt:
![Download U.S.A. los 3 [i.e. tres] rostros del cine PDF Online Free](https://books.google.com/books/content/images/frontcover/Bvt7MAEACAAJ?fife=w200-h370)
Author : Luis Elbert
Publisher :
ISBN 13 :
Total Pages : 157 pages
Book Rating : 4.:/5 (253 download)
Download or read book U.S.A. los 3 [i.e. tres] rostros del cine written by Luis Elbert and published by . This book was released on 1979 with total page 157 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Carl J. Mora
Publisher : Univ of California Press
ISBN 13 : 9780520043046
Total Pages : 284 pages
Book Rating : 4.0/5 (43 download)
Download or read book Mexican Cinema written by Carl J. Mora and published by Univ of California Press. This book was released on 1989 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author's main reason for writing this book, however, is simply to provide an introduction to the Mexican commercial cinema for American and other English-speaking readers. Although the United States has been, and continues to be, a major foreign market for Mexican movies, the overwhelming majority of Americans are unaware of them. Mexican films are restricted to the Hispanic theater circuits and shown without English subtitles; therefore anyone wishing to see a Mexican movie would have to be fairly fluent in Spanish. Such a requisite effectively eliminates almost the entire general audience in the United States from exposure to Mexican cinema.
Author : René Jeanne
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (143 download)
Download or read book HISTORIA ilustrada del cine. Vol 3 written by René Jeanne and published by . This book was released on 1999 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Félix Martialay
Publisher : El sastre de los libros
ISBN 13 : 8418289104
Total Pages : 393 pages
Book Rating : 4.4/5 (182 download)
Download or read book Esquemas para el estudio de la historia del cine written by Félix Martialay and published by El sastre de los libros. This book was released on 2020-02-01 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presentamos en este volumen el libro de esquemas que Félix Martialay preparó para sus alumnos de historia del cine de la Universidad Complutense de Madrid, en la que estuvo contratado desde el 1 de enero de 1974 hasta el 30 de septiembre de 1976.
Author : Román Gubern
Publisher : University of Wisconsin Pres
ISBN 13 : 0299284735
Total Pages : 458 pages
Book Rating : 4.2/5 (992 download)
Download or read book Luis Buñuel written by Román Gubern and published by University of Wisconsin Pres. This book was released on 2012-01-04 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: The turbulent years of the 1930s were of profound importance in the life of Spanish film director Luis Buñuel (1900–1983). He joined the Surrealist movement in 1929 but by 1932 had renounced it and embraced Communism. During the Spanish Civil War (1936–39), he played an integral role in disseminating film propaganda in Paris for the Spanish Republican cause. Luis Buñuel: The Red Years, 1929–1939 investigates Buñuel’s commitment to making the politicized documentary Land without Bread (1933) and his key role as an executive producer at Filmófono in Madrid, where he was responsible in 1935–36 for making four commercial features that prefigure his work in Mexico after 1946. As for the republics of France and Spain between which Buñuel shuttled during the 1930s, these became equally embattled as left and right totalitarianisms fought to wrest political power away from a debilitated capitalism. Where it exists, the literature on this crucial decade of the film director’s life is scant and relies on Buñuel’s own self-interested accounts of that complex period. Román Gubern and Paul Hammond have undertaken extensive archival research in Europe and the United States and evaluated Buñuel’s accounts and those of historians and film writers to achieve a portrait of Buñuel’s “Red Years” that abounds in new information.
Author : Marc Ferro
Publisher : Ediciones AKAL
ISBN 13 : 8446025280
Total Pages : 170 pages
Book Rating : 4.4/5 (46 download)
Download or read book El cine, una visión de la historia written by Marc Ferro and published by Ediciones AKAL. This book was released on 2008-11-01 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: ¿Qué visión de la historia hay en el cine? En El acorazado Potemkin Eisenstein inventó un motín de leyenda, mezclando hechos reales y episodios inventados. En Espartaco, Stanley Kubrick hace hablar a los patricios con acento de Oxford y a los esclavos con acento norteamericano. Salvo raras excepciones, las películas sobre la Revolución francesa muestran casi siempre el punto de vista contrarrevolucionario. En los westerns, los indios pasaron en pocas décadas del papel de agresores al de víctimas. Los obreros nunca hacen huelgas en las películas francesas anteriores a 1968... Y, sin embargo, qué papel tan importante desempeña el cine en nuestra comprensión de la historia... Reflejo de la sociedad, el cine también es un soporte ideológico, propagandístico. En este libro, ilustrado con 150 fotografías y en el que se citan más de 300 películas, Marc Ferro nos invita a reflexionar sobre la representación del pasado, del presente y del futuro en el ámbito cinematográfico.
Author : Javier Coma
Publisher :
ISBN 13 : 9788475842240
Total Pages : 235 pages
Book Rating : 4.8/5 (422 download)
Download or read book Historia del cine americano written by Javier Coma and published by . This book was released on 1993 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Múltiples volúmenes han tratado la gran época de Hollywood, situada entre la implantación del sonoro y el final de los años cincuenta. Parecía, por tanto, que resultaba imposible aportar un enfoque nuevo mediante un libro sucinto, pensado para un cómodo manejo, como es El esplendor y el éxtasis. Sin embargo, Javier Coma ha tomado perspectivas singulares y ha creado una arquitectura nada común, lo que convierte a esta obra en un insólito acercamiento a dicho período cinematográfico. El enfoque básico del autor incide en el redescubrimiento y reconocimiento de los mejores profesionales en cada parcela de la fabricación fílmica, por lo que su libro subraya la importancia creativa de productores, guionistas, escenógrafos, operadores jefe, compositores, coreógrafos, e incluso especialistas en acciones de riesgo, junto a la trascendencia tradicionalmente concedida a los directores, y sin olvidar, por supuesto, a los actores y actrices. Por otra parte, apartados específicos realzan diversas figuras con carácter emblemático en la creación cinematográfica y recuerdan a los realizadores en el marco de la política de géneros, tan decisiva para el rumbo del Hollywood clásico. Tras una detallada cronología de las tres décadas estudiadas (1930-1960), El esplendor y el éxtasis exhibe una original estructura según la cual, y con variantes exigidas por el propio discurso, cada capítulo parte de una personalidad de primera línea (sucesivamente Chaplin, Selznick, Hawks, Capra, Lang, Ford y Disney), para entrar en los análisis de un sector profesional y de un género. De este modo no sólo se propone una muy atractiva panorámica del tema, sino que además se sugieren numerosos caminos para la ampliación de conocimientos en torno al mismo. Este es el segundo de los tres volúmenes que componen la Historia del cine americano; los otros dos han sido escritos por Homero Alsina Thevenet (el período mudo, 1893-1930) y José Luis Guarner (la época contemporánea, 1960-1992). La obra global ha sido ideada, promovida, coordinada y supervisada por Joaquim Romaguera i Ramio.
Author : Robert C. Allen
Publisher : Grupo Planeta (GBS)
ISBN 13 : 9788449301049
Total Pages : 348 pages
Book Rating : 4.3/5 (1 download)
Download or read book Teoría y práctica de la historia del cine written by Robert C. Allen and published by Grupo Planeta (GBS). This book was released on 1995 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: El presente libro ha logrado crear un contexto en el que la historia del cine puede leerse y desarrollarse de un modo más productivo. Sus objetivos son : en primer lugar, situar la historia del cine dentro del marco de la investigación histórica en general. Luego, familiarizar al lector con los problemas específicos y únicos a los que se enfrentan los historiadores cinematográficos. Y, finalmente revisar los enfoques utilizados hasta ahora en el estudio histórico del cine, ofreciendo a la vez ejemplos de diversos tipos de investigación histórica de las películas. En este sentido, el objetivo de la obra no es dilucidar el modo de llevar a cabo una investigación histórica sobre el cine, sino más bien demostrar que los historiadores cinematográficos no trabajan en el vacío, ni abordan el estudio de la historia del cine ajenos a su cultura, gustos cinematográficos y orientación ideológica.
Author : Dolores Tierney
Publisher : Manchester University Press
ISBN 13 : 1526141345
Total Pages : 209 pages
Book Rating : 4.5/5 (261 download)
Download or read book Emilio Fernández written by Dolores Tierney and published by Manchester University Press. This book was released on 2019-01-04 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican Cinema, famed with creating films that embody a loosely defined Mexican school of filmmaking. However, rather than offer an auteurist study this book interrogates the construction of Fernández as both a national and nationalist auteur (including racial and gender aspects e.g. as macho mexicano and indio). It also challenges auteurist readings of the films themselves in order to make new arguments about the significance of Fernández and his work. The aim of this book is to question Mexico’s fetishisation of its own position on the peripheries of the global cultural economy and the similar fetishisation of Fernández’s marginalisation as a mixed race (part white and part indigenous) director. This book argues that, as pictures in the margins, classical Mexican cinema and specifically Fernández’s films are not transparent reflections of dominant post Revolutionary Mexican culture, but annotations and re-inscriptions of the particularities of Mexican society in the post-Revolutionary era.
Author : H. Mario Raimondo-Souto
Publisher : McFarland
ISBN 13 : 0786484071
Total Pages : 381 pages
Book Rating : 4.7/5 (864 download)
Download or read book Motion Picture Photography written by H. Mario Raimondo-Souto and published by McFarland. This book was released on 2014-11-18 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1891, William Dickson, a researcher at Thomas Edison's firm, developed the Kinetograph, a motion picture camera that used Eastman Kodak's new celluloid film. Almost immediately, an industry was born. The new artistic and technical discipline of motion picture photography matured as the film industry grew. From the beginnings of the movie camera, developments in film production and exhibition have been inextricably linked to the evolution of motion picture photography. This work traces the history of motion picture photography from the late 19th century through the year 1960, when color photography became the accepted standard. Generously illustrated, it covers each decade's cameras, lenses, cameramen, film processing methods, formats, studios, lighting techniques and major cinematographic developments. Each chapter concludes with examples of the decade's outstanding cinematography. Instructors considering this book for use in a course may request an examination copy here.
Author : Scott L. Baugh
Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313380376
Total Pages : 340 pages
Book Rating : 4.3/5 (133 download)
Download or read book Latino American Cinema written by Scott L. Baugh and published by Bloomsbury Publishing USA. This book was released on 2012-04-13 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Latino American cinema is a provocative, complex, and definitively American topic of study. This book examines key mainstream commercial films while also spotlighting often-underappreciated documentaries, avant-garde and experimental projects, independent productions, features and shorts, and more. Latino American Cinema: An Encyclopedia of Movies, Stars, Concepts, and Trends serves as an essential primary reference for students of the topic as well as an accessible resource for general readers. The alphabetized entries in the volume cover the key topics of this provocative and complex genre—films, filmmakers, star performers, concepts, and historical and burgeoning trends—alongside frequently overlooked and crucially ignored items of interest in Latino cinema. This comprehensive treatment bridges gaps between traditional approaches to U.S.-Latino and Latin American cinemas, placing subjects of Chicana and Chicano, Puerto Rican, Cuban and diasporic Cuban, and Mexican origin in perspective with related Central and South American and Caribbean elements. Many of the entries offer compact definitions, critical discussions, overviews, and analyses of star artists, media productions, and historical moments, while several foundational entries explicate concepts, making this single volume encyclopedia a critical guide as well.
Author : Alessandro Rocco
Publisher : Boydell & Brewer Ltd
ISBN 13 : 1855662833
Total Pages : 230 pages
Book Rating : 4.8/5 (556 download)
Download or read book Gabriel García Márquez and the Cinema written by Alessandro Rocco and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on Gabriel Garcia Marquez's relations with the world of cinema. Far from being an occasional occupation, García Márquez's film work forms an intrinsic part of his overall aesthetic and literary poetics. The book's primary aim is to present a detailed study of Garcia Márquez's wide-ranging filmography, which has never received a comprehensive, systematic analysis. Rocco argues that it should be recognised as an integral part of the author's narrative output, and brought into the mainstream of studies concerning his literary activity. The first part of the book reconstructs the trajectory of Garcia Marquez's career in cinema and his connections with the world of film. The second part looks at all the screenplays written by García Márquez on which actual films have been based. These are examined chronologically, but also analysed according to thematic and aesthetic concerns and placed in relation to the novels and short stories with which they are 'twinned' in terms of the film product. Book jacket.
Author : Timothy Barnard
Publisher : University of Texas Press
ISBN 13 : 0292792107
Total Pages : 635 pages
Book Rating : 4.2/5 (927 download)
Download or read book South American Cinema written by Timothy Barnard and published by University of Texas Press. This book was released on 2010-06-28 with total page 635 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally issued in hardcover in 1996 by Garland Publishing, this important reference work is now available in paperback for a wider audience. A distinguished team of contributors has compiled entries on 140 significant South American feature films from the silent era until 1994. The entries discuss each film's subject matter, critical reception, and social and political contexts, as well as its production, distribution, and exhibition history, including technical credits. The entries are grouped by country and arranged chronologically. Both fiction and documentary films (some no longer in existence) are included, as well as extensive title, name, and subject indexes and glossaries of film and foreign terms.
Author : Olivia Cosentino
Publisher : University Press of Florida
ISBN 13 : 1683403398
Total Pages : 181 pages
Book Rating : 4.6/5 (834 download)
Download or read book The Lost Cinema of Mexico written by Olivia Cosentino and published by University Press of Florida. This book was released on 2022-02-08 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lost Cinema of Mexico is the first volume to challenge the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the artistic quality and international acclaim of the nation’s earlier Golden Age. This pivotal collection examines the critical implications of discovering, uncovering, and recovering forgotten or ignored films. This largely unexamined era of film reveals shifts in Mexican culture, economics, and societal norms as state-sponsored revolutionary nationalism faltered. During this time, movies were widely embraced by the public as a way to make sense of the rapidly changing realities and values connected to Mexico’s modernization. These essays shine a light on many genres that thrived in these decades: rock churros, campy luchador movies, countercultural superocheros, Black melodramas, family films, and Chili Westerns. Redefining a time usually seen as a cinematic “crisis,” this volume offers a new model of the film auteur shaped by productive tension between highbrow aesthetics, industry shortages, and national audiences. It also traces connections from these Mexican films to Latinx, Latin American, and Hollywood cinema at large. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Contributors: Brian Price | Carolyn Fornoff | David S. Dalton | Christopher B. Conway | Iván Eusebio Aguirre Darancou | Ignacio Sánchez Prado | Dolores Tierney | Dr. Olivia Cosentino Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
