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Hist Of Caricature Grotesque
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Book Synopsis A History of Caricature and Grotesque in Literature and Art ; With Illustr. by F. W. Fairholt by : Thomas Wright
Download or read book A History of Caricature and Grotesque in Literature and Art ; With Illustr. by F. W. Fairholt written by Thomas Wright and published by . This book was released on 1865 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A History of Caricature and Grotesque in Literature and Art by : Thomas Wright
Download or read book A History of Caricature and Grotesque in Literature and Art written by Thomas Wright and published by . This book was released on 1865 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A History of Caricature and Grotesque in Literature and Art by : Thomas Wright
Download or read book A History of Caricature and Grotesque in Literature and Art written by Thomas Wright and published by Good Press. This book was released on 2019-11-29 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Caricature and Grotesque in Literature and Art is a book by Thomas Wright. It provides a view into the history of comical art with its different branches of popular literature existing at different time periods.
Download or read book Foul Perfection written by Mike Kelley and published by MIT Press. This book was released on 2003-06-20 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critical writings and commentary by the Los Angeles based artist Mike Kelley. The work of artist Mike Kelley (b. 1954) embraces performance, installation, drawing, painting, video, and sculpture. Drawing distinctively on high art and vernacular traditions, including historical research, popular culture, and psychology, Kelley came to prominence in the 1980s with a series of sculptures composed of craft materials. His recent work offers dialogues with architecture and with repressed memory syndrome, and a sustained inquiry into his own aesthetic and social history. The subjects on which Kelley has written are as varied as his artistic media. They include the work of fellow artists, sound, caricature, the uncanny, UFOlogy, and gender-bending. This book offers a diverse collection of Kelley's writings from the last twenty-five years. It contains major critical texts on art, film, and the wider culture, including his piece on the aesthetic he calls "urban Gothic." It also contains essays, mostly commissioned for exhibition catalogs and journals, on the artists and groups David Askevold, Öyvind Fahlström, Douglas Huebler, John Miller, Survival Research Laboratories, and Paul Thek, among others. Kelley's voices are passionate, analytic, and ironic, and his critical intelligence is leavened with touches of whimsy.
Author :Metropolitan Museum of Art (New York, N.Y.) Publisher :Metropolitan Museum of Art ISBN 13 :1588394298 Total Pages :226 pages Book Rating :4.5/5 (883 download)
Book Synopsis Infinite Jest by : Metropolitan Museum of Art (New York, N.Y.)
Download or read book Infinite Jest written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2011 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.
Book Synopsis Grotesque Figures by : Virginia E. Swain
Download or read book Grotesque Figures written by Virginia E. Swain and published by JHU Press. This book was released on 2020-03-03 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the complex role of the past in his work. In Grotesque Figures, Virginia E. Swain explores how the specter of the eighteenth century made itself felt in Baudelaire's modern poetry in the pervasive textual and figural presence of Jean-Jacques Rousseau. Not only do Rousseau's ideas inform Baudelaire's theory of the grotesque, but Rousseau makes numerous appearances in Baudelaire's poetry as a caricature or type representing the hold of the Enlightenment and the French Revolution over Baudelaire and his contemporaries. As a character in "Le Poème du hashisch" and the Petits Poèmes en prose, "Rousseau" gives the grotesque a human form. Swain's literary, cultural, and historical analysis deepens our understanding of Baudelaire and of nineteenth-century aesthetics by relating Baudelaire's poetic theory and practice to Enlightenment debates about allegory and the grotesque in the arts. Offering a novel reading of Baudelaire's ambivalent engagement with the eighteenth-century, Grotesque Figures examines nineteenth-century ideological debates over French identity, Rousseau's political and artistic legacy, the aesthetic and political significance of the rococo, and the presence of the grotesque in the modern.
Book Synopsis A History of Caricature by : Bohun Lynch
Download or read book A History of Caricature written by Bohun Lynch and published by . This book was released on 1927 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Grotesque and Caricature by : Lucia Tantardini
Download or read book Grotesque and Caricature written by Lucia Tantardini and published by BRILL. This book was released on 2023-12-18 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grotesque and Caricature: Leonardo to Bernini examines these two genres across Renaissance and Early Modern Italy. Although their origins stem from Antiquity, it were Leonardo da Vinci’s early teste caricate that injected fresh life into the tradition, greatly inspiring generations of artists. Critical among them were his Milanese followers, such as Giovanni Paolo Lomazzo, and also Michelangelo and Sebastiano del Piombo as well as, notably, Annibale Carracci, Guercino, and Bernini among others. Their artistic production—drawings, prints, paintings, and sculpture—reveals deep interest in physical, physiognomic, and psychological observations with a penchant for humour and wit. Written by an international group of established and emerging scholars, this volume explores new insights to these complementary artistic genres. Contributors include: Carlo Avilio, Ilaria Bernocchi, Christophe Brouard, Sandra Cheng, Susan Klaiber, Michael W. Kwakkelstein, Tod A. Marder, Rebecca Norris, Lucia Tantardini, Nicholas J. L. Turner, Mary Vaccaro, and Matthias Wivel.
Book Synopsis The Early Modern Grotesque by : Liam Semler
Download or read book The Early Modern Grotesque written by Liam Semler and published by Routledge. This book was released on 2018-10-26 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque. While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.
Book Synopsis History of the Warfare of Science with Theology in Christendom by : Andrew Dickson White
Download or read book History of the Warfare of Science with Theology in Christendom written by Andrew Dickson White and published by Library of Alexandria. This book was released on 1896-01-01 with total page 1368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Among those masses of cathedral sculpture which preserve so much of medieval theology, one frequently recurring group is noteworthy for its presentment of a time-honoured doctrine regarding the origin of the universe. The Almighty, in human form, sits benignly, making the sun, moon, and stars, and hanging them from the solid firmament which supports the "heaven above" and overarches the "earth beneath." The furrows of thought on the Creator's brow show that in this work he is obliged to contrive; the knotted muscles upon his arms show that he is obliged to toil; naturally, then, the sculptors and painters of the medieval and early modern period frequently represented him as the writers whose conceptions they embodied had done—as, on the seventh day, weary after thought and toil, enjoying well-earned repose and the plaudits of the hosts of heaven. In these thought-fossils of the cathedrals, and in other revelations of the same idea through sculpture, painting, glass-staining, mosaic work, and engraving, during the Middle Ages and the two centuries following, culminated a belief which had been developed through thousands of years, and which has determined the world's thought until our own time. Its beginnings lie far back in human history; we find them among the early records of nearly all the great civilizations, and they hold a most prominent place in the various sacred books of the world. In nearly all of them is revealed the conception of a Creator of whom man is an imperfect image, and who literally and directly created the visible universe with his hands and fingers. Among these theories, of especial interest to us are those which controlled theological thought in Chaldea. The Assyrian inscriptions which have been recently recovered and given to the English-speaking peoples by Layard, George Smith, Sayce, and others, show that in the ancient religions of Chaldea and Babylonia there was elaborated a narrative of the creation which, in its most important features, must have been the source of that in our own sacred books. It has now become perfectly clear that from the same sources which inspired the accounts of the creation of the universe among the Chaldeo-Babylonian, the Assyrian, the Phoenician, and other ancient civilizations came the ideas which hold so prominent a place in the sacred books of the Hebrews. In the two accounts imperfectly fused together in Genesis, and also in the account of which we have indications in the book of Job and in the Proverbs, there, is presented, often with the greatest sublimity, the same early conception of the Creator and of the creation—the conception, so natural in the childhood of civilization, of a Creator who is an enlarged human being working literally with his own hands, and of a creation which is "the work of his fingers." To supplement this view there was developed the belief in this Creator as one who, having ... "from his ample palm Launched forth the rolling planets into space." sits on high, enthroned "upon the circle of the heavens," perpetually controlling and directing them.
Download or read book The Art Journal written by and published by . This book was released on 1863 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art-Union written by and published by . This book was released on 1863 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The art journal London written by and published by . This book was released on 1863 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Grotesque written by Philip Thomson and published by Routledge. This book was released on 2017-07-14 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1972, this book provides a helpful overview of the grotesque and its use in a number of literary genres including novels, drama and poetry. After providing a historical summary of the term, the book discusses the various defining aspects of the grotesque and its relationship to other terms and modes of literature, such as satire, the comic and parody. The final chapter presents the functions and purpose of the grotesque in literature. This book will be a useful resource for those studying literary theory and literary works which include an element of the grotesque.
Book Synopsis The Saturday Review of Politics, Literature, Science and Art by :
Download or read book The Saturday Review of Politics, Literature, Science and Art written by and published by . This book was released on 1865 with total page 1130 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Critical Terms for Art History, Second Edition by : Robert S. Nelson
Download or read book Critical Terms for Art History, Second Edition written by Robert S. Nelson and published by University of Chicago Press. This book was released on 2010-03-15 with total page 541 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young
Book Synopsis Political Cartoons in the 1988 Presidential Campaign by : Janis L. Edwards
Download or read book Political Cartoons in the 1988 Presidential Campaign written by Janis L. Edwards and published by Taylor & Francis. This book was released on 1997 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
