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Gender And The Italian Stage
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Book Synopsis Gender and the Italian Stage by : Maggie Günsberg
Download or read book Gender and the Italian Stage written by Maggie Günsberg and published by Cambridge University Press. This book was released on 1997-12-11 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the portrayal of gender on the Italian stage from the Renaissance to the present, in a social and theoretical context.
Book Synopsis Women in Italian Renaissance Culture and Society by : Letizia Panizza
Download or read book Women in Italian Renaissance Culture and Society written by Letizia Panizza and published by Routledge. This book was released on 2017-12-02 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An impressive collection of 29 essays by British, American and Italian scholars on important historical, artistic, cultural, social, legal, literary and theatrical aspects of women's contributions to the Italian Renaissance, in its broadest sense. Many contributions are the result of first-hand archival research and are illustrated with numerous unpublished or little-known reproductions or original material. The subjects include: women and the court ( Dilwyn Knox, Evelyn S Welch, Francine Daenens and Diego Zancani ); women and the church ( Gabriella Zarri, Victoria Primhak, Kate Lowe, Francesca Medioli and Ruth Chavasse ); legal constraints and ethical precepts ( Marina Graziosi, Christine Meek, Brian Richardson, Jane Bridgeman and Daniela De Bellis ); female models of comportment ( Marta Ajmarm Paola Tinagli and Sara F Matthews Grieco ); women and the stage ( Richard Andrews, Maggie Guensbergberg, Rosemary E Bancroft-Marcus ); women and letters ( Diana Robin, Virginia Cox, Pamela J Benson, Judy Rawson, Conor Fahy, Giovanni Aquilecchia, Adriana Chemello, Giovanna Rabitti and Nadia Cannata Salamone )."
Book Synopsis British Romanticism and the Reception of Italian Old Master Art, 1793-1840 by : Maureen McCue
Download or read book British Romanticism and the Reception of Italian Old Master Art, 1793-1840 written by Maureen McCue and published by Routledge. This book was released on 2016-05-23 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.
Book Synopsis Commedia dell' Arte and the Mediterranean by : Erith Jaffe-Berg
Download or read book Commedia dell' Arte and the Mediterranean written by Erith Jaffe-Berg and published by Routledge. This book was released on 2016-03-09 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on published collections and also manuscripts from Mantuan archives, Commedia dell' arte and the Mediterranean locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. The study provides a broad perspective on commedia dell’ arte as an expression of the various cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form offers a platform for reflection on power and cultural exchange. While highlighting the prevalence of Mediterranean crossings in the scenarios of commedia dell' arte, this book examines the way in which actors embodied characters from across the wider Mediterranean region. The presence of Mediterranean minority groups such as Arabs, Armenians, Jews and Turks within commedia dell' arte is marked on stage and 'backstage' where they were collaborators in the creative process. In addition, gendered performances by the first female actors participated in 'staging' the Mediterranean by using the female body as a canvas for cartographical imaginings. By focusing attention on the various communities involved in the making of theatre, a central preoccupation of the book is to question the dynamics of 'exchange' as it materialized within a spectrum inclusive of both cultural collaboration but also of taxation and coercion.
Book Synopsis Investigating Gender, Translation and Culture in Italian Studies by : Monica Boria
Download or read book Investigating Gender, Translation and Culture in Italian Studies written by Monica Boria and published by Troubador Publishing Ltd. This book was released on 2007 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past few years have witnessed a growing academic interest in Italian Studies and an increasing number of symposia and scholarly activities. This volume originates from the Society for Italian Studies Postgraduate Colloquia that took place at the University of Leicester and Cambridge in June 2004 and April 2005 respectively. It gathers together articles by young researchers working on various aspects of Italian Studies. It well illustrates current trends in both typical areas of research, like literature and 'high culture', and in those which have gained momentum in recent years, like translation and language studies. The volume offers a taste of the dynamic outlook of current research in Italian Studies: the interdisciplinary approach of the essays in translation and gender studies, and the innovative methodological perspectives and findings offered by the new fields of Italian L2 and ethnography. The book is divided into three sections, each grouping contributions by broad subject areas: literature and culture, translation and gender studies, language and linguistics. Cross-fertilizations and interdisciplinary research emerge from several essays and the coherent ensemble constitutes an example of the far-reaching results achieved by current research.
Book Synopsis Early Modern Drama at the Universities by : Elizabeth Sandis
Download or read book Early Modern Drama at the Universities written by Elizabeth Sandis and published by Oxford University Press. This book was released on 2022-05-26 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first history of Oxford and Cambridge drama during the Tudor and Stuart period. It guides the reader through the theatrical worlds of Englands universities in the sixteenth and seventeenth centuries. Early Modern Drama at the Universities opens up an exciting and challenging body of evidence and offers the reader a choice of three inroads into the corpus: institutions, intertexts, and individuals. How to get noticed at university? How to get into university in the first place, or a job afterwards? Sandis pinpoints the skills that were required for success and the role of playwriting and performance in the development of those skills. We follow Oxford and Cambridge students along their educational journeyfrom schoolboys to scholars to graduates in the workplace. For the first time, we see the extent to which institutional culture made the drama what it was: pedagogically-inspired, homosocial, and self-reflexive. It was primarily on a college level that students lived, worked, and proved themselves to the community. Therefore, this study argues, to understand university drama as a whole we must recreate it from the building blocks of individual college histories. The hundreds of plays that we have inherited from Oxford and Cambridge are steeped in Classical culture; many are written in Latin. Manuscript, not print, was the accepted medium for keeping records of student plays, and these handwritten copies were unique and personal. It is time to recognize these plays in the context of early modern English drama, to uncover the culture of drama at the universities where many leading playwrights of the age were trained.
Book Synopsis Italy’s Eighteenth Century by : Paula Findlen
Download or read book Italy’s Eighteenth Century written by Paula Findlen and published by Stanford University Press. This book was released on 2009 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
Book Synopsis Motherhood and Patriarchal Masculinities in Sixteenth-century Italian Comedy by : Yael Manes
Download or read book Motherhood and Patriarchal Masculinities in Sixteenth-century Italian Comedy written by Yael Manes and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring individual and collective formation of gender identities, this book analyses plays in the genre of 'erudite comedy' (commedia erudita), which was extremely popular among elite sixteenth-century Italians. Author Manes investigates five erudite comedies-one each by Ludovico Ariosto, Antonio Landi and Giovan Maria Cecchi, and two by Niccolò Machiavelli, to consider how erudite comedies functioned as ideological battlefields where the gender system of patriarchy was examined, negotiated and critiqued.
Book Synopsis The Politics of Princely Entertainment by : Valeria De Lucca
Download or read book The Politics of Princely Entertainment written by Valeria De Lucca and published by Oxford University Press. This book was released on 2020-06-03 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout early modern Europe, patronage became a means for the dominant classes to highlight their wealth, intellectual finesse, and cultural and political agendas, particularly within the court and religious institutions. Musical events like operas and carnival parades were an especially essential component of this patronage. However, the ways in which music patronage changed during the second half of the seventeenth century have largely remained underexplored. At the time, profound social and cultural transformations influenced the production and consumption of music in radical and permanent ways, not least through the influence of the Colonna family - Prince Lorenzo Onofrio Colonna and his wife Maria Mancini. Two of the most active patrons of seventeenth-century Italy, they were particularly active in the musical life of Rome. Through their sponsorship of an unprecedented number of operas, serenatas, and oratorios, they supported the careers of the most prominent composers, librettists, and musicians of the period. A new exploration of this period of music patronage, The Politics of Princely Entertainment follows Lorenzo Onofrio and Maria beyond the borders of Rome and through their far-reaching personal and institutional travels - to Venice, Naples, and the Kingdom of Aragon. Author Valeria De Lucca traces the journeys of not only scores and librettos, but also the singers, composers, and librettists whose art reached these distant corners of Europe through the Colonna family's patronage activities. The Politics of Princely Entertainment is a welcome addition to scholarly understanding of music patronage beyond traditional boundaries of gender, geography, and institutions.
Book Synopsis Italian Women's Theatre, 1930-1960 by : Daniela Cavallaro
Download or read book Italian Women's Theatre, 1930-1960 written by Daniela Cavallaro and published by Intellect Books. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Between 1930 and 1960, popular female dramatists Paola Riccora, Anna Bonacci, Clotilde Masci and Gici Ganzini Granata set the stage for a new generation of Italian women playwrights and the development of feminist theatre. Now largely forgotten, the lives and works of these dramatists are reintroduced into the scholarly conversation in Italian women's theatre, 1930-1960. Following a general introduction, the book presents a selection of dramatic works, rounded out by commentary, performance histories, critical analyses, and biographical information."--Page 4 of cover.
Book Synopsis Women, Medicine and Theatre, 1500-1750 by : M. A. Katritzky
Download or read book Women, Medicine and Theatre, 1500-1750 written by M. A. Katritzky and published by Ashgate Publishing, Ltd.. This book was released on 2007 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on a comprehensive range of early modern British, German and other European images and texts, this study offers the first interdisciplinary gendered assessment of early modern performing itinerant quacks. The contribution of women is taken as the focus for an investigation of the nature of the links between the theatrical and the medical, in the activities of quack troupes as they went about curing, selling and, above all, performing.
Book Synopsis Women Players in England 1500-1660 by : Pamela Allen Brown
Download or read book Women Players in England 1500-1660 written by Pamela Allen Brown and published by Ashgate Publishing, Ltd.. This book was released on 2008 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering evidence of women's extensive contributions to the theatrical landscape, this volume sharply challenges the assumption that the stage was all male in early modern England. The editors and contributors argue that the pervasiveness of female performance affected cultural production, even on the professional London stages that used men and boys for women's parts. In short, Women Players in England 1500-1660 shows that women were dynamic cultural players in the early modern world.
Book Synopsis The Perfect Genre by : Kristin Phillips-Court
Download or read book The Perfect Genre written by Kristin Phillips-Court and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through a combination of interpretive literary criticism, art historical analysis and cultural and intellectual historiography, Kristin Phillips-Court offers detailed readings of individual plays juxtaposed with specific developments and achievements in the realm of painting. Revealing more than historical connections between artists and poets such as Giorgione and Tasso, Mantegna and Trissino, or Michelangelo and Caro, the author locates the history of Renaissance art and drama securely within the history of ideas.
Book Synopsis Playing with Gender by : Maggie Günsberg
Download or read book Playing with Gender written by Maggie Günsberg and published by Routledge. This book was released on 2001 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book takes gender as its point of entry into the comedies of Carlo Goldoni (170793). The dramatization of femininity and masculinity is explored in conjunction with that of other social categories (class, the family, age). The plays reinforce the patriarchal association of femininity with the body, with spectacle, and with theatricality, while the dramatic backdrop of Venice and carnival provides a unique context for the staging of issues relating to identity, disguise and fashion. In the plays, pretence and theatricality vie with bourgeois Enlightenment values of morality, honesty and respectability to produce dramatic tension with distinct gender implications. Maggie Guensberg is the author of Patriarchal Representations: Gender and Discourse in Pirandellois Theatre, Gender and the Italian Stage: from the Renaissance to the Present, and The Epic Rhetoric of Tasso: Theory and Practice, and is currently working on a book entitled Bellissima: Gender, Genre and Italian Cinema. She is Professor of Italian at the University of Manchester.
Book Synopsis The Palgrave Handbook of the History of Women on Stage by : Jan Sewell
Download or read book The Palgrave Handbook of the History of Women on Stage written by Jan Sewell and published by Springer Nature. This book was released on 2020-04-29 with total page 850 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together nearly 40 academics and theatre practitioners to chronicle and celebrate the courage, determination and achievements of women on stage across the ages and around the globe. The collection stretches from ancient Greece to present-day Australasia via the United States, Soviet Russia, Europe, India, South Africa and Japan, offering a series of analytical snapshots of women performers, their work and the conditions in which they produced it. Individual chapters provide in-depth consideration of specific moments in time and geography while the volume as a whole and its juxtapositions stimulate consideration of the bigger picture, underlining the challenges women have faced across cultures in establishing themselves as performers and the range of ways in which they gained access to the stage. Organised chronologically, the volume looks not just to the past but the future: it challenges the very notions of ‘history’, ‘stage’ and even the definition of ‘women’ itself.
Download or read book Luigi Pirandello written by Harold Bloom and published by Infobase Publishing. This book was released on 2003 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: User's guide - Editor's notes and intro. - Comprehensive bio. - Detailed plot summaries of each play - Extracts from critical essays that examine important aspects of each work - A complete biography of the writer's plays - A list of critical works about the playwright - An index of themes and ideas covered in the plays
Download or read book Silent Women written by Kevin Brownlow and published by Aurora Metro Publications Ltd.. This book was released on 2017-01-10 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first ever overview of women's contributions to the dawn of cinema looking at a variety of roles from writers and directors to film editors and critics. Why have women such as Alice Guy-Blache, the creator of narrative cinema, been written out of film history? Why have so many women working behind the scenes in film been rendered invisible and silent for so long? Silent Women, pioneers of cinema explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It also looks at how women helped to shape the content, style of acting and development of the movie business in their roles as actors, writers, editors, cinematographers, directors and producers. In addition, we describe how women engaged with and influenced the development of cinema in their roles as audience, critics, fans, reviewers, journalists and the arbiters of morality in films. And finally, we ask when the current discrimination and male domination of the industry will give way to allow more women access to the top jobs. In addition to its historical focus on women working in film during the silent film era, the term silent also refers to the silencing and eradication of the enormous contribution that women have made to the development of the motion picture industry. “The surprise of the essays collected here is their sheer volume in every corner of a business apparently better able to accommodate female talent then than now..” Danny Leigh, Financial Times, July 2016 “ It's a fascinating journey into the untold history of a largely lost era of film..” Greg Jameson, Entertainment Focus, March 2016 "This book shows how women's voices were heard and helped create the golden age of silent cinema, how those voices were almost eradicated by the male-dominated film industry, and perhaps points the way to an all-inclusive future for global cinema..” Paul Duncan, Film Historian “Inspirational and informative, Silent Women will challenge many people's ideas about the beginnings of film history. This fascinating book roams widely across the era and the diverse achievements and voices of women in the film industry. These are the stories of pioneers, trailblazers and collaborators - hugely enjoyable to read and vitally important to publish.” Pamela Hutchinson, Silent London “Every page begs the question - how on earth did these amazing women vanish from history in the first place? I defy anyone interested in cinema history not to find this valuable compendium a must-read. It's also a call to arms for more research into women's contribution and an affirmation of just how rewarding the detective work can be.” Laraine Porter, Co-Artistic Director of British Silent Film Festival “An authoritative and illuminating work, it also lends a pervasive voice to the argument that discrimination and not talent is the barrier to so few women occupying the most prominent roles within the industry." Jason Wood, Author and Visiting Professor at MMU “I was amazed to discover just how crucially they were involved from not just in front of the camera but in producing, directing, editing and much, much more. An essential read.” Neil McGlone. The Criterion Collection
