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Gema Musik Hat Ihren Wert
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Download or read book GEMA - Musik hat ihren Wert written by and published by . This book was released on 1987 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Richard Strauss-Blätter written by and published by . This book was released on 2005 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Musik hat ihren Wert by : Albrecht Dümling
Download or read book Musik hat ihren Wert written by Albrecht Dümling and published by . This book was released on 2003 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis International Directory of Company Histories by : Tina Grant
Download or read book International Directory of Company Histories written by Tina Grant and published by Saint James Press. This book was released on 2005-06 with total page 680 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotation This multi-volume series provides detailed histories of more than 7,000 of the most influential companies worldwide.
Book Synopsis New Directions in Copyright Law by : Fiona Macmillan
Download or read book New Directions in Copyright Law written by Fiona Macmillan and published by Edward Elgar Publishing. This book was released on 2006-02-24 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second volume contains further exploration of the themes considered in Volume 1, namely the theoretical framework of copyright, and the convergence, divergence and globalisation of copyright.
Download or read book Historical Social Research written by and published by . This book was released on 2008 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: International journal for the application of formal methods to history.
Book Synopsis Interessenausgleich im Urheberrecht by : Reto M. Hilty
Download or read book Interessenausgleich im Urheberrecht written by Reto M. Hilty and published by Nomos Verlagsgesellschaft. This book was released on 2004 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Der Tagungsband versammelt 13 Beiträge zu Grundfagen des Urheberrechts in der Informationsgesellschaft. Die Aufsätze widmen sich dem Schutzbereich des Urheberrechts, dem Rechtsschutz technischer Schutzmaßnahmen, den Begrenzungen des Urheberrehts und dem Verhältnis von Urheberrecht und Vertragsrecht. Ein ausführlicher Diskussionsbericht schließt den Band ab.
Author :Internationale Richard Strauss-Gesellschaft Publisher :Hollitzer Wissenschaftsverlag ISBN 13 :3990128213 Total Pages :194 pages Book Rating :4.9/5 (91 download)
Book Synopsis Richard Strauss-Jahrbuch 2018 by : Internationale Richard Strauss-Gesellschaft
Download or read book Richard Strauss-Jahrbuch 2018 written by Internationale Richard Strauss-Gesellschaft and published by Hollitzer Wissenschaftsverlag. This book was released on 2020-12-30 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Das Jahr 1918 bedeutete mit Werken wie dem "Krämerspiegel" und den Brentano-Gesängen einen Höhepunkt im Liedschaffen von Richard Strauss. Der Umbruch Europas am Ende des Ersten Weltkriegs nahm aber auch Einfluss auf das Selbstverständnis des Komponisten in Kunst und Leben als "griechischer Germane". Das Jahrbuch 2018 enthält einen aufschlussreichen Artikel über die Geschäftstüchtigkeit des Musikers im Umgang mit seinem Verlag Bote & Bock sowie in einem weiteren Aufsatz philologische Evidenz zu den Spuren griechischer Mythologie in seinen "Antike-Opern" (Hofmannsthal, Gregor). Der Briefwechsel zwischen Ferruccio Busoni und Stefan Zweig beleuchtet den biographischen und literarischen Horizont Zweigs, des von Strauss hochgeschätzten Librettisten der "Schweigsamen Frau". Beiträge zu einem vermeintlichen Jugendwerk des Komponisten und zur Bedeutung der Sopranistin Leonie Rysanek als Strauss-Interpretin sowie einige Miszellen, Rezensionen und Berichte runden den Band ab.
Download or read book The World of Music written by and published by . This book was released on 1962 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Krautrocksampler written by Julian Cope and published by . This book was released on 1996 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Riemann Musik Lexikon by : Hugo Riemann
Download or read book Riemann Musik Lexikon written by Hugo Riemann and published by . This book was released on 1929 with total page 1100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Feedback Papers written by and published by . This book was released on 1979 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Copyright Law written by Paul Torremans and published by Edward Elgar Publishing. This book was released on 2009-01-01 with total page 553 pages. Available in PDF, EPUB and Kindle. Book excerpt: . . . this book provides an interesting insight into many aspects of copyright law. It is a useful resource not only for those whose core practice is copyright but also those involved in industries reliant on copyright. New Zealand Law Journal Copyright law is undergoing rapid transformations to cope with the new international digital environment. This valuable research Handbook provides a thorough and contemporary tableau of current thinking in copyright law. It traces the changes undergone and the challenges faced by copyright, as well as its roots and its diversity, combining to present a colourful picture of a dynamic research area. The editor brings together an elite group of international copyright scholars who offer incisive and original analysis of a wide range of issues and aspects of copyright law, and in some cases a multiplicity of perspectives on a single topic. Rigorous and often thought-provoking in nature, this research Handbook clearly maps the current landscape, and will also undoubtedly stimulate further research in the field. Analysing the cutting edge of current copyright research, Copyright Law will be of great interest to researchers, students, practitioners and policymakers.
Download or read book Instrumentenbau-Zeitschrift written by and published by . This book was released on 1957 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Authors' Earnings from Copyright and Non-Copyright Sources by : Martin Kretschmer
Download or read book Authors' Earnings from Copyright and Non-Copyright Sources written by Martin Kretschmer and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Preface: In 1776, Adam Smith diagnosed an oversupply in “that unprosperous race of men” called men of letters: “...their numbers are every-where so great as commonly to reduce the price of their labour to a very paltry recompense.” (The Wealth of Nations, Book I, Ch. 10) By the nineteenth century, it was thought that copyright law may provide a solution. As Thomas Babington (Lord) Macaulay argued in a famous speech on copyright reform in the House of Commons (5 February 1841): “...there are only two ways in which [men of letters] can be remunerated. One of those is patronage; the other is copyright.” In a continuous line of reasoning, the thought persisted into the recitals of current European legislation. The 2001 Information Society Directive (2001/29/EC) is introduced thus: “If authors or performers are to continue their creative and artistic work, they have to receive appropriate reward for the use of their work...” (Recital 10). “A rigorous, effective system for the protection of copyright and related rights is one of the main ways of ensuring that European cultural creativity and production receive the necessary resources and of safeguarding the independence and dignity of artistic creators and performers” (Recital 11). This study shows quite conclusively that current copyright law has empirically failed to meet these aims. The rewards to best-selling writers are indeed high but as a profession, writing has remained resolutely unprosperous. For less than half of the 25,000 surveyed authors in Germany and the UK, writing is the main source of income. Typical earnings of professional authors are less than half of the national median wage in Germany, and one third below the national median wage in the UK. 60% of professional writers hold a second job of some kind. Throughout the study, we have attempted to differentiate between copyright and non-copyright earnings (following concepts developed for a pilot study on music for the Arts Council: M. Kretschmer, 2005, “Artists' Earnings and Copyright: A Review of British and German Music Industry Data in the Context of Digital Technologies”, firstmonday.org). We also have analysed for the first time systematically the distribution of income in a creative profession, calculating the Gini Coefficient for all earnings data collected (Gini=0: every writer earns the same/perfect equality; Gini=1: one earner earns everything/perfect inequality). After this study, copyright policy cannot remain the same. Still, for the purposes of this report, we have resisted drawing policy implications. Instead we have attempted to shape the raw data into a form that will allow multiple analyses. Emphasis has been given to providing context from statistical data held by governments, and from a comprehensive review of previous studies. The study was funded by the UK Authors' Licensing & Collecting Society (ALCS) whom we thank greatly for their trust and cooperation, in particular Owen Atkinson, Jane Carr, Richard Combes, Penny Grubb and Barbara Hayes. They gave us unprecedented access and support when nobody could predict what an independent survey of 25,000 writers would return. We also have to thank the German writers' collecting society VG Wort (in particular Prof. Ferdinand Melichar) for valuable discussion of their databases, and two German professional bodies Verband deutscher Schriftsteller VS (in particular Imre Török)) and Verband deutscher Drehbuchautoren VDD (in particular Katharina Uppenbrink) for mailing the German questionnaires. Finally, a study on this scale is necessarily a team effort. Dr Friedemann Kawohl (CIPPM Research Fellow) translated the questionnaire, processed the German part of the survey, and provided critical commentary throughout. Dr Michel Guirguis (Business School Research Fellow) calculated the Gini Coefficients, and computed the questionnaires assisted by Natalie Swann (LLM) for Germany. Emily Cieciura (CIPPM Co-ordinator) formatted the final report. Mistakes remain our own. Executive summary: 1. In 2004-05, professional UK authors (defined for the purposes of this study as those who allocate more than 50% of their time to writing) earned a median ('typical') wage of £12,330 (=64% of the national gross median wage). In 2005, professional German authors earned a median wage of €12,000/£8,280 (=42% of the national net median wage). 2. Although authors' earnings are well below average, the crucial distinguishing feature is the risky nature of the profession. Writers work in winner-take-all markets. The distribution of income is highly unequal, as reflected in high Gini Coefficients: The top 10% of professional writers in the UK earn about 60% of total income (they earn at least £68,200 per annum); the bottom 50% earn about 8% of total income (Gini: 0.63). In Germany, the top 10% of professional writers earn about 41% of total income (they earn at least €40,000/£27,600 per annum); the bottom 50% earn about 12% of total income (Gini: 0.52). In contrast, the national Gini Coefficient for all employees in the UK is 0.33; in Germany it is 0.31. 3. Compared to the UK, writers' earnings are lower and less skewed in Germany. This may reflect a more regulated environment for copyright contracts in Germany. It may also reflect the globalised nature of English language markets. In the UK sample, 7.2% of professional writers earned £100,000 or more from writing (mean=£188,062). In the German sample, just 1.7% of professional writers earned £100,000 (€145,000) or more. No German writers in the sample earned more than £345,000 (€500,000). 4. Only 20% of UK writers earn all their income from writing. 60% of professional writers need another job to survive, both in Germany and the UK. However, UK and German writers show a distinct sociological profile. German authors are prepared to enter the market as a professional author (=allocating more than 50% of their time to writing) at a much lower median income than UK authors. UK authors also appear to have a more “establishment” background. UK writers' households (including partners' earnings and income from non-writing jobs) earn almost double the amount of their German counterparts (UK writers' household mean: £55,620; German writers' household mean: €41,644/£28,734). 5. Income that reflects actual use of copyright works is most skewed. For UK professional authors, the Gini Coefficient for writing income is 0.63, for total individual income of writers it is 0.51, and for total household income of writers it is 0.47. For German professional authors, the Gini Coefficient for writing income is 0.52, for total individual income it is 0.43, and for total household income it is 0.42. The distribution of income for collecting society payments (which follows actual use) is more skewed than contractual writing income (which includes risk mitigating advances). The Gini Coefficient for ALCS (UK collecting society) payments to professional writers is 0.78; for VG Wort (German collecting society) payments it is 0.67. This suggests that current copyright law may exacerbate risk. 6. Writers who bargain with their publishers/producers earn about twice as much as those who don't (both in Germany and the UK). Compared to the UK, disputes over moral rights (the authors' rights to be credited where their work is used and to prevent its derogatory treatment) are double as likely in Germany, reflecting perhaps the “inalienable” legal status of these rights in Germany. 7. Female writers earn considerably less than male writers. The greatest gap is for main-income writers (those who earn at least 50% of their income from writing): UK female main-income writers earn 59% of male average (mean) earnings; German female main-income writers earn 69.5% of male average (mean) earnings. 8. Increased exploitation and use of copyright works through the Internet has not translated into increased earnings of writers. Only 14.7% of professional UK writers and 9.2% of German writers have received specific payments for Internet uses of their works. The typical earnings of authors have deteriorated since 2000, both in the UK and Germany.
Download or read book The Jewish Encyclopedia written by and published by . This book was released on 1912 with total page 730 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Fontes Artis Musicae by : International Association of Music Libraries
Download or read book Fontes Artis Musicae written by International Association of Music Libraries and published by . This book was released on 1969 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: