Forty Years Residence In America Or The Doctrine Of A Particular Providence Exemplified In The Life Of Grant Thorburn Seedsman New York Written By Himself The Fall Of A Sparrow And The Crash Of An Empire Are Seen Alike By Him Whose Eye Is Everywhere

Author : Katie Trumpener
Publisher : Princeton University Press
ISBN 13 : 9780691044804
Total Pages : 450 pages
Book Rating : 4.0/5 (448 download)

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Download or read book Bardic Nationalism written by Katie Trumpener and published by Princeton University Press. This book was released on 1997-05-25 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.