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Folk Songs Of Old New England
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Book Synopsis Folk Songs of Old New England by : Eloise Hubbard Linscott
Download or read book Folk Songs of Old New England written by Eloise Hubbard Linscott and published by . This book was released on 1993 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Folk Songs of Old New England by : Eloise Hubbard Linscott
Download or read book Folk Songs of Old New England written by Eloise Hubbard Linscott and published by Dover Publications. This book was released on 1993 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Treasury of over 100 folk songs and ballads, nursery songs and singing games, lumbermen's songs, sea chanteys, country dances, minstrel songs, Child ballads and much more. Blow the Man Down, The Devil and the Farmer's Wife, Shenandoah, Barbara Allen, many others. Piano accompaniment for each song, complete instructions for singing games and country dances, historical notes on songs, other material. Ideal for sing-alongs, dances, school programs, and more.
Book Synopsis Folk Songs of Old New England by : Eloise Hubbard Linscott
Download or read book Folk Songs of Old New England written by Eloise Hubbard Linscott and published by . This book was released on 1962 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis New England's Annoyances by : Joseph A. Leo Lemay
Download or read book New England's Annoyances written by Joseph A. Leo Lemay and published by . This book was released on 1985 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The New Penguin Book of English Folk Songs by : Julia Bishop
Download or read book The New Penguin Book of English Folk Songs written by Julia Bishop and published by Penguin UK. This book was released on 2012-06-07 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society
Book Synopsis Folk Songs of Old New England. Collected and Edited by E.H. Linscott. With an Introduction by James M. Carpenter. [With Musical Notes.]. by : Eloise Hubbard Linscott
Download or read book Folk Songs of Old New England. Collected and Edited by E.H. Linscott. With an Introduction by James M. Carpenter. [With Musical Notes.]. written by Eloise Hubbard Linscott and published by . This book was released on 1939 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Folk Song in England by : Steve Roud
Download or read book Folk Song in England written by Steve Roud and published by Faber & Faber. This book was released on 2017-08-15 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
Book Synopsis I Believe I'll Go Back Home by : Thomas S. Curren
Download or read book I Believe I'll Go Back Home written by Thomas S. Curren and published by Bright Leaf. This book was released on 2021-05-28 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1959 and 1968, New England saw a folk revival emerge in more than fifty clubs and coffeehouses, a revolution led by college dropouts, young bohemians, and lovers of traditional music that renewed the work of the region's intellectuals and reformers. From Club 47 in Harvard Square to candlelit venues in Ipswich, Martha's Vineyard, and Amherst, budding musicians and hopeful audiences alike embraced folk music, progressive ideals, and community as alternatives to an increasingly toxic consumer culture. While the Boston-Cambridge Folk Revival was short-lived, the youthful attention that it spurred played a crucial role in the civil rights, world peace, and back-to-the-land movements emerging across the country. Fueled by interviews with key players from the folk music scene, I Believe I'll Go Back Home traces a direct line from Yankee revolutionaries, up-country dancers, and nineteenth-century pacifists to the emergence of blues and rock 'n' roll, ultimately landing at the period of the folk revival. Thomas S. Curren presents the richness and diversity of the New England folk tradition, which continues to provide perspective, inspiration, and healing in the present day.
Book Synopsis Folk Songs of Old New England. Collected and Edited by Eloise Hubbard Linscott. With an Introduction by James M. Carpenter. Second Edition. [With Musical Examples.]. by : Eloise Hubbard Linscott
Download or read book Folk Songs of Old New England. Collected and Edited by Eloise Hubbard Linscott. With an Introduction by James M. Carpenter. Second Edition. [With Musical Examples.]. written by Eloise Hubbard Linscott and published by . This book was released on 1962 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis American Folk Songs: New England ; Midland (North Atlantic) ; Upper South ; Deep South and the Ozarks by : Norm Cohen
Download or read book American Folk Songs: New England ; Midland (North Atlantic) ; Upper South ; Deep South and the Ozarks written by Norm Cohen and published by Greenwood. This book was released on 2008 with total page 743 pages. Available in PDF, EPUB and Kindle. Book excerpt: Learn the history of the states through the folk songs of those who lived there!
Book Synopsis Folk Songs of Old New England by : Eloise Hubbard Linscott
Download or read book Folk Songs of Old New England written by Eloise Hubbard Linscott and published by . This book was released on 1962 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New England Folk-songs written by and published by . This book was released on 1937 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Ancient Ballads Traditionally Sung in New England, Volume 4 by : Helen Hartness Flanders
Download or read book Ancient Ballads Traditionally Sung in New England, Volume 4 written by Helen Hartness Flanders and published by University of Pennsylvania Press. This book was released on 2016-11-11 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ballads offer one of the most fascinating and revealing records of humankind—our deepest feelings and most profound experiences, our laughter and joys, our troubles and sorrows. There is no battle, no romance, no escapade, no tragedy recorded in song which is not rich both in historical significance and in contemporary experience. A ballad is a link with past generations, traditions, and the basic character traits of a people, a region, or a country. The associations formed, the recollections stirred make the study of this form of music a rewarding experience. The first printed collection of ballads was made in 1723-25 and entitled simply Old Ballads. That it met with warm approval is indicated by the fact that a third edition was published as soon as 1727. Since the publication of that first collection, interest in the ballad and demand for ballad texts have grown constantly. During the eighteenth, nineteenth, and twentieth centuries, several hundred collections were published. Many of these collections have become classics in the field of balladry. With the publication of this fourth and final volume of the Ancient Ballads series, the Helen Hartness Flanders Collection took its place with the other classics in the field. Volume IV contains child ballads 250-295 with thirty-six versions of "The Sweet Trinity," or "The Golden Vanity," alone. This is representative of the completeness of the series and reflects the years of scholarship that went into the collecting, interviewing, scoring, and editing of the collection. With analyses by Tristram P. Coffin and musical annotations by Bruno Netti, Helen Hartness Flanders's work constitutes an invaluable source for the student of the ballad, as well as those interested in the related studies of musicology, literature, history, social sciences, and ethnology. Ancient Ballads Traditionally Sung in New England provides endless opportunity for both scholarly study and sheer fascination.
Book Synopsis Music in Rural New England Family and Community Life, 1870-1940 by : Jennifer C. Post
Download or read book Music in Rural New England Family and Community Life, 1870-1940 written by Jennifer C. Post and published by Hardscrabble Books. This book was released on 2004 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today music in New England homes and communities is broadcast through the airwaves, preserved on audio recordings, and reinforced in jam sessions and dance clubs. Before 1940, however, residents in rural New England communities listened to and performed music in more limited social spheres. Their performance venues were largely in the home, neighborhood, village, or work place. Fewer opportunities existed at that time to bring new music into the community or to share local music more widely. When commerce and the media began to dominate the music scene with the phonograph and, later, the radio, exchanges among musicians and fans transcended the local and broadened spheres of influence and radically altered the musical landscape. Drawing upon interviews and archival primary source materials, this book presents new insights into the musical practices and traditions of late-nineteenth- and early-twentieth-century rural Northern New England--a context that includes traditional ballads and hymns and, surprisingly, popular songs and commercial dance music. Jennifer Post lets the voices of ordinary people--the participants--tell us about their music and cultural history. Their stories are infused with issues of concern to ethnomusicologists, historians, and social scientists about landscape and community, gendered expression, imagined traditions, and historical representation. The author conveys that historical traditions are not always what they seem. Post offers a startling new interpretation of vernacular music of the region: In contrast to many traditional scholars who have viewed ballads and folk music, particularly in Appalachia, as somehow a "purer" brand of lost musical traditions, Post finds that across Northern New England everyday people equally enjoyed and expressed themselves through an amalgam of folk ballads, dance music, and popular musical favorites. At the heart of this study is the recognition that the musical lives of individuals, their families, and their communities were constantly being negotiated in relation to social status, gender relations, local geography, and economic needs.
Book Synopsis Romancing the Folk by : Benjamin Filene
Download or read book Romancing the Folk written by Benjamin Filene and published by UNC Press Books. This book was released on 2000 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo
Book Synopsis English Folk Songs by : Ralph Vaughan Williams
Download or read book English Folk Songs written by Ralph Vaughan Williams and published by Penguin UK. This book was released on 2009-04-02 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection is filled with songs that tell of the pleasures and pains of love, the patterns of the countryside and the lives of ordinary people. Here are unfaithful soldiers, ghostly lovers, whalers on stormy seas, cuckolds and tricksters. By turns funny, plain-speaking and melancholic, these songs evoke a lost world and, with their melodies provided, record a vital musical tradition. Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).
Download or read book Electric Folk written by Britta Sweers and published by Oxford University Press. This book was released on 2005-01-13 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1960s and 1970s, a number of British musicians rediscovered traditional folk ballads, fusing the old melodies with rock, jazz, and blues styles to create a new genre dubbed "electric folk" or "British folk rock." This revival featured groups such as Steeleye Span, Fairport Convention, and Pentangle and individual performers like Shirley & Dolly Collins, and Richard Thompson. While making music in multiple styles, they had one thing in common: they were all based on traditional English song and dance material. These new arrangements of an old repertoire created a unique musical voice within the popular mainstream. After reasonable commercial success, peaking with Steeleye Span's Top 10 album All Around My Hat, Electric Folk disappeared from mainstream notice in the late 1970s, yet performers continue to create today. In Electric Folk: The Changing Face of English Traditional Music, Britta Sweers provides an illuminating history and fascinating analysis of the unique features of the electric folk scene, exploring its musical styles and cultural implications. Drawing on rare historical sources, contemporary music journalism, and first-hand interviews with several of electric folk's most prominent artists, Sweers argues that electric folk is both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. Young British "folk-rockers," such as Richard Thompson and Maddy Prior, turned to traditional musical material as a means of asserting their British cultural identity. Yet, unlike many American and British folk revivalists, they were not as interested in the "purity" of folk ballads as in the music's potential for lively interaction with modern styles, instruments, and media. The book also delves into the impact of the British folk rock movement on mainstream pop, American rock music, and neighboring European countries. Ultimately, Sweers creates a richly detailed portrait of the electric folk scene--as cultural phenomenon, commercial entity, and performance style.