First Person Fictions

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The Memory of Love

Author : Linda Olsson
Publisher : Penguin
ISBN 13 : 110160302X
Total Pages : 241 pages
Book Rating : 4.1/5 (16 download)

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Book Synopsis The Memory of Love by : Linda Olsson

Download or read book The Memory of Love written by Linda Olsson and published by Penguin. This book was released on 2013-02-26 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the beloved author of Astrid & Veronika, a moving tale of friendship and redemption Fans of Astrid & Veronika and Chris Cleave's Little Bee will be thrilled to read Linda Olsson's third novel. Here is Olsson doing what she does best: illuminating the terrain of friendship and examining the many forms that love can take. Marion Flint, in her early fifties, has spent fifteen years living a quiet life on the rugged coast of New Zealand, a life that allows the door to her past to remain firmly shut. But a chance meeting with a young boy, Ika, and her desire to help him force Marion to open the Pandora’s box of her memory. Seized by a sudden urgency to make sense of her past, she examines each image one-by-one: her grandfather, her mother, her brother, her lover. Perhaps if she can create order from the chaos, her memories will be easier to carry. Perhaps she’ll be able to find forgiveness for the little girl that was her. For the young woman she had been. For the people she left behind. Olsson expertly interweaves scenes from Marion’s past with her quest to save Ika from his own tragic childhood, and renders with reflective tenderness the fragility of memory and the healing power of the heart.

Enrique's Journey

Author : Sonia Nazario
Publisher : Delacorte Books for Young Readers
ISBN 13 : 0385743270
Total Pages : 298 pages
Book Rating : 4.3/5 (857 download)

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Book Synopsis Enrique's Journey by : Sonia Nazario

Download or read book Enrique's Journey written by Sonia Nazario and published by Delacorte Books for Young Readers. This book was released on 2013 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: The true story of a boy who sets out with absolutely nothing to find his mother who went to the US from Honduras to look for work.

How to Write a Novel Using the Snowflake Method

Author : Randy Ingermanson
Publisher : Createspace Independent Publishing Platform
ISBN 13 : 9781500574055
Total Pages : 0 pages
Book Rating : 4.5/5 (74 download)

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Book Synopsis How to Write a Novel Using the Snowflake Method by : Randy Ingermanson

Download or read book How to Write a Novel Using the Snowflake Method written by Randy Ingermanson and published by Createspace Independent Publishing Platform. This book was released on 2014-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Snowflake Method-ten battle-tested steps that jump-start your creativity and help you quickly map out your story.

First-person Fictions

Author : Mary R. Lefkowitz
Publisher : Oxford University Press
ISBN 13 : 9780198146865
Total Pages : 252 pages
Book Rating : 4.1/5 (468 download)

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Book Synopsis First-person Fictions by : Mary R. Lefkowitz

Download or read book First-person Fictions written by Mary R. Lefkowitz and published by Oxford University Press. This book was released on 1991 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays, although written over a period of almost 30 years, deals with one problem: who is the I in the odes of the most celebrated ancient Greek poet, Pindar?. since antiquity, the complex and allusive language of the first-person statements has provoked many different answers, Professor Lefkowitz describes the function and nature of Pindar's I statements and proposes a controversial solution that would cause some histories of Greek literature to be rewritten. Rather than accept the view that the identity of the speaker could be subject to instant and unannounced change, she proposes that the voice of the victory odes is the poet himself, in his most professional persona. Professor Lefkowitz also refutes the traditional belief that the odes were sung by a chorus. She shows that in most, if not all cases, they were sung as solos and that Pindar was continuing the tradition established by the Homeric bards.

First Person

Author : Richard Flanagan
Publisher : Vintage
ISBN 13 : 0525520031
Total Pages : 393 pages
Book Rating : 4.5/5 (255 download)

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Book Synopsis First Person by : Richard Flanagan

Download or read book First Person written by Richard Flanagan and published by Vintage. This book was released on 2018-04-03 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kif Kehlmann, a young, penniless writer, thinks he’s finally caught a break when he’s offered $10,000 to ghostwrite the memoir of Siegfried “Ziggy” Heidl, the notorious con man and corporate criminal. Ziggy is about to go to trial for defrauding banks for $700 million; they have six weeks to write the book. But Ziggy swiftly proves almost impossible to work with: evasive, contradictory, and easily distracted by his still-running “business concerns”—which Kif worries may involve hiring hitmen from their shared office. Worse, Kif finds himself being pulled into an odd, hypnotic, and ever-closer orbit of all things Ziggy. As the deadline draws near, Kif becomes increasingly unsure if he is ghostwriting a memoir, or if Ziggy is rewriting him—his life, his future, and the very nature of the truth. By turns comic, compelling, and finally chilling, First Person is a haunting look at an age where fact is indistinguishable from fiction, and freedom is traded for a false idea of progress.

The Split Subject of Narration in Elizabeth Gaskell's First Person Fiction

Author : Anna Koustinoudi
Publisher : Lexington Books
ISBN 13 : 0739171631
Total Pages : 179 pages
Book Rating : 4.7/5 (391 download)

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Book Synopsis The Split Subject of Narration in Elizabeth Gaskell's First Person Fiction by : Anna Koustinoudi

Download or read book The Split Subject of Narration in Elizabeth Gaskell's First Person Fiction written by Anna Koustinoudi and published by Lexington Books. This book was released on 2011-12-16 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Split Subject of Narration in Elizabeth Gaskell’s First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective employing such theoretical frameworks as psychoanalytic theory, narratology, and gender theory. It attempts to explore the problematics of Victorian subjectivity, bringing into focus the ways in which both her realistic and Gothic texts undercut and interrogate post-Romantic assumptions about an autonomous and coherent speaking and/or narrating subject. The essential argument of the book is that the mid-nineteenth-century narrating “I”, in its communal, voyeuristic, and Gothic manifestations emerges as painfully divided, lacking, unstable, ailing, and hence unreliable, pre-figuring, at the same time, later forms of self-conscious narration in fiction. Furthermore, it is also exposed as performative, one that can be seen as a simulacrum without an original, and, consequently, at odds with post-Romantic, empiricist assumptions about the factuality, centrality, and rationality of the human subject, while at the same time, clinging to illusions of autonomy. Plagued by its own self-awareness, the narrating “I” is alienated both from itself as well as from those it attempts to represent, including its own narrated counterpart. To this effect, it argues that throughout a trajectory of configurations, psychic investments and imaginary identifications, embedded in and conditioned by the workings of desire and ideology, both of which underpin discursive and representational practices, narrative subjectivity in Gaskell’s first-person fiction manifests itself as the product of a misrecognized encounter between the subject who narrates and that which is being narrated. Both are essentially unable to see their split character and the alienating chasm opened up between them, for the former, on the level of narration, and, for the latter, on a thematic level.

The Distinction of Fiction

Author : Dorrit Cohn
Publisher : JHU Press
ISBN 13 : 9780801865220
Total Pages : 214 pages
Book Rating : 4.8/5 (652 download)

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Book Synopsis The Distinction of Fiction by : Dorrit Cohn

Download or read book The Distinction of Fiction written by Dorrit Cohn and published by JHU Press. This book was released on 2000-12 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Aldo and Jeanne Scaglione Prize for Comparative Literary Studies from the Modern Language Association Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary Studies The border between fact and fiction has been trespassed so often it seems to be a highway. Works of history that include fictional techniques are usually held in contempt, but works of fiction that include history are among the greatest of classics. Fiction claims to be able to convey its own unique kinds of truth. But unless a reader knows in advance whether a narrative is fictional or not, judgment can be frustrated and confused. In The Distinction of Fiction, Dorrit Cohn argues that fiction does present specific clues to its fictionality, and its own justifications. Indeed, except in cases of deliberate deception, fiction achieves its purposes best by exercising generic conventions that inform the reader that it is fiction. Cohn tests her conclusions against major narrative works, including Proust's A la Recherche du temps perdu, Mann's Death in Venice, Tolstoy's War and Peace, and Freud's case studies. She contests widespread poststructuralist views that all narratives are fictional. On the contrary, she separates fiction and nonfiction as necessarily distinct, even when bound together. An expansion of Cohn's Christian Gauss lectures at Princeton and the product of many years of labor and thought, The Distinction of Fiction builds on narratological and phenomenological theories to show that boundaries between fiction and history can be firmly and systematically explored.

Call Me Maria (First Person Fiction)

Author : Judith Ortiz Cofer
Publisher : Scholastic Inc.
ISBN 13 : 0545913071
Total Pages : 129 pages
Book Rating : 4.5/5 (459 download)

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Book Synopsis Call Me Maria (First Person Fiction) by : Judith Ortiz Cofer

Download or read book Call Me Maria (First Person Fiction) written by Judith Ortiz Cofer and published by Scholastic Inc.. This book was released on 2015-07-28 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new novel from the award-winning author of An Island Like You, winner of the Pura Belpre Award. Maria is a girl caught between two worlds: Puerto Rico, where she was born, and New York, where she now lives in a basement apartment in the barrio. While her mother remains on the island, Maria lives with her father, the super of their building. As she struggles to lose her island accent, Maria does her best to find her place within the unfamiliar culture of the barrio. Finally, with the Spanglish of the barrio people ringing in her ears, she finds the poet within herself. In lush prose and spare, evocative poetry, Cofer weaves a powerful novel, bursting with life and hope.

Narrative of Chinese and Western Popular Fiction

Author : Yonglin Huang
Publisher : Springer
ISBN 13 : 3662575752
Total Pages : 228 pages
Book Rating : 4.6/5 (625 download)

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Book Synopsis Narrative of Chinese and Western Popular Fiction by : Yonglin Huang

Download or read book Narrative of Chinese and Western Popular Fiction written by Yonglin Huang and published by Springer. This book was released on 2018-09-26 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a comprehensive and systematic study of the narrative history and narrative methods of Chinese and Western popular fiction from the perspectives of narratology, comparative literature, and art and literature studies by adopting the methodology of parallel comparison. The book is a pioneering work that systematically investigates the similarities and differences between Chinese and Western popular fiction, and traces the root causes leading to the differences. By means of narrative comparison, it explores the conceptual and spiritual correlations and differences between Chinese and Western popular fiction and, by relating them to the root causes of cultural spirit, allows us to gain an insight into the cultural heritage of different nations. The book is structured in line with a cause-and-effect logical sequence and moves from the macroscopic to the microscopic, from history to reality, and from theory to practice. The integration of macro-level theoretical studies and micro-level case studies is both novel and effective. This book was awarded Second Prize at the Sixth Outstanding Achievement Awards in Scientific Research for Chinese Institutions of Higher Learning (Humanities & Social Sciences, 2013).

Strange Voices in Narrative Fiction

Author : Per Krogh Hansen
Publisher : Walter de Gruyter
ISBN 13 : 3110268647
Total Pages : 277 pages
Book Rating : 4.1/5 (12 download)

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Book Synopsis Strange Voices in Narrative Fiction by : Per Krogh Hansen

Download or read book Strange Voices in Narrative Fiction written by Per Krogh Hansen and published by Walter de Gruyter. This book was released on 2011-10-27 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its beginnings narratology has incorporated a communicative model of literary narratives, considering these as simulations of natural, oral acts of communication. This approach, however, has had some problems with accounting for the strangeness and anomalies of modern and postmodern narratives. As many skeptics have shown, not even classical realism conforms to the standard set by oral or ‘natural’ storytelling. Thus, an urge to confront narratology with the difficult task of reconsidering a most basic premise in its theoretical and analytical endeavors has, for some time, been undeniable. During the 2000s, Nordic narratologists have been among the most active and insistent critics of the communicative model. They share a marked skepticism towards the idea of using ‘natural’ narratives as a model for understanding and interpreting all kinds of narratives, and for all of them, the distinction of fiction is of vital importance. This anthology presents a collection of new articles that deal with strange narratives, narratives of the strange, or, more generally, with the strangeness of fiction, and even with some strange aspects of narratology.

Victorian Subjects

Author : Joseph Hillis Miller
Publisher : Duke University Press
ISBN 13 : 9780822311102
Total Pages : 350 pages
Book Rating : 4.3/5 (111 download)

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Book Synopsis Victorian Subjects by : Joseph Hillis Miller

Download or read book Victorian Subjects written by Joseph Hillis Miller and published by Duke University Press. This book was released on 1991 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written over a thirty-five year period, these essays reflect the changes in J. Hillis Miller's thinking on Victorian topics, from an early concern with questions of consciousness, form, and intellectual history, to a more recent focus on parable and the development of a deconstructive ethics of reading. Miller defines the term "Victorian subjects" in more than one sense. The phrase identifies an historical time but also names a concern throughout with subjectivity, consciousness, and selfhood in Victorian literature. The essays show various Victorian subjectivities seeking to ground themselves in their own underlying substance or in some self beneath or beyond the self. But "Victorian subjects" also discusses those who were subject to Queen Victoria, to the reigning ideologies of the time, to historical, social, and material conditions, including the conditions under which literature was written, published, distributed, and consumed. These essays, taken together, sketch the outlines of ideological assumptions within the period about the self, interpersonal relations, nature, literary form, the social function of literature, and other Victorian subjects.

The Narrator

Author : Sylvie Patron
Publisher : U of Nebraska Press
ISBN 13 : 1496236963
Total Pages : 295 pages
Book Rating : 4.4/5 (962 download)

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Book Synopsis The Narrator by : Sylvie Patron

Download or read book The Narrator written by Sylvie Patron and published by U of Nebraska Press. This book was released on 2023-09 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: The narrator (the answer to the question "who speaks in the text?") is a commonly used notion in teaching literature and in literary criticism, even though it is the object of an ongoing debate in narrative theory. Do all fictional narratives have a narrator, or only some of them? Can narratives thus be "narratorless"? This question divides communicational theories (based on the communication between real or fictional narrator and narratee) and noncommunicational or poetic theories (which aim to rehabilitate the function of the author as the creator of the fictional narrative). Clarifying the notion of the narrator requires a historical and epistemological approach focused on the opposition between communicational theories of narrative in general and noncommunicational or poetic theories of the fictional narrative in particular. The Narrator offers an original and critical synthesis of the problem of the narrator in the work of narratologists and other theoreticians of narrative communication from the French, Czech, German, and American traditions and in representations of the noncommunicational theories of fictional narrative. Sylvie Patron provides linguistic and pragmatic tools for interrogating the concept of the narrator based on the idea that fictional narrative has the power to signal, by specific linguistic marks, that the reader must construct a narrator; when these marks are missing, the reader is able to perceive other forms and other narrative effects, specially sought after by certain authors.

Creating Identity in the Victorian Fictional Autobiography

Author : Heidi L. Pennington
Publisher : University of Missouri Press
ISBN 13 : 0826274064
Total Pages : 240 pages
Book Rating : 4.8/5 (262 download)

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Book Synopsis Creating Identity in the Victorian Fictional Autobiography by : Heidi L. Pennington

Download or read book Creating Identity in the Victorian Fictional Autobiography written by Heidi L. Pennington and published by University of Missouri Press. This book was released on 2018-04-30 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book-length study of the fictional autobiography, a subgenre that is at once widely recognizable and rarely examined as a literary form with its own history and dynamics of interpretation. Heidi L. Pennington shows that the narrative form and genre expectations associated with the fictional autobiography in the Victorian period engages readers in a sustained meditation on the fictional processes that construct selfhood both in and beyond the text. Through close readings of Jane Eyre, David Copperfield, and other well-known examples of the subgenre, Pennington shows how the Victorian fictional autobiography subtly but persistently illustrates that all identities are fictions. Despite the subgenre’s radical implications regarding the nature of personal identity, fictional autobiographies were popular in their own time and continue to inspire devotion in readers. This study sheds new light on what makes this subgenre so compelling, up to and including in the present historical moment of precipitous social and technological change. As we continue to grapple with the existential question of what determines “who we really are,” this book explores the risks and rewards of embracing conscious acts of fictional self-production in an unstable world.

New Woman in Early Twentieth-Century Chinese Fiction

Author : Jin Feng
Publisher : Purdue University Press
ISBN 13 : 1612498876
Total Pages : 244 pages
Book Rating : 4.6/5 (124 download)

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Book Synopsis New Woman in Early Twentieth-Century Chinese Fiction by : Jin Feng

Download or read book New Woman in Early Twentieth-Century Chinese Fiction written by Jin Feng and published by Purdue University Press. This book was released on 2004-07-30 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The New Woman in Early Twentieth-Century Chinese Fiction, Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals. Specifically, Feng argues that male writers such as Lu Xun, Yu Dafu, Ba Jin, and Mao Dun created fictional women as mirror images of their own political inadequacy, but that at the same time this was also an egocentric ploy to affirm and highlight the modernity of the male author. This gender-biased attitude was translated into reality when women writers emerged. Whereas unfair, gender-biased criticism all but stifled the creative output of Bing Xin, Fang Yuanjun, and Lu Yin, Ding Ling's dogged attention to narrative strategy allowed her to maintain subjectivity and independence in her writings; that is until all writers were forced to write for the collective. Feng addresses both the general and the specialized audience of fiction in early-twentieth-century Chinese fiction in three ways: for scholars of the May Fourth period, Feng redresses the emphasis on the simplistic, gender-neutral representation of the new women by re-reading selected texts in the light of marginalized discourse and by an analysis of the evolving strategies of narrative deployment; for those working in the area of feminism and literary studies, Feng develops a new method of studying the representation of Chinese women through an interrogation of narrative permutations, ideological discourses, and gender relationships; and for studies of modernity and modernization, the author presents a more complex picture of the relationships of modern Chinese intellectuals to their cultural past and of women writers to a literary tradition dominated by men.

The Change of Narrative Modes in Chinese Fiction (1898–1927)

Author : Pingyuan Chen
Publisher : Springer Nature
ISBN 13 : 9811662029
Total Pages : 370 pages
Book Rating : 4.8/5 (116 download)

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Book Synopsis The Change of Narrative Modes in Chinese Fiction (1898–1927) by : Pingyuan Chen

Download or read book The Change of Narrative Modes in Chinese Fiction (1898–1927) written by Pingyuan Chen and published by Springer Nature. This book was released on 2022-02-17 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the Chinese fictions (xiaoshuo) published between 1898 and 1927 – three pivotal decades, during which China underwent significant social changes. It applies Narratology and Sociology of the Novel methods to analyze both the texts themselves and the social-cultural factors that triggered the transformation of the narrative mode in Chinese fiction. Based on empirical data, the author argues that this transformation was not only inspired by translated Western fiction, but was also the result of a creative transformation in tradition Chinese literature.

The Rhetoric of Fiction

Author : Wayne C. Booth
Publisher : University of Chicago Press
ISBN 13 : 0226065596
Total Pages : 573 pages
Book Rating : 4.2/5 (26 download)

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Book Synopsis The Rhetoric of Fiction by : Wayne C. Booth

Download or read book The Rhetoric of Fiction written by Wayne C. Booth and published by University of Chicago Press. This book was released on 2010-05-15 with total page 573 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject."

Empathy and the Novel

Author : Suzanne Keen
Publisher : Oxford University Press
ISBN 13 : 0195343603
Total Pages : 275 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Empathy and the Novel by : Suzanne Keen

Download or read book Empathy and the Novel written by Suzanne Keen and published by Oxford University Press. This book was released on 2007-04-19 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Does empathy felt while reading fiction actually cultivate a sense of connection, leading to altruistic actions on behalf of real others? Empathy and the Novel presents a comprehensive account of the relationships among novel reading, empathy, and altruism. Drawing on psychology, narrative theory, neuroscience, literary history, philosophy, and recent scholarship in discourse processing, Keen brings together resources and challenges for the literary study of empathy and the psychological study of fiction reading. Empathy robustly enters into affective responses to fiction, yet its role in shaping the behavior of emotional readers has been debated for three centuries. Keen surveys these debates and illustrates the techniques that invite empathetic response. She argues that the perception of fictiveness increases the likelihood of readers' empathy in part by releasing them from the guarded responses necessitated by the demands of real others. Narrative empathy is a strategy and subject of contemporary novelists from around the world, writers who tacitly endorse the potential universality of human emotions when they call upon their readers' empathy. If narrative empathy is to be taken seriously, Keen suggests, then women's reading and responses to popular fiction occupy a central position in literary inquiry, and cognitive literary studies should extend its range beyond canonical novels. In short, Keen's study extends the playing field for literature practitioners, causing it to resemble more closely that wide open landscape inhabited by readers.