Jean-Luc Godard, Cinema Historian

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Publisher : Indiana University Press
ISBN 13 : 0253007305
Total Pages : 290 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Jean-Luc Godard, Cinema Historian by : Michael Witt

Download or read book Jean-Luc Godard, Cinema Historian written by Michael Witt and published by Indiana University Press. This book was released on 2013-11-07 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.

History and Film

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501340794
Total Pages : 297 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis History and Film by : Eleftheria Thanouli

Download or read book History and Film written by Eleftheria Thanouli and published by Bloomsbury Publishing USA. This book was released on 2018-10-18 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Choice Outstanding Academic Title History and Film: A Tale of Two Disciplines addresses the representation of history in cinema, a much-argued debate on the need to understand cinematic history in its own terms and develop a certain vocabulary for discussing historical films, their relation to public history, and their impact on public historical consciousness. Eleftheria Thanouli does this by changing the agenda altogether - combining a macro-level perspective with a micro-level one in order to argue that cinematic history is the dominant form of historiography in the 20th century, as it succeeded in remediating and repurposing the key formal, rhetorical, and ideological practices of 19th-century professional historiography. With case studies ranging from The Thin Red Line and Life is Beautiful, to The Fog of War and The Last Bolshevik, Thanouli bridges the gap between history and film studies and lays the foundations for a new visual historiography.

French Film

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Publisher : Routledge
ISBN 13 : 1136214860
Total Pages : 372 pages
Book Rating : 4.1/5 (362 download)

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Book Synopsis French Film by : Susan Hayward

Download or read book French Film written by Susan Hayward and published by Routledge. This book was released on 2014-04-23 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.

Narration in the Fiction Film

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Publisher : Univ of Wisconsin Press
ISBN 13 : 9780299101749
Total Pages : 388 pages
Book Rating : 4.1/5 (17 download)

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Book Synopsis Narration in the Fiction Film by : David Bordwell

Download or read book Narration in the Fiction Film written by David Bordwell and published by Univ of Wisconsin Press. This book was released on 1985 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mimetic theories of narration - Diegetic theories of narration - The viewe's activity - Principles of narration - Sin, murder, and narration - Narration and time - Narration and space - Modes and norms - Classical narration : the Hollywood example - Art-cinema narration - Historical-materialist narration : the soviet example - Parametric narration - Godard and narration.

Critical Cinema

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Publisher : Columbia University Press
ISBN 13 : 1906660379
Total Pages : 322 pages
Book Rating : 4.9/5 (66 download)

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Book Synopsis Critical Cinema by : Clive Myer

Download or read book Critical Cinema written by Clive Myer and published by Columbia University Press. This book was released on 2011 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics, and independent filmmakers as well as for any reader interested in new perspectives on culture and film.

Film in the Post-Media Age

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443838721
Total Pages : 460 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Film in the Post-Media Age by : Ágnes Pethő

Download or read book Film in the Post-Media Age written by Ágnes Pethő and published by Cambridge Scholars Publishing. This book was released on 2012-03-15 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ever since the centenary of cinema there have been intense discussions in the field of film studies about the imminent demise of the cinematic medium, endless articles championing the spirit of genuine cinephilia have proclaimed the death of classical cinema and mourned the end of an era, while new currents in media studies introduced such buzzwords into the discussions as “remediation” (Bolter and Grusin), “media convergence” (Jenkins), “post-media aesthetics” (Manovich) or “the virtual life of film” (Rodowick). By the turn of the millennium, the whole “ecosystem” of media had been radically altered through processes of hybridization and media convergence. Some theorists even claim that now that the term “medium” has triumphed in the discussions around contemporary art and culture, the actual media have already deceased, as digitized imagery absorbs all media. Moving images have entered the art galleries and new forms of inter-art relationships have been forged. They have also moved into the streets and our everyday life as a domesticated medium at everybody’s reach, into new private and public environments (and into a fusion of both via the Internet). Consequently, should we speak of an all pervasive “cinematic experience” instead of a cinematic medium? What really happens to film once its traditional medium has shape shifted into various digital forms and once its traditional locations, institutions and usages have been uprooted? What do these re-locations and re-configurations really entail? What are the most important new genres in post-media moving pictures? Is it the web video, is it 3D cinema, is it the computer game that operates with moving image narratives, is it the new “vernacular” database, the DVD, or the good old television adjusted to all these new forms? How does theatrical cinema itself adapt to or reflect on these new image forms and technologies? How can we interpret the convergence of older cinematic forms with an emerging digital aesthetics traceable in typical post-media “hosts” of moving images? These are only some of the major questions that the theoretical investigation and in-depth analyses in this volume try to answer in an attempt at exploring not the disappearance of cinema but the blooming post-media life of film.

Aladdin

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Publisher :
ISBN 13 : 9789670533018
Total Pages : pages
Book Rating : 4.5/5 (33 download)

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Book Synopsis Aladdin by :

Download or read book Aladdin written by and published by . This book was released on 2012 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Film History

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Publisher :
ISBN 13 :
Total Pages : 516 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Film History by :

Download or read book Film History written by and published by . This book was released on 2005 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Hollywood's Film Wars with France

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Publisher : University Rochester Press
ISBN 13 : 9781580460866
Total Pages : 244 pages
Book Rating : 4.4/5 (68 download)

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Book Synopsis Hollywood's Film Wars with France by : Jens Ulff-Møller

Download or read book Hollywood's Film Wars with France written by Jens Ulff-Møller and published by University Rochester Press. This book was released on 2001 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European market with hundreds of films at very low prices."--BOOK JACKET.

Films that Work

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Publisher : Amsterdam University Press
ISBN 13 : 9089640134
Total Pages : 496 pages
Book Rating : 4.0/5 (896 download)

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Book Synopsis Films that Work by : Vinzenz Hediger

Download or read book Films that Work written by Vinzenz Hediger and published by Amsterdam University Press. This book was released on 2009 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: Industriële films worden gezien als een apart filmgenre van de twintigste eeuw. Ze werden geproduceerd en gesponsord door de overheid en grote bedrijven en moesten vooral aan de wensen van de sponsors voldoen, en niet zo zeer aan die van de filmmakers. In de hoogtijdagen werkten er duizenden mensen aan deze industriële films. Zo zijn er vakbladen en filmfestivals ontstaan door samenwerking met grote bedrijven als Shell en AT & T. Daarnaast hebben belangrijke regisseurs, zoals Buster Keaton, John Grierson en Alain Resnais, aan deze films meegewerkt. Toch lijkt de industriële film geen spoor te hebben achtergelaten in het filmische culturele discours. Films that Work is het eerste boek waarin de industriële film en zijn opmerkelijke geschiedenis worden onderzocht.

Narrative and Narration

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Publisher : Columbia University Press
ISBN 13 : 023154359X
Total Pages : 110 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Narrative and Narration by : Warren Buckland

Download or read book Narrative and Narration written by Warren Buckland and published by Columbia University Press. This book was released on 2020-12-15 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: From mainstream blockbusters to art house cinema, narrative and narration are the driving forces that organize a film. Yet attempts to explain these forces are often mired in notoriously complex terminology and dense theory. Warren Buckland provides a clear and accessible introduction that explains how narrative and narration work using straightforward language. Narrative and Narration distills the basic components of cinematic storytelling into a set of core concepts: narrative structure, processes of narration, and narrative agents. The book opens with a discussion of the emergence of narrative and narration in early cinema and proceeds to illustrate key ideas through numerous case studies. Each chapter guides readers through different methods that they can use to analyze cinematic storytelling. Buckland also discusses how departures from traditional modes, such as feminist narratives, art cinema, and unreliable narrators, can complicate and corroborate the book’s understanding of narrative and narration. Examples include mainstream films, both classic and contemporary; art house films of every stripe; and two relatively new styles of cinematic storytelling: the puzzle film and those driven by a narrative logic derived from video games. Narrative and Narration is a concise introduction that provides readers with fundamental tools to understand cinematic storytelling.

Film, Theory and Philosophy

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Publisher : Routledge
ISBN 13 : 1317492447
Total Pages : 417 pages
Book Rating : 4.3/5 (174 download)

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Book Synopsis Film, Theory and Philosophy by : Felicity Colman

Download or read book Film, Theory and Philosophy written by Felicity Colman and published by Routledge. This book was released on 2014-12-05 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. "Film and Philosophy" brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental and 'post-continental' philosophers, analytic philosophers, film-makers, film reviewers, sociologists, and cultural theorists.The essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But more importantly, the essays explore how film has shaped what philosophy thinks and how philosophy has lead to a reappraisal of film. The book will prove an invaluable reference and guide to readers interested in a deeper understanding of the issues and insights presented by film philosophy." Film and Philosophy" includes essays on: Hugo Munsterberg, Vilem Flusser, Siegfried Kracauer, Theodor Adorno, Antonin Artaud, Henri Bergson, Maurice Merleau-Ponty, Emmanuel Levinas, Andre Bazin, Roland Barthes, Serge Daney, Jean-Luc Godard, Stanley Cavell, Jean-Luc Nancy, Jacques Derrida, Gilles Deleuze, Sarah Kofman, Paul Virilio, Jean Baudrillard, Jean-Francois Lyotard, Fredric Jameson, Felix Guattari, Raymond Bellour, Christian Metz, Julia Kristeva, Laura Mulvey, Homi Bhabha, Slavoj Zizek, Stephen Heath, Alain Badiou, Jacques Ranciere, Leo Bersani, Giorgio Agamben, and Michel Chion.

Jean-Luc Godard

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Publisher :
ISBN 13 :
Total Pages : 244 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Jean-Luc Godard by : Raymond Bellour

Download or read book Jean-Luc Godard written by Raymond Bellour and published by . This book was released on 1992 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Film Theory

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Publisher : John Wiley & Sons
ISBN 13 : 1119491576
Total Pages : 392 pages
Book Rating : 4.1/5 (194 download)

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Book Synopsis Film Theory by : Robert Stam

Download or read book Film Theory written by Robert Stam and published by John Wiley & Sons. This book was released on 2017-11-20 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others. Robert Stam, renowned for his clarity of writing, will also include studies of cinema specialists providing readers with a depth of reference not generally available outside the field of film studies itself. Other material covered includes film adaptations of works of literature and analogies between literary and film criticism.

The Red Screen

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Publisher : Routledge
ISBN 13 : 1134899262
Total Pages : 373 pages
Book Rating : 4.1/5 (348 download)

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Book Synopsis The Red Screen by : Anna Lawton

Download or read book The Red Screen written by Anna Lawton and published by Routledge. This book was released on 2003-09-02 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Cinema and the Republic

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Publisher : University of Wales Press
ISBN 13 : 0708325971
Total Pages : 208 pages
Book Rating : 4.7/5 (83 download)

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Book Synopsis Cinema and the Republic by : Jonathan Ervine

Download or read book Cinema and the Republic written by Jonathan Ervine and published by University of Wales Press. This book was released on 2013-05-15 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses contemporary French films by focussing closely on cinematic representations of immigrants and residents of suburban housing estates known as banlieues. It begins by examining how these groups are conceived of within France's Republican political model before analysing films that focus on four key issues. Firstly, it will assess representations of undocumented migrants known as sans-papiers before then analysing depictions of deportations made possible by the controversial double peine law. Next, it will examine films about relations between young people and the police in suburban France before exploring films that challenge cliches about these areas. The conclusion assesses what these films show about contemporary French political cinema. Introduction Chapter One: Cinema and the Republic Chapter Two: T he Sans-papiers on Screen – Contextualising Immigrant Experiences in Film Chapter Three: Double peine: The Challenges of Mobilising Support for Foreign Criminals via Cinema Chapter Four: C hallenging or Perpetuating Clichés? Young People and the Police in France’s Banlieues Chapter Five: C hallenging Stereotypes about France’s Banlieues by Shifting the Focus? Conclusion Notes Filmography and Bibliography Index

Godard and the Essay Film

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Author :
Publisher : Northwestern University Press
ISBN 13 : 0810137399
Total Pages : 362 pages
Book Rating : 4.8/5 (11 download)

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Book Synopsis Godard and the Essay Film by : Rick Warner

Download or read book Godard and the Essay Film written by Rick Warner and published by Northwestern University Press. This book was released on 2018-07-15 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Godard and the Essay Film offers a history and analysis of the essay film, one of the most significant forms of intellectual filmmaking since the end of World War II. Warner incisively reconsiders the defining traits and legacies of this still-evolving genre through a groundbreaking examination of the vast and formidable oeuvre of Jean-Luc Godard. The essay film has often been understood by scholars as an eccentric development within documentary, but Warner shows how an essayistic process of thinking can materialize just as potently within narrative fiction films, through self-critical investigations into the aesthetic, political, and philosophical resources of the medium. Studying examples by Godard and other directors, such as Orson Welles, Chris Marker, Agnès Varda, and Harun Farocki, Warner elaborates a fresh account of essayistic reflection that turns on the imaginative, constructive role of the viewer. Through fine-grained analyses, this book contributes the most nuanced description yet of the relational interface between viewer and screen in the context of the essay film. Shedding new light on Godard’s work, from the 1960s to the 2010s, in film, television, video, and digital stereoscopy, Warner distills an understanding of essayistic cinema as a shared exercise of critical rumination and perceptual discovery.