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Author : Graeme Turner
Publisher : Routledge
ISBN 13 : 0415375134
Total Pages : 274 pages
Book Rating : 4.4/5 (153 download)
Download or read book Film as Social Practice written by Graeme Turner and published by Routledge. This book was released on 2006 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Author : Graeme Turner
Publisher : Routledge
ISBN 13 : 1134607148
Total Pages : 244 pages
Book Rating : 4.1/5 (346 download)
Download or read book Film as Social Practice written by Graeme Turner and published by Routledge. This book was released on 2002-09-11 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Turner provides a clear introduction to major theoretical issues in the history of film production and film studies, examining the function of film as a national cultural industry, and its place in our popular culture.
Author : Graeme Turner
Publisher : Routledge
ISBN 13 : 1134607156
Total Pages : 241 pages
Book Rating : 4.1/5 (346 download)
Download or read book Film as Social Practice written by Graeme Turner and published by Routledge. This book was released on 2002-09-11 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Turner provides a clear introduction to major theoretical issues in the history of film production and film studies, examining the function of film as a national cultural industry, and its place in our popular culture.
Author : Joseph Zornado
Publisher : Taylor & Francis
ISBN 13 : 1040092977
Total Pages : 178 pages
Book Rating : 4.0/5 (4 download)
Download or read book The Disaster Film as Social Practice written by Joseph Zornado and published by Taylor & Francis. This book was released on 2024-07-26 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Surveying disaster films from a Lacanian psychoanalytic perspective, this book explores the disaster film genre from its initial appearance in 1933 (The Grapes of Wrath, 1933) to its present-day form (Don’t Look Up!, 2021), laying bare the ideological unconscious at work within the genre. The Disaster Film as Social Practice examines environmental science, history, film and literature in its interdisciplinary analysis of the disaster film genre. It explores the interplay, and the dichotomy, of “restorative” and “reflective” disaster narratives. An analysis of cinema's role in symbolizing and managing collective anxiety around disaster and death narratives examines how disaster films, through their narrative structures and symbolic elements, contribute to the public's understanding and emotional processing of real-world threats, and how cinematic narratives shape and are shaped by public and private ideological discourses, reflecting deeper psychological and environmental truths. Finally, the book offers an overview of how the transformation of the disaster film genre over time tells a history through imagining the worst. Providing a nuanced understanding of the disaster film genre and its significance in contemporary culture and thought, this book will be of interest to scholars and students of film studies, cultural studies, media studies, and environmental studies.
Author : xtine burrough
Publisher : Routledge
ISBN 13 : 1000546144
Total Pages : 355 pages
Book Rating : 4.0/5 (5 download)
Download or read book Art as Social Practice written by xtine burrough and published by Routledge. This book was released on 2022-03-07 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a focus on socially engaged art practices in the twenty-first century, this book explores how artists use their creative practices to raise consciousness, form communities, create change, and bring forth social impact through new technologies and digital practices. Suzanne Lacy’s Foreword and section introduction authors Anne Balsamo, Harrell Fletcher, Natalie Loveless, Karen Moss, and Stephanie Rothenberg present twenty-five in-depth case studies by established and emerging contemporary artists including Kim Abeles, Christopher Blay, Joseph DeLappe, Mary Beth Heffernan, Chris Johnson, Rebekah Modrak, Praba Pilar, Tabita Rezaire, Sylvain Souklaye, and collaborators Victoria Vesna and Siddharth Ramakrishnan. Artists offer firsthand insight into how they activate methods used in socially engaged art projects from the twentieth century and incorporated new technologies to create twenty-first century, socially engaged, digital art practices. Works highlighted in this book span collaborative image-making, immersive experiences, telematic art, time machines, artificial intelligence, and physical computing. These reflective case studies reveal how the artists collaborate with participants and communities, and have found ways to expand, transform, reimagine, and create new platforms for meaningful exchange in both physical and virtual spaces. An invaluable resource for students and scholars of art, technology, and new media, as well as artists interested in exploring these intersections.
Author : Poshek Fu
Publisher : Cambridge University Press
ISBN 13 : 9780521776028
Total Pages : 356 pages
Book Rating : 4.7/5 (76 download)
Download or read book The Cinema of Hong Kong written by Poshek Fu and published by Cambridge University Press. This book was released on 2002-03-25 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.
Author : Robert Clyde Allen
Publisher :
ISBN 13 : 9780201111507
Total Pages : pages
Book Rating : 4.1/5 (115 download)
Download or read book Film History written by Robert Clyde Allen and published by . This book was released on 1985 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Joseph Zornado
Publisher : Springer Nature
ISBN 13 : 3030854582
Total Pages : 219 pages
Book Rating : 4.0/5 (38 download)
Download or read book The Cinematic Superhero as Social Practice written by Joseph Zornado and published by Springer Nature. This book was released on 2021-11-06 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyzes the cinematic superhero as social practice. The study’s critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Superman’s restorative nostalgia, and read MCU’s overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolan’s Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Prime’s The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon.
Author : Hamid Naficy
Publisher : Princeton University Press
ISBN 13 : 0691186219
Total Pages : 391 pages
Book Rating : 4.6/5 (911 download)
Download or read book An Accented Cinema written by Hamid Naficy and published by Princeton University Press. This book was released on 2018-06-05 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.
Author : Stephen Rust
Publisher : Taylor & Francis
ISBN 13 : 1000827046
Total Pages : 263 pages
Book Rating : 4.0/5 (8 download)
Download or read book Ecocinema Theory and Practice 2 written by Stephen Rust and published by Taylor & Francis. This book was released on 2022-12-15 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second volume builds on the initial groundwork laid by Ecocinema Theory and Practice by examining the ways in which ecocritical cinema studies have matured and proliferated over the last decade, opening whole new areas of study and research. Featuring fourteen new essays organized into three sections around the themes of cinematic materialities, discourses, and communities, the volume explores a variety of topics within ecocinema studies from examining specific national and indigenous film contexts to discussing ecojustice, environmental production studies, film festivals, and political ecology. The breadth of the contributions exemplifies how ecocinema scholars worldwide have sought to overcome the historical legacy of binary thinking and intellectual norms and are working to champion new ecocritical, intersectional, decolonial, queer, feminist, Indigenous, vitalist, and other emergent theories and cinematic practices. The collection also demonstrates the unique ways that cinema studies scholarship is actively addressing environmental injustice and the climate crisis. This book is an invaluable resource for students and scholars of ecocritical film and media studies, production studies, cultural studies, and environmental studies.
Author : Robert Stam
Publisher : Wiley-Blackwell
ISBN 13 : 9780631230557
Total Pages : 376 pages
Book Rating : 4.2/5 (35 download)
Download or read book Literature and Film written by Robert Stam and published by Wiley-Blackwell. This book was released on 2004-10-15 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literature and Film is a cornucopia of vibrant essays that chart the history and confluence of literature and film. It explores in detail a wide and international spectrum of novels and adaptations, bringing together the very latest scholarship in the field.
Author : Mercedes Vicente
Publisher : Springer Nature
ISBN 13 : 3031369033
Total Pages : 291 pages
Book Rating : 4.0/5 (313 download)
Download or read book Darcy Lange, Videography as Social Practice written by Mercedes Vicente and published by Springer Nature. This book was released on 2023-11-20 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Videography of Darcy Lange is a critical monograph of a pivotal figure in early analogue video. Trained as a sculptor at the Royal College of Art, Lange developed a socially engaged video practice with remarkable studies of people at work in industrial, farming, and teaching contexts that drew from conceptual art, social documentary and structuralist filmmaking. Lange saw in portable video a democratic tool for communication and social transformation, continuing the legacy of the revolutionary avant-garde projects that merged art with social life and turned audiences into producers. This book follows Lange's trajectory from his early observational studies to the crisis of representation and socially engaged video and activism, as it is shaped by, and resists, the artistic, cultural and political preoccupations of the 1970s and 1980s. It strikes a balance between being a monographic account providing a close analysis of Lange's oeuvre and drawing from unpublished archival materials—a sort of catalogue raisonné—whilst maintaining a breadth with theoretical discourses around the themes of labour and class, education, and indigenous struggles central to his work. The book's frameworks of Conceptual Art, structuralist and ethnographic film theory, social documentary and the critique of representation, video as social practice and the notion of 'feedback', participatory socially engaged art and postcolonial and indigenous theory,—expand our understanding of video outside the predominant structuralist tendencies. Lange's transnational and nomadic career introduces notions of alterity and challenges nationalistic accounts that excluded him in the past.
Author : Chris Kraus
Publisher : MIT Press
ISBN 13 : 1635900395
Total Pages : 297 pages
Book Rating : 4.6/5 (359 download)
Download or read book Social Practices written by Chris Kraus and published by MIT Press. This book was released on 2018-10-30 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on and around art and art practices by the author of I Love Dick. A border isn't a metaphor. Knowing each other for over a decade makes us witnesses to each other's lives. My escape is his prison. We meet in a bar and smoke Marlboros. —from Social Practices Mixing biography, autobiography, fiction, criticism, and conversations among friends, with Social Practices Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness. Social Practices includes writings from and around the legendary “Chance Event—Three Days in the Desert with Jean Baudrillard” (1996), and “Radical Localism,” an exhibition of art and media from Puerto Nuevo's Mexicali Rose that Kraus co-organized with Marco Vera and Richard Birkett in 2012. Attuned to the odd and the anomalous, Kraus profiles Elias Fontes, an Imperial Valley hay merchant who has become an important collector of contemporary Mexican art, and chronicles the demise of a rural convenience store in northern Minnesota. She considers the work of such major contemporary artists as Jason Rhoades, Channa Horowitz, Simon Denny, Yayoi Kusama, Henry Taylor, Julie Becker, Ryan McGinley, and Leigh Ledare. Although Kraus casts a skeptical eye at the genre that's come to be known as “social practice,” her book is less a critique than a proposition as to how art might be read through desire and circumstance, delirium, gossip, coincidence, and revenge. All art, she implies, is a social practice.
Author : William J. Palmer
Publisher : SIU Press
ISBN 13 : 9780809320295
Total Pages : 358 pages
Book Rating : 4.3/5 (22 download)
Download or read book The Films of the Eighties written by William J. Palmer and published by SIU Press. This book was released on 1995 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.
Author : Tami Williams
Publisher : University of Illinois Press
ISBN 13 : 0252096363
Total Pages : 337 pages
Book Rating : 4.2/5 (52 download)
Download or read book Germaine Dulac written by Tami Williams and published by University of Illinois Press. This book was released on 2014-06-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Best known for directing the Impressionist classic The Smiling Madame Beudet and the first Surrealist film The Seashell and the Clergyman, Germaine Dulac, feminist and pioneer of 1920s French avant-garde cinema, made close to thirty fiction films as well as numerous documentaries and newsreels. Through her filmmaking, writing, and cine-club activism, Dulac’s passionate defense of the cinema as a lyrical art and social practice had a major influence on twentieth century film history and theory. In Germaine Dulac: A Cinema of Sensations, Tami Williams makes unprecedented use of the filmmaker's personal papers, production files, and archival film prints to produce the first full-length historical study and critical biography of Dulac. Williams's analysis explores the artistic and sociopolitical currents that shaped Dulac's approach to cinema while interrogating the ground breaking techniques and strategies she used to critique conservative notions of gender and sexuality. Moving beyond the director’s work of the 1920s, Williams examines Dulac's largely ignored 1930s documentaries and newsreels establishing clear links with the more experimental impressionist and abstract works of her early period. This vivid portrait will be of interest to general readers, as well as to scholars of cinema and visual culture, performance, French history, women’s studies, queer cinema, in addition to studies of narrative avant-garde, experimental, and documentary film history and theory.
Author : Jake Yuzna
Publisher : powerHouse Books
ISBN 13 : 1576876594
Total Pages : 338 pages
Book Rating : 4.5/5 (768 download)
Download or read book The Fun written by Jake Yuzna and published by powerHouse Books. This book was released on 2013-11-26 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York comes alive after dark. For years the thriving nightlife has drawn curious outsiders to the city while uniting its residents in a utopian bacchanal that transcends racial, sexual, and class boundaries. As a catalyst for otherwise impossibly intimate intermingling in what is America's cultural capital, nightlife in NYC has always been fertile ground for creative expression and exploration, birthing countless movements in music, fashion, and art. Yet it is only in the past decade that major cultural institutions have begun to recognize that nightlife promoters are artists, and the parties-the environments, performance, fashion, and experiences created-works of art. Surveying the evolving nature of nightlife in New York City, THE FUN: The Social Practice of Nightlife in NYC is a first-of-its-kind publication, documenting the new forms of nightlife practitioners to emerge since the turn of the millennium. Through profiles of over 30 artists, including the royalty of Manhattan nightlife like Susanne Bartsch and Ladyfag; hybrid forms like Xtapussy and FCKNLZ; the continuation of minimal wave and goth communities through Pendu Disco; and the vibrant queer scenes of JUDY, Frankie Sharp, and My Chiffon is Wet, THE FUN: The Social Practice of Nightlife in NYC documents the rich contemporary cultural activity keeping NYC as weird and innovative as decades past. Accompanying these profiles are essays by a range of voices in the nightlife, including artists Rob Roth and Genesis P-Orridge, curators and critics Claire Bishop and Jake Yuzna, as well as journalist Michael Musto providing both historical context and contemporary understanding of nightlife as a vital artistic practice that has been marginalized by the arts sector for hundreds of years. THE FUN: The Social Practice of Nightlife in NYC traces the history of nightlife as it has evolved, from the explosion of large and small discos throughout the 1970s like Studio 54, which paved the way for 80s megaclubs; the candy-colored club kid movement of Michael Alig and the Limelight in the early 90s; the parallel expansion of the boundary shattering merger of drag, performance, and music in downtown venues such as the Pyramid Club and Mother; the rise of Brooklyn as a new focal point in the 2000s with the emergence of Luxx, Secret Project Robot, Silent Barn and other hybrid arts/music/nightlife venues; and on into the many vibrant forms found today. THE FUN: The Social Practice of Nightlife in NYC celebrates the immense originality and impact of this unique artistic practice, one that is created once social norms are left at the door and debauchery ensues in the wickedly creative corners of NYC that only appear once the sun has set.
Author : Jianbin Guo
Publisher : Springer Nature
ISBN 13 : 9819727367
Total Pages : 413 pages
Book Rating : 4.8/5 (197 download)
Download or read book Being Present: Mobile Cinema in Kham Tibetan Areas written by Jianbin Guo and published by Springer Nature. This book was released on with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt:
