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Fifteenth Century Woodcuts And Metalcuts From The National Gallery Of Art Washington Dc
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Book Synopsis Origins of European Printmaking by : Peter W. Parshall
Download or read book Origins of European Printmaking written by Peter W. Parshall and published by Yale University Press. This book was released on 2005-01-01 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
Author :National Gallery of Art (U.S.) Publisher :Washington : Publications Department, National Gallery of Art ISBN 13 : Total Pages :334 pages Book Rating :4.3/5 (121 download)
Book Synopsis Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C. by : National Gallery of Art (U.S.)
Download or read book Fifteenth Century Woodcuts and Metalcuts from the National Gallery of Art, Washington, D.C. written by National Gallery of Art (U.S.) and published by Washington : Publications Department, National Gallery of Art. This book was released on 1965 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Catalogue of Books Printed in the Fifteenth Century Now in the Bodleian Library by : Bodleian Library
Download or read book A Catalogue of Books Printed in the Fifteenth Century Now in the Bodleian Library written by Bodleian Library and published by . This book was released on 2005 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Viewer and the Printed Image in Late Medieval Europe by : DavidS. Areford
Download or read book The Viewer and the Printed Image in Late Medieval Europe written by DavidS. Areford and published by Routledge. This book was released on 2017-07-05 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.
Book Synopsis Fifteenth and Sixteenth Century Prints from the Rosenwald Collection, National Gallery of Art, Washington, D.C. by : Mary Washington College
Download or read book Fifteenth and Sixteenth Century Prints from the Rosenwald Collection, National Gallery of Art, Washington, D.C. written by Mary Washington College and published by . This book was released on 1971 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Painted Prints written by Susan Dackerman and published by Penn State Press. This book was released on 2002 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).
Book Synopsis Gardens on Paper by : Virginia Tuttle Clayton
Download or read book Gardens on Paper written by Virginia Tuttle Clayton and published by University of Pennsylvania Press. This book was released on 1990 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arranged chronologically, the five chapters present the image of the garden as it evolves from the Middle Ages through the nineteenth century. Early prints illustrate biblical garden scenes and medieval gardens of love, while Renaissance images portray secular gardens and typographical plans and views. The grand style of the garden design emerges in the baroque period, followed by a more natural style in the eighteenth century. In the nineteenth century, garden imagery changes as artists begin to depict small, private gardens and public parks rather than the great aristocratic estates.
Author :Metropolitan Museum of Art (New York, N.Y.) Publisher :Metropolitan Museum of Art ISBN 13 :0870994662 Total Pages :501 pages Book Rating :4.8/5 (79 download)
Book Synopsis Gothic and Renaissance Art in Nuremberg, 1300-1550 by : Metropolitan Museum of Art (New York, N.Y.)
Download or read book Gothic and Renaissance Art in Nuremberg, 1300-1550 written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 1986 with total page 501 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis United States Government Organization Manual by :
Download or read book United States Government Organization Manual written by and published by . This book was released on 1950 with total page 892 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis United States Government Manual by :
Download or read book United States Government Manual written by and published by . This book was released on 1969 with total page 820 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Jan Van Eyck written by Craig Harbison and published by Reaktion Books. This book was released on 1995 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jan van Eyck's surviving work comprises a series of painstakingly detailed oil paintings of astonishing verisimilitude. In a fascinating recovery of the neglected human dimension that is clearly present in these works, Craig Harbison interrogates the personal histories of the worldly participants of such masterpieces as the Virgin and Child with George van der Paele, the Arnolfini Double Portrait and the Virgin and Child with Nicolas Rolin. With the aid of abundant visual evidence in color and in black and white, Harbison reveals how van Eyck presented his contemporaries with a more subtle and complex view of the value of appearances as a route to understanding the meaning of life. "I found this an enthralling study" The Sunday Telegraph "A fascinating investigation into the nature of the great pioneer's clients ... some fine photo details" Art Review"
Book Synopsis Petrus Christus by : Maryan W. Ainsworth
Download or read book Petrus Christus written by Maryan W. Ainsworth and published by Metropolitan Museum of Art. This book was released on 1994 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study is an important new account of the life and work of the flemish master Petrus Christus. It is the first volume to focus specifically on the physical characteristics of his works as criteria for judging attribution, dating, and the extent to which he was indebted to Jan Van Eyck and other artists for the development of his technique and style.
Book Synopsis Nuremberg, a Renaissance City, 1500–1618 by : Jeffrey Chipps Smith
Download or read book Nuremberg, a Renaissance City, 1500–1618 written by Jeffrey Chipps Smith and published by University of Texas Press. This book was released on 2014-12-15 with total page 729 pages. Available in PDF, EPUB and Kindle. Book excerpt: This illustrated study of Renaissance Nuremberg explores the city’s social and artistic history through the sixteenth century and beyond. The German city of Nuremberg reached the height of its artistic brilliance during the Renaissance, becoming one of the foremost cultural centers in all of Europe by 1500. Nuremberg was the home of painter Albrecht Dürer, whose creative genius inspired generations of German artists. However, Dürer was only one of a host of extraordinary painters, printmakers, sculptors, and goldsmiths working in the city. Following a map of the city’s principal landmarks, Guy Fitch Lytle provides a compact historical background for Jeffrey Chipps Smith's detailed discussions of the city’s social and artistic significance. Smith examines the religious function of art before and during the Reformation; the early manifestations of humanism in Nuremberg and its influence on the art of Dürer and his contemporaries; and the central role of Dürer’s pedagogical ideas and his workshop in the dissemination of Renaissance artistic concepts. Finally, Smith surveys the principal artists and stylistic trends in Nuremberg from 1500 to the outbreak of the Thirty Years War. Nuremberg: A Renaissance City, 1500-1618 contains biographical sketches of forty-five major artists of the period, plus more than three hundred illustrations depicting the city and its most magnificent artistic treasures.
Book Synopsis Before Bruegel by : AlisonG. Stewart
Download or read book Before Bruegel written by AlisonG. Stewart and published by Routledge. This book was released on 2017-07-05 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: Peasant festival imagery began in sixteenth-century Nuremberg, when the city played host to a series of religious and secular festivals. The peasant festival images were first produced as woodcut prints in the decade between 1524 and 1535 by Sebald Beham. These peasant festival prints show celebrating in a variety of ways including dancing, eating and drinking, and playing games. In Before Bruegel, Alison Stewart takes a fresh look at these images and explores them within their historical and cultural contexts, including the introduction of the Lutheran Reformation into the town's institutions and the accompanying re-evaluation of the town's popular festivals. Stewart goes beyond the black-and-white approaches of previous interpretations, to examine the festival prints in a more complex manner. In the first publication of its kind, Stewart makes the case for a range of meanings these works held for a sixteenth-century audience and for Beham's pictorial inventiveness and his business savvy. Beham is credited with inventing the subject of peasant festivals in Northern Renaissance art and for creating a market for the subject by the middle of the sixteenth century, with his large-scale woodcuts at Nuremberg and with tiny engravings at Frankfurt. Stewart shows that the market Beham created for prints with the theme of peasant festivals paved the way for Pieter Bruegel's Netherlandish paintings of the same theme, dating but a few years later.
Book Synopsis The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries by : Grażyna Jurkowlaniec
Download or read book The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries written by Grażyna Jurkowlaniec and published by Routledge. This book was released on 2020-09-01 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators’, producers’, owners’ and beholders’ motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period’s print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies. The introduction of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license at https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003029199-1/introduction-gra%C5%BCyna-jurkowlaniec-magdalena-herman?context=ubx&refId=b6a86646-c9f3-490d-8a06-2946acd75fda
Book Synopsis Justice Blindfolded by : Adriano Prosperi
Download or read book Justice Blindfolded written by Adriano Prosperi and published by BRILL. This book was released on 2018-09-11 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Justice Blindfolded gives an overview of the history of “justice” and its iconography through the centuries. Justice has been portrayed as a woman with scales, or holding a sword, or, since the fifteenth century, with her eyes bandaged. This last symbol contains the idea that justice is both impartial and blind, reminding indirectly of the bandaged Christ on the cross, a central figure in the Christian idea of fairness and forgiveness. In this rich and imaginative journey through history and philosophy, Prosperi manages to convey a full account of the ways justice has been described, portrayed and imagined. Translation of Giustizia bendata. Percorsi storici di un'immagine (Einaudi, 2008).
Book Synopsis Making Renaissance Art by : Kim Woods
Download or read book Making Renaissance Art written by Kim Woods and published by Yale University Press. This book was released on 2007-01-01 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.