Exposition Des Beaux Arts De Lindustrie

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"Sculptors and Design Reform in France, 1848 to 1895 "

Author : Claire Jones
Publisher : Routledge
ISBN 13 : 1351549707
Total Pages : 245 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis "Sculptors and Design Reform in France, 1848 to 1895 " by : Claire Jones

Download or read book "Sculptors and Design Reform in France, 1848 to 1895 " written by Claire Jones and published by Routledge. This book was released on 2017-07-05 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.

Paris Universal Exhibition of 1867

Author :
Publisher :
ISBN 13 :
Total Pages : 1346 pages
Book Rating : 4.:/5 ( download)

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Book Synopsis Paris Universal Exhibition of 1867 by :

Download or read book Paris Universal Exhibition of 1867 written by and published by . This book was released on 1868 with total page 1346 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Paris Universal Exhibition of 1867. Catalogue of the British Section

Author : Great Britain
Publisher :
ISBN 13 :
Total Pages : 1204 pages
Book Rating : 4.:/5 (9 download)

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Book Synopsis Paris Universal Exhibition of 1867. Catalogue of the British Section by : Great Britain

Download or read book Paris Universal Exhibition of 1867. Catalogue of the British Section written by Great Britain and published by . This book was released on 1867 with total page 1204 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Second Empire, 1852-1870

Author :
Publisher : Museum
ISBN 13 :
Total Pages : 480 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis The Second Empire, 1852-1870 by :

Download or read book The Second Empire, 1852-1870 written by and published by Museum. This book was released on 1978 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Presents the entire range of artistic production of the period: architectural drawings, decorative arts, sculpture, paintings, drawings, and photography."--Page 9.

Catalogue of the British Section. Containing a List of the Exhibitors of the United Kingdom and Its Colonies, and the Objects which They Exhibit. In English, French, German, and Italian

Download Catalogue of the British Section. Containing a List of the Exhibitors of the United Kingdom and Its Colonies, and the Objects which They Exhibit. In English, French, German, and Italian PDF Online Free

Author :
Publisher :
ISBN 13 :
Total Pages : 1354 pages
Book Rating : 4.0/5 (21 download)

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Book Synopsis Catalogue of the British Section. Containing a List of the Exhibitors of the United Kingdom and Its Colonies, and the Objects which They Exhibit. In English, French, German, and Italian by :

Download or read book Catalogue of the British Section. Containing a List of the Exhibitors of the United Kingdom and Its Colonies, and the Objects which They Exhibit. In English, French, German, and Italian written by and published by . This book was released on 1868 with total page 1354 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Marketing Modernism in Fin-de-Siècle Europe

Author : Robert Jensen
Publisher : Princeton University Press
ISBN 13 : 0691241953
Total Pages : 376 pages
Book Rating : 4.6/5 (912 download)

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Book Synopsis Marketing Modernism in Fin-de-Siècle Europe by : Robert Jensen

Download or read book Marketing Modernism in Fin-de-Siècle Europe written by Robert Jensen and published by Princeton University Press. This book was released on 2022-02-08 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves.

Splendid Legacy

Author : Alice Cooney Frelinghuysen
Publisher : Metropolitan Museum of Art
ISBN 13 : 0870996649
Total Pages : 433 pages
Book Rating : 4.8/5 (79 download)

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Book Synopsis Splendid Legacy by : Alice Cooney Frelinghuysen

Download or read book Splendid Legacy written by Alice Cooney Frelinghuysen and published by Metropolitan Museum of Art. This book was released on 1993 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Issued in conjunction with the exhibition at The Metropolitan Museum of Art of over 450 works of art from the legendary Havemeyer collection, formed at the turn of the century by pioneering American patrons of art Henry O. and Louisine Havemeyer, this lavishly illustrated catalogue combines 800 illustration (176 in color) with the collaborative efforts of 27 authors who examine the various aspects of the collection in summarizing essays and in entries on individual works. In addition, one essay is devoted to the Manhattan residence designed for the Havemeyers by Tiffany and Colman. An exhaustive 90-page chronology offers a perspective on the formation of the collection, outlining the roles of friend and advisor Mary Cassatt and a succession of dealers, and focusing on the history of the family and its business interests. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR

Catalogue of the British Section

Author :
Publisher :
ISBN 13 :
Total Pages : 1492 pages
Book Rating : 4.B/5 (1 download)

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Book Synopsis Catalogue of the British Section by :

Download or read book Catalogue of the British Section written by and published by . This book was released on 1868 with total page 1492 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Bulletin of the United States Geological Survey

Author :
Publisher :
ISBN 13 :
Total Pages : 852 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Bulletin of the United States Geological Survey by :

Download or read book Bulletin of the United States Geological Survey written by and published by . This book was released on 1896 with total page 852 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Bulletin of the United States Geological Survey

Author : John Casper Branner
Publisher :
ISBN 13 :
Total Pages : 640 pages
Book Rating : 4.3/5 (243 download)

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Book Synopsis Bulletin of the United States Geological Survey by : John Casper Branner

Download or read book Bulletin of the United States Geological Survey written by John Casper Branner and published by . This book was released on 1896 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Bulletin of the United States Geological Survey

Author : Geological Survey (U.S.)
Publisher :
ISBN 13 :
Total Pages : 1090 pages
Book Rating : 4.A/5 ( download)

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Book Synopsis Bulletin of the United States Geological Survey by : Geological Survey (U.S.)

Download or read book Bulletin of the United States Geological Survey written by Geological Survey (U.S.) and published by . This book was released on 1896 with total page 1090 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Rivals and Conspirators

Author : Fae Brauer
Publisher : Cambridge Scholars Publishing
ISBN 13 : 144386370X
Total Pages : 457 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Rivals and Conspirators by : Fae Brauer

Download or read book Rivals and Conspirators written by Fae Brauer and published by Cambridge Scholars Publishing. This book was released on 2014-07-08 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.

Prompt Pay--the Essential Principle of Credit

Author : Stephen Baker
Publisher :
ISBN 13 :
Total Pages : 700 pages
Book Rating : 4.A/5 ( download)

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Book Synopsis Prompt Pay--the Essential Principle of Credit by : Stephen Baker

Download or read book Prompt Pay--the Essential Principle of Credit written by Stephen Baker and published by . This book was released on 1809 with total page 700 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Angkor Wat – A Transcultural History of Heritage

Author : Michael Falser
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110335840
Total Pages : 1170 pages
Book Rating : 4.1/5 (13 download)

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Book Synopsis Angkor Wat – A Transcultural History of Heritage by : Michael Falser

Download or read book Angkor Wat – A Transcultural History of Heritage written by Michael Falser and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-12-16 with total page 1170 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book unravels the formation of the modern concept of cultural heritage by charting its colonial, postcolonial-nationalist and global trajectories. By bringing to light many unresearched dimensions of the twelfth-century Cambodian temple of Angkor Wat during its modern history, the study argues for a conceptual, connected history that unfolded within the transcultural interstices of European and Asian projects. With more than 1,400 black-and-white and colour illustrations of historic photographs, architectural plans and samples of public media, the monograph discusses the multiple lives of Angkor Wat over a 150-year-long period from the 1860s to the 2010s. Volume 1 (Angkor in France) reconceptualises the Orientalist, French-colonial ‘discovery’ of the temple in the nineteenth century and brings to light the manifold strategies at play in its physical representations as plaster cast substitutes in museums and as hybrid pavilions in universal and colonial exhibitions in Marseille and Paris from 1867 to 1937. Volume 2 (Angkor in Cambodia) covers, for the first time in this depth, the various on-site restoration efforts inside the ‘Archaeological Park of Angkor’ from 1907 until 1970, and the temple’s gradual canonisation as a symbol of national identity during Cambodia’s troublesome decolonisation (1953–89), from independence to Khmer Rouge terror and Vietnamese occupation, and, finally, as a global icon of UNESCO World Heritage since 1992 until today. Congratulations to our author Michael Falser who received the prestigious 2021 ICAS Book Prize in the "Ground Breaking Subject Matter" category.

European Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design

Author : Rhode Island School of Design. Museum of Art
Publisher : University of Pennsylvania Press
ISBN 13 : 0911517553
Total Pages : 296 pages
Book Rating : 4.9/5 (115 download)

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Book Synopsis European Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design by : Rhode Island School of Design. Museum of Art

Download or read book European Painting and Sculpture, Ca. 1770-1937, in the Museum of Art, Rhode Island School of Design written by Rhode Island School of Design. Museum of Art and published by University of Pennsylvania Press. This book was released on 1991 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.

À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries

Author : Francine Giese
Publisher : BRILL
ISBN 13 : 9004412646
Total Pages : 240 pages
Book Rating : 4.0/5 (44 download)

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Book Synopsis À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries by : Francine Giese

Download or read book À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries written by Francine Giese and published by BRILL. This book was released on 2019-11-04 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present volume offers a collection of essays that examines the mechanisms and strategies of collecting, displaying and appropriating Islamic art in the nineteenth and early twentieth centuries. Many studies in this book concentrate on lesser known collections of Islamic art, situated in Central and Eastern Europe that until now have received little attention from scholars. Special attention is given to the figure of the Swiss collector Henri Moser Charlottenfels, whose important, still largely unstudied collection of Islamic art is now preserved in the Bernisches Historisches Museum, Switzerland. Contributors to the volume include young researchers and established scholars from Western and Eastern Europe and beyond: Roger Nicholas Balsiger, Moya Carey, Valentina Colonna, Francine Giese, Hélène Guérin, Barbara Karl, Katrin Kaufmann, Sarah Keller, Agnieszka Kluczewska Wójcik, Inessa Kouteinikova, Axel Langer, Maria Medvedeva, Ágnes Sebestyén, Alban von Stockhausen, Ariane Varela Braga, Mercedes Volait. Les contributions de l’ouvrage examinent le mécanisme et les stratégies relatifs à la collection, la présentation et l’appropriation des arts de l’Islam au XIXe siècle et début du XXe siècle. Elles mettent l’accent sur des collections situées en Europe centrale et orientale, lesquelles ont été peu étudiées jusqu’à présent. Une attention particulière est dédiée à la figure du collectionneur Suisse Henri Moser Charlottenfels, dont les objets se trouvent aujourd’hui au Bernisches Historisches Museum (Suisse) et qui ont été de même peu étudiés. Les textes émanent de jeunes chercheurs comme de chercheurs confirmés, basés en Europe occidentale et orientale, et au-delà.

Meet Me at the Fair: A World's Fair Reader

Author : Celia Pearce
Publisher : Lulu.com
ISBN 13 : 1312115874
Total Pages : 560 pages
Book Rating : 4.3/5 (121 download)

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Book Synopsis Meet Me at the Fair: A World's Fair Reader by : Celia Pearce

Download or read book Meet Me at the Fair: A World's Fair Reader written by Celia Pearce and published by Lulu.com. This book was released on 2014 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Together with the Olympics, world's fairs are one of the few regular international events of sufficient scale to showcase a spectrum of sights, wonders, learning opportunities, technological advances, and new (or renewed) urban districts, and to present them all to a mass audience. Meet Me at the Fair: A World's Fair Reader breaks new ground in scholarship on world's fairs by incorporating a number of short new texts that investigate world's fairs in their multiple aspects: political, urban/architectural, anthropological/ sociological, technological, commercial, popular, and representational. Contributors come from eight different countries and represent affiliations in academia, museums and libraries, professional and architectural firms, non-profit organizations, and government regulatory agencies. In taking the measure of both the material artifacts and the larger cultural production of world's fairs, the volume presents its own phantasmagoria of disciplinary perspectives, historical periods, geographical locales, media, and messages, mirroring the microcosmic form of the world's fair itself.