Euryanthe and Carl Maria Von Weber's Dramaturgy of German Opera

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Publisher : Oxford University Press, USA
ISBN 13 :
Total Pages : 320 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Euryanthe and Carl Maria Von Weber's Dramaturgy of German Opera by : Michael Charles Tusa

Download or read book Euryanthe and Carl Maria Von Weber's Dramaturgy of German Opera written by Michael Charles Tusa and published by Oxford University Press, USA. This book was released on 1991 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Weber's opera Euryanthe was written in 1823 and contains much that anticipates Wagner, as well as being a masterpiece in its own right. It was intended as the crowning work in the career of this seminal figure in the German operatic tradition of the early nineteenth century. Yet through its defective libretto it has virtually disappeared from the modern repertoire, despite containing, in Wagner's words, Weber's "most beautiful, richest, and most masterful music." In this book, Tusa provides the first full-length study of Euryanthe ever made and firmly stakes out the claim that it is "arguably the key work for understanding Weber's operatic aims." Along with close scrutiny of its dramatic aims and compositional planning, Tusa provides insight into its genre and reception history. The result is a book that not only deepens our understanding of a major neglected work but may help to restore it to its true place in the history of romantic opera.

Carl Maria von Weber and the Search for a German Opera

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Author :
Publisher : Indiana University Press
ISBN 13 : 0253109620
Total Pages : 273 pages
Book Rating : 4.2/5 (531 download)

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Book Synopsis Carl Maria von Weber and the Search for a German Opera by : Stephen C. Meyer

Download or read book Carl Maria von Weber and the Search for a German Opera written by Stephen C. Meyer and published by Indiana University Press. This book was released on 2003-01-17 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stephen C. Meyer details the intricate relationships between the operas Der FreischÃ1⁄4tz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign" opera through the 19th century. Meyer's study of Der FreischÃ1⁄4tz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the opera's stylistic and topical shifts in light of changing cultural and aesthetic circumstances. As a result, Meyer argues that the search for a new German opera was not merely an aesthetic movement, but a political and social critique as well.

Carl Maria Von Weber and the Search for a German Opera

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Publisher :
ISBN 13 : 9780253314857
Total Pages : 0 pages
Book Rating : 4.3/5 (148 download)

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Book Synopsis Carl Maria Von Weber and the Search for a German Opera by : Stephen C. Meyer

Download or read book Carl Maria Von Weber and the Search for a German Opera written by Stephen C. Meyer and published by . This book was released on 2003 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Carl Maria von Weber

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Author :
Publisher : Rowman & Littlefield
ISBN 13 : 1442235950
Total Pages : 329 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis Carl Maria von Weber by : Joseph E. Morgan

Download or read book Carl Maria von Weber written by Joseph E. Morgan and published by Rowman & Littlefield. This book was released on 2014-09-11 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renowned music historian Philipp Spitta has written that “of all the German musicians of the 19th century, none has exercised a greater influence over his own generation and that succeeding it than Weber.” Spitta’s statement reflects Weber’s popularity at the end of the nineteenth 19th century—both for his place as a foundational figure of German Romantic opera and for his role in the early German Nationalist movement in music. Indeed, Weber’s Der Freischütz is still considered the first German Romantic opera, enjoying a place of privilege in the modern operatic repertoire with performances held the world over and at least two cinematic productions. Despite its enormous popularity throughout the 19th nineteenth century, however, Weber’s swan song, Oberon, has remained separate from the mainstream thrust of our modern understanding of German Romantic opera. In Carl Maria von Weber: Oberon and the Cosmopolitanism in the Early German Romantic, music historian and theorist Joseph E. Morgan reassesses Weber’s work and aesthetics not just for their influence but also as an expression of the aesthetics and cosmopolitanism that underlay the early Romantic and Nationalist movement in Germany. In a discussion with analyses that features nearly one- hundred musical examples, Morgan tracks the development of Weber’s musical style across his career. The investigation culminates with Weber’s last and long-misunderstood work, explaining its thematic and harmonic organization, its stylistic idiosyncrasies, and the tenuous place that it holds on the margins of the operatic canon. The discussion is enhanced and corroborated by frequent attention to correlating developments in other art from the period, including painting, poetry, and literature. This text will be of interest to students, scholars, and connoisseurs wishing to acquire a new insight on the performance, reception, and aesthetics of early German Romantic opera. Further, because of the interdisciplinary nature of the investigation, anyone researching the early Romantic and Nationalist movement in Germany will also certainly find valuable insights in this book.

Operas in German

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Publisher : Rowman & Littlefield
ISBN 13 : 1442247975
Total Pages : 1046 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis Operas in German by : Margaret Ross Griffel

Download or read book Operas in German written by Margaret Ross Griffel and published by Rowman & Littlefield. This book was released on 2018-01-23 with total page 1046 pages. Available in PDF, EPUB and Kindle. Book excerpt: With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.

Medievalism and Nationalism in German Opera

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Publisher : Routledge
ISBN 13 : 135180636X
Total Pages : 198 pages
Book Rating : 4.3/5 (518 download)

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Book Synopsis Medievalism and Nationalism in German Opera by : Michael S. Richardson

Download or read book Medievalism and Nationalism in German Opera written by Michael S. Richardson and published by Routledge. This book was released on 2020-11-29 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.

Experiencing Carl Maria von Weber

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Publisher : Rowman & Littlefield
ISBN 13 : 1442255579
Total Pages : 231 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis Experiencing Carl Maria von Weber by : Joseph E. Morgan

Download or read book Experiencing Carl Maria von Weber written by Joseph E. Morgan and published by Rowman & Littlefield. This book was released on 2017-07-06 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars have long recognized Carl Maria von Weber as the father of the German Romantic and Nationalist music. The success of his opera Der Freischütz almost single handedly brought German operatic style onto the world stage, competing with and challenging established operatic traditions in France and Italy. Indeed the overtures to his last three operas, Der Freischütz, Euryanthe, and Oberon initiated the genre of the concert overture and are a part of the standard repertoire for most modern symphony orchestras. His works in other genres, including his various concerti and chamber works also stand as centerpieces in the modern concert hall. In Experiencing Carl Maria von Weber: A Listener's Companion, Joseph Morgan walks readers through the many masterpieces that comprise Weber's oeuvre, providing key insights by integrating critical points in the composer's life with the burgeoning Romantic and Nationalist movements in Germany that Weber's music came to champion. Morgan brings to life the musical character of Weber's most important compositions, from his most popular works such as his programme work Aufforderung zum Tanz (Invitation to the Dance), his majestic solo pieces, and his path-breaking song cycle DieTemperamente beim Verluste der Geliebten (Temperaments on the Loss of a Lover). At every turn, Morgan brings together biographical, political, aesthetic, and historical matters to inform our understanding of Weber's compositional genius. From the virtuosity of his piano works and their influence on Liszt and Chopin to his relationships with composers from the earliest parts of the 19th century, including Giacomo Meyerbeer, Franz Schubert and Beethoven, Experiencing Carl Maria vonWeber reveals not only the compositional genius of this figure in Romantic music, but his achievements as well as a conductor, music director, and critic who lent his powerful support to his musical peers on stage and page.

Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000

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Publisher : Scarecrow Press
ISBN 13 : 1461700795
Total Pages : 374 pages
Book Rating : 4.4/5 (617 download)

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Book Synopsis Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000 by : D. J. Hoek

Download or read book Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000 written by D. J. Hoek and published by Scarecrow Press. This book was released on 2007-02-15 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.

The Oxford Handbook of Opera

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Publisher : Oxford Handbooks
ISBN 13 : 0195335538
Total Pages : 1217 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis The Oxford Handbook of Opera by : Helen M. Greenwald

Download or read book The Oxford Handbook of Opera written by Helen M. Greenwald and published by Oxford Handbooks. This book was released on 2014 with total page 1217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.

Euryanthe

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Publisher :
ISBN 13 :
Total Pages : 51 pages
Book Rating : 4.:/5 (119 download)

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Book Synopsis Euryanthe by : Carl Maria von Weber

Download or read book Euryanthe written by Carl Maria von Weber and published by . This book was released on 1800 with total page 51 pages. Available in PDF, EPUB and Kindle. Book excerpt:

"Was deutsch und echt..."

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Author :
Publisher : BRILL
ISBN 13 : 9004245383
Total Pages : 320 pages
Book Rating : 4.0/5 (42 download)

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Book Synopsis "Was deutsch und echt..." by : Kasper Bastiaan van Kooten

Download or read book "Was deutsch und echt..." written by Kasper Bastiaan van Kooten and published by BRILL. This book was released on 2019-03-25 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book shows nineteenth-century German opera’s entanglement with national identity formation, adding a significant perspective to discussions about Wagner’s relation to German nationalism by interpreting his esthetic endeavors as a continuation of previous campaigns for the genre’s emancipation.

Encyclopedia of the Romantic Era, 1760–1850

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Publisher : Routledge
ISBN 13 : 1135455791
Total Pages : 1303 pages
Book Rating : 4.1/5 (354 download)

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Book Synopsis Encyclopedia of the Romantic Era, 1760–1850 by : Christopher John Murray

Download or read book Encyclopedia of the Romantic Era, 1760–1850 written by Christopher John Murray and published by Routledge. This book was released on 2013-05-13 with total page 1303 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.

Historical Dictionary of Opera

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Publisher : Scarecrow Press
ISBN 13 : 0810879433
Total Pages : 564 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Historical Dictionary of Opera by : Scott L. Balthazar

Download or read book Historical Dictionary of Opera written by Scott L. Balthazar and published by Scarecrow Press. This book was released on 2013-07-05 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.

Reader's Guide to Music

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Publisher : Routledge
ISBN 13 : 1135942692
Total Pages : 2624 pages
Book Rating : 4.1/5 (359 download)

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Book Synopsis Reader's Guide to Music by : Murray Steib

Download or read book Reader's Guide to Music written by Murray Steib and published by Routledge. This book was released on 2013-12-02 with total page 2624 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).

German Opera

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Publisher : Cambridge University Press
ISBN 13 : 0521235324
Total Pages : 465 pages
Book Rating : 4.5/5 (212 download)

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Book Synopsis German Opera by : John Warrack

Download or read book German Opera written by John Warrack and published by Cambridge University Press. This book was released on 2001-04-26 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: German opera from its primitive origins up to Wagner is the subject of this wide-ranging history. It traces the growth of the humble Singspiel into a vehicle for the genius of Mozart and Beethoven, together with the persistent attempts at German Grand Opera. Seventeenth-century Hamburg opera, the role of the travelling companies and Viennese Singspiel are all explored. Discussions that from early days absorbed Germans concerned for the development of a national art are followed, together with the influence of new critical thought at the start of the nineteenth century. The many operas studied are placed in their historical, social and theatrical context, and attention is paid to the literary, artistic and philosophical ideas that made them part of the country's intellectual history. Warrack assesses the contributions of Schubert, Mendelssohn and Schumann, as well as Weber and Hoffmann, among others.

E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera

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Publisher : BRILL
ISBN 13 : 9004309578
Total Pages : 496 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera by : Francien Markx

Download or read book E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera written by Francien Markx and published by BRILL. This book was released on 2015-11-02 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: In E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera, Francien Markx investigates Hoffmann’s writings on opera, discovering in them a number of challenges to traditional narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography.

The Musical Language of Italian Opera, 1813-1859

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Publisher : Oxford University Press
ISBN 13 : 0197609686
Total Pages : 601 pages
Book Rating : 4.1/5 (976 download)

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Book Synopsis The Musical Language of Italian Opera, 1813-1859 by : William Rothstein

Download or read book The Musical Language of Italian Opera, 1813-1859 written by William Rothstein and published by Oxford University Press. This book was released on 2022-11-15 with total page 601 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though studying opera often requires attention to aesthetics, libretti, staging, singers, compositional history, and performance history, the music itself is central. This book examines operatic music by five Italian composers--Rossini, Bellini, Mercadante, Donizetti, and Verdi--and one non-Italian, Meyerbeer, during the period from Rossini's first international successes to Italian unification. Detailed analyses of form, rhythm, melody, and harmony reveal concepts of musical structure different from those usually discussed by music theorists, calling into question the notion of a common practice. Taking an eclectic analytical approach, author William Rothstein uses ideas originating in several centuries, from the sixteenth to the twenty-first, to argue that operatic music can be heard not only as passionate vocality but also in terms of musical forms, pitch structures, and rhythmic patterns--that is, as carefully crafted music worth theoretical attention. Although no single theory accounts for everything, Rothstein's analysis shows how certain recurring principles define a distinctively Italian practice, one that left its mark on the German repertoire more familiar to music theorists.