Ethics And Aesthetics In Contemporary African Cinema

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Ethics and Aesthetics in Contemporary African Cinema

Author : James S. Williams
Publisher : Bloomsbury Publishing
ISBN 13 : 1350105058
Total Pages : 376 pages
Book Rating : 4.3/5 (51 download)

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Book Synopsis Ethics and Aesthetics in Contemporary African Cinema by : James S. Williams

Download or read book Ethics and Aesthetics in Contemporary African Cinema written by James S. Williams and published by Bloomsbury Publishing. This book was released on 2019-03-21 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideological critique or the old ideals of pan-Africanism. Locating the aesthetic within a range of critical fields - the rupturing of narrative spectacle and violence by montage, the archives of the everyday in the 'afropolis', the plurivocal mysteries of sound and language, male intimacy and desire, the borderzones of migration and transcultural drift - this study reveals the possibility for new, non-conceptual kinds of beauty in African cinema: abstract, material, migrant, erotic, convulsive, queer. Through close readings of key works such as Life on Earth (1998), The Night of Truth (2004), Bamako (2006), Daratt (Dry Season) (2006), A Screaming Man (2010), Tey (Today) (2012), The Pirogue (2012), Mille soleils (2013) and Timbuktu (2014), Williams argues that contemporary African filmmakers are proposing propitious, ethical forms of relationality and intersubjectivity. These stimulate new modes of cultural resistance and transformation that serve to redefine the transnational and the cosmopolitan as well as the very notion of the political in postcolonial art cinema.

African Diasporic Cinema

Author : Daniela Ricci
Publisher : MSU Press
ISBN 13 : 1628954019
Total Pages : 276 pages
Book Rating : 4.6/5 (289 download)

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Book Synopsis African Diasporic Cinema by : Daniela Ricci

Download or read book African Diasporic Cinema written by Daniela Ricci and published by MSU Press. This book was released on 2020-08-01 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: African Diasporic Cinema: Aesthetics of Reconstruction analyzes the aesthetic strategies adopted by contemporary African diasporic filmmakers to express the reconstruction of identity. Having left the continent, these filmmakers see Africa as a site of representation and cultural circulation. The diasporic experience displaces the center and forges new syncretic identities. Through migratory movement, people become foreigners, Others—and in this instance, black. The African diasporic condition in the Western world is characterized by the intersection of various factors: being African and bearing the historical memory of the continent; belonging to a black minority in majority-white societies; and finally, having historically been the object of negative, stereotyped representation. As a result, quests for the self and self-reconstruction are frequent themes in the films of the African diaspora, and yet the filmmakers refuse to remain trapped in the confines of an assigned, rigid identity. Reflecting these complex circumstances, this book analyzes the contemporary diaspora through the prism of cultural hybridization and the processes of recomposing fragmented identities, out of which new identities emerge.

Contemporary Cinema of Africa and the Diaspora

Author : Anjali Prabhu
Publisher : John Wiley & Sons
ISBN 13 : 111858869X
Total Pages : 272 pages
Book Rating : 4.1/5 (185 download)

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Book Synopsis Contemporary Cinema of Africa and the Diaspora by : Anjali Prabhu

Download or read book Contemporary Cinema of Africa and the Diaspora written by Anjali Prabhu and published by John Wiley & Sons. This book was released on 2014-04-17 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing art house films from the African continent and theAfrican diaspora, this book showcases a new generation of auteurswith African origins from political, aesthetic, and spectatorshipperspectives. Focuses on art house cinema and discusses commercial Africancinema Enlarges our understanding of African film to include thematicand aesthetic influence Highlights aesthetic and political aspects including racialidentity, women’s issues, and diaspora Heavily illustrated with over 90 film stills Features selected stills integral to the filmic analysis infull color Moves beyond Western-oriented analytical paradigms

Contemporary African Cinema

Author : Olivier Barlet
Publisher : MSU Press
ISBN 13 : 1628952709
Total Pages : 466 pages
Book Rating : 4.6/5 (289 download)

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Book Synopsis Contemporary African Cinema by : Olivier Barlet

Download or read book Contemporary African Cinema written by Olivier Barlet and published by MSU Press. This book was released on 2016-08-01 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: African and notably sub-Saharan African film’s relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.

The Cinema of Tunde Kelani

Author : Tunde Onikoyi
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527573257
Total Pages : 255 pages
Book Rating : 4.5/5 (275 download)

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Book Synopsis The Cinema of Tunde Kelani by : Tunde Onikoyi

Download or read book The Cinema of Tunde Kelani written by Tunde Onikoyi and published by Cambridge Scholars Publishing. This book was released on 2021-07-29 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first definitive publication on Tunde Kelani, and represents a mine of divergent scholarly approaches to understanding his authorial power. A collection of articles on the cinematic oeuvre of one of the important and finest filmmakers in Africa, it addresses diverse areas that are crucial to Kelani’s filmic corpus and African cinema. Contributors articulate Kelani’s visual crafts in detail, while providing explications on significant markers. The book offers an understanding of how Kelani’s works represent the African worldview, science, demonstrative law, politics, gender, popular culture, canonized culture and history.

Film and Ethics

Author : Lisa Downing
Publisher : Routledge
ISBN 13 : 1135232008
Total Pages : 184 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis Film and Ethics by : Lisa Downing

Download or read book Film and Ethics written by Lisa Downing and published by Routledge. This book was released on 2009-09-10 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film & Ethics considers a range of films and texts of film criticism alongside disparate philosophical discourses of ethics by Levinas, Derrida, Foucault, Lacanian psychoanalysts and postmodern theorists.

Postcolonial African cinema

Author : David Murphy
Publisher : Manchester University Press
ISBN 13 : 1526141736
Total Pages : 256 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Postcolonial African cinema by : David Murphy

Download or read book Postcolonial African cinema written by David Murphy and published by Manchester University Press. This book was released on 2019-01-04 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first introduction of its kind to an important cross-section of postcolonial African filmmakers from the 1950s to the present. Building on previous critical work in the field, this volume will bring together ideas from a range of disciplines – film studies, African cultural studies, and, in particular, postcolonial studies – in order to combine the in-depth analysis of individual films and bodies of work by individual directors with a sustained interrogation of these films in relation to important theoretical concepts. Structurally, the book is straightforward, though the aim is to incorporate diversity and complexity of approach within the overall simplicity of format. Chapters provide both an overview of the director’s output to date, and the necessary background – personal or national, cultural or political – to enable readers to achieve a better understanding of the director’s choice of subject matter, aesthetic or formal strategies, or ideological stance. They also offer a particular reading of one or more films, in which the authors aim to situate African cinema in relation to important critical and theoretical debates. This book thus constitutes a new departure in African film studies, recognising the maturity of the field, and the need for complex yet accessible approaches to it, which move beyond the purely descriptive while refusing to get bogged down in theoretical jargon. Consequently, the volume should be of interest not only to specialists but also to the general reader.

Rethinking Third Cinema

Author : Frieda Ekotto
Publisher : LIT Verlag Münster
ISBN 13 : 3825818047
Total Pages : 232 pages
Book Rating : 4.8/5 (258 download)

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Book Synopsis Rethinking Third Cinema by : Frieda Ekotto

Download or read book Rethinking Third Cinema written by Frieda Ekotto and published by LIT Verlag Münster. This book was released on 2009 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1968, Argentinean Filmmakers Fernando Solanas and Octavio Getino first articulated the theory of a "Third Cinema" - a revolutionary genre of cinema that would counter oppression on a global scale. Intended to be a "guerilla cinema" geared at contesting the overwhelming dominance of Western cinema, Solana and Getino distinguished "Third Cinema" from other forms of cinema, classifying these other types as First Cinema (commercial cinema epitomized by Hollywood) and Second Cinema. "Third Cinema" was supposed to be a liberationary tool - particularly for the bulk of the world that was subject to European imperialism, such as Latin America, Africa and Asia. Spanning a wide geographical spread of cinemas ranging from Latin America, North and Sub-Saharan Africa, the Caribbean and Asia, this book addresses the following questions: how can we rethink the concept of "Third Cinema" for today? How do new national cinemas - and their accompanying media industries - reflect the concerns of societies that are struggling with the implications of accelerated modernization - and how are these concerns configured in new genres of aesthetics? Is there still a "Third Cinema" component in contemporary cinemas, and if so, how can it be understood?

A Companion to African Cinema

Author : Kenneth W. Harrow
Publisher : John Wiley & Sons
ISBN 13 : 1119100313
Total Pages : 512 pages
Book Rating : 4.1/5 (191 download)

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Book Synopsis A Companion to African Cinema by : Kenneth W. Harrow

Download or read book A Companion to African Cinema written by Kenneth W. Harrow and published by John Wiley & Sons. This book was released on 2018-12-27 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.

Symbolic Narratives/African Cinema

Author : June Givanni
Publisher : Bloomsbury Publishing
ISBN 13 : 1838718427
Total Pages : 298 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis Symbolic Narratives/African Cinema by : June Givanni

Download or read book Symbolic Narratives/African Cinema written by June Givanni and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the conference Africa and the History of Cinematic Ideas held in London in 1995, film-makers, cultural theorists and critics gathered to debate a range of issues. Views were exchanged on such topics as imperialism, and the problems of distribution.

Trash

Author : Kenneth W. Harrow
Publisher : Indiana University Press
ISBN 13 : 0253007577
Total Pages : 527 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Trash by : Kenneth W. Harrow

Download or read book Trash written by Kenneth W. Harrow and published by Indiana University Press. This book was released on 2013-04-09 with total page 527 pages. Available in PDF, EPUB and Kindle. Book excerpt: An “engaging” study of trash as a metaphor in contemporary African cinema (African Studies Review). Highlighting what is melodramatic, flashy, low, and gritty in the characters, images, and plots of African cinema, Kenneth W. Harrow uses trash as the unlikely metaphor to show how these films have depicted the globalized world. Rather than focusing on topics such as national liberation and postcolonialism, he employs the disruptive notion of trash to propose a destabilizing aesthetics of African cinema. Harrow argues that the spread of commodity capitalism has bred a culture of materiality and waste that now pervades African film. He posits that a view from below permits a way to understand the tropes of trash present in African cinematic imagery.

Black Film as a Signifying Practice

Author : Gladstone Lloyd Yearwood
Publisher : Africa Research and Publications
ISBN 13 :
Total Pages : 288 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Black Film as a Signifying Practice by : Gladstone Lloyd Yearwood

Download or read book Black Film as a Signifying Practice written by Gladstone Lloyd Yearwood and published by Africa Research and Publications. This book was released on 2000 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book examines the way black filmmakers use expressive forms and systems of signification that reflect the cultural and historical priorities of the black experience. It delineates how the African-American expressive tradition utilizes its own vernacular space and time of story telling in the cinema and how black film narration draws on the formal structures of black experience to organize story material."--BOOK JACKET.

Contemporary Lusophone African Film

Author : Paulo de Medeiros
Publisher : Routledge
ISBN 13 : 042964891X
Total Pages : 237 pages
Book Rating : 4.4/5 (296 download)

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Book Synopsis Contemporary Lusophone African Film by : Paulo de Medeiros

Download or read book Contemporary Lusophone African Film written by Paulo de Medeiros and published by Routledge. This book was released on 2020-12-13 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering a range of critical perspectives on a vibrant body of films, this collection of essays engages with questions specific to the various cinemas and films addressed while putting forward an argument for their inclusion in current debates on world cinema. The collection brings together 11 chapters by recognized scholars, who analyze a variety of films and videos from Angola, Cape Verde, Guiné-Bissau, and Mozambique. It also includes an interview with Pedro Pimenta, one of the most distinguished African film festival organizers. Drawing on various theoretical perspectives, the volume strives to reverse the relative invisibility that has afflicted these cinemas, arguing that most, if not all, Lusophone films are transnational in all aspects of production, acting, and reception. The initial three chapters sketch broad, comparative overviews and suggest theoretical approaches, while the ensuing chapters focus on specific case studies and discuss a number of key issues such as the convergence of film with politics, the question of gender and violence, as well as the revisiting of the period immediately following independence. Attention is given to fiction, documentary films and recent, short, alternative video productions that are overlooked by more traditional channels. The book stresses the need to pay attention to the significance of African film, and Lusophone African film in particular, within the developing field of world cinema. Bringing together general overviews, historical considerations, detailed case studies, and focused theoretical reflections, this book is a significant volume for students and researchers in film studies, especially African, Lusophone cultural studies, and world cinema.

New African Cinema

Author : Valérie K. Orlando
Publisher : Rutgers University Press
ISBN 13 : 0813579570
Total Pages : 96 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis New African Cinema by : Valérie K. Orlando

Download or read book New African Cinema written by Valérie K. Orlando and published by Rutgers University Press. This book was released on 2017-04-15 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.

African Film and Literature

Author : Lindiwe Dovey
Publisher : Columbia University Press
ISBN 13 : 0231147546
Total Pages : 358 pages
Book Rating : 4.2/5 (311 download)

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Book Synopsis African Film and Literature by : Lindiwe Dovey

Download or read book African Film and Literature written by Lindiwe Dovey and published by Columbia University Press. This book was released on 2009 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.

African Cinema

Author : Manthia Diawara
Publisher : Indiana University Press
ISBN 13 : 9780253207074
Total Pages : 212 pages
Book Rating : 4.2/5 (7 download)

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Book Synopsis African Cinema by : Manthia Diawara

Download or read book African Cinema written by Manthia Diawara and published by Indiana University Press. This book was released on 1992-04-22 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Manthia Diawara provides an insider's account of the history and current status of African cinema. African Cinema: Politics and Culture is the first extended study in English of Sub-Saharan cinema. Employing an interdisciplinary approach which draws on history, political science, economics, and cultural studies, Diawara discusses such issues as film production and distribution, and film aesthetics from the colonial period to the present. The book traces the growth of African cinema through the efforts of pioneer filmmakers such as Paulin Soumanou Vieyra, Oumarou Ganda, Jean-René Débrix, Jean Rouch, and Ousmane Sembène, the Pan-African Filmmakers' Organization (FEPACI), and the Ougadougou Pan-African Film Festival (FESPACO). Diwara focuses on the production and distribution histories of key films such as Ousmane Sembène's Black Girl and Mandabi (1968) and Souleymane Cissé's Fine (1982). He also examines the role of missionary films in Africa, Débrix's ideas concerning 'magic, ' the links between Yoruba theater and Nigerian cinema, and the parallels between Hindu mythologicals in India and the Yoruba-theater - inflected films in Nigeria. Diawara also looks at film and nationalism, film and popular culture, and the importance of FESPACO. African Cinema: Politics and Culture makes a major contribution to the expanding discussion of Eurocentrism, the canon, and multi-culturalism.

Auteuring Nollywood

Author : Afolayan, Adeshina
Publisher : University Press, Nigeria
ISBN 13 : 9780698280
Total Pages : 480 pages
Book Rating : 4.7/5 (86 download)

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Book Synopsis Auteuring Nollywood by : Afolayan, Adeshina

Download or read book Auteuring Nollywood written by Afolayan, Adeshina and published by University Press, Nigeria. This book was released on 2015-02-28 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning from an auteur standpoint, this book interrogates extant cinematic re-presentation of African and Nigerian postcolonial realities in Nollywood. It makes a case, using Kunle Afolayan's The Figurine, for a critical space-clearing gesture around the notion of a neo-Nollywood, which transcends the formulaic cinematic re-presentation of African and Nigerian realities to embrace a visionary and philosophic rearticualtion of the role of film-making, and of Nollywood, in the Nigerian imagination. The Idea of neo-Nollywood, and a visionary director, therefore stands at the core of a cinematic production process that challenges, disturbs and stimulates perceptions of current and future African identities