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Elizabethan Sonnet Cycles Phillis Licia
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Book Synopsis Elizabethan Sonnet Cycles: Phillis - Licia by : Thomas Lodge
Download or read book Elizabethan Sonnet Cycles: Phillis - Licia written by Thomas Lodge and published by Good Press. This book was released on 2019-12-16 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Elizabethan Sonnet Cycles: Phillis - Licia' is a book containing two sonnets written by authors who lived in the Elizabethean era: Thomas Lodge and Giles Fletcher. Lodge's work that is featured here is Phillis, while Fletcher's work that is featured is Licia.
Book Synopsis Elizabethan Sonnet-cycles: Phillis, by T. Lodge. Licia, by G. Fletcher by : Martha Foote Crow
Download or read book Elizabethan Sonnet-cycles: Phillis, by T. Lodge. Licia, by G. Fletcher written by Martha Foote Crow and published by . This book was released on 1896 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Elizabethan Sonnet-cycles: Lodge, T. Phillis; Fletcher, G. Licia by : Martha Foote Crow
Download or read book Elizabethan Sonnet-cycles: Lodge, T. Phillis; Fletcher, G. Licia written by Martha Foote Crow and published by . This book was released on 1896 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Elizabethan Sonnet Cycles: Phillis - Licia by : Thomas Lodge
Download or read book Elizabethan Sonnet Cycles: Phillis - Licia written by Thomas Lodge and published by DigiCat. This book was released on 2022-09-04 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: DigiCat Publishing presents to you this special edition of "Elizabethan Sonnet Cycles: Phillis - Licia" by Thomas Lodge, Giles Fletcher. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Book Synopsis Elizabethan Sonnet-cycles by : Thomas Lodge
Download or read book Elizabethan Sonnet-cycles written by Thomas Lodge and published by Kessinger Publishing. This book was released on 2009-04 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Book Synopsis Elizabethan Sonnet-cycles: Delia, by S. Daniel. Diana, by H. Constable by : Martha Foote Crow
Download or read book Elizabethan Sonnet-cycles: Delia, by S. Daniel. Diana, by H. Constable written by Martha Foote Crow and published by . This book was released on 1896 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Elizabethan Sonnet-cycles: Caelia, by F. Greville, Lord Brooke by : Martha Foote Crow
Download or read book Elizabethan Sonnet-cycles: Caelia, by F. Greville, Lord Brooke written by Martha Foote Crow and published by . This book was released on 1896 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Elizabethan Sonnet-cycles: Phillis, by T. Lodge. Licia, by G. Fletcher by : Martha Foote Crow
Download or read book Elizabethan Sonnet-cycles: Phillis, by T. Lodge. Licia, by G. Fletcher written by Martha Foote Crow and published by . This book was released on 1896 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Rosalynde or, Euphues' Golden Legacy by : Thomas Lodge
Download or read book Rosalynde or, Euphues' Golden Legacy written by Thomas Lodge and published by Good Press. This book was released on 2019-11-27 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rosalynde or, Euphues' Golden Legacy is a novel, which Shakespeare adapted into his famous pastoral comedy As You Like It. It is the archetypal pastoral adventure. Two young persons of high society, who have recently lost their fathers (one to death, one to banishment), fall in love but are separated almost at once and forced to flee to the Forest of Arden.
Download or read book Phillis written by Thomas Lodge and published by . This book was released on 1896 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Elizabethan Sonnet Cycles by : Giles Fletcher
Download or read book Elizabethan Sonnet Cycles written by Giles Fletcher and published by CreateSpace. This book was released on 2015-03-27 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt: The last decade of the sixteenth century was marked by an outburst of sonneteering. To devotees of the sonnet, who find in that poetic form the moat perfect vehicle that has ever been devised for the expression of a single importunate emotion, it will not seem strange that at the threshold of a literary period whose characteristic note is the most intense personality, the instinct of poets should have directed them to the form most perfectly fitted for the expression of this inner motive.
Book Synopsis The early modern English sonnet by : Laetitia Sansonetti
Download or read book The early modern English sonnet written by Laetitia Sansonetti and published by Manchester University Press. This book was released on 2020-04-23 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume updates current assumptions about the early modern English sonnet and its reception and inclusion in poetic collections. It deals both with major (Shakespeare, Sidney, Spenser) and minor (Harvey, Barnes) sonneteers, and includes the first modern edition of a 1603 printed miscellany, The Muses Garland.
Download or read book Poet Lore written by Hermann Sudermann and published by . This book was released on 1897 with total page 654 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The New Cambridge Bibliography of English Literature by : George Watson
Download or read book The New Cambridge Bibliography of English Literature written by George Watson and published by CUP Archive. This book was released on 1974 with total page 1296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The New Cambridge Bibliography of English Literature: Volume 1, 600-1660 by : George Watson
Download or read book The New Cambridge Bibliography of English Literature: Volume 1, 600-1660 written by George Watson and published by Cambridge University Press. This book was released on 1974-08-29 with total page 1322 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Book Synopsis A Comparative Study of Byrd Songs by :
Download or read book A Comparative Study of Byrd Songs written by and published by Anaphora Literary Press. This book was released on 2023-05-02 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comparative anthology of all of the variedly-bylined texts in William Byrd’s linguistic-group, with scholarly introductions that solve previously impenetrable literary mysteries. This is a comparative anthology of William Byrd’s multi-bylined verse, with scholarly introductions to their biographies, borrowings, and generic and structural formulas. The tested Byrd-group includes 30 texts with 29 different bylines. Each of these texts is covered in a separate chronologically-organized section. This anthology includes modernized translations of some of the greatest and the wittiest poetry of the Renaissance. Some of these poems are the most famous English poems ever written, while others have never been modernized before. These poems serve merely as a bridge upon which a very different history of early British poetry and music is reconstructed, through the alternative history of the single ghostwriter behind them. This history begins with two forgeries that are written in an antique Middle English style, while simultaneously imitating Virgil’s Eclogues: “Alexander Barclay’s” claimed translation of Pope Pius II’s Eclogues (1514?) and “John Skelton’s” Eclogues (1521?). The next attribution mystery solved is how only a single poem assigned to “Walter Rawely of the Middle Temple” (when Raleigh is not known to have been a member of this Inn of Court) in The Steal Glass: A Satire (1576) has snowballed into entire anthologies of poetry that continue to be assigned to “Raleigh” as their “author”. Matthew Lownes assigned the “Edmund Spenser”-byline for the first time in 1611 to the previously anonymous Shepherds’ Calendar (1579) to profit from the popularity of the appended to it Fairy Queen. And “Thomas Watson” has been credited with creating Hekatompathia (1582), when this was his first book-length attempt in English; and this collection has been described as the first Petrarchan sonnet sequence in English, when actually most of these poems have 18-line, instead of 14-line stanzas. Byrd’s self-attributed Psalms, Sonnets, and Songs (1588) includes several lyrics that have since been re-assigned erroneously to other bylines in this collection, such as “My Mind to Me a Kingdom Is” being re-assigned to “Sir Edward Dyer”. The Byrd chapter also describes the history of his music-licensing monopoly. The “University Wit” label is reinterpreted as being applied to those who completed paper-degrees with help from ghostwriters, as exemplified in “Robert Greene’s” confession that “his” Pandosto and Menaphon were “so many parricides”, as if these obscene topics were forced upon him without his participation in the authorial process. “Philip Sidney’s” Astrophil and Stella (1591) is showcased as an example of erroneous autobiographical interpretations of minor poetic references; for example, the line “Rich she is” in a sonnet that puns repeatedly on the term “rich”, has been erroneously widely claimed by scholars to prove that Sidney had a prolonged love-interest in “Lady Penelope Devereux Rich”. Similarly, Thomas Lodge’s 1592-3 voyage to South America has been used to claim his special predilection for “sea-studies”, in works such as Phillis (1593), when adoring descriptions of the sea are common across the Byrd-group. Alexander Dyce appears to have assigned the anonymous Licia (1593) to “Giles Fletcher” in a brief note in 1843, using only the evidence of a vague mention of an associated monarch in a text from another member of the “Fletcher” family. One of the few blatantly fictitiously-bylined Renaissance texts that have not been re-assigned to a famous “Author” is “Henry Willobie’s” Avisa (1594) that invents a non-existent Oxford-affiliated editor called “Hadrian Dorrell”, who confesses to have stolen this book, without “Willobie’s” permission. Even with such blatant evidence of satirical pseudonym usage or potential identity-fraud, scholars have continued to search for names in Oxford’s records that match these bylines. “John Monday’s” Songs and Psalms (1594) has been labeled as one of the earliest madrigal collections. 1594 was the approximate year when Byrd began specializing in providing ghostwriting services for mostly university-educated musicologists, who used these publishing credits to obtain music positions at churches such as the Westminster Abbey, or at Court. An Oxford paper-degree helped “Thomas Morley” become basically the first non-priest Gospeller at the Chapel Royal. The section on “Morley’s” Ballets (1595) describes the fiscal challenges Morley encountered when the music-monopoly temporarily transitioned from Byrd’s direct control to his. “John Dowland’s” First Book of Songs or Airs (1597) is explained as a tool that helped Dowland obtain an absurdly high 500 daler salary from King Christian IV of Denmark in 1600, and his subsequent equally absurd willingness to settle for a £21 salary in 1612 to become King James I’s Lutenist. And the seemingly innocuous publication of “Michael Cavendish’s” 14 Airs in Tablature to the Lute (1598) is reinterpreted, with previously neglected evidence, as actually a book that was more likely to have been published in 1609, as part of the propaganda campaign supporting Lady Arabella Stuart’s succession to the British throne; the attempt failed and led to Arabella’s death during a hunger-strike in the Tower, and to the closeting of Airs. “William Shakespeare’s” The Passionate Pilgrim (1599) has been dismissed by scholars as only containing a few firmly “Shakespearean” poems, in part because nearly all of its 20 poems had appeared under other bylines. Passionate’s poems 16, 17, 19 and 20 are included, with an explanation of the divergent—“Ignoto”, “Shakespeare” and “Marlowe”—bylines they were instead assigned to in England’s Helicon (1600). Scholars have previously been at a loss as to identity of the “John Bennet” of the Madrigals (1599), and this mystery is solved with the explanation that this byline is referring to Sir John Bennet (1553-1627) whose £20,000 bail, was in part sponsored with a £1,200 donation from Sir William Byrd. “John Farmer’s” First Set of English Madrigals (1599) is reinterpreted as a byline that appears to have helped Farmer continue collecting on his Organist salary physically appearing for work, between a notice of absenteeism in 1597 and 1608, when the next Organist was hired. “Thomas Weelkes’” Madrigals (1600) is reframed as part of a fraud that managed to advance Weelkes from a menial laborer £2 salary at Winchester to a £15 Organist salary at Chichester. He was hired at Chichester after somehow finding around £30 to attain an Oxford BA in Music in 1602, in a suspicious parallel with the Dean William Thorne of Chichester’s degree-completion from the same school; this climb was followed by one of the most notorious Organist tenures, as Weelkes was repeatedly cited for being an absentee drunkard, and yet Dean Thorne never fired him. “Richard Carlton’s” Madrigals (1601) also appears to be an inoffensive book, before the unnoticed by scholars “Mus 1291/A” is explained as torn-out prefacing pages that had initially puffed two schemers that were involved in the conspiracy of Biron in 1602. The British Library describes Hand D in “Addition IIc” of Sir Thomas More as “Shakespeare’s only surviving literary manuscript”; this section explains Byrd’s authorship of verse fragments, such as “Addition III”, and Percy’s authorship of the overall majority of this censored play; the various handwritings and linguistic styles in the More manuscript are fully explained. “Michael Drayton’s” Idea (1603-1619) series has been explained as depicting an autobiographical life-long obsession with the unnamed-in-the-text “Anne Goodere”, despite “Drayton’s” apparent split-interest also in a woman called Matilda (1594) and in male lovers in some sprinkled male-pronoun sonnets. “Michael East’s” Second Set of Madrigals (1606) is one of a few music books that credit “Sir Christopher Hatton” as a semi-author due to their authorship at his Ely estate; the many implications of these references are explored. “Thomas Ford’s” Music of Sundry Kinds (1607) serves as a gateway to discuss a group of interrelated Jewish Court musicians, included Joseph Lupo (a potential, though impossible to test, ghostwriter behind the Byrd-group), and open cases of identity-fraud, such as Ford being paid not only his own salary but also £40 for the deceased “John Ballard”. “William Shakespeare’s” Sonnets (1609) are discussed as one of Byrd’s mathematical experiments, which blatantly do not adhering to a single “English sonnet” formula, as they include deviations such as poems with 15 lines, six couplets, and a double-rhyme-schemes. The poems that have been erroneously assigned to “Robert Devereux” are explained as propaganda to puff his activities as a courtier, when he was actually England’s top profiteer from selling over £70,000 in patronage, knighthoods and various other paper-honors. “Orlando Gibbons’” or “Sir Christopher Hatton’s” First Set of Madrigals and Motets (1612) describes the lawsuit over William Byrd taking over a Cambridge band-leading role previously held by William Gibbons, who in retaliated by beating up Byrd and breaking his instrument. This dispute contributed to Byrd and Harvey’s departure from Cambridge. Byrd’s peaceful life in academia appears to be the period that Byrd was thinking back to in 1612, as he was reflecting on his approaching death in the elegantly tragic “Gibbons’” First songs. Acronyms and Figures Introduction Handwriting Analysis: Byrd-Group “Alexander Barclay’s” Translation of Pope Pius II’s Eclogues (1530?) “John Skelton’s” Pithy, Pleasant and Profitable Works (1568) “Sir Walter Raleigh’s” Poems Between 1576 and 1604 “Edmund Spenser’s” Shepherds’ Calendar (1579) “Thomas Watson’s” Hekatompathia or Passionate Century of Love (1582) William Byrd’s Psalms, Sonnets, and Songs of Sadness and Piety (1588) “Sir Edward Dyer’s” Poems Between 1588 and 1620 “Robert Greene’s” Poems in Menaphon (1589) and Dorastus and Fawnia (1588/1696) “Philip Sidney’s” Astrophil and Stella (1591) “Thomas Lodge’s” Phillis (1593) “Giles Fletcher’s” Licia (1593) “Henry Willobie’s” Avisa (1594) “John Monday’s” Songs and Psalms (1594) “Thomas Morley’s” Ballets (1595) “John Dowland’s” First Book of Songs or Airs (1597) “Michael Cavendish’s” 14 Airs in Tablature to the Lute (1598) “William Shakespeare’s” The Passionate Pilgrim (1599) “John Bennet’s” Madrigals (1599) “John Farmer’s” First Set of English Madrigals (1599) “Thomas Weelkes’” Madrigals (1600) “Richard Carlton’s” Madrigals (1601) “Anthony Monday”, “Henry Chettle” and “William Shakespeare’s” Sir Thomas More, “Addition III” (Censored: 1592-1603) “Michael Drayton’s” Idea (1603-1619) “Michael East’s” Second Set of Madrigals (1606) “Thomas Ford’s” Music of Sundry Kinds (1607) “William Shakespeare’s” Sonnets (1609) “Robert Devereux’s” Poems (1610) “Orlando Gibbons” or “Sir Christopher Hatton’s” First Set of Madrigals and Motets (1612) Terms, References, Questions, Exercises
Book Synopsis A Life of William Shakespeare by : Sir Sidney Lee
Download or read book A Life of William Shakespeare written by Sir Sidney Lee and published by . This book was released on 1899 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: