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A Short History of Cahiers du Cinema

Author : Emilie Bickerton
Publisher : Verso Books
ISBN 13 : 1844678318
Total Pages : 177 pages
Book Rating : 4.8/5 (446 download)

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Book Synopsis A Short History of Cahiers du Cinema by : Emilie Bickerton

Download or read book A Short History of Cahiers du Cinema written by Emilie Bickerton and published by Verso Books. This book was released on 2014-04-15 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the ‘seventh art,’ equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague. In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.

French Film Theory and Criticism: 1907-1929

Author : Richard Abel
Publisher : Princeton University Press
ISBN 13 : 9780691000626
Total Pages : 488 pages
Book Rating : 4.0/5 (6 download)

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Book Synopsis French Film Theory and Criticism: 1907-1929 by : Richard Abel

Download or read book French Film Theory and Criticism: 1907-1929 written by Richard Abel and published by Princeton University Press. This book was released on 1993-09-12 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

French Film Theory and Criticism, Volume 1

Author : Richard Abel
Publisher : Princeton University Press
ISBN 13 : 1400835488
Total Pages : 480 pages
Book Rating : 4.4/5 (8 download)

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Book Synopsis French Film Theory and Criticism, Volume 1 by : Richard Abel

Download or read book French Film Theory and Criticism, Volume 1 written by Richard Abel and published by Princeton University Press. This book was released on 2020-12-08 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

Film – An International Bibliography

Author : Malte Hagener
Publisher : Springer
ISBN 13 : 3476036863
Total Pages : 489 pages
Book Rating : 4.4/5 (76 download)

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Book Synopsis Film – An International Bibliography by : Malte Hagener

Download or read book Film – An International Bibliography written by Malte Hagener and published by Springer. This book was released on 2016-12-16 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.

Quebec Cinema in the 21st Century

Author : Michael Gott
Publisher : Liverpool University Press
ISBN 13 : 1802075151
Total Pages : 336 pages
Book Rating : 4.8/5 (2 download)

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Book Synopsis Quebec Cinema in the 21st Century by : Michael Gott

Download or read book Quebec Cinema in the 21st Century written by Michael Gott and published by Liverpool University Press. This book was released on 2024-02-06 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of ten chapters and three original interviews with Québécois filmmakers focuses on the past two decades of Quebec cinema and takes an in-depth look at a (primarily) Montreal-based filmmaking industry whose increasingly diverse productions continue to resist the hegemony of Hollywood and to exist as a visible and successful hub of French-language – and ever more multilingual – cinema in North America. This volume picks up where Bill Marshall’s 2001 Quebec National Cinema ends to investigate the inherently global nature of Quebec’s film industry and cinematic output since the beginning of the new millennium. Through their analyses of contemporary films (Une colonie, Avant les rues, Bon cop, bad cop, Les Affamés, Tom à la ferme, Uvanga, among others), directors (including Xavier Dolan, Denis Côté, Sophie Desrape, Chloé Robichaud, Jean-Marc Vallée, and Monia Chokri) and genres (such as the buddy comedy and the zombie film), our authors examine the growing tension between Quebec cinema as a “national cinema” and as an art form that reflects the transnationalism of today’s world, a new form of fluidity of individual experiences, and an increasing on-screen presence of Indigenous subjects, both within and outside the borders of the province. The book concludes with specially conducted interviews with filmmakers Denis Chouinard, Bachir Bensadekk, and Marie-Hélène Cousineau, who provide their views and insights on contemporary Quebec filmmaking.

French Cinema—A Critical Filmography

Author : Colin Crisp
Publisher : Indiana University Press
ISBN 13 : 0253017025
Total Pages : 362 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis French Cinema—A Critical Filmography by : Colin Crisp

Download or read book French Cinema—A Critical Filmography written by Colin Crisp and published by Indiana University Press. This book was released on 2015-08-10 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: This invaluable resource by one of the world's leading experts in French cinema presents a coherent overview of French cinema in the 20th century and its place and function in French society. Each filmography includes 101 films listed chronologically (Volume 1: 1929–1939 and Volume 2: 1940–1958) and provides accessible points of entry into the remarkable world of 20th-century French cinema. All entries contain a list of cast members and characters, production details, an overview of the film's cultural and historical significance, and a critical summary of the film's plot and narrative structure. Each volume includes an appendix listing rewards earned and an extensive reference list for further reading and research. A third volume, covering the period 1958–1974, is forthcoming.

The French Cinema Book

Author : Michael Temple
Publisher : Bloomsbury Publishing
ISBN 13 : 1838718869
Total Pages : 743 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis The French Cinema Book by : Michael Temple

Download or read book The French Cinema Book written by Michael Temple and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 743 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thoroughly revised and expanded edition of a key textbook offers an innovative and accessible account of the richness and diversity of French film history and culture from the 1890s to the present day. The contributors, who include leading historians and film scholars, provide an indispensable introduction to key topics and debates in French film history. Each chronological section addresses seven key themes – people, business, technology, forms, representations, spectators and debates, providing an essential overview of the cinema industry, the people who worked in it, including technicians and actors as well as directors, and the culture of cinema going in France from the beginnings of cinema to the contemporary period.

Film and Attraction

Author : André Gaudreault
Publisher : University of Illinois Press
ISBN 13 : 0252078055
Total Pages : 226 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Film and Attraction by : André Gaudreault

Download or read book Film and Attraction written by André Gaudreault and published by University of Illinois Press. This book was released on 2011 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: An important reexamination of early film history, translated from the French for the first time.

Silent Cinema

Author : Paolo Cherchi Usai
Publisher : Bloomsbury Publishing
ISBN 13 : 1911239139
Total Pages : 465 pages
Book Rating : 4.9/5 (112 download)

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Book Synopsis Silent Cinema by : Paolo Cherchi Usai

Download or read book Silent Cinema written by Paolo Cherchi Usai and published by Bloomsbury Publishing. This book was released on 2019-04-04 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paolo Cherchi Usai provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing. He traces the history of the moving image in its formative years, from Edison's and Lumière's first experiments to the dawn of 'talkies'; provides a clear guide to the basics of silent film technology; introduces the technical and creative roles involved in its production, and presents silent cinema as a performance event, rather than a passive viewing experience. This new, greatly expanded edition takes the reader on a new journey, exploring silent cinema in the broader context of technology, culture, and society, from the invention of celluloid film and its related machinery to film studios, laboratories, theatres and audiences. Among the people involved in the creation of a new art form were filmmakers, actors and writers, but also engineers, entrepreneurs, and projectionists. Their collective efforts, and the struggle to preserve their creative work by archives and museums, are interwoven in a compelling story covering three centuries of media history, from the magic lantern to the reinvention of silent cinema in digital form. The new edition also includes comprehensive resource information for the study, research, preservation and exhibition of silent cinema.

Encyclopedia of Early Cinema

Author : Richard Abel
Publisher : Taylor & Francis
ISBN 13 : 0415234409
Total Pages : 824 pages
Book Rating : 4.4/5 (152 download)

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Book Synopsis Encyclopedia of Early Cinema by : Richard Abel

Download or read book Encyclopedia of Early Cinema written by Richard Abel and published by Taylor & Francis. This book was released on 2005 with total page 824 pages. Available in PDF, EPUB and Kindle. Book excerpt: One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.

Moralizing Cinema

Author : Daniel Biltereyst
Publisher : Routledge
ISBN 13 : 1134668317
Total Pages : 313 pages
Book Rating : 4.1/5 (346 download)

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Book Synopsis Moralizing Cinema by : Daniel Biltereyst

Download or read book Moralizing Cinema written by Daniel Biltereyst and published by Routledge. This book was released on 2014-11-20 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is part of the recent interest in the study of religion and popular media culture (cinema in particular), but it strongly differs from most of this work in this maturing discipline. Contrary to most other edited volumes and monographs on film and religion, Moralizing Cinema will not focus upon films (cf. the representation of biblical figures, religious themes in films, the fidelity question in movies), but rather look beyond the film text, content or aesthetics, by concentrating on the cinema-related actions, strategies and policies developed by the Catholic Church and Catholic organizations in order to influence cinema. Whereas the key role of Catholics in cinema has been well studied in the USA (cf. literature on the Legion of Decency and on the Catholic influenced Production Code Administration), the issue remains unexplored for other parts of the world. The book includes case studies on Argentina, Belgium, France, Ireland, Italy, Luxemburg, the Netherlands, and the USA.

The Parisian Avant-Garde in the Age of Cinema, 1900-1923

Author : Jennifer Wild
Publisher : Univ of California Press
ISBN 13 : 0520340809
Total Pages : 360 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis The Parisian Avant-Garde in the Age of Cinema, 1900-1923 by : Jennifer Wild

Download or read book The Parisian Avant-Garde in the Age of Cinema, 1900-1923 written by Jennifer Wild and published by Univ of California Press. This book was released on 2023-04-28 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, behind, and beyond the screen, Wild shows how canonical works of modern art may be understood as responding to the changing characteristics of daily life after the cinema. Drawing from a vast popular cultural, cinematic, and art-historical archive, Wild challenges how we have told the story of modern artists’ earliest encounter with cinema and urges us to reconsider how early projection, film stardom, and film distribution transformed their understanding of modern life, representation, and the act of beholding. By highlighting the cultural, ideological, and artistic forms of interpellation and resistance that shape the phenomenology of a wartime era, The Parisian Avant-Garde in the Age of Cinema, 1900–1923 provides an interdisciplinary history of radical form. This book also offers a new historiography that redefines how we understand early cinema and avant-garde art before artists turned to making films themselves.

André Bazin's Film Theory

Author : Angela Dalle Vacche
Publisher :
ISBN 13 : 0190067292
Total Pages : 241 pages
Book Rating : 4.1/5 (9 download)

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Book Synopsis André Bazin's Film Theory by : Angela Dalle Vacche

Download or read book André Bazin's Film Theory written by Angela Dalle Vacche and published by . This book was released on 2020 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through metaphors and allusions to art, science, and religion, Andre Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is amind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously - the audience sees the same film, but eachindividual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture.By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that Andre Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the worldonto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinemaexplores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid aquantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.

Hollywood's Film Wars with France

Author : Jens Ulff-Møller
Publisher : University Rochester Press
ISBN 13 : 9781580460866
Total Pages : 244 pages
Book Rating : 4.4/5 (68 download)

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Book Synopsis Hollywood's Film Wars with France by : Jens Ulff-Møller

Download or read book Hollywood's Film Wars with France written by Jens Ulff-Møller and published by University Rochester Press. This book was released on 2001 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European market with hundreds of films at very low prices."--BOOK JACKET.

Rural Cinema Exhibition and Audiences in a Global Context

Author : Daniela Treveri Gennari
Publisher : Springer
ISBN 13 : 3319663445
Total Pages : 370 pages
Book Rating : 4.3/5 (196 download)

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Book Synopsis Rural Cinema Exhibition and Audiences in a Global Context by : Daniela Treveri Gennari

Download or read book Rural Cinema Exhibition and Audiences in a Global Context written by Daniela Treveri Gennari and published by Springer. This book was released on 2018-10-19 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although it has only been in the last decade that the planet’s population balance tipped from a predominantly rural makeup towards an urban one, the field of cinema history has demonstrated a disproportionate skew toward the urban. Within audience studies, however, an increasing number of scholars are turning their attention away from the bright lights of the urban, and towards the less well-lit and infinitely more variegated history of rural cinema-going. Rural Cinema Exhibition and Audiences in A Global Context is the first volume to consider rural cinema-going from a global perspective. It aims to provide a rich and wide-ranging introduction to this growing field, and to further develop some of its key questions. It brings together eighteen international scholars or teams, all representatives of a dynamic, new field. Moving beyond a Western focus is essential for thinking through questions of rural exhibition, distribution and cinema experience, since over the relatively short history of cinema it is the rural that has dominated cinema-goers’ lives in much of the developing world. To this end, the volume also innovates by bringing discussions of North American and European ruralities into dialogue with contributions on Kenya, Brazil, China, Thailand, South Africa and Australia.

Music and the Silent Film

Author : Martin Miller Marks
Publisher : Oxford University Press
ISBN 13 : 0195361636
Total Pages : 320 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Music and the Silent Film by : Martin Miller Marks

Download or read book Music and the Silent Film written by Martin Miller Marks and published by Oxford University Press. This book was released on 1997-02-13 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, a leading authority on film music examines scores of the silent film era. The first of three projected volumes investigating music written for films, this thoughtful and pathbreaking study demonstrates the richness of silent film music as it details the way in which scores were often planned from the start as an integral part of the whole cinematic experience. Following an introductory chapter that outlines several key theoretical questions and surveys eight decades of writing on film music, Martin Miller Marks focuses on those scores created between 1895 and 1924. He begins by considering two early examples, one German (written by persons unknown for Skladanowsky's Bioskop exhibitions in 1895 and 1896) and one French (scored by Camille Saint-Saëns for the 1908 film L'Assassinat du Duc de Guise). Subsequent chapters fully discuss Walter Cleveland Simon's music for the American film An Arabian Tragedy (1912) as well as the Joseph Breil accompaniment to D. W. Griffith's Birth of a Nation (1915). As described in this book, Breil's memorable score--though a compilation derived from many sources--was played by an orchestra as Griffith's sweeping images filled the screen, thus contributing significantly to the great film's success while also achieving remarkable power in its own right. Marks then concludes with a look at Erik Satie's witty and innovative music for the French film Entr'acte (1924), which was the first film score of consequence by an avant-garde composer. Giving unprecedented attention to a vibrant, important, and oft-neglected facet of twentieth-century music, Music and the Silent Film will interest scholars of film theory, film history, modern music, and modern aesthetics.

Visualizing Film History

Author : Christian Gosvig Olesen
Publisher : Indiana University Press
ISBN 13 : 0253071852
Total Pages : 257 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Visualizing Film History by : Christian Gosvig Olesen

Download or read book Visualizing Film History written by Christian Gosvig Olesen and published by Indiana University Press. This book was released on 2025-01-07 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though many archival digital objects were not "born digital," film archives are now becoming important resources for digital scholarship as a consequence of digitization. Moreover, with advancements in digital research methods involving video annotation, visual analysis, and GIS affecting the way we look at archival films' material, stylistic histories and circulation, new research practices are more important than ever. Visualizing Film History is an accessible introduction to archive-based digital scholarship in film and media studies and beyond. With a combined focus on the history of film historiography, archiving, and recent digital scholarship—covering a period from the "first wave" of film archiving in the early 1900s to recent data art—this book proposes ways to work critically with digitized archives and research methods. Christian Olesen encourages a shift towards new critical practices in the field with an in-depth assessment of and critical approach to doing film historiography with the latest digital tools and digitized archives. Olesen argues that if students, scholars and archivists are to fully realize the potential of emerging digital tools and methodologies, they must critically consider the roles that data analysis, visualization, interfaces and procedural human-machinery interactions play in producing knowledge in current film historical research. If we fail to do so, we risk losing our ability to critically navigate and renew contemporary research practices and evaluate the results of digital scholarship.