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Drama In Early Tudor Britain 1485 1558
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Book Synopsis Drama in Early Tudor Britain, 1485-1558 by : Howard B. Norland
Download or read book Drama in Early Tudor Britain, 1485-1558 written by Howard B. Norland and published by U of Nebraska Press. This book was released on 1995-01-01 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: A time of great changes after nearly a century of foreign wars and civil strife, the Tudor era witnessed a significant transformation of dramatic art. Medieval traditions were modified by the forces of humanism and the Reformation, and a renewed interest in classical models inspired experimentation. Howard B. Norland examines Tudor plays performed between 1485 and 1558, a time when drama reached beyond local, popular, and religious contexts to treat more varied and more secular concerns, culminating in the emergence of comedy and tragedy as major genres. The theater also imported dramas from the Continent, adapting them to English tastes. After establishing the popular dramatic traditions of fifteenth-century Britain, Norland discusses the critical interpretation of the Latin plays of Terence studied in the schools and the views of influential authors such as Erasmus, Vives, and More about what drama should be and do. The heart of the book is its in-depth analyses of individual plays. Norland examines the secularization of the morality play in Skelton's Magnificence, Bale's King John, Respublica, and Redford's Wit and Science and he traces the changes in comic form from Medwall's Fulgens and Lucres through Calisto and Melebea and Johan Johan to Udall's Roister Doister and Gammer Gurton's Needle. The final section examines the first tragedies written in England: Watson's Absolom, Christopherson's Jephthah, and Grimald's Archipropheta. Howard B. Norland is a professor of English at the University of Nebraska-Lincoln. His articles have appeared in Genre, Sixteenth Century Journal, Fifteenth Century Studies, Comparative Drama, and Journal of Medieval and Renaissance Studies.
Book Synopsis Drama in Early Tudor Britain by : Howard B. Norland
Download or read book Drama in Early Tudor Britain written by Howard B. Norland and published by . This book was released on 1995 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Oxford Anthology of Tudor Drama by : Greg Walker
Download or read book The Oxford Anthology of Tudor Drama written by Greg Walker and published by . This book was released on 2014 with total page 733 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive anthology of English drama in the long Tudor century, The Oxford Anthology of Tudor Drama contains sixteen of the most important plays from the long Tudor century (1485-1603) newly edited in accessible modern spelling.
Book Synopsis Neo-Latin Drama in Early Modern Europe by : Jan Bloemendal
Download or read book Neo-Latin Drama in Early Modern Europe written by Jan Bloemendal and published by BRILL. This book was released on 2013-09-19 with total page 808 pages. Available in PDF, EPUB and Kindle. Book excerpt: From ca. 1300 a new genre developed in European literature, Neo-Latin drama. Building on medieval drama, vernacular theatre and classical drama, it spread around Europe. It was often used as a means to educate young boys in Latin, in acting and in moral issues. Comedies, tragedies and mixed forms were written. The Societas Jesu employed Latin drama in their education and public relations on a large scale. They had borrowed the concept of this drama from the humanist and Protestant gymnasia, and perfected it to a multi media show. However, the genre does not receive the attention that it deserves. In this volume, a historical overview of this genre is given, as well as analyses of separate plays. Contributors include: Jan Bloemendal, Jean-Frédéric Chevalier, Cora Dietl, Mathieu Ferrand, Howard Norland, Joaquín Pascual Barea, Fidel Rädle, and Raija Sarasti Willenius.
Book Synopsis Theatre and Humanism by : Kent Cartwright
Download or read book Theatre and Humanism written by Kent Cartwright and published by Cambridge University Press. This book was released on 1999-09-09 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century.
Book Synopsis The Politics of Performance in Early Renaissance Drama by : Greg Walker
Download or read book The Politics of Performance in Early Renaissance Drama written by Greg Walker and published by Cambridge University Press. This book was released on 1998-09-10 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyses the role of drama in English and Scottish court politics during the sixteenth century.
Book Synopsis Translating Ancient Greek Drama in Early Modern Europe by : Malika Bastin-Hammou
Download or read book Translating Ancient Greek Drama in Early Modern Europe written by Malika Bastin-Hammou and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-05-22 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volume brings together contributions on 15th and 16th century translation throughout Europe (in particular Italy, France, Spain, Portugal, Germany, and England). Whilst studies of the reception of ancient Greek drama in this period have generally focused on one national tradition, this book widens the geographical and linguistic scope so as to approach it as a European phenomenon. Latin translations are particularly emblematic of this broader scope: translators from all over Europe latinised Greek drama and, as they did so, developed networks of translators and practices of translation that could transcend national borders. The chapters collected here demonstrate that translation theory and practice did not develop in national isolation, but were part of a larger European phenomenon, nourished by common references to Biblical and Greco-Roman antiquities, and honed by common religious and scholarly controversies. In addition to situating these texts in the wider context of the reception of Greek drama in the early modern period, this volume opens avenues for theoretical debate about translation practices and discourses on translation, and on how they map on to twenty-first-century terminology.
Book Synopsis Empire and Nation in Early English Renaissance Literature by : Stewart James Mottram
Download or read book Empire and Nation in Early English Renaissance Literature written by Stewart James Mottram and published by Boydell & Brewer Ltd. This book was released on 2008 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sensitive readings of Renaissance texts offer new insights into the perception of imperialism in the sixteenth century.
Book Synopsis Readings in Renaissance Women's Drama by : S. P. Cerasano
Download or read book Readings in Renaissance Women's Drama written by S. P. Cerasano and published by Routledge. This book was released on 2002-01-31 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of today's important feminist critics * a preface and introduction explaining this selection and contexts of the materials * a bibliography of secondary sources Playwrights covered include Joanna Lumley, Elizabeth Cary, Mary Sidney, Mary Wroth and the Cavendish sisters.
Book Synopsis Girl Culture in the Middle Ages and Renaissance by : Deanne Williams
Download or read book Girl Culture in the Middle Ages and Renaissance written by Deanne Williams and published by Bloomsbury Publishing. This book was released on 2023-06-01 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deanne Williams offers the very first study of the medieval and early modern girl actor. Whereas previous histories of the actress begin with the Restoration, this book demonstrates that the girl is actually a well-documented category of performer and a key participant in the drama of the Middle Ages and Renaissance. It explores evidence of the girl actor in archival records of payment, eyewitness accounts, stage directions, paintings, and in the plays and masques that were explicitly composed for girls, and, in some cases, by them. Contradicting previous scholarly assumptions about the early modern stage as male-dominated, this evidence reveals girls' participation in medieval religious drama, Tudor civic pageants and royal entries, Elizabethan country house entertainments, and Stuart court and household masques. This book situates its historical study of the girl actor within the wider contexts of 'girl culture', including girls as singers, translators and authors. By examining the impact of the girl actor on constructions of girlhood in the work of Shakespeare – whose girl characters register and evoke the power of the performing girl – Girl Culture in the Middle Ages and Renaissance argues that girls' dramatic, musical and literary performances actively shaped medieval and early modern culture. It shows how the active presence and participation of girls shaped medieval and Renaissance culture, and it reveals how some of its best-known literary and dramatic texts address, represent, and reflect upon girl children, not as an imagined ideal, but as a lived reality.
Book Synopsis Beyond Spain's Borders by : Anne J. Cruz
Download or read book Beyond Spain's Borders written by Anne J. Cruz and published by Taylor & Francis. This book was released on 2016-11-03 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: 10 Isabel Farnese and the Sexual Politics of the Spanish Court Theater -- Index
Book Synopsis The Taming of the Shrew by : William Shakespeare
Download or read book The Taming of the Shrew written by William Shakespeare and published by Yale University Press. This book was released on 2005-01-01 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: In one of Shakespeare's bawdier comedies, contemporary audiences still take great pleasure in the rapid-fire verbal battles between the shrewish Katharina and the canny Petruchio, determined to subdue Katharina's legendary temper and win her dowry.
Book Synopsis European Theatre Performance Practice, 1400-1580 by : Philip Butterworth
Download or read book European Theatre Performance Practice, 1400-1580 written by Philip Butterworth and published by Routledge. This book was released on 2017-03-02 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together important records of medieval theatre practice between 1400 and 1580. The records are drawn from a wide range of spheres including civic, ecclesiastical, trade and guild records and consist of payments for materials, techniques and services; also included are some eye witness accounts. Alongside these records is a selection of the best contemporary research conducted into medieval performance practice, which features ground-breaking analysis and challenges current understanding, knowledge and authority in this field. These contributions of rigorous scholarship complement and support the work of the well-known Records of Early English Drama project and help to further illuminate contemporary fifteenth and early sixteenth-century theatre performance practice.
Book Synopsis The Late Medieval Interlude by : Fiona S. Dunlop
Download or read book The Late Medieval Interlude written by Fiona S. Dunlop and published by Boydell & Brewer. This book was released on 2007 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sensitive study of the 15/16 century interlude, focussing on one of its major concerns, the depiction of male aristocracy and the development to maturity. The commercial theatre of the late sixteenth century is often credited with introducing its audiences to new modes of thought about the self, society and the nation, making them conscious that the self is performed, as an actor performs a role. Yet the earlier interlude drama, originally performed in households and other institutions of the late fifteenth and sixteenth centuries, indicates that the late medieval period was fully aware of the theatricalityof identity. This book argues that ideas of performance inform the concepts of aristocratic masculinity developed in the plays Nature, Fulgens and Lucres, The Worlde and the Chylde, The Interlude of Youth and Calisto and Melebea. It examines how the depiction of young male aristocrats in these texts is shaped by ideas of male youth constituted in the middle ages, and shows them as failing or succeeding to perform anadult noble masculinity in the aristocratic body and in aristocratic household. The book also suggests ways in which the plays offer discreet praise and censure of the manner in which their noble patrons performed as aristocrats.Throughout, it brings out the subtle qualities of the interludes, which, the author shows, have been unjustly neglected. Dr FIONA S. DUNLOP is Research Associate of the Centre for Medieval Studies, University of York
Book Synopsis The Reinvention of Theatre in Sixteenth-century Europe by : T.F. Earle
Download or read book The Reinvention of Theatre in Sixteenth-century Europe written by T.F. Earle and published by Routledge. This book was released on 2017-07-05 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: The sixteenth century was an exciting period in the history of European theatre. In the Iberian Peninsula, Italy, France, Germany and England, writers and actors experimented with new dramatic techniques and found new publics. They prepared the way for the better-known dramatists of the next century but produced much work which is valuable in its own right, in Latin and in their own vernaculars. The popular theatre of the Middle Ages gave endless material for reinvention by playwrights, and the legacy of the ancient world became a spur to creativity, in tragedy and comedy. As soon as readers and audiences had taken in the new plays, they were changed again, taking new forms as the first experiments were themselves modified and reinvented. Writers constantly adapted the texts of plays to meet new requirements. These and other issues are explored by a group of international experts from a comparative perspective, giving particular emphasis to one of the great European comic dramatists, the Portuguese Gil Vicente. Tom Earle is King John II Professor of Portuguese at Oxford. Catarina Fouto is a Lecturer in Portuguese at King's College London.
Book Synopsis English Drama Before Shakespeare by : Peter Happe
Download or read book English Drama Before Shakespeare written by Peter Happe and published by Routledge. This book was released on 2018-10-08 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.
Book Synopsis Tyranny and Usurpation by : Doyeeta Majumder
Download or read book Tyranny and Usurpation written by Doyeeta Majumder and published by Oxford University Press. This book was released on 2019 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the middle years of the 16th century, English drama witnessed the emergence of the 'tyrant by entrie' or the usurper, who supplanted earlier 'tyrant by the administration' as the main antihero of political drama. This usurper or, in Machiavellian terms principe nuove, was the prince without dynastic claims who creates his sovereignty by dint of his own 'virtue' and through an act of 'lawmaking' violence. Early Tudor morality plays were exclusively concerned with the legitimate monarch who becomes a tyrant; in the political drama of the first half of the 16th century, we do not encounter a single instance of usurpation among the texts that are still available to us. Devoted exclusively to the study of usurpation and tyranny in 16th-century drama and politics, this book will challenge existing disciplinary boundaries in order to engage with these critical questions.
