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Discrepant Abstraction
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Book Synopsis Discrepant Abstraction by : Kobena Mercer
Download or read book Discrepant Abstraction written by Kobena Mercer and published by Turner A&r Press. This book was released on 2006 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring cross-cultural scenarios in 20th-century art, this book introduces fresh perspectives on abstraction as a visual signifier of modernity by revealing the multiple directions that abstract art has taken in different international contexts. This groundbreaking collection shows how the heterogeneous qualities of abstraction have been cross-fertilised, from abstract expressionism onwards, by the creative discrepancies that arise when different cultural identities come face to face in the artistic imagination. Discrepant Abstraction is the second volume in the Annotating Art's Histories series. Contributors: Stanley Abe; David Clarke; Mark Cheetham; David Craven; Wilson Harris; Iftikhar Dadi; Kellie Jones; Nathaniel Mackey; Kobena Mercer and Angeline Morrison. Supported by the Getty Foundation.
Book Synopsis It's Abstraction, Concretely by : John McGreal
Download or read book It's Abstraction, Concretely written by John McGreal and published by Troubador Publishing Ltd. This book was released on 2017-02-21 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: John McGreal's three new books – It’s Abstraction, Concretely, It’s Figuration, Groundly and It’s Representation, Really – continue the ‘It’ Series published by Matador since 2010. They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. Emerging out of the first books on the Bibliograph published in 2016, initiated with It’s Nothing, Seriously, these new texts retain some of the same structural features. The Bibliographs contain the same focus on repetition and variation in meaning of their dominant motifs of representation, abstraction and figuration which have framed philosophical discourse on epistemology and ontology in aesthetics; their chance placement in each Bibliograph interspersed with one another displaying and enhancing similarities and differences. At the same time these works constitute a development in the aesthetic form of the Bibliograph. In earlier works on Nothing, Absence and Silence, it was just a question of finding and transferring given textual references from their source to construct their Bibliographs, with the focus being on the strategic position of the latter within each book. In these new works, the concern has been with working on the line and shape of the references themselves, with their enhanced spacial form as well as that of each Bibliograph as a whole. In shaping and spacing the referential images, the place of words and letters became as important as their semantic & syntactical role. Expansion and contraction of whole words was used to enhance this process. Under such detailed attention their breakdown into particles of language, into part-words and single letters was a result. The recombination of elements produced new words in a process of restrangement with new sequences of letters having visual rather than semantic value. The play on prefixes of dominant motifs yielded new words as did tmesis. This concern with the form of referential images does not preclude an equal commitment to their content. The aleatory character of textual entries in each Bibliograph encourage the reader to let his or her mind go; to read in a new way on diverse contemporary issues across conventional boundaries in the arts and sciences at several levels of physical, psychical and social reproduction.
Book Synopsis A Contested Art by : Stephanie Lewthwaite
Download or read book A Contested Art written by Stephanie Lewthwaite and published by University of Oklahoma Press. This book was released on 2015-10-01 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University
Book Synopsis Abstract Video by : Gabrielle Jennings
Download or read book Abstract Video written by Gabrielle Jennings and published by Univ of California Press. This book was released on 2015-09-15 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle JenningsÑa video artist herselfÑreveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, Òpictures of nothing,Ó but rather amorphous, ungovernable spaces that encourage contemplation and innovation. In explorations of the work of celebrated artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater, and Jennifer West, alongside emerging artists, this volume presents fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art.
Book Synopsis Troubling Abstraction by : Robert Houle
Download or read book Troubling Abstraction written by Robert Houle and published by . This book was released on 2007 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis New Histories of Art in the Global Postwar Era by : Flavia Frigeri
Download or read book New Histories of Art in the Global Postwar Era written by Flavia Frigeri and published by Taylor & Francis. This book was released on 2021-03-24 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book maps key moments in the history of postwar art from a global perspective. The reader is introduced to a new globally oriented approach to art, artists, museums and movements of the postwar era (1945–70). Specifically, this book bridges the gap between historical artistic centers, such as Paris and New York, and peripheral loci. Through case studies, previously unknown networks, circulations, divides and controversies are brought to light. From the development of Ethiopian modernism, to the showcase of Brazilian modernity, this book provides readers with a new set of coordinates and a reassessment of well-trodden art historical narratives around modernism. This book will be of interest to scholars in art historiography, art history, exhibition and curatorial studies, modern art and globalization.
Download or read book London Art Worlds written by Jo Applin and published by Penn State Press. This book was released on 2017-10-23 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this collection explore the extraordinarily rich networks of international artists and art practices that emerged in and around London during the 1960s and ’70s, a period that saw an explosion of new media and fresh attitudes and approaches to making and thinking about art. The contributors to London Art Worlds examine the many activities and movements that existed alongside more established institutions in this period, from the rise of cybernetics and the founding of alternative publications to the public protests and new pedagogical models in London’s art schools. The essays explore how international artists and the rise of alternative venues, publications, and exhibitions, along with a growing mobilization of artists around political and cultural issues ranging from feminism to democracy, pushed the boundaries of the London art scene beyond the West End’s familiar galleries and posed a radical challenge to established modes of making and understanding art. Engaging, wide-ranging, and original, London Art Worlds provides a necessary perspective on the visual culture of the London art scene in the 1960s and ’70s. Art historians and scholars of the era will find these essays especially valuable and thought provoking. In addition to the editors, contributors to this volume are Elena Crippa, Antony Hudek, Dominic Johnson, Carmen Juliá, Courtney J. Martin, Lucy Reynolds, Joy Sleeman, Isobel Whitelegg, and Andrew Wilson.
Book Synopsis Beautiful Agitation by : Anneka Lenssen
Download or read book Beautiful Agitation written by Anneka Lenssen and published by University of California Press. This book was released on 2020-09-29 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: In modern Syria, a contested territory at the intersection of differing regimes of political representation, artists ventured to develop strikingly new kinds of painting to link their images to life forces and agitated energies. Examining the works of artists Kahlil Gibran, Adham Ismail, and Fateh al-Moudarres, Beautiful Agitation explores how painters in Syria activated the mutability of form to rethink relationships of figure to ground, outward appearance to inner presence, and self to world. Drawing on archival materials in Syria and beyond, Anneka Lenssen reveals new trajectories of painterly practice in a twentieth century defined by shifting media technologies, moving populations, and the imposition of violently enforced nation-state borders. The result is a study of Arab modernism that foregrounds rather than occludes efforts to agitate against imposed identities and intersubjective relations.
Book Synopsis The Black Art Renaissance by : Joshua I. Cohen
Download or read book The Black Art Renaissance written by Joshua I. Cohen and published by University of California Press. This book was released on 2020-07-21 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Book Synopsis Black Artists in British Art by : Eddie Chambers
Download or read book Black Artists in British Art written by Eddie Chambers and published by Bloomsbury Publishing. This book was released on 2014-07-29 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Book Synopsis The Organic Line by : Irene V. Small
Download or read book The Organic Line written by Irene V. Small and published by Princeton University Press. This book was released on 2024-10-08 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia Clark What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called “the organic line.” For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations. These fragile, oblique, and transversal ties have their own efficacy, and Small’s innovative readings of canonical modernist works such as Kazimir Malevich’s Black Square, John Cage’s 4’33”, and Le Corbusier’s machine-à-habiter, as well as contemporary works by such artists as Adam Pendleton, Ricardo Basbaum, and Mika Rottenberg, reveal the organic line’s remarkable potential as an analytic instrument. Mobilizing a rich repertoire of archival sources and moving across multiple chronologies, geographies, and disciplines, this book invites us to envision modernism not as a stable construct defined by centers and peripheries, inclusions and exclusions, but as a topological field of interactive, destabilizing tensions. More than a history of a little-known artistic device, The Organic Line: Toward a Topology of Modernism is a user’s guide and manifesto for reimagining modern and contemporary art for the present.
Book Synopsis Travel, Art and Collecting in South Asia by : Natasha Eaton
Download or read book Travel, Art and Collecting in South Asia written by Natasha Eaton and published by Routledge. This book was released on 2020-12-14 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Travel, Art and Collecting in South Asia questions what are ideas of vertiginous collecting, art-making and museums as expanded fields, including wonder houses and missionary museums (or museobuses) in Britain and South Asia. If the historiography of British India has privileged photography and the 'Imperial Picturesque', the emphasis here is on the formation of a creole modernity, one that considers the relationship between art and labour, including pearlescence and pearl fishing in Sri Lanka, and the iconoclastic/fetish debates and forms of collecting amongst missionaries. Eaton explores these themes alongside the genealogies and modernities of white(ness) in contemporary curating and amateur female practice, and how the museobus or museum as a unique object has informed the work of contemporary artist group Raqs Media Collective. This book will be of interest to scholars in art history, Asian history, and imperial and colonial history.
Book Synopsis The Migrant's Time by : Saloni Mathur
Download or read book The Migrant's Time written by Saloni Mathur and published by Yale University Press. This book was released on 2011-09-27 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The conditions of alienation and exclusion are inextricably linked to the experience of the migrant. This ground-breaking volume explores both the increasing emergence of the theme of migration as a dominant subject matter in art as well as the ways in which the varied mobilities of a globalized world have radically reshaped art's conditions of production, reception, and display. In a wide-ranging selection of essays, fourteen distinguished scholars in the fields of visual studies, art history, literary studies, global studies, and art criticism explore the universality of conditions of global migration and interdependence, inviting a rethinking of existing perspectives in postcolonial, transnational, and diaspora studies, and laying the foundation for empirical and theoretical directions beyond the terms of these traditional frameworks.
Book Synopsis The Shape of Power by : Karen Lemmey
Download or read book The Shape of Power written by Karen Lemmey and published by Princeton University Press. This book was released on 2024-11-12 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This catalogue accompanies an exhibition of the same name that will open at the Smithsonian American Art Museum in November 2024. Through offerings from ten scholars focusing on a selection of some eighty sculptures made between 1793 and 2023 in a wide range of media, The Shape of Power is a portal into nuanced and complex ideas about the enduring power of sculpture as a potent tool in the making and unmaking of race in the United States"--
Download or read book Sublime Economy written by Jack Amariglio and published by Routledge. This book was released on 2008-11-25 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together economists, literary and art critics, philosophers, sociologists, and others, this book fosters the emergence of a rich set of concerns about the intersections of art, aesthetics, and economics.
Book Synopsis Displaying Time by : Rebecca M. Brown
Download or read book Displaying Time written by Rebecca M. Brown and published by University of Washington Press. This book was released on 2017-05-11 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the fluttering fabric of a tent, to the blurred motion of the potter’s wheel, to the rhythm of a horse puppet’s wooden hooves—these scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reagan to strengthen relations between the two countries at a time of late Cold War tensions and global economic change, when America’s image of India was as a place of desperate poverty and spectacular fantasy. Displaying Time unpacks the intimate, small-scale durations of time at work in the gallery from the transformation of clay into ceramic to the one-on-one, personal encounters between museum visitors and artists. Using extensive archival research and interviews with artists, curators, diplomats, and visitors, Rebecca Brown analyzes a selection of museum shows that were part of the Festival of India to unfurl new exhibitionary modes: the time of transformation, of interruption, of potential and the future, as well as the contemporary and the now.
Book Synopsis No Touching, No Spitting, No Praying by : Saloni Mathur
Download or read book No Touching, No Spitting, No Praying written by Saloni Mathur and published by Routledge. This book was released on 2017-07-05 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a range of essays that offer a new perspective on the dynamic history of the museum as a cultural institution in South Asia. It traces the museum from its origin as a tool of colonialism and adoption as a vehicle of sovereignty in the nationalist period, till its role in the present, as it reflects the fissured identities of the post-colonial period.
