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Critical Perspectives On Roman Baroque Sculpture
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Book Synopsis Critical Perspectives on Roman Baroque Sculpture by : Anthony Colantuono
Download or read book Critical Perspectives on Roman Baroque Sculpture written by Anthony Colantuono and published by Penn State University Press. This book was released on 2014 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines seventeenth-century sculpture in Rome. Focuses on questions of historical context and criticism, including the interaction of theory and practice, the creative roles of sculptors and patrons, the relationship of sculpture to antique models and to contemporary painting, and contextual meaning and reception.
Book Synopsis Roman Baroque Sculpture by : Jennifer Montagu
Download or read book Roman Baroque Sculpture written by Jennifer Montagu and published by Yale University Press. This book was released on 1989-01-01 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Draws on contemporary biographies and a wealth of hitherto unpublished archival material to illuminate the position and practice of the Baroque sculptor, to enable the reader to appreciate, understand and evaluate the sculptural monuments of the Roman Baroque.
Book Synopsis The Life of Gian Lorenzo Bernini by : Domenico Bernini
Download or read book The Life of Gian Lorenzo Bernini written by Domenico Bernini and published by Penn State Press. This book was released on 2012-01-31 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A critical translation of the unabridged Italian text of Domenico Bernini's biography of his father, seventeenth-century sculptor, architect, painter, and playwright Gian Lorenzo Bernini (1598-1680). Includes commentary on the author's data and interpretations, contrasting them with other contemporary primary sources and recent scholarship"--Provided by publisher.
Book Synopsis Bernini and the Birth of Baroque Portrait Sculpture by : Andrea Bacchi
Download or read book Bernini and the Birth of Baroque Portrait Sculpture written by Andrea Bacchi and published by Getty Publications. This book was released on 2008-01-01 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
Book Synopsis Historical Dictionary of Baroque Art and Architecture by : Lilian H. Zirpolo
Download or read book Historical Dictionary of Baroque Art and Architecture written by Lilian H. Zirpolo and published by Rowman & Littlefield. This book was released on 2018-03-13 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.
Download or read book Bernini written by Franco Mormando and published by University of Chicago Press. This book was released on 2013-04-02 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: Profiles the whirlwind life of the famed Italian sculptor who is known for his artistic and architectural contributions to the city of Rome.
Book Synopsis Propaganda and the Jesuit Baroque by : Evonne Levy
Download or read book Propaganda and the Jesuit Baroque written by Evonne Levy and published by Univ of California Press. This book was released on 2004-04-14 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this provocative revisionist work, Evonne Levy brings fresh theoretical perspectives to the study of the "propagandistic" art and architecture of the Jesuit order as exemplified by its late Baroque Roman church interiors. The first extensive analysis of the aims, mechanisms, and effects of Jesuit art and architecture, this original and sophisticated study also evaluates how the term "propaganda" functions in art history, distinguishes it from rhetoric, and proposes a precise use of the term for the visual arts for the first time. Levy begins by looking at Nazi architecture as a gateway to the emotional and ethical issues raised by the term "propaganda." Jesuit art once stirred similar passions, as she shows in a discussion of the controversial nineteenth-century rubric the "Jesuit Style." She then considers three central aspects of Jesuit art as essential components of propaganda: authorship, message, and diffusion. Levy tests her theoretical formulations against a broad range of documents and works of art, including the Chapel of St. Ignatius and other major works in Rome by Andrea Pozzo as well as chapels in Central Europe and Poland. Innovative in bringing a broad range of social and critical theory to bear on Baroque art and architecture in Europe and beyond, Levy’s work highlights the subject-forming capacity of early modern Catholic art and architecture while establishing "propaganda" as a productive term for art history.
Book Synopsis Baroque Antiquity by : Victor Plahte Tschudi
Download or read book Baroque Antiquity written by Victor Plahte Tschudi and published by Cambridge University Press. This book was released on 2017 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: As if in a Bright Mirror -- Conclusion -- Notes -- Abbreviations -- Bibliography of Cited Works -- Index
Download or read book Caravaggio written by DavidM. Stone and published by Routledge. This book was released on 2017-07-05 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: As this collection of essays makes clear, the paths to grasping the complexity of Caravaggio?s art are multiple and variable. Art historians from the UK and North America offer new or recently updated interpretations of the works of seventeenth-century Italian painter Michelangelo Merisi da Caravaggio and of his many followers known as the Caravaggisti. The volume deals with all the major aspects of Caravaggio?s paintings: technique, creative process, religious context, innovations in pictorial genre and narrative, market strategies, biography, patronage, reception, and new hermeneutical trends. The concluding section tackles the essential question of Caravaggio?s legacy and the production of his followers-not only in terms of style but from some highly innovative strategies: concettismo; art marketing and the price of pictures; self-fashioning and biography; and the concept of emulation.
Book Synopsis The Fountain of Latona by : Thomas F. Hedin
Download or read book The Fountain of Latona written by Thomas F. Hedin and published by University of Pennsylvania Press. This book was released on 2022-05-27 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ovid tells the story of Latona, the mother by Jupiter of Apollo and Diana. In her flight from the jealous Juno, she arrives faint and parched on the coast of Asia Minor. Kneeling to sip from a pond, Latona is met by the local peasants, who not only deny her effort but muddy the water in pure malice. Enraged, Latona calls a curse down upon the stingy peasants, turning them to frogs. In his masterful study, Thomas F. Hedin reveals how and why a fountain of this strange legend was installed in the heart of Versailles in the 1660s, the inaugural decade of Louis XIV’s patronage there. The natural supply of water was scarce and unwieldy, and it took the genius of the king’s hydraulic engineers, working in partnership with the landscape architect André Le Nôtre, to exploit it. If Ovid’s peasants were punished for their stubborn denial of water, so too the obstacles of coarse nature at Versailles were conquered; the aquatic iconography of the fountain was equivalent to the aquatic reality of the gardens. Latona was designed by Charles Le Brun, the most powerful artist at the court of Louis XIV, and carried out by Gaspard and Balthazar Marsy. The 1660s were rich in artistic theory in France, and the artists of the fountain delivered substantial lectures at the Académie royale de peinture et de sculpture on subjects of central concern to their current work. What they professed was what they were visualizing in the gardens. As such, the fountain is an insider’s guide to the leading artistic ideals of the moment. Louis XIV was viewed as the reincarnation of Apollo, the god of creativity, the inspiration of artists and scientists. Hedin’s original argument is that Latona was a double declaration: a glorification of the king and a proud manifesto by artists.
Download or read book Material Bernini written by Evonne Levy and published by Routledge. This book was released on 2016-04-14 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together established and emerging specialists in seventeenth-century Italian sculpture, Material Bernini is the first sustained examination of the conspicuous materiality of Bernini’s work in sculpture, architecture, and paint. The various essays demonstrate that material Bernini has always been tied (whether theologically, geologically, politically, or in terms of art theory) to his immaterial twin. Here immaterial Bernini and the historiography that sustains him is finally confronted by material Bernini. Central to the volume are Bernini’s works in clay, a fragmentary record of a large body of preparatory works by a sculptor who denied any direct relation between sketches of any kind and final works. Read together, the essays call into question why those works in which Bernini’s bodily relation to the material of his art is most evident, his clay studies, have been configured as a point of unmediated access to the artist’s mind, to his immaterial ideas. This insight reveals a set of values and assumptions that have profoundly shaped Bernini studies from their inception, and opens up new and compelling avenues of inquiry within a field that has long remained remarkably self-enclosed.
Download or read book Bernini written by and published by . This book was released on 1990 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Baroquemania by : Laura Moure Cecchini
Download or read book Baroquemania written by Laura Moure Cecchini and published by Manchester University Press. This book was released on 2022-01-11 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Baroquemania explores the intersections of art, architecture and criticism to show how reimagining the Baroque helped craft a distinctively Italian approach to modern art. Offering a bold reassessment of post-unification visual culture, the book examines a wide variety of media and ideologically charged discourses on the Baroque, both inside and outside the academy. Key episodes in the modern afterlife of the Baroque are addressed, notably the Decadentist interpretation of Gianlorenzo Bernini, the 1911 universal fairs in Turin and Rome, Roberto Longhi’s historically grounded view of Futurism, architectural projects in Fascist Rome and the interwar reception of Adolfo Wildt and Lucio Fontana’s sculpture. Featuring a wealth of visual materials, Baroquemania offers a fresh look at a central aspect of Italy's modern art.
Book Synopsis The Oxford Handbook of Roman Sculpture by : Elise A. Friedland
Download or read book The Oxford Handbook of Roman Sculpture written by Elise A. Friedland and published by Oxford University Press, USA. This book was released on 2015 with total page 737 pages. Available in PDF, EPUB and Kindle. Book excerpt: Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.
Book Synopsis "When All of Rome was Under Construction" by : Dorothy Metzger Habel
Download or read book "When All of Rome was Under Construction" written by Dorothy Metzger Habel and published by Penn State Press. This book was released on 2013 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Analyzes the politics and economics of architecture and the building process in seventeenth-century Rome. Explores topics ranging from the financing of construction to the availability of materials and personnel"--Provided by publisher.
Book Synopsis Art and Reform in the Late Renaissance by : Jesse M. Locker
Download or read book Art and Reform in the Late Renaissance written by Jesse M. Locker and published by Routledge. This book was released on 2018-08-14 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."
Book Synopsis Bernini's Michelangelo by : Carolina Mangone
Download or read book Bernini's Michelangelo written by Carolina Mangone and published by Yale University Press. This book was released on 2020-06-16 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598–1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti—the master of the previous age. Bernini’s Michelangelo is the first comprehensive examination of Bernini’s persistent and wide-ranging imitation of Michelangelo’s canon (his art and its rules). Prevailing accounts submit that Michelangelo’s pervasive, yet controversial, example was overcome during Bernini’s time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear’s oeuvre. Such imitation earned him the moniker “Michelangelo of his age.” Investigating Bernini’s “imitatio Buonarroti” in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter’s reveals how Bernini approached Michelangelo’s art as a surprisingly flexible repertory of precepts and forms that he reconciled—here with daring license, there with creative restraint—to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini’s imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo’s art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.