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Cinema And Semiotic
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Book Synopsis Cinema and Semiotic by : Johannes Ehrat
Download or read book Cinema and Semiotic written by Johannes Ehrat and published by University of Toronto Press. This book was released on 2005-01-01 with total page 697 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on Peirce's Semiotic and Pragmatism, Ehrat offers a novel approach to cinematic meaning in three central areas: narrative enunciation, cinematic world appropriation, and cinematic perception.
Book Synopsis New Vocabularies in Film Semiotics by : Robert Stam
Download or read book New Vocabularies in Film Semiotics written by Robert Stam and published by Routledge. This book was released on 2005-07-08 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Film Semiotics, Metz, and Leone's Trilogy by : Lane Roth
Download or read book Film Semiotics, Metz, and Leone's Trilogy written by Lane Roth and published by Routledge. This book was released on 2014-01-23 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Semiotics offers a systematic approach to analysing the stylistic structure of film. When this study was originally published in 1983 this was a recent addition to the methods of film study and it presents an explanation of film semiotics with direct application to comparative film research. It takes as its representative subject one trilogy of films and applies semiology, with careful textual analysis. The book begins with a basic introduction to semiotics and the ideas of Christian Metz on cinesemiotics. It then presents a syntagmatic analysis of each of the three Dollars films, with an outline of autonomous segments for each and a discussion of the findings before undertaking a wider analysis of the trilogy as a whole with commentary on the stylistic unity of the director’s work. This book, an enduring detailed study of these three films, also outlines clearly this method of classifying the formal structuring codes of film communication.
Book Synopsis Semiotics and Documentary Film by : Hing Tsang
Download or read book Semiotics and Documentary Film written by Hing Tsang and published by Walter de Gruyter. This book was released on 2013-10-29 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Semiotics and Documentary Film: The Living Sign in the Cinema engages with very vital problems posed by Peirce's philosophy in an innovative and inter-disciplinary fashion by examining how documentary film practice can engage with the question of emergent human agency within a wider biosphere shared by human animals and non-human animals alike. The book is in many ways a celebration of human inquiry, taking liberally from Peirce's semeiotic and parallel ideas within recent visual anthropology. Through an analysis of the work of three renowned filmmakers - Jon Jost, Johan Van der Keuken, and Rithy Panh - Semiotics and Documentary Film: The Living Sign in the Cinema reasserts human agency within a global age, dominated by philosophical scepticism and an unquestioning subservience to mechanistic military techno-culture. The author argues that an approach to documentary inquiry, broadly derived from Peirce's sign theory, phenomenology, and overall philosophical outlook, has strong advantages over atemporal formal approaches derived from Saussurean semiology. Nevertheless, this project is also both critical and self-critical. It also bears direct testament to the many tumultuous and life-destroying events of the late 20th century and reminds us of the moral and philosophical problems which we are still grappling with in the early 21st century. Hence - the Living Sign.
Book Synopsis Semiotics and the Analysis of Film by : Jean Mitry
Download or read book Semiotics and the Analysis of Film written by Jean Mitry and published by Indiana University Press. This book was released on 2000 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study analyses the value of semiotics in film analysis. It poses the question that if cinema is a language can it be understood through the techniques of linguistic analysis? The study includes signs, montage, codes, images and narrative.
Download or read book Film Language written by Christian Metz and published by University of Chicago Press. This book was released on 1991 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen
Book Synopsis New Vocabularies in Film Semiotics by : Robert Stam
Download or read book New Vocabularies in Film Semiotics written by Robert Stam and published by Routledge. This book was released on 2005-07-08 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin and Baudrillard. The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy and literature.
Book Synopsis Christian Metz and the Codes of Cinema by : Margrit Tröhler
Download or read book Christian Metz and the Codes of Cinema written by Margrit Tröhler and published by Film Theory in Media History. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.
Download or read book The Photoplay written by Hugo Münsterberg and published by . This book was released on 1916 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Japanese Mythology in Film by : Yoshiko Okuyama
Download or read book Japanese Mythology in Film written by Yoshiko Okuyama and published by Lexington Books. This book was released on 2015-04-09 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: A cyborg detective hunts for a malfunctioning sex doll that turns itself into a killing machine. A Heian-era Taoist slays evil spirits with magic spells from yin-yang philosophy. A young mortician carefully prepares bodies for their journey to the afterlife. A teenage girl drinks a cup of life-giving sake, not knowing its irreversible transformative power. These are scenes from the visually enticing, spiritually eclectic media of Japanese movies and anime. The narratives of courageous heroes and heroines and the myths and legends of deities and their abodes are not just recurring motifs of the cinematic fantasy world. They are pop culture’s representations of sacred subtexts in Japan. Japanese Mythology in Film takes a semiotic approach to uncovering such religious and folkloric tropes and subtexts embedded in popular Japanese movies and anime. Part I introduces film semiotics with plain definitions of terminology. Through familiar cinematic examples, it emphasizes the myth-making nature of modern-day film and argues that semiotics can be used as a theoretical tool for reading film. Part II presents case studies of eight popular Japanese films as models of semiotic analysis. While discussing each film’s use of common mythological motifs such as death and rebirth, its case study also unveils more covert cultural signifiers and folktale motifs, including jizo (a savior of sentient beings) and kori (bewitching foxes and raccoon dogs), hidden in the Japanese filmic text.
Book Synopsis Language and Cinema by : Christian Metz
Download or read book Language and Cinema written by Christian Metz and published by Walter de Gruyter. This book was released on 2011-11-21 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Toward a Semiotic Theory of Visual Communication in the Cinema by : Gorham Anders Kindem
Download or read book Toward a Semiotic Theory of Visual Communication in the Cinema written by Gorham Anders Kindem and published by . This book was released on 1980 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Wes Anderson’s Symbolic Storyworld by : Warren Buckland
Download or read book Wes Anderson’s Symbolic Storyworld written by Warren Buckland and published by Bloomsbury Publishing USA. This book was released on 2018-10-18 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wes Anderson's Symbolic Storyworld presents a theoretical investigation of whatmakes the films of Wes Anderson distinctive. Chapter by chapter, it relentlessly pulls apart each of Anderson's narratives to pursue the proposition that they all share the same deep underlying symbolic values – a common symbolic storyworld. Taking the polemical strategy of outlining and employing Claude Lévi-Strauss's distinguished (and notorious) work on myth and kinship to analyze eight of Anderson's films, Warren Buckland unearths the peculiar symbolic structure of each film, plus the circuits of exchange, tangible and intangible gift giving, and unusual kinship systems that govern the lives of Anderson's characters. He also provides an analysis of Wes Anderson's visual and aural style, identifying several distinctive traits of Anderson's mise en scène.
Book Synopsis The Cognitive Semiotics of Film by : Warren Buckland
Download or read book The Cognitive Semiotics of Film written by Warren Buckland and published by Cambridge University Press. This book was released on 2007-05-17 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. He examines and develops the work of "cognitive film semiotics," a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics. Presenting a survey of cognitive film semiotics, this study also reevaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward "post-theory" in film studies.
Book Synopsis The Cognitive Semiotics of Film by : Warren Buckland
Download or read book The Cognitive Semiotics of Film written by Warren Buckland and published by Cambridge University Press. This book was released on 2000-05-29 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies.
Book Synopsis Semiotics of Exile in Contemporary Chinese Film by : H. Zeng
Download or read book Semiotics of Exile in Contemporary Chinese Film written by H. Zeng and published by Springer. This book was released on 2012-09-25 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed analysis of film language and theoretical exploration.
Book Synopsis The Real of Reality: The Realist Turn in Contemporary Film Theory by :
Download or read book The Real of Reality: The Realist Turn in Contemporary Film Theory written by and published by BRILL. This book was released on 2021-08-30 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reality has become an increasingly prominent topic in contemporary philosophy. The book’s contributors are responding to the challenge to use the philosophically underexplored potential of film to disclose what the editors propose to call “the real of reality.”
