Cine y sociedad en México, 1896-1930: Bajo el cielo de México (1920-1924)

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Publisher :
ISBN 13 : 9789683631268
Total Pages : 409 pages
Book Rating : 4.6/5 (312 download)

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Book Synopsis Cine y sociedad en México, 1896-1930: Bajo el cielo de México (1920-1924) by : Aurelio de los Reyes

Download or read book Cine y sociedad en México, 1896-1930: Bajo el cielo de México (1920-1924) written by Aurelio de los Reyes and published by . This book was released on 1981 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cine y sociedad en México, 1896-1930

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Publisher :
ISBN 13 : 9789685802659
Total Pages : 271 pages
Book Rating : 4.8/5 (26 download)

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Book Synopsis Cine y sociedad en México, 1896-1930 by : Aurelio de los Reyes

Download or read book Cine y sociedad en México, 1896-1930 written by Aurelio de los Reyes and published by . This book was released on 1981 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cine y sociedad en México 1896-1930

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Author :
Publisher :
ISBN 13 :
Total Pages : 409 pages
Book Rating : 4.:/5 (246 download)

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Book Synopsis Cine y sociedad en México 1896-1930 by : Aurelio de los Reyes

Download or read book Cine y sociedad en México 1896-1930 written by Aurelio de los Reyes and published by . This book was released on 1996 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cine y sociedad en México, 1896-1930

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Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (15 download)

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Book Synopsis Cine y sociedad en México, 1896-1930 by : Aurelio de los Reyes García-Rojas

Download or read book Cine y sociedad en México, 1896-1930 written by Aurelio de los Reyes García-Rojas and published by . This book was released on 1983 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cine y sociedad en México, 1896-1930

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (883 download)

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Book Synopsis Cine y sociedad en México, 1896-1930 by : Aurelio de los Reyes

Download or read book Cine y sociedad en México, 1896-1930 written by Aurelio de los Reyes and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cine y sociedad en México, 1896-1930: Sucedió en Jalisco o Los Cristeros (1924-1928)

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (778 download)

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Book Synopsis Cine y sociedad en México, 1896-1930: Sucedió en Jalisco o Los Cristeros (1924-1928) by : Aurelio de los Reyes

Download or read book Cine y sociedad en México, 1896-1930: Sucedió en Jalisco o Los Cristeros (1924-1928) written by Aurelio de los Reyes and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Cine y sociedad en México, 1896-1930: Bajo el Cielo de México

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Publisher :
ISBN 13 :
Total Pages : 424 pages
Book Rating : 4.:/5 (318 download)

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Book Synopsis Cine y sociedad en México, 1896-1930: Bajo el Cielo de México by : Aurelio de los Reyes

Download or read book Cine y sociedad en México, 1896-1930: Bajo el Cielo de México written by Aurelio de los Reyes and published by . This book was released on 1981 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Classical Mexican Cinema

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Publisher : University of Texas Press
ISBN 13 : 1477308075
Total Pages : 255 pages
Book Rating : 4.4/5 (773 download)

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Book Synopsis The Classical Mexican Cinema by : Charles Ramírez Berg

Download or read book The Classical Mexican Cinema written by Charles Ramírez Berg and published by University of Texas Press. This book was released on 2015-09-01 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.

The Cinema of Latin America

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Publisher : Columbia University Press
ISBN 13 : 0231501943
Total Pages : 281 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis The Cinema of Latin America by : Alberto Elena

Download or read book The Cinema of Latin America written by Alberto Elena and published by Columbia University Press. This book was released on 2004-03-24 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cinema of Latin America is the first volume in the new 24 Frames series of studies of national and regional cinema. In taking an explicitly text-centered approach, the books in this series offer a unique way of considering the particular concerns, styles and modes of representation of numerous national cinemas around the world. This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is increasingly returning to popular and academic appreciation. Through 24 individual concise and insightful essays that each consider one significant film or documentary, the editors of this volume have compiled a unique introduction to the cinematic output of countries as diverse as Brazil, Argentina, Cuba, Mexico, Bolivia, Chile and Venezuala. The work of directors such as Luis Buñuel, Thomas Guiterrez Alea, Walter Salles, and Alfonso Arau is discussed and the collection includes in-depth studies of seminal works as such Los Olvidados, The Hour of the Furnaces, Like Water For Chocolate, Foreign Land, and Amoros Perros.

The Metropolis in Latin America, 1830-1930

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Publisher : Getty Publications
ISBN 13 : 1606066943
Total Pages : 330 pages
Book Rating : 4.6/5 (6 download)

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Book Synopsis The Metropolis in Latin America, 1830-1930 by : Idurre Alonso

Download or read book The Metropolis in Latin America, 1830-1930 written by Idurre Alonso and published by Getty Publications. This book was released on 2021-08-17 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima—as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis. Drawing from the Getty Research Institute’s vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities’ changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today’s Latin American megalopolis.

Silent Cinema

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Publisher : Bloomsbury Publishing
ISBN 13 : 1911239139
Total Pages : 465 pages
Book Rating : 4.9/5 (112 download)

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Book Synopsis Silent Cinema by : Paolo Cherchi Usai

Download or read book Silent Cinema written by Paolo Cherchi Usai and published by Bloomsbury Publishing. This book was released on 2019-04-04 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paolo Cherchi Usai provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing. He traces the history of the moving image in its formative years, from Edison's and Lumière's first experiments to the dawn of 'talkies'; provides a clear guide to the basics of silent film technology; introduces the technical and creative roles involved in its production, and presents silent cinema as a performance event, rather than a passive viewing experience. This new, greatly expanded edition takes the reader on a new journey, exploring silent cinema in the broader context of technology, culture, and society, from the invention of celluloid film and its related machinery to film studios, laboratories, theatres and audiences. Among the people involved in the creation of a new art form were filmmakers, actors and writers, but also engineers, entrepreneurs, and projectionists. Their collective efforts, and the struggle to preserve their creative work by archives and museums, are interwoven in a compelling story covering three centuries of media history, from the magic lantern to the reinvention of silent cinema in digital form. The new edition also includes comprehensive resource information for the study, research, preservation and exhibition of silent cinema.

Mexican Cinema

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Publisher : Univ of California Press
ISBN 13 : 9780520043046
Total Pages : 284 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Mexican Cinema by : Carl J. Mora

Download or read book Mexican Cinema written by Carl J. Mora and published by Univ of California Press. This book was released on 1989 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author's main reason for writing this book, however, is simply to provide an introduction to the Mexican commercial cinema for American and other English-speaking readers. Although the United States has been, and continues to be, a major foreign market for Mexican movies, the overwhelming majority of Americans are unaware of them. Mexican films are restricted to the Hispanic theater circuits and shown without English subtitles; therefore anyone wishing to see a Mexican movie would have to be fairly fluent in Spanish. Such a requisite effectively eliminates almost the entire general audience in the United States from exposure to Mexican cinema.

Cosmopolitan Film Cultures in Latin America, 1896–1960

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Publisher : Indiana University Press
ISBN 13 : 0253026555
Total Pages : 391 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Cosmopolitan Film Cultures in Latin America, 1896–1960 by : Rielle Navitski

Download or read book Cosmopolitan Film Cultures in Latin America, 1896–1960 written by Rielle Navitski and published by Indiana University Press. This book was released on 2017-06-19 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.

Mexican National Cinema

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Publisher : Psychology Press
ISBN 13 : 9780415230100
Total Pages : 244 pages
Book Rating : 4.2/5 (31 download)

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Book Synopsis Mexican National Cinema by : Andrea Noble

Download or read book Mexican National Cinema written by Andrea Noble and published by Psychology Press. This book was released on 2005 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining key film texts and genres, and set in a broad historical and theoretical context, this student-friendly study provides a thorough and detailed account of the vital and complex relationship between cinema and national identity in Mexico.

Moralizing Cinema

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Publisher : Routledge
ISBN 13 : 1134668317
Total Pages : 313 pages
Book Rating : 4.1/5 (346 download)

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Book Synopsis Moralizing Cinema by : Daniel Biltereyst

Download or read book Moralizing Cinema written by Daniel Biltereyst and published by Routledge. This book was released on 2014-11-20 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is part of the recent interest in the study of religion and popular media culture (cinema in particular), but it strongly differs from most of this work in this maturing discipline. Contrary to most other edited volumes and monographs on film and religion, Moralizing Cinema will not focus upon films (cf. the representation of biblical figures, religious themes in films, the fidelity question in movies), but rather look beyond the film text, content or aesthetics, by concentrating on the cinema-related actions, strategies and policies developed by the Catholic Church and Catholic organizations in order to influence cinema. Whereas the key role of Catholics in cinema has been well studied in the USA (cf. literature on the Legion of Decency and on the Catholic influenced Production Code Administration), the issue remains unexplored for other parts of the world. The book includes case studies on Argentina, Belgium, France, Ireland, Italy, Luxemburg, the Netherlands, and the USA.

Cinemachismo

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Publisher : University of Texas Press
ISBN 13 : 0292782314
Total Pages : 257 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis Cinemachismo by : Sergio de la Mora

Download or read book Cinemachismo written by Sergio de la Mora and published by University of Texas Press. This book was released on 2009-01-27 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.

Cinesonidos

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Publisher : Oxford University Press, USA
ISBN 13 : 0190671300
Total Pages : 289 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis Cinesonidos by : Jaqueline Avila

Download or read book Cinesonidos written by Jaqueline Avila and published by Oxford University Press, USA. This book was released on 2019-10-14 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: During Mexico's silent (1896-1930) and early sound (1931-52) periods, cinema saw the development of five significant genres: the prostitute melodrama (including the cabaretera subgenre), the indigenista film (on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the Revolution film, and the comedia ranchera (ranch comedy). In this book, author Jacqueline Avila looks at examples from all genres, exploring the ways that the popular, regional, and orchestral music in these films contributed to the creation of tropes and archetypes now central to Mexican cultural nationalism. Integrating primary source material--including newspaper articles, advertisements, films--with film music studies, sound studies, and Mexican film and cultural history, Avila examines how these tropes and archetypes mirrored changing perceptions of mexicanidad manufactured by the State and popular and transnational culture. As she shows, several social and political agencies were heavily invested in creating a unified national identity in an attempt to merge the previously fragmented populace as a result of the Revolution. The commercial medium of film became an important tool to acquaint a diverse urban audience with the nuances of Mexican national identity, and music played an essential and persuasive role in the process. In this heterogeneous environment, cinema and its music continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.