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Catalogue Raisonne De Toutes Les Estampes Qui Forment Loeuvre De Rembrandt Et Ceux Des Ses Principaux Imitateurs
Download Catalogue Raisonne De Toutes Les Estampes Qui Forment Loeuvre De Rembrandt Et Ceux Des Ses Principaux Imitateurs full books in PDF, epub, and Kindle. Read online Catalogue Raisonne De Toutes Les Estampes Qui Forment Loeuvre De Rembrandt Et Ceux Des Ses Principaux Imitateurs ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis The Rise of the Cult of Rembrandt by : Alison McQueen
Download or read book The Rise of the Cult of Rembrandt written by Alison McQueen and published by Amsterdam University Press. This book was released on 2003 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.
Book Synopsis Rembrandt's Etchings: The text by : Arthur Mayger Hind
Download or read book Rembrandt's Etchings: The text written by Arthur Mayger Hind and published by . This book was released on 1912 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Catalogue of the Collection of Engravings Bequeathed to Harvard College by Francis Calley Gray by : Louis Thies
Download or read book Catalogue of the Collection of Engravings Bequeathed to Harvard College by Francis Calley Gray written by Louis Thies and published by . This book was released on 1869 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Catalogue of the Collection of Engravings Bequeathed to Harvard College by Francis Calley Gray. By Louis Thies. [With a Portrait.] by : Fogg Museum of Art
Download or read book Catalogue of the Collection of Engravings Bequeathed to Harvard College by Francis Calley Gray. By Louis Thies. [With a Portrait.] written by Fogg Museum of Art and published by . This book was released on 1869 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Delphi Complete Works of Rembrandt van Rijn (Illustrated) by : Rembrandt van Rijn
Download or read book Delphi Complete Works of Rembrandt van Rijn (Illustrated) written by Rembrandt van Rijn and published by Delphi Classics. This book was released on 2014-10-11 with total page 937 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rembrandt van Rijn, the greatest master of the Dutch Golden Age, created a prolific and innovative body of paintings and etchings, having an immense influence on the course of Western art and inspiring new genres in painting. The Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of the world’s greatest artists in comprehensive detail. This volume presents Rembrandt’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings and etchings of Rembrandt van Rijn — fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section of plates, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Rembrandt’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings and etchings * Easily locate the works you want to view * Features two bonus biographies, including Bell’s seminal study on the artist - immerse yourself in Rembrandt's turbulent life * Scholarly ordering of plates into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights ANNA ACCUSED BY TOBIT OF STEALING THE KID SELF-PORTRAIT, 1630-31 THE ANATOMY LESSON OF DOCTOR TULP PORTRAIT OF THE ARTIST JACQUES DE GHEYN FLORA DESCENT FROM THE CROSS BELSHAZZAR’S FEAST THE PRODIGAL SON IN THE TAVERN SELF-PORTRAIT, 1640 PORTRAIT OF AGATHA BAS THE NIGHT WATCH THE HOLY FAMILY WITH ANGELS SUSANNA SURPRISED BY THE ELDERS PORTRAIT OF HENDRICKJE STOFFELS A WOMAN BATHING SLAUGHTERED OX THE STAALMEESTERS SELF-PORTRAIT WITH PALETTE AND BRUSHES, 1665 THE JEWISH BRIDE The Paintings CHRONOLOGICAL LIST OF PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Etchings CHRONOLOGICAL LIST OF ETCHINGS ALPHABETICAL LIST OF ETCHINGS The Biographies REMBRANDT by Mortimer Menpes REMBRANDT VAN RIJN by Malcolm Bell Please visit www.delphiclassics.com to browse through our range of exciting titles
Book Synopsis A Corpus of Rembrandt Paintings by : J. Bruyn
Download or read book A Corpus of Rembrandt Paintings written by J. Bruyn and published by Springer Science & Business Media. This book was released on 2013-05-14 with total page 815 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. THIS VOLUME: A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume III) contains 820 pages, starting of with three introductory chapters and discussing 86 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume important paintings including the Night Watch are discussed.
Book Synopsis A Corpus of Rembrandt Paintings IV by : Ernst van de Wetering
Download or read book A Corpus of Rembrandt Paintings IV written by Ernst van de Wetering and published by Springer Science & Business Media. This book was released on 2010-07-19 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume IV of A Corpus of Rembrandt Paintings deals uniquely with the self-portraits of Rembrandt. In a clearly written explanatory style the head of the Rembrandt Research Project and Editor of this Volume, Ernst van de Wetering, discusses the full body of work of paintings and etchings portraying Rembrandt. He sets the different parameters for accepting or rejecting a Rembrandt self-portrait as such, whilst also discussing the exact working environment of Rembrandt and his apprentices. This workshop setting created a surroundings where apprentices could be involved in working on Rembrandt paintings making it more difficult to determine the hand of the master. Van de Wetering, who is one of the Rembrandt experts of our day and age, goes down to great detail to explain how the different self-portraits are made and what techniques Rembrandt uses, also giving an overview of which paintings are to be attributed to the Dutch Master and which not. In the additional catalogue the self-portraits are examined in detail. In clear and accessible explanatory text the different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. This work of art history and art research should be part of every serious art historical institute, university or museum. Nowhere in the art history have all Rembrandt’s self portraits been discussed in such detailed and comparative manner by an authority such as Ernst van de Wetering. This is a standard work for decades to come.
Book Synopsis Catalogue de la bibliothèque: 1904-1912. 1915 by : Teylers Museum. Bibliotheek
Download or read book Catalogue de la bibliothèque: 1904-1912. 1915 written by Teylers Museum. Bibliotheek and published by . This book was released on 1915 with total page 1164 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Catalogue of Works on the Fine Arts by : Bernard Quaritch (Firm)
Download or read book Catalogue of Works on the Fine Arts written by Bernard Quaritch (Firm) and published by . This book was released on 1909 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue written by and published by . This book was released on 1921 with total page 1044 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Catalogues of Works on the Fine Arts... by Bernard Quaritch by : Bernard Quaritch
Download or read book Catalogues of Works on the Fine Arts... by Bernard Quaritch written by Bernard Quaritch and published by . This book was released on 1910 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Corpus of Rembrandt Paintings VI by : Ernst van de Wetering
Download or read book A Corpus of Rembrandt Paintings VI written by Ernst van de Wetering and published by Springer. This book was released on 2014-11-11 with total page 739 pages. Available in PDF, EPUB and Kindle. Book excerpt: A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists – including the majority of members of the original RRP (up to 1989) – were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own involvement in it makes this book a lively and sometimes unexpectedly personal account. The catalogue section presents a chronologically ordered survey of Rembrandt’s entire painted oeuvre of 336 paintings, richly illustrated and annotated. For all the paintings re-attributed in this book, extensive commentaries have been included that provide a multi-facetted new insight into Rembrandt’s world and the world of art-historical research. Rembrandt’s Paintings Revisited is the concluding sixth volume of A Corpus of Rembrandt Paintings (Volumes I-V; 1982, 1986, 1989, 2005, 2010). It can also be read as a revisionary critique of the first three Volumes published by the old RRP team up till 1989 and of Gerson’s influential survey of Rembrandt’s painted oeuvre of 1968/69. At the same time, the book is designed as an independent overview that can be used on the basis that anyone seeking more detailed information will be referred to the five previous (digital versions of the) Volumes and the detailed catalogues published in the meantime by the various museums with collections of Rembrandt paintings. This work of art history and art research should belong in the library of every serious art historical institute, university or museum.
Book Synopsis Catalogue of the Loan Exhibition of Drawings & Etchings by Rembrandt from the J. Pierpont Morgan Collections by : John Pierpont Morgan
Download or read book Catalogue of the Loan Exhibition of Drawings & Etchings by Rembrandt from the J. Pierpont Morgan Collections written by John Pierpont Morgan and published by . This book was released on 1920 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Emotions, Art, and Christianity in the Transatlantic World, 1450–1800 by : Heather Graham
Download or read book Emotions, Art, and Christianity in the Transatlantic World, 1450–1800 written by Heather Graham and published by BRILL. This book was released on 2021-08-24 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study into the role of visual and material culture in shaping early modern emotional experiences, c. 1450–1800
Book Synopsis Rembrandt's Religious Prints by : Charles M. Rosenberg
Download or read book Rembrandt's Religious Prints written by Charles M. Rosenberg and published by Indiana University Press. This book was released on 2017-09-11 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stunning catalogue of the seventy religious prints from the 2017 exhibition, featuring detailed background information on each piece. Rembrandt’s stunning religious prints stand as evidence of the Dutch master’s extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the seventyreligious prints through detailed background information on the artist’s career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt’s etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints—modest, intimate, fragile objects—are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. “Despite many reliable catalogues of Rembrandt etchings, very few have focused on the religious content of these prints. The outstanding range of the Feddersen Collection offers an excellent occasion for closer examination of Rembrandt’s development—as a printmaker but also as a spiritual devout Christian, especially evident from his thoughtful return to the same subjects across his career. Charles Rosenberg and his team at the Snite Museum deserve our thanks for fresh analysis of Rembrandt’s religious prints, combined with the latest scholarship on the artist and his etchings output. Rembrandt scholars but also all lovers of the artist will want to consult this important catalogue.” —Larry Silver, author (with Shelley Perlove) of Rembrandt’s Faith: Church and Temple in the Dutch Golden Age “Rembrandt’s etchings of religious themes capture the emotional heart of their subjects through a uniquely inventive approach to both technique and content. . . . The seventy prints gathered by Jack and Alfrieda Feddersen span the full range of Rembrandt’s production and offer an outstanding resource for appreciation and research. This catalogue tells the fascinating story of how the collection was formed and brings a fresh analysis to each print. Charles Rosenberg’s extensive catalogue entries will be useful reading for anyone interested in the history of European art and one of its most talented practitioners, Rembrandt van Rijn.” —Stephanie Dickey, Queen’s University
Book Synopsis The Print Collector by : Joseph Maberly
Download or read book The Print Collector written by Joseph Maberly and published by . This book was released on 1844 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The First Proofs of the Universal Catalogue of Books on Art by : ohne Autor
Download or read book The First Proofs of the Universal Catalogue of Books on Art written by ohne Autor and published by BoD – Books on Demand. This book was released on 2020-04-12 with total page 1034 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reprint of the original, first published in 1870.
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