Carl Maria von Weber and the Search for a German Opera

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Publisher : Indiana University Press
ISBN 13 : 0253109620
Total Pages : 273 pages
Book Rating : 4.2/5 (531 download)

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Book Synopsis Carl Maria von Weber and the Search for a German Opera by : Stephen C. Meyer

Download or read book Carl Maria von Weber and the Search for a German Opera written by Stephen C. Meyer and published by Indiana University Press. This book was released on 2003-01-17 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stephen C. Meyer details the intricate relationships between the operas Der FreischÃ1⁄4tz and Euryanthe, and contemporary discourse on both the "Germany of the imagination" and the new nation itself. In so doing, he presents excerpts from a wide range of philosophical, political, and musical writings, many of which are little known and otherwise unavailable in English. Individual chapters trace the multidimensional concept of German and "foreign" opera through the 19th century. Meyer's study of Der FreischÃ1⁄4tz places the work within the context of emerging German nationalism, and a chapter on Euryanthe addresses the opera's stylistic and topical shifts in light of changing cultural and aesthetic circumstances. As a result, Meyer argues that the search for a new German opera was not merely an aesthetic movement, but a political and social critique as well.

Euryanthe and Carl Maria Von Weber's Dramaturgy of German Opera

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Author :
Publisher : Oxford University Press, USA
ISBN 13 :
Total Pages : 320 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Euryanthe and Carl Maria Von Weber's Dramaturgy of German Opera by : Michael Charles Tusa

Download or read book Euryanthe and Carl Maria Von Weber's Dramaturgy of German Opera written by Michael Charles Tusa and published by Oxford University Press, USA. This book was released on 1991 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Weber's opera Euryanthe was written in 1823 and contains much that anticipates Wagner, as well as being a masterpiece in its own right. It was intended as the crowning work in the career of this seminal figure in the German operatic tradition of the early nineteenth century. Yet through its defective libretto it has virtually disappeared from the modern repertoire, despite containing, in Wagner's words, Weber's "most beautiful, richest, and most masterful music." In this book, Tusa provides the first full-length study of Euryanthe ever made and firmly stakes out the claim that it is "arguably the key work for understanding Weber's operatic aims." Along with close scrutiny of its dramatic aims and compositional planning, Tusa provides insight into its genre and reception history. The result is a book that not only deepens our understanding of a major neglected work but may help to restore it to its true place in the history of romantic opera.

Medievalism and Nationalism in German Opera

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Author :
Publisher : Routledge
ISBN 13 : 135180636X
Total Pages : 198 pages
Book Rating : 4.3/5 (518 download)

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Book Synopsis Medievalism and Nationalism in German Opera by : Michael S. Richardson

Download or read book Medievalism and Nationalism in German Opera written by Michael S. Richardson and published by Routledge. This book was released on 2020-11-29 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.

Carl Maria von Weber

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Author :
Publisher : Rowman & Littlefield
ISBN 13 : 1442235950
Total Pages : 329 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis Carl Maria von Weber by : Joseph E. Morgan

Download or read book Carl Maria von Weber written by Joseph E. Morgan and published by Rowman & Littlefield. This book was released on 2014-09-11 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renowned music historian Philipp Spitta has written that “of all the German musicians of the 19th century, none has exercised a greater influence over his own generation and that succeeding it than Weber.” Spitta’s statement reflects Weber’s popularity at the end of the nineteenth 19th century—both for his place as a foundational figure of German Romantic opera and for his role in the early German Nationalist movement in music. Indeed, Weber’s Der Freischütz is still considered the first German Romantic opera, enjoying a place of privilege in the modern operatic repertoire with performances held the world over and at least two cinematic productions. Despite its enormous popularity throughout the 19th nineteenth century, however, Weber’s swan song, Oberon, has remained separate from the mainstream thrust of our modern understanding of German Romantic opera. In Carl Maria von Weber: Oberon and the Cosmopolitanism in the Early German Romantic, music historian and theorist Joseph E. Morgan reassesses Weber’s work and aesthetics not just for their influence but also as an expression of the aesthetics and cosmopolitanism that underlay the early Romantic and Nationalist movement in Germany. In a discussion with analyses that features nearly one- hundred musical examples, Morgan tracks the development of Weber’s musical style across his career. The investigation culminates with Weber’s last and long-misunderstood work, explaining its thematic and harmonic organization, its stylistic idiosyncrasies, and the tenuous place that it holds on the margins of the operatic canon. The discussion is enhanced and corroborated by frequent attention to correlating developments in other art from the period, including painting, poetry, and literature. This text will be of interest to students, scholars, and connoisseurs wishing to acquire a new insight on the performance, reception, and aesthetics of early German Romantic opera. Further, because of the interdisciplinary nature of the investigation, anyone researching the early Romantic and Nationalist movement in Germany will also certainly find valuable insights in this book.

Weber's Der Freischütz

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Author :
Publisher :
ISBN 13 :
Total Pages : 4 pages
Book Rating : 4.0/5 (23 download)

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Book Synopsis Weber's Der Freischütz by : Carl Maria von Weber

Download or read book Weber's Der Freischütz written by Carl Maria von Weber and published by . This book was released on 1825 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Experiencing Carl Maria von Weber

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Author :
Publisher : Rowman & Littlefield
ISBN 13 : 1442255579
Total Pages : 231 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis Experiencing Carl Maria von Weber by : Joseph E. Morgan

Download or read book Experiencing Carl Maria von Weber written by Joseph E. Morgan and published by Rowman & Littlefield. This book was released on 2017-07-06 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars have long recognized Carl Maria von Weber as the father of the German Romantic and Nationalist music. The success of his opera Der Freischütz almost single handedly brought German operatic style onto the world stage, competing with and challenging established operatic traditions in France and Italy. Indeed the overtures to his last three operas, Der Freischütz, Euryanthe, and Oberon initiated the genre of the concert overture and are a part of the standard repertoire for most modern symphony orchestras. His works in other genres, including his various concerti and chamber works also stand as centerpieces in the modern concert hall. In Experiencing Carl Maria von Weber: A Listener's Companion, Joseph Morgan walks readers through the many masterpieces that comprise Weber's oeuvre, providing key insights by integrating critical points in the composer's life with the burgeoning Romantic and Nationalist movements in Germany that Weber's music came to champion. Morgan brings to life the musical character of Weber's most important compositions, from his most popular works such as his programme work Aufforderung zum Tanz (Invitation to the Dance), his majestic solo pieces, and his path-breaking song cycle DieTemperamente beim Verluste der Geliebten (Temperaments on the Loss of a Lover). At every turn, Morgan brings together biographical, political, aesthetic, and historical matters to inform our understanding of Weber's compositional genius. From the virtuosity of his piano works and their influence on Liszt and Chopin to his relationships with composers from the earliest parts of the 19th century, including Giacomo Meyerbeer, Franz Schubert and Beethoven, Experiencing Carl Maria vonWeber reveals not only the compositional genius of this figure in Romantic music, but his achievements as well as a conductor, music director, and critic who lent his powerful support to his musical peers on stage and page.

Carl Maria von Weber

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Author :
Publisher : Ardent Media
ISBN 13 :
Total Pages : 420 pages
Book Rating : 4./5 ( download)

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Book Synopsis Carl Maria von Weber by : John Warrack

Download or read book Carl Maria von Weber written by John Warrack and published by Ardent Media. This book was released on with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rick Bogart lists the operas and stage music written by the German composer Carl Maria von Weber (1786-1826), as part of the Opera Glass resource. Bogart notes the dates and locations of the premieres and includes a portrait of Weber.

The Unknown Schubert

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Publisher : Routledge
ISBN 13 : 1351539825
Total Pages : 303 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Unknown Schubert by : LorraineByrne Bodley

Download or read book The Unknown Schubert written by LorraineByrne Bodley and published by Routledge. This book was released on 2017-07-05 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Franz Schubert (1797-1828) is now rightly recognized as one of the greatest and most original composers of the nineteenth century. His keen understanding of poetry and his uncanny ability to translate his profound understanding of human nature into remarkably balanced compositions marks him out from other contemporaries in the field of song. Schubert was one of the first major composers to devote so much time to song and his awareness that this genre was not rated highly in the musical hierarchy did not deter him, throughout a short but resolute and hard-working career, from producing songs that invariably arrest attention and frequently strike a deeply poetic note. Schubert did not emerge as a composer until after his death, but during his short lifetime his genius flowered prolifically and diversely. His reputation was first established among the aristocracy who took the art music of Vienna into their homes, which became places of refuge from the musical mediocrity of popular performance. More than any other composer, Schubert steadily graced Viennese musical life with his songs, piano music and chamber compositions. Throughout his career he experimented constantly with technique and in his final years began experiments with form. The resultant fascinating works were never performed in his lifetime, and only in recent years have the nature of his experiments found scholarly favor. In The Unknown Schubert contributors explore Schubert's radical modernity from a number of perspectives by examining both popular and neglected works. Chapters by renowned scholars describe the historical context of his work, its relation to the dominant artistic discourses of the early nineteenth century, and Schubert's role in the paradigmatic shift to a new perception of song. This valuable book seeks to bring Franz Schubert to life, exploring his early years as a composer of opera, his later years of ill-health when he composed in the shadow of death, and his efforts to reflect i

Operas in German

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Publisher : Rowman & Littlefield
ISBN 13 : 1442247975
Total Pages : 1046 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis Operas in German by : Margaret Ross Griffel

Download or read book Operas in German written by Margaret Ross Griffel and published by Rowman & Littlefield. This book was released on 2018-01-23 with total page 1046 pages. Available in PDF, EPUB and Kindle. Book excerpt: With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.

Music, Theatre and Politics in Germany

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9780754655213
Total Pages : 338 pages
Book Rating : 4.6/5 (552 download)

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Book Synopsis Music, Theatre and Politics in Germany by : Nikolaus Bacht

Download or read book Music, Theatre and Politics in Germany written by Nikolaus Bacht and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music, theatre and politics have maintained a long-standing relationship that continues to be strong. The contributions in this volume bridge the conventional chronological division between 'late Romantic' and 'modern' music to thematize a wide array of i

Historical Dictionary of Opera

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Publisher : Scarecrow Press
ISBN 13 : 0810879433
Total Pages : 564 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Historical Dictionary of Opera by : Scott L. Balthazar

Download or read book Historical Dictionary of Opera written by Scott L. Balthazar and published by Scarecrow Press. This book was released on 2013-07-05 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.

History in Mighty Sounds

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Publisher : Boydell Press
ISBN 13 : 1843837544
Total Pages : 312 pages
Book Rating : 4.8/5 (438 download)

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Book Synopsis History in Mighty Sounds by : Barbara Eichner

Download or read book History in Mighty Sounds written by Barbara Eichner and published by Boydell Press. This book was released on 2012 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed, shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University.

The Freischütz Phenomenon: Opera As Cultural Mirror

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Publisher : Xlibris Corporation
ISBN 13 : 1462867901
Total Pages : 208 pages
Book Rating : 4.4/5 (628 download)

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Book Synopsis The Freischütz Phenomenon: Opera As Cultural Mirror by : Donald G. Henderson

Download or read book The Freischütz Phenomenon: Opera As Cultural Mirror written by Donald G. Henderson and published by Xlibris Corporation. This book was released on 2011-05-11 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Der Freischütz, a German opera composed by Carl Maria von Weber, premiered to great acclaim in 1821. It eventually became a “national treasure” in its homeland as well as an enduring fixture in the international repertory. Wilhelm Furtwängler, a renowned conductor of the twentieth century, proclaimed it to be an utterly unique opera and one of the greatest masterworks of world literature. The story is deeply rooted in German folklore. It involves rustic life in the forest, threatening supernatural machinations, strong communal bonds, and the triumph of love and simple faith over dark power. Der Freischütz is not a typical opera. There are two reasons for considering it to be a singular cultural phenomenon: (1) an extraordinary charisma in the Germanic sphere, and (2) a fateful vulnerability to alteration and exploitation in its long performance history, which undermined the opera’s integrity while refl ecting a wide range of ideas and attitudes in Western culture. The ultimate goal of this book is to restore the integrity of the original Freischütz and its depth of reference as well.

Literature and Music in the Atlantic World, 1767-1867

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Publisher : Edinburgh University Press
ISBN 13 : 074868462X
Total Pages : 288 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Literature and Music in the Atlantic World, 1767-1867 by : Catherine Jones

Download or read book Literature and Music in the Atlantic World, 1767-1867 written by Catherine Jones and published by Edinburgh University Press. This book was released on 2014-07-16 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music.

Sourcebook for Research in Music, Third Edition

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Publisher : Indiana University Press
ISBN 13 : 0253014565
Total Pages : 518 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Sourcebook for Research in Music, Third Edition by : Allen Scott

Download or read book Sourcebook for Research in Music, Third Edition written by Allen Scott and published by Indiana University Press. This book was released on 2015-06-01 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.

What the Ballad Knows

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Publisher : Oxford University Press
ISBN 13 : 0190885491
Total Pages : 297 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis What the Ballad Knows by : Adrian Daub

Download or read book What the Ballad Knows written by Adrian Daub and published by Oxford University Press. This book was released on 2022 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The German ballad was an unusual poetic genre: supposedly inspired by a treasure trove of authorless poems that had for centuries circulated among the common people, the ballad attained popularity in the form of deeply ironic poems written by some of Germany's most canonic authors. Supposedly a celebration of the oral culture of the German Volk, the ballad instead circulated through the emerging channels of nineteenth century culture industry: from anthologies and picture books via the exploding market for song settings, from the opera house to the vaudeville stage, the ballad hewed to its medieval pretence while sounding surprisingly modern. This book traces the strange trajectory of this poetic genre from its origins in the late 18th century to its political appropriations in the 20th. Throughout, the ballad and its path across a wide variety of milieus and media told a surprising and contradictory story of the German nation. What The Ballad Knows shows that, even though the ballad arrived in Germany as a literary genre, it very quickly came to make its home in between different genres and even different media - to the point that laypeople were as likely to encounter it in a concert hall, a classroom, an art museum or a choral rehearsal as they were to encounter it in a book. When cultural conservatives in the early 20th century sought to claim the ballad as a straightforward and serious vehicle of German nationalism, they ignored just how complex the ballad's relationship to the nation had been, and what complexities within nationalism the form had managed to highlight through the decades"--

The Cambridge Companion to Music and Romanticism

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Publisher : Cambridge University Press
ISBN 13 : 1108475434
Total Pages : 403 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis The Cambridge Companion to Music and Romanticism by : Benedict Taylor

Download or read book The Cambridge Companion to Music and Romanticism written by Benedict Taylor and published by Cambridge University Press. This book was released on 2021-08-26 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.