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Author :
Publisher :
ISBN 13 :
Total Pages : 586 pages
Book Rating : 4.F/5 ( download)
Download or read book Canadian University Music Review written by and published by . This book was released on 2002 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 260 pages
Book Rating : 4.F/5 ( download)
Download or read book Canadian University Music Review written by and published by . This book was released on 2005 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Edouard Gregory Hesselberg
Publisher :
ISBN 13 :
Total Pages : 40 pages
Book Rating : 4.:/5 (113 download)
Download or read book A Review of Music in Canada written by Edouard Gregory Hesselberg and published by . This book was released on 1981 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Tia DeNora
Publisher : Cambridge University Press
ISBN 13 : 9780521627320
Total Pages : 212 pages
Book Rating : 4.6/5 (273 download)
Download or read book Music in Everyday Life written by Tia DeNora and published by Cambridge University Press. This book was released on 2000-06-08 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: The power of music to influence mood, create scenes, routines and occasions is widely recognised and this is reflected in a strand of social theory from Plato to Adorno that portrays music as an influence on character, social structure and action. There have, however, been few attempts to specify this power empirically and to provide theoretically grounded accounts of music's structuring properties in everyday experience. Music in Everyday Life uses a series of ethnographic studies - an aerobics class, karaoke evenings, music therapy sessions and the use of background music in the retail sector - as well as in-depth interviews to show how music is a constitutive feature of human agency. Drawing together concepts from psychology, sociology and socio-linguistics it develops a theory of music's active role in the construction of personal and social life and highlights the aesthetic dimension of social order and organisation in late modern societies.
Author : Murray Steib
Publisher : Routledge
ISBN 13 : 1135942692
Total Pages : 2624 pages
Book Rating : 4.1/5 (359 download)
Download or read book Reader's Guide to Music written by Murray Steib and published by Routledge. This book was released on 2013-12-02 with total page 2624 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Author : Helmut Kallmann
Publisher : Wilfrid Laurier Univ. Press
ISBN 13 : 1554588928
Total Pages : 292 pages
Book Rating : 4.5/5 (545 download)
Download or read book Mapping Canada’s Music written by Helmut Kallmann and published by Wilfrid Laurier Univ. Press. This book was released on 2013-05-25 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mapping Canada’s Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922–2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism. Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music. The variety, breadth, and scope of these writings confirm Kallmann’s pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.
Author : Carol A. Beynon
Publisher : Wilfrid Laurier Univ. Press
ISBN 13 : 1554583861
Total Pages : 231 pages
Book Rating : 4.5/5 (545 download)
Download or read book Critical Perspectives in Canadian Music Education written by Carol A. Beynon and published by Wilfrid Laurier Univ. Press. This book was released on 2012-09-01 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music education in Canada is a vast enterprise that encompasses teaching and learning in thousands of public and private schools, community groups, and colleges and universities. It involves participants from infancy to the elderly in formal and informal settings. Nevertheless, as post-secondary faculties of music and programs are growing significantly, academic books and materials grounded in a Canadian perspective are scarce. This book attempts to fill that need by offering a collection of essays that look critically at various global issues in music education from a Canadian perspective. Topics range from a discussion of the roots of music education in Canada and analysis of music education practices across the country to perspectives on popular music, distance education, technology, gender, globalization, Indigenous traditions, and community music in music education. Foreword by composer R. Murray Schafer.
Author : Roe-Min Kok
Publisher : Oxford University Press
ISBN 13 : 0199813302
Total Pages : 488 pages
Book Rating : 4.1/5 (998 download)
Download or read book Rethinking Schumann written by Roe-Min Kok and published by Oxford University Press. This book was released on 2011-01-19 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: A provocative re-examination of a major romantic composer, Rethinking Schumann provides fresh approaches to Schumann's oeuvre and its reception from the perspectives of literature, visual arts, cultural history, performance studies, dance, and film. Traditionally, research has focused on biographical links between the composer and his music, encouraging the assumption that Schumann was solitary, divorced from reality, and frequently associated with "untimeliness." These eighteen new essays argue from a multitude of perspectives that Schumann was in fact very much a man of his time, informed not only by music but also the culture and society around him. The book further reveals that the composer's reputation has been shaped significantly by, for example, changes in attitudes towards German romanticism and its history, and recent developments in musical scholarship and performance. Rethinking Schumann takes into account cultural and social-institutional frameworks, engages with ongoing and new issues of reception and historiography, and offers fresh music-analytical insights. As a whole, the essays assemble a portrait of the artist that reflects the different ways in which Schumann has been understood and misunderstood over the past two hundred years. The volume is, in short, a timely reassessment of this ultimately non-untimely figure's legacy. While the essays consider some of Schumann's most famous music (Dichterliebe, Kinderszenen and the Piano Quintet), they also provide crucial adjustment to judgments against the composer's later works by explaining their musical features not as the result of diminishing creative capacity but as reflections of the political and social situations of mid-nineteenth-century German culture and technological developments. Schumann is revealed to have been a musician engaged by and responsive to his surroundings, whose reputation was formed to a great extent by popular culture, both in his own lifetime as he responded to particular poets and painters, and later, as his life and works were responded to by subsequent generations.
Author : Carl Morey
Publisher : Routledge
ISBN 13 : 1135570221
Total Pages : 298 pages
Book Rating : 4.1/5 (355 download)
Download or read book Music in Canada written by Carl Morey and published by Routledge. This book was released on 2013-11-26 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing access to virtually any subject related to music and musicians in Canada, more than 900 annotated entries are organized under 13 topics, and indexed by author, subject, and title. Background and supplementary information and suggestions for research are presented in introductory essays. The material covered reflects the broad spectrum of music in Canadian society including historical, analytical, and biographical studies of music derived from the European tradition, First Nations and Inuit music, jazz and popular works, folk and ethnic music, education, research and bibliographical materials. The reader is also directed to some important on-line resources. Musical activity in Canada has developed remarkably in the past 50 years, with a parallel growth of musical scholarship examining historical, social, and ethnological aspects of Canadian musical life. This Guide is the first to draw comprehensively on the wealth of studies now available, which are often dispersed and not easily located. Consequently, this information is invaluable to students and researchers interested in Canadian music, the music of North America, and Canadian studies. Index.
Author : Paul Driver
Publisher : Taylor & Francis
ISBN 13 : 9783718649808
Total Pages : 318 pages
Book Rating : 4.6/5 (498 download)
Download or read book Music and Text written by Paul Driver and published by Taylor & Francis. This book was released on 1989 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: The composers, writers and musicologists who contributed to this issue embrace aesthetics as far apart as neo-romanticism and post-Darmstadt "complexity," whole-scale computerization and non-computerization and deal with problems of word-setting and operatic composition in English, German, Italian and Swedish.
Author : Michael Saffle
Publisher : Routledge
ISBN 13 : 1135839530
Total Pages : 478 pages
Book Rating : 4.1/5 (358 download)
Download or read book Richard Wagner written by Michael Saffle and published by Routledge. This book was released on 2010-06-10 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
Author : Andy R. Brown
Publisher : Routledge
ISBN 13 : 1317587243
Total Pages : 352 pages
Book Rating : 4.3/5 (175 download)
Download or read book Global Metal Music and Culture written by Andy R. Brown and published by Routledge. This book was released on 2016-03-22 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philosophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom metal, Death metal, and Progressive metal. They interrogate production technologies, sound engineering, album artwork and band promotion, logos and merchandising, t-shirt and jewellery design, and fan communities that define the global metal music economy and subcultural scene. The volume explores how the new academic discipline of metal studies was formed, also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, and sociology, as well as those interested in metal communities around the world.
Author : Bennett Zon
Publisher : Routledge
ISBN 13 : 1351556304
Total Pages : 396 pages
Book Rating : 4.3/5 (515 download)
Download or read book Nineteenth-Century Music written by Bennett Zon and published by Routledge. This book was released on 2017-07-05 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This selection of essays represents a wide cross-section of the papers given at the Tenth International Conference on Nineteenth-Century Music held at the University of Bristol in 1998. Sections include thematic groupings of work on musical meaning, Wagner, Liszt, musical culture in France, music and nation, and women and music.
Author : Liz Przybylski
Publisher : NYU Press
ISBN 13 : 1479816914
Total Pages : 328 pages
Book Rating : 4.4/5 (798 download)
Download or read book Sonic Sovereignty written by Liz Przybylski and published by NYU Press. This book was released on 2023-07-25 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does sovereignty sound like? Sonic Sovereignty explores how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of “sonic sovereignty” connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting effects of expressive culture. Przybylski covers online and offline media spaces, following musicians and producers as they, and their music, circulate across broadcast and online networks. Przybylski documents and reflects on shifts in both the music industry and political landscape in the last fifteen years: just as the ways in which people listen to, consume, and interact with popular music have radically changed, large public conversations have flourished around contemporary Indigenous culture, settler responsibility, Indigenous leadership, and decolonial futures. Sonic Sovereignty encourages us to experiment with the temporal possibilities of listening by detailing moments when a sample, lyric, or musical reference moves a listener out of time. Przybylski maintains that hip hop and many North American Indigenous practices, all drawn from storytelling, welcome nonlinear listening. The musical readings presented in this book thus explore how musicians use tools to help listeners embrace rupture, and how out-of-time listening creates decolonial possibilities.
Author : Ian Biddle
Publisher : Routledge
ISBN 13 : 1351557742
Total Pages : 549 pages
Book Rating : 4.3/5 (515 download)
Download or read book Music and Identity Politics written by Ian Biddle and published by Routledge. This book was released on 2017-07-05 with total page 549 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together for the first time book chapters, articles and position pieces from the debates on music and identity, which seek to answer classic questions such as: how has music shaped the ways in which we understand our identities and those of others? In what ways has scholarly writing about music dealt with identity politics since the Second World War? Both classic and more recent contributions are included, as well as material on related issues such as music's role as a resource in making and performing identities and music scholarship's ambivalent relationship with scholarly activism and identity politics. The essays approach the music-identity relationship from a wide range of methodological perspectives, ranging from critical historiography and archival studies, psychoanalysis, gender and sexuality studies, to ethnography and anthropology, and social and cultural theories drawn from sociology; and from continental philosophy and Marxist theories of class to a range of globalization theories. The collection draws on the work of Anglophone scholars from all over the globe, and deals with a wide range of musics and cultures, from the Americas, Australasia, Europe, the Middle East and Africa. This unique collection of key texts, which deal not just with questions of gender, sexuality and race, but also with other socially-mediated identities such as social class, disability, national identity and accounts and analyses of inter-group encounters, is an invaluable resource for music scholars and researchers and those working in any discipline that deals with identity or identity politics.
Author : Maria Anna Harley
Publisher : Lulu.com
ISBN 13 : 0996398163
Total Pages : 483 pages
Book Rating : 4.9/5 (963 download)
Download or read book Space and Spatialization in Contemporary Music: History and Analysis, Ideas and Implementations written by Maria Anna Harley and published by Lulu.com. This book was released on 2016-06-08 with total page 483 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dissertation presents the history of space in the musical thought of the 20th century (from Kurth to Clifton, from Varese to Xenakis) and outlines the development of spatialization in the theory and practice of contemporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden's notion of the musical work; a typology of spatial designs embraces music for different acoustic environments, movements of performers and audiences, various positions of musicians in space, etc. The study of spatialization includes a survey of the composers's writings (lves, Boulez, Stockhausen, Cage, etc.) and an examination of their works. The final part presents three unique approaches to spatialization: Brant's simultaneity of sound layers, Xenakis's movement of sound, and Schafer's music of ritual and soundscape.
Author : Hannah Lewis
Publisher : Oxford University Press
ISBN 13 : 0190636009
Total Pages : 267 pages
Book Rating : 4.1/5 (96 download)
Download or read book French Musical Culture and the Coming of Sound Cinema written by Hannah Lewis and published by Oxford University Press. This book was released on 2018-09-05 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: The transition from silent to synchronized sound film was one of the most dramatic transformations in cinema's history, as it radically changed the technology, practices, and aesthetics of filmmaking within a few short years. In France, debates about sound cinema were fierce and widespread. In French Musical Culture and the Coming of Sound Cinema, author Hannah Lewis argues that the debates about sound film resonated deeply within French musical culture of the early 1930s, and conversely, that discourses surrounding a range of French musical styles and genres shaped audiovisual cinematic experiments during the transition to sound. Lewis' book focuses on many of the most prominent directors and screenwriters of the period, from Luis Buñuel to Jean Vigo, as well as experiments found in lesser-known films. Additionally, Lewis examines how early sound film portrayed the diverse soundscape of early 1930s France, as filmmakers drew from the music hall, popular chanson, modernist composition, opera and operetta, and explored the importance of musical machines to depict and to shape French audiovisual culture. In this light, the author discusses the contributions of well-known composers for film alongside more popular music hall styles, all of which had a voice within the heterogeneous soundtrack of French sound cinema. By delving into this fascinating developmental period of French cinematic history, Lewis encourages readers to challenge commonly-held assumptions about how genres, media, and artistic forms relate to one another, and how these relationships are renegotiated during moments of technological change.
