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Australian And European Paintings
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Book Synopsis Antipodean Early Modern by : Anne Dunlop
Download or read book Antipodean Early Modern written by Anne Dunlop and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays showcases extraordinary objects held by Australian collections, revealing a wide range of contemporary art and historical research.
Book Synopsis Australia's Impressionists by : Tim Bonyhady
Download or read book Australia's Impressionists written by Tim Bonyhady and published by National Gallery London. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of an exhibition held at the National Gallery, London, December 7, 2016-March 26, 2017.
Book Synopsis A Companion to Australian Art by : Christopher Allen
Download or read book A Companion to Australian Art written by Christopher Allen and published by John Wiley & Sons. This book was released on 2021-07-06 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Australian Art A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.
Book Synopsis Rethinking Australia’s Art History by : Susan Lowish
Download or read book Rethinking Australia’s Art History written by Susan Lowish and published by Routledge. This book was released on 2018-05-30 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.
Book Synopsis "Australian Art and Artists in London, 1950?965 " by : Simon Pierse
Download or read book "Australian Art and Artists in London, 1950?965 " written by Simon Pierse and published by Routledge. This book was released on 2017-07-05 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as well as the self-definition and interaction of the artists themselves. Simon Pierse interweaves multiple issues of the period into a cohesive historical narrative, including the mechanics of the British art world, the limited and frustrating cultural scene of 1950s Australia, and the conservative influence of Australian government bodies. Publishing for the first time archival material, letters, and photographs previously unavailable to scholars either in Britain or Australia, this book demonstrates how the work of expatriate Australian artists living in London constructed a distinct vision of Australian identity for a foreign market.
Book Synopsis Pedigree and Panache by : Shireen Huda
Download or read book Pedigree and Panache written by Shireen Huda and published by ANU E Press. This book was released on 2008-04-01 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Art auctions have long captured the public imagination. They regularly make news headlines and have become synonymous with glamour, money and social distinction. The marketing of auction houses and the works they sell has resulted in firms attaining authoritative positions and the ability both to influence and reflect collecting tastes. Pedigree and panache is the first comprehensive history of the art auction in Australia. In this fascinating work, Shireen Huda investigates the construction of the glamorous reputation of art auctions and art auction houses. Featuring absorbing case studies of key art auctions and major art auction houses in Australia (including Christies, Sothebys and Deutscher-Menzies) the work provides an overview of the origin and international development of art auctions. The development of the Australian marketplace is then explored, detailing colonial inception and continuing until Christies' withdrawal of its saleroom presence in 2006."--Provided by publisher.
Book Synopsis British Art for Australia, 1860-1953 by : Matthew C. Potter
Download or read book British Art for Australia, 1860-1953 written by Matthew C. Potter and published by Routledge. This book was released on 2018-12-21 with total page 603 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Book Synopsis The Art of the First Fleet & Other Early Australian Drawings by : Bernard Smith
Download or read book The Art of the First Fleet & Other Early Australian Drawings written by Bernard Smith and published by . This book was released on 1988 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1788, the First Fleet landed in New South Wales, and European settlement in Australia began. Among those on board the eleven ships of the fleet were artists who recorded their impressions of the land, its indigenous people, its flora and fauna, and incidents or events which they considered significant.
Download or read book Art in Australia written by and published by . This book was released on 1923 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Histories of Australian Rock Art Research by : Jo McDonald
Download or read book Histories of Australian Rock Art Research written by Jo McDonald and published by ANU Press. This book was released on 2022-09-06 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Australia has one of the largest inventories of rock art in the world with pictographs and petroglyphs found almost anywhere that has suitable rock surfaces – in rock shelters and caves, on boulders and rock platforms. First Nations people have been marking these places with figurative imagery, abstract designs, stencils and prints for tens of thousands of years, often engaging with earlier rock markings. The art reflects and expresses changing experiences within landscapes over time, spirituality, history, law and lore, as well as relationships between individuals and groups of people, plants, animals, land and Ancestral Beings that are said to have created the world, including some rock art. Since the late 1700s, people arriving in Australia have been fascinated with the rock art they encountered, with detailed studies commencing in the late 1800s. Through the 1900s an impressive body of research on Australian rock art was undertaken, with dedicated academic study using archaeological methods employed since the late 1940s. Since then, Australian rock art has been researched from various perspectives, including that of Traditional Owners, custodians and other community members. Through the 1900s, there was also growing interest in Australian rock art from researchers across the globe, leading many to visit or migrate to Australia to undertake rock art research. In this volume, the varied histories of Australian rock art research from different parts of the country are explored not only in terms of key researchers, developments and changes over time, but also the crucial role of First Nations people themselves in investigations of this key component of their living heritage.
Book Synopsis Art History and Anthropology by : Peter Probst
Download or read book Art History and Anthropology written by Peter Probst and published by Getty Publications. This book was released on 2023-12-12 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: An in-depth and nuanced look at the complex relationship between two dynamic fields of study. While today we are experiencing a revival of world art and the so-called global turn of art history, encounters between art historians and anthropologists remain rare. Even after a century and a half of interactions between these epistemologies, a skeptical distance prevails with respect to the disciplinary other. This volume is a timely exploration of the roots of this complex dialogue, as it emerged worldwide in the colonial and early postcolonial periods, between 1870 and 1970. Exploring case studies from Australia, Austria, Brazil, France, Germany, and the United States, this volume addresses connections and rejections between art historians and anthropologists—often in the contested arena of “primitive art.” It examines the roles of a range of figures, including the art historian–anthropologist Aby Warburg, the modernist artist Tarsila do Amaral, the curator-impresario Leo Frobenius, and museum directors such as Alfred Barr and René d’Harnoncourt. Entering the current debates on decolonizing the past, this collection of essays prompts reflection on future relations between these two fields.
Book Synopsis World Art and the Legacies of Colonial Violence by : DanielJ. Rycroft
Download or read book World Art and the Legacies of Colonial Violence written by DanielJ. Rycroft and published by Routledge. This book was released on 2017-07-05 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativity and historical/curatorial interpretation? World Art and the Legacies of Colonial Violence - comprised of ten essays by an international roster of art historians, curators, and anthropologists - forges innovative approaches to post-colonial studies, Indigenous studies, critical heritage studies, and the new museology. This volume probes the degree to which global histories of conflict, coercion and occupation have shaped art historical approaches to intercultural knowledge and representation. These debates are relevant to contemporary artists and scholars of visual, material and museological culture in their attempts to negotiate imperial and colonial legacies. Confronting the aesthetics of Abolition, Fascism and Filipino independence, and re-thinking relationships between colonised and coloniser in Cameroon, North America and East Timor, the collection brings together new readings of Primitivism and Aboriginal art as well. It features discussions of touring exhibitions, popular media, modernist paintings and sculptures, historic photographs, human remains and art installations. In addition to the critical application of phenomenology in a fresh and contemporary manner, the volume?s ?world art? perspective nurtures the possibility that intercultural ethics are relevant to the study of art, power and modernity.
Book Synopsis When Modern Became Contemporary Art by : Charles Green
Download or read book When Modern Became Contemporary Art written by Charles Green and published by Taylor & Francis. This book was released on 2024-09-19 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a portrait of the period when modern art became contemporary art. It explores how and why writers and artists in Australia argued over the idea of a distinctively Australian modern and then postmodern art from 1962, the date of publication of a foundational book, Australian Painting 1788–1960, up to 1988, the year of the Australian Bicentennial. Across nine chapters about art, exhibitions, curators and critics, this book describes the shift from modern art to contemporary art through the successive attempts to define a place in the world for Australian art. But by 1988, Australian art looked less and less like a viable tradition inside which to interpret ‘our’ art. Instead, vast gaps appeared, since mostly male and often older White writers had limited their horizons to White Australia alone. National stories by White men, like borders, had less and less explanatory value. Underneath this, a perplexing subject remained: the absence of Aboriginal art in understanding what Australian art was during the period that established the idea of a distinctive Australian modern and then contemporary art. This book reflects on why the embrace of Aboriginal art was so late in art museums and histories of Australian art, arguing that this was because it was not part of a national story dominated by colonial, then neo-colonial dependency. It is important reading for all scholars of both global and Australian art, and for curators and artists.
Book Synopsis Identity, Community and Australian Artists, 1890-1914 by : Kate R. Robertson
Download or read book Identity, Community and Australian Artists, 1890-1914 written by Kate R. Robertson and published by Bloomsbury Publishing USA. This book was released on 2019-09-19 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: An irresistible call lured Australian artists abroad between 1890 and 1914, a transitional period immediately pre- and post-federation. Travelling enabled an extension of artistic frontiers, and Paris – the centre of art – and London – the heart of the Empire – promised wondrous opportunities. These expatriate artists formed communities based on their common bond to Australia, enacting their Australian-ness in private and public settings. Yet, they also interacted with the broader creative community, fashioning a network of social and professional relationships. They joined ateliers in Paris such as the Académie Julian, clubs like the Chelsea Arts Club in London and visited artist colonies including St Ives in England and Étaples in France. Australian artists persistently sought a sense of belonging, negotiating their identity through activities such as plays, balls, tableaux, parties, dressing-up and, of course, the creation of art. While individual biographies are integral to this study, it is through exploring the connections between them that it offers new insights. Through utilising extensive archival material, much of which has limited or no publication history, this book fills a gap in existing scholarship. It offers a vital exploration re-consideration of the fluidity of identity, place and belonging in the lives and work of Australian artists in this juncture in British-Australian history.
Book Synopsis Routledge International Handbook of the Sociology of Art and Culture by : Laurie Hanquinet
Download or read book Routledge International Handbook of the Sociology of Art and Culture written by Laurie Hanquinet and published by Routledge. This book was released on 2015-09-16 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook of the Sociology of Arts and Culture offers a comprehensive overview of sociology of art and culture, focusing especially – though not exclusively – on the visual arts, literature, music, and digital culture. Extending, and critiquing, Bourdieu’s influential analysis of cultural capital, the distinguished international contributors explore the extent to which cultural omnivorousness has eclipsed highbrow culture, the role of age, gender and class on cultural practices, the character of aesthetic preferences, the contemporary significance of screen culture, and the restructuring of popular culture. The Handbook critiques modes of sociological determinism in which cultural engagement is seen as the simple product of the educated middle classes. The contributions explore the critique of Eurocentrism and the global and cosmopolitan dimensions of cultural life. The book focuses particularly on bringing cutting edge ‘relational’ research methodologies, both qualitative and quantitative, to bear on these debates. This handbook not only describes the field, but also proposes an agenda for its development which will command major international interest.
Download or read book Texts and Contexts written by Doug Munro and published by University of Hawaii Press. This book was released on 2005-11-30 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Texts and Contexts is concerned with the development of Pacific Islands history as a specialization in its own right. Specifically, this volume examines the foundational texts that pioneered and consolidated the new subdiscipline and served as the building blocks and stepping stone for further developments in the field. Thirty-five texts, all of which represent defining points in the development of Pacific Islands historiography, are examined. Much more than retrospective appraisals of the foundational texts, the individual chapters consider a text or complimentary texts within the context of the time of writing and gauge what ongoing influence they exerted. In some cases they suggest how a particular text has been superseded by subsequent work that breaks new conceptual ground in the ongoing process of revisionism. Contributors: Chris Ballard on Gavin Souter; Ivan Brady on Greg Dening; I. C. Campbell on Norma McArthur; Bronwen Douglas and Doug Munro on H. E. Maude and Dorothy Shineberg; Michael Goldsmith on Marshall Sahlins; David Hanlon on Francis X. Hezel; K. R. Howe on Andrew Sharp and David Lewis; Brij V.Lal on K. L. Gillion and Peter Corris; Hugh Laracy on Niel Gunson and Ta‘unga; Lamont Lindstrom on Peter Worsley and Peter Lawrence; Doug Munro on Douglas L. Oliver, R. P. Gilson, J. W. Davidson, and K. R. Howe; Vincent O’Malley on Keith Sinclair and Alan Ward; Jon Osorio on Ralph Kuykendall and Gavan Daws; Tom Ryan on Bernard Smith; Jane Samson on W. P. Morrell and Deryck Scarr; Francis West on Francis West and Gavan Daws; Glyndwr Williams on O. H. K. Spate.
Book Synopsis A History of Aboriginal Art in the Art Gallery of New South Wales by : Vanessa Russ
Download or read book A History of Aboriginal Art in the Art Gallery of New South Wales written by Vanessa Russ and published by Routledge. This book was released on 2021-06-24 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this highly original study, Vanessa Russ examines the gradual invention of Aboriginal art within the Art Gallery of New South Wales. This process occurred as the social histories of Australia expanded and recognised Aboriginal people, through wars and political shifts, and as international organisations began placing pressure on nation states to expand, diversify, and respect multicultural perspectives. This book explores a state art institution as a case study to consider these complex narratives through a single history of Aboriginal art from early colonisation until today. The book will be of interest to scholars working in art history, museum studies, and Indigenous studies.
