Art in the Service of Colonialism

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 0857738593
Total Pages : 296 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Art in the Service of Colonialism by : Hamid Irbouh

Download or read book Art in the Service of Colonialism written by Hamid Irbouh and published by Bloomsbury Publishing. This book was released on 2013-03-25 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the Moroccan French Protectorate (1912-1956), the French established vocational and fine art schools, imposed modern systems of industrial production and pedagogy and reinvented old traditions. Hamid Irbouh argues that the French used this systematic modernisation of local arts and crafts regulation to impose their control. He looks in particular at the role and place of women in the structures of art production and education created by the French- that transformed and dominated Moroccan society during the colonial period. French women infiltrated the Moroccan milieu, to buttress colonial ideology, yet at critical moments, Moroccan women rejected traditional roles and sabotaged colonial plans. Meanwhile, the contradictions between reformist goals and the old order added to social dislocations and led to rebellion against French hegemony. Irbouh examines and analyses these processes and demonstrates how Moroccan artists have struggled to exorcise French influences and rediscover an authentic visual culture since decolonisation. This book reveals that the weight of colonial history continues to weigh heavily on artistic practice and production.

Art in the Service of Colonialism

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 0857725157
Total Pages : 296 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Art in the Service of Colonialism by : Hamid Irbouh

Download or read book Art in the Service of Colonialism written by Hamid Irbouh and published by Bloomsbury Publishing. This book was released on 2013-03-25 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the Moroccan French Protectorate (1912-1956), the French established vocational and fine art schools, imposed modern systems of industrial production and pedagogy and reinvented old traditions. Hamid Irbouh argues that the French used this systematic modernisation of local arts and crafts regulation to impose their control. He looks in particular at the role and place of women in the structures of art production and education created by the French- that transformed and dominated Moroccan society during the colonial period. French women infiltrated the Moroccan milieu, to buttress colonial ideology, yet at critical moments, Moroccan women rejected traditional roles and sabotaged colonial plans. Meanwhile, the contradictions between reformist goals and the old order added to social dislocations and led to rebellion against French hegemony. Irbouh examines and analyses these processes and demonstrates how Moroccan artists have struggled to exorcise French influences and rediscover an authentic visual culture since decolonisation. This book reveals that the weight of colonial history continues to weigh heavily on artistic practice and production.

Art and Nationalism in Colonial India, 1850-1922

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Author :
Publisher : Cambridge University Press
ISBN 13 : 9780521443548
Total Pages : 538 pages
Book Rating : 4.4/5 (435 download)

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Book Synopsis Art and Nationalism in Colonial India, 1850-1922 by : Partha Mitter

Download or read book Art and Nationalism in Colonial India, 1850-1922 written by Partha Mitter and published by Cambridge University Press. This book was released on 1994 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt: Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.

Mapping Modernisms

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Publisher : Duke University Press
ISBN 13 : 0822372614
Total Pages : 432 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Mapping Modernisms by : Elizabeth Harney

Download or read book Mapping Modernisms written by Elizabeth Harney and published by Duke University Press. This book was released on 2018-11-16 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. Contributors. Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian Skinner, Nicholas Thomas, Norman Vorano

The Colonial Art of Demonizing Others

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Author :
Publisher : Routledge
ISBN 13 : 1317800842
Total Pages : 169 pages
Book Rating : 4.3/5 (178 download)

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Book Synopsis The Colonial Art of Demonizing Others by : Esther Lezra

Download or read book The Colonial Art of Demonizing Others written by Esther Lezra and published by Routledge. This book was released on 2014-03-21 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Colonial Art of Demonizing Others examines European mistranslations and misrepresentations of black freedom dreams and self-activity as monstrous in the period of modern imperial consolidation –roughly from 1750 to 1848. This book argues that Europe’s archives of self-understanding are haunted by the traces of Black radical resistance. Just as Europe’s economy came to depend upon the raw materials, markets, and labor it secured from the colonies, European culture came to be based on fantasies and phobias derived from the unruly and unmanageable aftershocks of colonial violence and counter-insurgency. Rather than assert that European nationalist and abolitionist discourses are on the side of emancipatory movements, the book shows the limits of the promise of that discourse, and the continuation of those limitations that makes the continued pursuit of that promise a questionable activity. This book does not wish to salvage the emancipatory promises of European discourse, but considers the more difficult and uncomfortable question of why emancipatory movements represented the struggles of anticolonial and radical blackness the way they did. The Colonial Art of Demonizing Others privileges the political reading not only of literary texts but also of historical documents and visual culture.

Arts-Based Methods for Decolonising Participatory Research

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Author :
Publisher : Routledge
ISBN 13 : 1000392546
Total Pages : 291 pages
Book Rating : 4.0/5 (3 download)

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Book Synopsis Arts-Based Methods for Decolonising Participatory Research by : Tiina Seppälä

Download or read book Arts-Based Methods for Decolonising Participatory Research written by Tiina Seppälä and published by Routledge. This book was released on 2021-04-18 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: In an effort to challenge the ways in which colonial power relations and Eurocentric knowledges are reproduced in participatory research, this book explores whether and how it is possible to use arts-based methods for creating more horizontal and democratic research practices. In discussing both the transformative potential and limitations of arts-based methods, the book asks: What can arts-based methods contribute to decolonising participatory research and its processes and practices? The book takes part in ongoing debates related to the need to decolonise research, and investigates practical contributions of arts-based methods in the practice-led research domain. Further, it discusses the role of artistic research in depth, locating it in a decolonising context. The book will be of interest to scholars working in art history, design, fine arts, service design, social sciences and development studies.

The Whole Picture

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Publisher : Cassell
ISBN 13 : 1788402219
Total Pages : 288 pages
Book Rating : 4.7/5 (884 download)

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Book Synopsis The Whole Picture by : Alice Procter

Download or read book The Whole Picture written by Alice Procter and published by Cassell. This book was released on 2020-03-19 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.

Art, Commerce and Colonialism 1600-1800

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Author :
Publisher : Art and its Global Histories
ISBN 13 : 9781526122926
Total Pages : 200 pages
Book Rating : 4.1/5 (229 download)

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Book Synopsis Art, Commerce and Colonialism 1600-1800 by : Emma Barker

Download or read book Art, Commerce and Colonialism 1600-1800 written by Emma Barker and published by Art and its Global Histories. This book was released on 2017-10-31 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art, Commerce and Colonialism 1600-1800 examines European art, architecture and design of the seventeenth and eighteenth centuries in the light of the continent's growing engagement with the rest of the world. In a series of case studies spanning the globe from Asia to the Americas, it shows how the expansion of intercontinental trade and the proliferation of colonial ventures gave rise to new and diverse forms of visual and material culture. Among the examples discussed are ornate altarpieces in the cathedrals of colonial Latin America, Dutch still-life paintings of exotic luxury imports, English interior decoration in the Chinoiserie style and the architecture of plantation houses in North America and the Caribbean. Drawing on a wide range of recent scholarship, the book proposes a new history of European art 1600-1800, which should appeal to undergraduate students as well as to a general readership

Forget Colonialism?

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Publisher : Univ of California Press
ISBN 13 : 0520228464
Total Pages : 380 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Forget Colonialism? by : Jennifer Cole

Download or read book Forget Colonialism? written by Jennifer Cole and published by Univ of California Press. This book was released on 2001-11-20 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The best book-length study of colonial memory available... Cole provides a way out of the dichotomy in which memory is viewed as either individual or 'collective.'"—Rosalind Shaw, coeditor of Syncretism/Anti-Syncretism: The Politics of Religious Synthesis "A remarkably lucid and self-assured analysis of social memory. . . The book is a pleasure to read."—Michael Lambek, author of Knowledge and Practice in Mayotte

Inventing the Performing Arts

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Publisher : University of Hawaii Press
ISBN 13 : 0824855590
Total Pages : 353 pages
Book Rating : 4.8/5 (248 download)

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Book Synopsis Inventing the Performing Arts by : Matthew Isaac Cohen

Download or read book Inventing the Performing Arts written by Matthew Isaac Cohen and published by University of Hawaii Press. This book was released on 2016-02-29 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indonesia, with its mix of ethnic cultures, cosmopolitan ethos, and strong national ideology, offers a useful lens for examining the intertwining of tradition and modernity in globalized Asia. In Inventing the Performing Arts, Matthew Isaac Cohen explores the profound change in diverse arts practices from the nineteenth century until 1949. He demonstrates that modern modes of transportation and communication not only brought the Dutch colony of Indonesia into the world economy, but also stimulated the emergence of new art forms and modern attitudes to art, disembedded and remoored traditions, and hybridized foreign and local. In the nineteenth century, access to novel forms of entertainment, such as the circus, and newspapers, which offered a new language of representation and criticism, wrought fundamental changes in theatrical, musical, and choreographic practices. Musical drama disseminated print literature to largely illiterate audiences starting in the 1870s, and spoken drama in the 1920s became a vehicle for exploring social issues. Twentieth-century institutions—including night fairs, the recording industry, schools, itinerant theatre, churches, cabarets, round-the-world cruises, and amusement parks—generated new ways of making, consuming, and comprehending the performing arts. Concerned over the loss of tradition and "Eastern" values, elites codified folk arts, established cultural preservation associations, and experimented in modern stagings of ancient stories. Urban nationalists excavated the past and amalgamated ethnic cultures in dramatic productions that imagined the Indonesian nation. The Japanese occupation (1942–1945) was brief but significant in cultural impact: plays, songs, and dances promoting anti-imperialism, Asian values, and war-time austerity measures were created by Indonesian intellectuals and artists in collaboration with Japanese and Korean civilian and military personnel. Artists were registered, playscripts censored, training programs developed, and a Cultural Center established. Based on more than two decades of archival study in Indonesia, Europe, and the United States, this richly detailed, meticulously researched book demonstrates that traditional and modern artistic forms were created and conceived, that is "invented," in tandem. Intended as a general historical introduction to the performing arts in Indonesia, it will be of great interest to students and scholars of Indonesian performance, Asian traditions and modernities, global arts and culture, and local heritage.

Orientalist Aesthetics

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Publisher : Univ of California Press
ISBN 13 : 0520924401
Total Pages : 394 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Orientalist Aesthetics by : Roger Benjamin

Download or read book Orientalist Aesthetics written by Roger Benjamin and published by Univ of California Press. This book was released on 2003-02-03 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.

Current Industrial Reports

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Author :
Publisher :
ISBN 13 :
Total Pages : 12 pages
Book Rating : 4.:/5 (3 download)

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Book Synopsis Current Industrial Reports by :

Download or read book Current Industrial Reports written by and published by . This book was released on 1991 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Rubens in Repeat

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Publisher : Getty Publications
ISBN 13 : 1606066862
Total Pages : 322 pages
Book Rating : 4.6/5 (6 download)

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Book Synopsis Rubens in Repeat by : Aaron M. Hyman

Download or read book Rubens in Repeat written by Aaron M. Hyman and published by Getty Publications. This book was released on 2021-08-03 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity. Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analyzing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator.

Unpacking Culture

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Publisher : Univ of California Press
ISBN 13 : 9780520207974
Total Pages : 444 pages
Book Rating : 4.2/5 (79 download)

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Book Synopsis Unpacking Culture by : Ruth B. Phillips

Download or read book Unpacking Culture written by Ruth B. Phillips and published by Univ of California Press. This book was released on 1999-01-30 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An outstanding set of studies that work well with each other to produce truly substantial and rich insights into the making and consuming of art in the colonial and post-colonial world."—Susan S. Bean, Curator, Peabody Essex Museum

The Brutish Museums

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Publisher :
ISBN 13 : 9781786806840
Total Pages : 0 pages
Book Rating : 4.8/5 (68 download)

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Book Synopsis The Brutish Museums by : Dan Hicks

Download or read book The Brutish Museums written by Dan Hicks and published by . This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. 0The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museum, Dan Hicks makes a powerful case for the urgent return of such objects, as part of awider project of addressing the outstanding debt of colonialism.

The Routledge Companion to Decolonizing Art History

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Author :
Publisher : Taylor & Francis
ISBN 13 : 1000969991
Total Pages : 822 pages
Book Rating : 4.0/5 (9 download)

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Book Synopsis The Routledge Companion to Decolonizing Art History by : Tatiana Flores

Download or read book The Routledge Companion to Decolonizing Art History written by Tatiana Flores and published by Taylor & Francis. This book was released on 2023-11-27 with total page 822 pages. Available in PDF, EPUB and Kindle. Book excerpt: This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies.

World Art and the Legacies of Colonial Violence

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Author :
Publisher : Routledge
ISBN 13 : 135153632X
Total Pages : 280 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis World Art and the Legacies of Colonial Violence by : DanielJ. Rycroft

Download or read book World Art and the Legacies of Colonial Violence written by DanielJ. Rycroft and published by Routledge. This book was released on 2017-07-05 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativity and historical/curatorial interpretation? World Art and the Legacies of Colonial Violence - comprised of ten essays by an international roster of art historians, curators, and anthropologists - forges innovative approaches to post-colonial studies, Indigenous studies, critical heritage studies, and the new museology. This volume probes the degree to which global histories of conflict, coercion and occupation have shaped art historical approaches to intercultural knowledge and representation. These debates are relevant to contemporary artists and scholars of visual, material and museological culture in their attempts to negotiate imperial and colonial legacies. Confronting the aesthetics of Abolition, Fascism and Filipino independence, and re-thinking relationships between colonised and coloniser in Cameroon, North America and East Timor, the collection brings together new readings of Primitivism and Aboriginal art as well. It features discussions of touring exhibitions, popular media, modernist paintings and sculptures, historic photographs, human remains and art installations. In addition to the critical application of phenomenology in a fresh and contemporary manner, the volume?s ?world art? perspective nurtures the possibility that intercultural ethics are relevant to the study of art, power and modernity.