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Art Anti Art Non Art
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Book Synopsis Art, Anti-art, Non-art by : Reiko Tomii
Download or read book Art, Anti-art, Non-art written by Reiko Tomii and published by Getty Publications. This book was released on 2007 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction to two decades of artistic ferment in postwar Japan. As that devastated nation confronted the fraught legacy of World War II, a rapid succession of avant-garde groups began experimenting with new media and processes of making art, disrupting conventions to address the changes occurring around them. The works that remain from this era are largely ephemeral - exhibition flyers, programs for performances, musical scores, issues of short-lived journals, documentary photographs, pieces of mail art, and multiples made from the detritus of modern life - but the ideals of engagement and innovation that invigorated this creative surge are not.
Book Synopsis Art and Engagement in Early Postwar Japan by : Justin Jesty
Download or read book Art and Engagement in Early Postwar Japan written by Justin Jesty and published by Cornell University Press. This book was released on 2018-09-15 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: No detailed description available for "Art and Engagement in Early Postwar Japan".
Book Synopsis Radicals and Realists in the Japanese Nonverbal Arts by : Thomas R. H. Havens
Download or read book Radicals and Realists in the Japanese Nonverbal Arts written by Thomas R. H. Havens and published by University of Hawaii Press. This book was released on 2006-07-31 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Radicals and Realists is the first book in any language to discuss Japan’s avant-garde artists, their work, and the historical environment in which they produced it during the two most creative decades of the twentieth century, the 1950s and 1960s. Many of the artists were radicals, rebelling against existing canons and established authority. Yet at the same time they were realists in choosing concrete materials, sounds, and themes from everyday life for their art and in gradually adopting tactics of protest or resistance through accommodation rather than confrontation. Whatever the means of expression, the production of art was never devoid of historical context or political implication. Focusing on the nonverbal genres of painting, sculpture, dance choreography, and music composition, this work shows that generational and political differences, not artistic doctrines, largely account for the divergent stances artists took vis-a-vis modernism, the international arts community, Japan’s ties to the United States, and the alliance of corporate and bureaucratic interests that solidified in Japan during the 1960s. After surveying censorship and arts policy during the American occupation of Japan (1945–1952), the narrative divides into two chronological sections dealing with the 1950s and 1960s, bisected by the rise of an artistic underground in Shinjuku and the security treaty crisis of May 1960. The first section treats Japanese artists who studied abroad as well as the vast and varied experiments in each of the nonverbal avant-garde arts that took place within Japan during the 1950s, after long years of artistic insularity and near-stasis throughout war and occupation. Chief among the intellectuals who stimulated experimentation were the art critic Takiguchi Shuzo, the painter Okamoto Taro, and the businessman-painter Yoshihara Jiro. The second section addresses the multifront assault on formalism (confusingly known as "anti-art") led by visual artists nationwide. Likewise, composers of both Western-style and contemporary Japanese-style music increasingly chose everyday themes from folk music and the premodern musical repertoire for their new presentations. Avant-garde print makers, sculptors, and choreographers similarly moved beyond the modern—and modernism—in their work. A later chapter examines the artistic apex of the postwar period: Osaka’s 1970 world exposition, where more avant-garde music, painting, sculpture, and dance were on display than at any other point in Japan’s history, before or since. Radicals and Realists is based on extensive archival research; numerous concerts, performances, and exhibits; and exclusive interviews with more than fifty leading choreographers, composers, painters, sculptors, and critics active during those two innovative decades. Its accessible prose and lucid analysis recommend it to a wide readership, including those interested in modern Japanese art and culture as well as the history of the postwar years.
Download or read book Anti-Book written by Nicholas Thoburn and published by U of Minnesota Press. This book was released on 2016-12-15 with total page 383 pages. Available in PDF, EPUB and Kindle. Book excerpt: No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.
Book Synopsis The Triumph of Anti-art by : Thomas McEvilley
Download or read book The Triumph of Anti-art written by Thomas McEvilley and published by Documentext. This book was released on 2005 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: McEvilley (art criticism and writing, School of Visual Arts, New York City) presents revised versions of essays published between 1981 and 2002, along with three major new essays that introduce and bring them together. Focusing on the origins of anti-art, and the development of performance and conceptual art, the essays trace artistic movements fro
Book Synopsis When Home Won't Let You Stay by : Eva Respini
Download or read book When Home Won't Let You Stay written by Eva Respini and published by Yale University Press. This book was released on 2019-01-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Insightful and interdisciplinary, this book considers the movement of people around the world and how contemporary artists contribute to our understanding of it In this timely volume, artists and thinkers join in conversation around the topic of global migration, examining both its cultural impact and the culture of migration itself. Individual voices shed light on the societal transformations related to migration and its representation in 21st-century art, offering diverse points of entry into this massive phenomenon and its many manifestations. The featured artworks range from painting, sculpture, and photography to installation, video, and sound art, and their makers--including Isaac Julien, Richard Mosse, Reena Saini Kallat, Yinka Shonibare MBE, and Do Ho Suh, among many others--hail from around the world. Texts by experts in political science, Latin American studies, and human rights, as well as contemporary art, expand upon the political, economic, and social contexts of migration and its representation. The book also includes three conversations in which artists discuss the complexity of making work about migration. Amid worldwide tensions surrounding refugee crises and border security, this publication provides a nuanced interpretation of the current cultural moment. Intertwining themes of memory, home, activism, and more, When Home Won't Let You Stay meditates on how art both shapes and is shaped by the public discourse on migration.
Book Synopsis Consciousness, Theatre, Literature and the Arts 2009 by : Daniel Meyer-Dinkgräfe
Download or read book Consciousness, Theatre, Literature and the Arts 2009 written by Daniel Meyer-Dinkgräfe and published by Cambridge Scholars Publishing. This book was released on 2009-12-14 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays collected in this volume were initially presented at the Third International Conference on Consciousness, Theatre, Literature and the Arts, held at the University of Lincoln, May 16-18, 2009. The conference was organised on the basis of the success of its predecessors in 2005 and 2007, and on the basis of the success of the Rodopi book series Consciousness, Literature and the Arts, which has to date seen twenty-one volumes in print, with another twelve in press or in the process of being written. The 2009 conference and the book series highlight the continuing growth of interest within the interdisciplinary field of consciousness studies, and in the distinct disciplines of theatre studies, literary studies, film studies, fine arts and music in the relationship between the object of these disciplines and human consciousness. Fifty-six delegates from twenty-one countries across the world attended the May 2009 conference in Lincoln; their range of disciplines and approaches is reflected well in this book.
Download or read book Tokyo, 1955-1970 written by Doryun Chong and published by The Museum of Modern Art. This book was released on 2012 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of an exhibition held at the Museum of Modern Art, New York, Nov. 18, 2012-Feb. 25, 2013.
Book Synopsis Harlem on My Mind by : Allon Schoener
Download or read book Harlem on My Mind written by Allon Schoener and published by . This book was released on 2007 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Long before Harlem became one of the trendiest neighbourhoods in the red-hot property market of Manhattan, it was a metaphor for African American culture at its richest. This is the classic record of Harlem life during some of the most exciting and turbulent years of its history, a beautiful - and poignant - reminder of a powerful moment in African American history. Includes the work of some of Harlem's most treasured photographers, extraordinary images are juxtaposed with articles recording the daily life of one of New York's most memorialised neighbourhoods.
Book Synopsis A Site of Struggle by : Sampada Aranke
Download or read book A Site of Struggle written by Sampada Aranke and published by Princeton University Press. This book was released on 2022-04-26 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events.
Book Synopsis The Philistine Controversy by : Dave Beech
Download or read book The Philistine Controversy written by Dave Beech and published by Verso. This book was released on 2002-06-17 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dave Beech and John Roberts develop what they call a 'counter-intuitive' notion of the philistine, with insights on cultural division and exclusion.
Download or read book Action Art written by John Gray and published by Bloomsbury Publishing USA. This book was released on 1993-05-30 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive international bibliography is the first to attempt documentation of this diverse field, covering the history of Artist's Performance. It focuses on its early twentieth-century antecedents in such movements as Futurism, Dada, Russian Constructivism, and the Bauhaus as well as its peak period in the 1950s, 1960s, and 1970s with such developments as Gutai, Fluxus, Viennese Actionism, Situationism, and Guerrilla Art Action. Major emphasis is also given to sources on 115 individual performance artists and groups. More than 3700 entries document print and media materials dating from 1914 to 1992. Organized for maximum accessibility, the sources are also extensively cross-referenced and are indexed by artist, subject, title, and author. Three appendices identify reference works, libraries, and archives, and addenda material not found in the book text, and two others list artists by country and by group or collective.
Book Synopsis A History of Installation Art and the Development of New Art Forms by : Faye Ran
Download or read book A History of Installation Art and the Development of New Art Forms written by Faye Ran and published by Peter Lang. This book was released on 2009 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art mirrors life; life returns the favor. How could nineteenth and twentieth century technologies foster both the change in the world view generally called postmodernism and the development of new art forms? Scholar and curator Faye Ran shows how interactions of art and technology led to cultural changes and the evolution of Installation art as a genre unto itself - a fascinating hybrid of expanded sculpture in terms of context, site, and environment, and expanded theatre in terms of performer, performance, and public.
Book Synopsis Japanese Art After 1945 by : Alexandra Munroe
Download or read book Japanese Art After 1945 written by Alexandra Munroe and published by Harry N. Abrams. This book was released on 1996-09-01 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: The exhibition, 'Japanese Art After 1945: Scream Against the Sky, ' is an interpretive survey of the last fifty years of Japanese avant-garde art. It is a great pleasure for The Japan Foundation to be co-organizer of the American tour, which travels to the Guggenheim Museum SoHo, New York and the San Francisco Museum of Modern Art in association with the Center for the Arts at Yerba Buena Gardens.
Book Synopsis Radicals and Realists in the Japanese Nonverbal Arts by : Thomas R. H. Havens
Download or read book Radicals and Realists in the Japanese Nonverbal Arts written by Thomas R. H. Havens and published by University of Hawaii Press. This book was released on 2006-07-31 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Radicals and Realists is the first book in any language to discuss Japan’s avant-garde artists, their work, and the historical environment in which they produced it during the two most creative decades of the twentieth century, the 1950s and 1960s. Many of the artists were radicals, rebelling against existing canons and established authority. Yet at the same time they were realists in choosing concrete materials, sounds, and themes from everyday life for their art and in gradually adopting tactics of protest or resistance through accommodation rather than confrontation. Whatever the means of expression, the production of art was never devoid of historical context or political implication. Focusing on the nonverbal genres of painting, sculpture, dance choreography, and music composition, this work shows that generational and political differences, not artistic doctrines, largely account for the divergent stances artists took vis-a-vis modernism, the international arts community, Japan’s ties to the United States, and the alliance of corporate and bureaucratic interests that solidified in Japan during the 1960s. After surveying censorship and arts policy during the American occupation of Japan (1945–1952), the narrative divides into two chronological sections dealing with the 1950s and 1960s, bisected by the rise of an artistic underground in Shinjuku and the security treaty crisis of May 1960. The first section treats Japanese artists who studied abroad as well as the vast and varied experiments in each of the nonverbal avant-garde arts that took place within Japan during the 1950s, after long years of artistic insularity and near-stasis throughout war and occupation. Chief among the intellectuals who stimulated experimentation were the art critic Takiguchi Shuzo, the painter Okamoto Taro, and the businessman-painter Yoshihara Jiro. The second section addresses the multifront assault on formalism (confusingly known as "anti-art") led by visual artists nationwide. Likewise, composers of both Western-style and contemporary Japanese-style music increasingly chose everyday themes from folk music and the premodern musical repertoire for their new presentations. Avant-garde print makers, sculptors, and choreographers similarly moved beyond the modern—and modernism—in their work. A later chapter examines the artistic apex of the postwar period: Osaka’s 1970 world exposition, where more avant-garde music, painting, sculpture, and dance were on display than at any other point in Japan’s history, before or since. Radicals and Realists is based on extensive archival research; numerous concerts, performances, and exhibits; and exclusive interviews with more than fifty leading choreographers, composers, painters, sculptors, and critics active during those two innovative decades. Its accessible prose and lucid analysis recommend it to a wide readership, including those interested in modern Japanese art and culture as well as the history of the postwar years.
Download or read book Really Free Culture written by and published by PediaPress. This book was released on with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Gutai written by Ming Tiampo and published by University of Chicago Press. This book was released on 2011-03-15 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gutai is the first book in English to examine Japan’s best-known modern art movement, a circle of postwar artists whose avant-garde paintings, performances, and installations foreshadowed many key developments in American and European experimental art. Working with previously unpublished photographs and archival resources, Ming Tiampo considers Gutai’s pioneering transnational practice, spurred on by mid-century developments in mass media and travel that made the movement’s field of reception and influence global in scope. Using these lines of transmission to claim a place for Gutai among modernist art practices while tracing the impact of Japan on art in Europe and America, Tiampo demonstrates the fundamental transnationality of modernism. Ultimately, Tiampo offers a new conceptual model for writing a global history of art, making Gutai an important and original contribution to modern art history.
