American And Chinese Language Cinemas

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American and Chinese-Language Cinemas

Author : Lisa Funnell
Publisher : Routledge
ISBN 13 : 1317910249
Total Pages : 269 pages
Book Rating : 4.3/5 (179 download)

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Book Synopsis American and Chinese-Language Cinemas by : Lisa Funnell

Download or read book American and Chinese-Language Cinemas written by Lisa Funnell and published by Routledge. This book was released on 2014-09-19 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critics frequently describe the influence of "America," through Hollywood and other cultural industries, as a form of cultural imperialism. This unidirectional model of interaction does not address, however, the counter-flows of Chinese-language films into the American film market or the influence of Chinese filmmakers, film stars, and aesthetics in Hollywood. The aim of this collection is to (re)consider the complex dynamics of transnational cultural flows between American and Chinese-language film industries. The goal is to bring a more historical perspective to the subject, focusing as much on the Hollywood influence on early Shanghai or postwar Hong Kong films as on the intensifying flows between American and Chinese-language cinemas in recent decades. Contributors emphasize the processes of appropriation and reception involved in transnational cultural practices, examining film production, distribution, and reception.

Transnational Chinese Cinemas

Author : Sheldon H. Lu
Publisher : University of Hawaii Press
ISBN 13 : 9780824818456
Total Pages : 438 pages
Book Rating : 4.8/5 (184 download)

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Book Synopsis Transnational Chinese Cinemas by : Sheldon H. Lu

Download or read book Transnational Chinese Cinemas written by Sheldon H. Lu and published by University of Hawaii Press. This book was released on 1997-10-01 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.

Chinese National Cinema

Author : Yingjin Zhang
Publisher : Routledge
ISBN 13 : 1134690878
Total Pages : 343 pages
Book Rating : 4.1/5 (346 download)

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Book Synopsis Chinese National Cinema by : Yingjin Zhang

Download or read book Chinese National Cinema written by Yingjin Zhang and published by Routledge. This book was released on 2004-08-02 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chinese National Cinema, written for students by a leading scholar traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years.

Transnational Chinese Cinemas

Author : Sheldon H. Lu
Publisher : University of Hawaii Press
ISBN 13 : 0824865294
Total Pages : 429 pages
Book Rating : 4.8/5 (248 download)

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Book Synopsis Transnational Chinese Cinemas by : Sheldon H. Lu

Download or read book Transnational Chinese Cinemas written by Sheldon H. Lu and published by University of Hawaii Press. This book was released on 1997-10-01 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.

Chinese-language Film

Author : Sheldon H. Lu
Publisher : University of Hawaii Press
ISBN 13 :
Total Pages : 444 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Chinese-language Film by : Sheldon H. Lu

Download or read book Chinese-language Film written by Sheldon H. Lu and published by University of Hawaii Press. This book was released on 2005 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive work on Chinese film, this text explores the manifold dimensions of the subject and highlights areas overlooked in previous studies. Leading scholars take up issues and topics covering the entire range of Chinese cinema.

Remaking Gender and the Family

Author : Sarah Woodland
Publisher : BRILL
ISBN 13 : 9004363300
Total Pages : 167 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Remaking Gender and the Family by : Sarah Woodland

Download or read book Remaking Gender and the Family written by Sarah Woodland and published by BRILL. This book was released on 2018-06-05 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes, exploring how source texts are reshaped for their new audiences, and focusing on how changes in representations of gender connect with perceived socio-cultural, political and cinematic values within China.

The Chinese Cinema Book

Author : Song Hwee Lim
Publisher : Bloomsbury Publishing
ISBN 13 : 1911239546
Total Pages : 337 pages
Book Rating : 4.9/5 (112 download)

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Book Synopsis The Chinese Cinema Book by : Song Hwee Lim

Download or read book The Chinese Cinema Book written by Song Hwee Lim and published by Bloomsbury Publishing. This book was released on 2020-04-30 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.

Chinese Women’s Cinema

Author : Lingzhen Wang
Publisher : Columbia University Press
ISBN 13 : 0231527446
Total Pages : 449 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Chinese Women’s Cinema by : Lingzhen Wang

Download or read book Chinese Women’s Cinema written by Lingzhen Wang and published by Columbia University Press. This book was released on 2011-08-30 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first of its kind in English, this collection explores twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of Asian, women's, film, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others, who have transformed Chinese cinematic modernity. Chinese Women's Cinema is a unique, transcultural, interdisciplinary conversation on authorship, feminist cinema, transnational gender, and cinematic agency and representation. Lingzhen Wang's comprehensive introduction recounts the history and limitations of established feminist film theory, particularly its relationship with female cinematic authorship and agency. She also reviews critiques of classical feminist film theory, along with recent developments in feminist practice, altogether remapping feminist film discourse within transnational and interdisciplinary contexts. Wang's subsequent redefinition of women's cinema, and brief history of women's cinematic practices in modern China, encourage the reader to reposition gender and cinema within a transnational feminist configuration, such that power and knowledge are reexamined among and across cultures and nation-states.

Hong Kong Connections

Author : Meaghan Morris
Publisher : Hong Kong University Press
ISBN 13 :
Total Pages : 368 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Hong Kong Connections by : Meaghan Morris

Download or read book Hong Kong Connections written by Meaghan Morris and published by Hong Kong University Press. This book was released on 2005 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collection of essays that look at Hong Kong action films as a popular and global genre.

The Oxford Handbook of Chinese Cinemas

Author : Carlos Rojas
Publisher : Oxford University Press
ISBN 13 : 019976560X
Total Pages : 730 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis The Oxford Handbook of Chinese Cinemas by : Carlos Rojas

Download or read book The Oxford Handbook of Chinese Cinemas written by Carlos Rojas and published by Oxford University Press. This book was released on 2013-04-25 with total page 730 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity — all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.

Remapping the Sinophone

Author : Wai-Siam Hee
Publisher : Hong Kong University Press
ISBN 13 : 9888528033
Total Pages : 253 pages
Book Rating : 4.8/5 (885 download)

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Book Synopsis Remapping the Sinophone by : Wai-Siam Hee

Download or read book Remapping the Sinophone written by Wai-Siam Hee and published by Hong Kong University Press. This book was released on 2019-11-20 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a work that will force scholars to re-evaluate how they approach Sinophone studies, Wai-Siam Hee demonstrates that many of the major issues raised by contemporary Sinophone studies were already hotly debated in the popular culture surrounding Chinese-language films made in Singapore and Malaya during the Cold War. Despite the high political stakes, the feature films, propaganda films, newsreels, documentaries, newspaper articles, memoirs, and other published materials of the time dealt in sophisticated ways with issues some mistakenly believe are only modern concerns. In the process, the book offers an alternative history to the often taken-for-granted versions of film and national history that sanction anything relating to the Malayan Communist Party during the early period of independence in the region as anti-nationalist. Drawing exhaustively on material from Asian, European, and North American archives, the author unfolds the complexities produced by British colonialism and anti-communism, identity struggles of the Chinese Malayans, American anti-communism, and transnational Sinophone cultural interactions. Hee shows how Sinophone multilingualism and the role of the local, in addition to other theoretical problems, were both illustrated and practised in Cold War Sinophone cinema. Remapping the Sinophone: The Cultural Production of Chinese-Language Cinema in Singapore and Malaya before and during the Cold War deftly shows how contemporary Sinophone studies can only move forward by looking backwards. ‘Sound and refreshingly original. Remapping the Sinophone is an important book that will change the ways in which scholars tackle Sinophone studies, and it will exert profound influence on related scholarship published in both the Sinophone and the Anglophone world.’ —Shu-mei Shih, UCLA / The University of Hong Kong ‘Remapping the Sinophone offers a fresh perspective to Sinophone studies by mapping out the relevance of early Chinese-language cinema in Singapore and Malaya to the burgeoning field. Wai-Siam Hee’s examination of this lesser known cultural history in Southeast Asia through the critical lens of the Cold War is a necessary intervention to our understanding of Sinophone Cinema as a pluralistic form.’ —E. K. Tan, SUNY Stony Brook

Chinese Film Festivals

Author : Chris Berry
Publisher : Springer
ISBN 13 : 1137550163
Total Pages : 376 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis Chinese Film Festivals by : Chris Berry

Download or read book Chinese Film Festivals written by Chris Berry and published by Springer. This book was released on 2017-02-15 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first anthology of research devoted to the booming world of Chinese film festivals, covering both mainstream and independent films. It also explores festivals in the Chinese-speaking world and festivals of Chinese films in the rest of the world. The book asks how Chinese film festivals function as sites of translation, translating Chinese culture to the world and world culture to Chinese-speaking audiences, and also how the international film festival model is being transformed as it is translated into the Chinese-speaking world.

Sinophone Cinemas

Author : A. Yue
Publisher : Springer
ISBN 13 : 1137311207
Total Pages : 231 pages
Book Rating : 4.1/5 (373 download)

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Book Synopsis Sinophone Cinemas by : A. Yue

Download or read book Sinophone Cinemas written by A. Yue and published by Springer. This book was released on 2014-01-22 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. It showcases new screen cultures from Britain, Hong Kong, Taiwan, Singapore and Australia.

Contemporary Chinese Cinema and Visual Culture

Author : Sheldon Lu
Publisher : Bloomsbury Publishing
ISBN 13 : 1350234206
Total Pages : 256 pages
Book Rating : 4.3/5 (52 download)

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Book Synopsis Contemporary Chinese Cinema and Visual Culture by : Sheldon Lu

Download or read book Contemporary Chinese Cinema and Visual Culture written by Sheldon Lu and published by Bloomsbury Publishing. This book was released on 2021-07-15 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order to keep pace with globalization and transnationalism. At the heart of Lu's analysis is a double movement in the relationship between nation and transnationalism in the Chinese post-socialist state. He considers the complexity of how the Chinese economy is integrated in the global capitalist system while also remaining a repressive body politic with mechanisms of control and surveillance. He explores the interrelations of the local, the national, the subnational, and the global as China repositions itself in the world. Lu considers examples from feature and documentary film, mainstream and marginal cinema, and a variety of visual arts: photography, painting, digital video, architecture, and installation. His close case studies include representations of class, masculinity and sexuality in contemporary Taiwanese and Chinese cinema; the figure of the sex worker as a symbol of modernity and mobility; and artists' representations of Beijing at the time of the 2008 Olympics.

Close-ups and Long Shots in Modern Chinese Cinemas

Author : Hsiu-Chuang Deppman
Publisher : University of Hawaii Press
ISBN 13 : 0824885678
Total Pages : 193 pages
Book Rating : 4.8/5 (248 download)

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Book Synopsis Close-ups and Long Shots in Modern Chinese Cinemas by : Hsiu-Chuang Deppman

Download or read book Close-ups and Long Shots in Modern Chinese Cinemas written by Hsiu-Chuang Deppman and published by University of Hawaii Press. This book was released on 2020-10-31 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two of the most stylized shots in cinema—the close-up and the long shot—embody distinct attractions. The iconicity of the close-up magnifies the affective power of faces and elevates film to the discourse of art. The depth of the long shot, in contrast, indexes the facts of life and reinforces our faith in reality. Each configures the relation between image and distance that expands the viewer’s power to see, feel, and conceive. To understand why a director prefers one type of shot over the other then is to explore more than aesthetics: It uncovers significant assumptions about film as an art of intervention or organic representation. Close-ups and Long Shots in Modern Chinese Cinemas is the first book to compare these two shots within the cultural, historical, and cinematic traditions that produced them. In particular, the global revival of Confucian studies and the transnational appeal of feminism in the 1980s marked a new turn in the composite cultural education of Chinese directors whose shot selections can be seen as not only stylistic expressions, but ethical choices responding to established norms about self-restraint, ritualism, propriety, and female agency. Each of the films discussed—Zhang Yimou’s Red Sorghum, Ang Lee’s Lust, Caution, Hou Hsiao-hsien’s The Assassin, Jia Zhangke’s I Wish I Knew, and Wei Desheng’s Cape No. 7— represents a watershed in Chinese cinemas that redefines the evolving relations among film, politics, and ethics. Together these works provide a comprehensive picture of how directors contextualize close-ups and long shots in ways that make them interpretable across many films as bellwethers of social change.

Chinese Films Abroad

Author : Yves Gambier
Publisher : Taylor & Francis
ISBN 13 : 1040010822
Total Pages : 291 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Chinese Films Abroad by : Yves Gambier

Download or read book Chinese Films Abroad written by Yves Gambier and published by Taylor & Francis. This book was released on 2024-04-02 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines Chinese films made and shown abroad roughly between the 1920s and the 2020s, from the beginning of the international exchange of the Chinese national film industry to the emergence of the concept of soft power. The periodisation of Chinese cinema(s) does not necessarily match the political periods: on the one hand, the technical development of the film industry and the organisation of translation in China, and on the other hand, official relations with China and translation policies abroad impose different constraints on the circulation of Chinese films. This volume deals with the distribution and translation of films from mainland China, Taiwan, Hong Kong, and the Chinese diaspora. To this end, the contributors address various issues related to the circulation and distribution of Chinese films, including co- productions, agents of exchange, and modes of translation. The approach is a mixture of socio- cultural and translational methods. The data collected provides, for the first time, a quantitative overview of the circulation of Chinese films in a dozen foreign countries. The book will greatly interest scholars and students of Chinese cinema, translation studies, and China studies.

Remade in Hollywood

Author : Kenneth Chan
Publisher : Hong Kong University Press
ISBN 13 : 9622090567
Total Pages : 272 pages
Book Rating : 4.6/5 (22 download)

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Book Synopsis Remade in Hollywood by : Kenneth Chan

Download or read book Remade in Hollywood written by Kenneth Chan and published by Hong Kong University Press. This book was released on 2009-07-01 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book describes how notions of Chinese identity, culture, and popular film genres have been reinvented and repackaged by major U.S. studios, spurring a surge in Chinese visibility in Hollywood.