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Aaron Coplands Hollywood Film Scores
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Book Synopsis Aaron Copland's Hollywood Film Scores by : Paula Musegades
Download or read book Aaron Copland's Hollywood Film Scores written by Paula Musegades and published by Eastman Studies in Music. This book was released on 2020 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneering study of how American composer Aaron Copland helped shape the sound of the Hollywood film industry and introduced the moviegoing public to modern musical styles.
Download or read book Unsettled Scores written by Sally Bick and published by University of Illinois Press. This book was released on 2019-12-20 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach—and edify—the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition. She also delves into Copland's and Eisler's often conflicted attempts to adapt their music to fit Hollywood's commercial demands, an enterprise that took place even as they wrote hostile critiques of the film industry.
Book Synopsis Dvorak's Prophecy: And the Vexed Fate of Black Classical Music by : Joseph Horowitz
Download or read book Dvorak's Prophecy: And the Vexed Fate of Black Classical Music written by Joseph Horowitz and published by W. W. Norton & Company. This book was released on 2021-11-23 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Book Synopsis The Hollywood Film Music Reader by : Mervyn Cooke
Download or read book The Hollywood Film Music Reader written by Mervyn Cooke and published by Oxford University Press, USA. This book was released on 2010-11-04 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging, stimulating, and entertaining anthology of writings about the experiences of composers working in the high-pressure environment of the US film industry from the silent era to the present day includes both vivid first-hand accounts from the composers themselves and a representative selection of contemporaneous criticism and commentary.
Book Synopsis A History of Film Music by : Mervyn Cooke
Download or read book A History of Film Music written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2008-09-25 with total page 627 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.
Download or read book Hugo Friedhofer written by Linda Danly and published by Scarecrow Press. This book was released on 1999 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this paperbound reprint of a 1999 work, Danly (composer and film music historian) tells the story of Hugo Friedhofer, who began his career as a film composer at the start of the sound era and was a major contributor to the artistic development of this genre of music. The chapters consist of an introduction by television producer and author Tony Thomas, a portrait of Friedhofer by Danly, an oral history drawn from an American Film Institute interview, his correspondence with film music critic Page Cook, a memoir by his friend, music journalist Gene Lees, and the memorial speech delivered by film composer David Raskin. Several b & w photographs are included. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Our New Music written by Aaron Copland and published by New York : McGraw-Hill. This book was released on 1941 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Film Music in the Sound Era by : Jonathan Rhodes Lee
Download or read book Film Music in the Sound Era written by Jonathan Rhodes Lee and published by Routledge. This book was released on 2020-03-10 with total page 1096 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.
Download or read book Aaron Copland written by Howard Pollack and published by University of Illinois Press. This book was released on 2000 with total page 734 pages. Available in PDF, EPUB and Kindle. Book excerpt: Features the biography of Aaron Copland, his life, and his music.
Download or read book Washington Square written by Henry James and published by Courier Corporation. This book was released on 2013-01-31 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wealthy spinster receives a proposal from a dashing suitor and her father threatens her with disinheritance if she accepts. James masterfully explores the moral consequences of a tender heart's ruthless manipulation.
Book Synopsis Style, Structure, and Tonal Organization in the Early Film Scores of Aaron Copland by : Alfred W. Cochran
Download or read book Style, Structure, and Tonal Organization in the Early Film Scores of Aaron Copland written by Alfred W. Cochran and published by . This book was released on 1986 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Composers on the Cultural Front by : Sally M. A. Bick
Download or read book Composers on the Cultural Front written by Sally M. A. Bick and published by . This book was released on 2003 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Invisible Art of Film Music by : Laurence E. MacDonald
Download or read book The Invisible Art of Film Music written by Laurence E. MacDonald and published by Scarecrow Press. This book was released on 2013-05-02 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant—if often unrealized—role in the viewer’s enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film music and discusses many of the most important and influential scores of the last nine decades, including those from Modern Times, Gone with the Wind, Citizen Kane, Laura, A Streetcar Named Desire, Ben-Hur, Lawrence of Arabia, The Godfather, Jaws, Ragtime, The Mission, Titanic, Gladiator, The Lord of the Rings, Brokeback Mountain,and Slumdog Millionaire. MacDonald also provides biographical sketches of such great composers as Max Steiner, Alfred Newman, Franz Waxman, Bernard Herrmann, Elmer Bernstein, Henry Mancini, Maurice Jarre, John Barry, John Williams, Jerry Goldsmith, Dave Grusin, Ennio Morricone, Randy Newman, Hans Zimmer, and Danny Elfman. Updated and expanded to include scores produced well into the twenty-first century, this new edition of The Invisible Art of Film Music will appeal not only to scholars of cinema and musicologists but also any fan of film scores.
Book Synopsis Celluloid Symphonies by : Julie Hubbert
Download or read book Celluloid Symphonies written by Julie Hubbert and published by Univ of California Press. This book was released on 2011-03-02 with total page 1050 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music—Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore—and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert’s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students.
Book Synopsis Speaking the Unspoken Through Silence and Sound by : Paula Jo Musegades
Download or read book Speaking the Unspoken Through Silence and Sound written by Paula Jo Musegades and published by . This book was released on 2014 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Style, Structure, and Tonal Organization in the Early Film Scores of Aaron Copland by : Alfred Williams Cochran
Download or read book Style, Structure, and Tonal Organization in the Early Film Scores of Aaron Copland written by Alfred Williams Cochran and published by . This book was released on 2000 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Strains of Utopia written by Caryl Flinn and published by Princeton University Press. This book was released on 1992-06-15 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Dmitri Tiomkin thanked Johannes Brahms, Johann Strauss, Richard Strauss, and Richard Wagner upon accepting the Academy Award for his score of The High and the Mighty in 1954, he was honoring a romantic style that had characterized Hollywood's golden age of film composition from the mid-1930s to the 1950s. Exploring elements of romanticism in film scores of composers ranging from Erich Korngold to Bernard Herrmann, Caryl Flinn argues that films tended to link music to the sense of an idealized, lost past. Just as the score of Gone with the Wind captured the grandeur of the antebellum South, others prompted flashbacks or suggested moments of emotional intensity and sensuality. Maintaining that many films treated this utopian impulse as a female trait, Flinn investigates the ways Hollywood genre films--particularly film noir and melodrama--sustained the connection between music and nostalgia, utopia, and femininity. The author situates Hollywood film scores within a romantic aesthetic ideology, noting compositional and theoretical affinities between the film composers and Wagner, with emphasis on authorship, creativity, and femininity. Pointing to the lasting impact of romanticism on film music, Flinn draws from poststructuralist, Marxist, feminist, and psychoanalytic criticism to offer fresh insights into the broad theme of music as an excessive utopian condition.
