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A Sonata Theory Handbook
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Book Synopsis A Sonata Theory Handbook by : James Hepokoski
Download or read book A Sonata Theory Handbook written by James Hepokoski and published by Oxford University Press, USA. This book was released on 2020-12-15 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a highly accessible and up-to-date introduction to the key ideas of Sonata Theory, one of the most influential methods for analyzing the sonata form. Teaching the method primarily by example, it features close readings of masterpieces by Haydn, Mozart, Beethoven, Schubert, and Brahms.
Book Synopsis A Sonata Theory Handbook by : James Hepokoski
Download or read book A Sonata Theory Handbook written by James Hepokoski and published by Oxford University Press. This book was released on 2020-12-01 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sonata form is the most commonly encountered organizational plan in the works of the classical-music masters, from Haydn, Mozart, and Beethoven to Schubert, Brahms, and beyond. Sonata Theory, an analytic approach developed by James Hepokoski and Warren Darcy in their award-winning Elements of Sonata Theory (2006), has emerged as one of the most influential frameworks for understanding this musical structure. What can this method from "the new Formenlehre" teach us about how these composers put together their most iconic pieces and to what expressive ends? In this new Sonata Theory Handbook, Hepokoski introduces readers step-by-step to the main ideas of this approach. At the heart of the book are close readings of eight individual movements from Mozart's Piano Sonata in B-flat, K. 333, to such structurally complex pieces as Schubert's "Death and the Maiden" String Quartet and the finale of Brahms's Symphony No 1 that show this analytical method in action. These illustrative analyses are supplemented with four updated discussions of the foundational concepts behind the theory, including dialogic form, expositional action zones, trajectories toward generically normative cadences, rotation theory, and the five sonata types. With its detailed examples and deep engagements with recent developments in form theory, schema theory, and cognitive research, this handbook updates and advances Sonata Theory and confirms its status as a key lens for analyzing sonata form.
Book Synopsis Elements of Sonata Theory by : James Hepokoski
Download or read book Elements of Sonata Theory written by James Hepokoski and published by Oxford University Press. This book was released on 2011-02-11 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt: Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Book Synopsis Elements of Sonata Theory : Norms, Types and Deformations in the Late-eighteenth- Century Sonata by :
Download or read book Elements of Sonata Theory : Norms, Types and Deformations in the Late-eighteenth- Century Sonata written by and published by . This book was released on 2006 with total page 661 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Poetics of Handel's Operas by : Nathan Link
Download or read book A Poetics of Handel's Operas written by Nathan Link and published by Oxford University Press. This book was released on 2023-03-10 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: What should we consider when thinking about the relationship between an onstage performance and the story the performance tells? A Poetics of Handel's Operas explores this question by analyzing the narratives of Handel's operas in relation to the rich representational fabric of performance used to convey them. Nathan Link notes that in most storytelling genres, the audience can naturally discern between a story and the way that story is represented: with film, for example, the viewer would recognize that a character hears neither her own voiceover nor the ambient music that accompanies it, whereas in discussions of opera, some audiences may be distracted by the seemingly artificial nature of such conventions as characters singing their dialogue. Link proposes that when engaging with opera, distinguishing between the performance we see and hear on the stage and the story represented offers a meaningful approach to engaging with and interpreting the work. Handel's operas are today the most-performed works in the Baroque opera seria tradition. This genre, with its intricate dramaturgy and esoteric conventions, stands to gain much from an investigation into the relationships between the onstage performance and the story to which that performance directs us. In his analysis, Link offers theoretical studies on opera and narratological theories of literature, drama, and film, providing rich engagement with Handel's work and what it conveys about the relationship between text, story, and performance.
Download or read book Keys to the Drama written by Gordon Sly and published by Routledge. This book was released on 2016-04-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sonata form is fundamentally a dramatic structure that creates, manipulates, and ultimately satisfies expectation. It engages its audience by inviting prediction, association, and interpretation. That sonata form was the chief vehicle of dramatic instrumental music for nearly 200 years is due to the power, the universality, and the tonal and stylistic adaptability of its conception. This book presents nine studies whose central focus is sonata form. Their diversity attests both to the manifold analytical approaches to which the form responds, and to the vast range of musical possibility within the form's exemplars. At the same time, common compositional issues, analytical methods, and overarching perspectives on the essential nature of the form weave their way through the volume. Several of the essays approach the musical structure directly as drama, casting the work as an expression of its composer's engagement with an idea or principle that is dynamic and at times intensely difficult. Others concentrate their attention on a composer's use of "motive," which typically takes the form of a simple melodic span that shapes the musical architecture through an interdependent series of structural levels. Integrating these motivic threads within the musical fabric often warrants departures from formal norms in other areas. Analyses that seek to understand works with anomalous formal qualities-whether engendered by a motivic component or not-have a prominent place in the volume. Among these, accounts of idiosyncratic tonal discourse that threatens to undermine the unfolding of form-defining qualities or events are central.
Book Synopsis Beethoven's Tempest Sonata (First Movement) by : Pieter Bergé
Download or read book Beethoven's Tempest Sonata (First Movement) written by Pieter Bergé and published by Peeters. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contains five graphic analyses of the opening movement of Beethoven's sonata Op. 31/2. The analyses are based on essays published in Beethoven's Tempest Sonata: Perspectives on Analysis and Performance, edited by Pieter Berge, William E. Caplin, and Jeroen D'hoe (Leuven, 2009). While the earlier collection was conceived for an academic readership, the present volume, by contrast, is intended primarily for practical musicians. The musical score itself accordingly serves as the point of departure, with analytical remarks introduced at the moment at which the relevant music appears. In so doing, this book aims to offer performers analytical insights within the familiar context of sitting at the piano, and following the chronology of the musical process itself. Five different analytical perspectives are presented: motivic (Pieter Berge and Jeroen D'hoe); Schenkerian (Poundie Burstein); form-functional (William E. Caplin); "sonata-theory" (James Hepokoski); and metrical (William Rothstein). This book contains five graphic analyses of the opening movement of Beethoven's sonata Op. 31/2. The analyses are based on essays published in Beethoven's Tempest Sonata: Perspectives on Analysis and Performance, edited by Pieter Berge, William E. Caplin, and Jeroen D'hoe (Leuven, 2009). While the earlier collection was conceived primarily for an academic readership, the present volume is also intended for practical musicians. The musical score itself accordingly serves as the point of departure, with analytical remarks introduced at the moment at which the relevant music appears. In so doing, this book aims to offer performers analytical insights within the familiar context of sitting at the piano, and following the chronology of the musical process itself. Five different analytical perspectives are presented: motivic (Pieter Berge and Jeroen D'hoe); Schenkerian (Poundie Burstein); form-functional (William E. Caplin); "sonata-theory" (James Hepokoski); and metrical (William Rothstein).
Book Synopsis The Sonata Principle (from C. 1750) by : Wilfrid Mellers
Download or read book The Sonata Principle (from C. 1750) written by Wilfrid Mellers and published by . This book was released on 1957 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Sonata Principle by : Wilfrid Mellers
Download or read book The Sonata Principle written by Wilfrid Mellers and published by . This book was released on 1969 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Mozart and the Sonata Form by : J. Raymond Tobin
Download or read book Mozart and the Sonata Form written by J. Raymond Tobin and published by Praeger. This book was released on 1971 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Sonata Principle from C. 1750. [Mit Illustr. U. Notenbeisp.] by : Wilfrid Mellers
Download or read book The Sonata Principle from C. 1750. [Mit Illustr. U. Notenbeisp.] written by Wilfrid Mellers and published by . This book was released on 1957 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Oxford Handbook of Topic Theory by : Danuta Mirka
Download or read book The Oxford Handbook of Topic Theory written by Danuta Mirka and published by Oxford University Press. This book was released on 2014-10-16 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: Topics are musical signs that rely on associations with different genres, styles, and types of music making. The concept of topics was introduced by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. While music theorists and critics were busy classifying styles and genres, defining their affects and proper contexts for their usage, composers started crossing the boundaries between them and using stylistic conventions as means of communication with the audience. Such topical mixtures received negative evaluations from North-German critics but became the hallmark of South-German music, which engulfed the Viennese classicism. Topic theory allows music scholars to gain access to meaning and expression of this music. The Oxford Handbook of Topic Theory consolidates this field of research by clarifying its basic concepts and exploring its historical foundations. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting historical reality of individual topics on the basis of eighteenth-century sources, it relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. With a focus on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation under further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.
Download or read book SchenkerGUIDE written by Thomas Pankhurst and published by Routledge. This book was released on 2008-05-07 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: SchenkerGUIDE is an accessible overview of Heinrich Schenker's complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001. Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis. Part I is an introduction to Schenkerian analysis, outlining the concepts that are involved in analysis Part II outlines a unique and detailed working method to help students to get started on the process of analysis Part III puts some of these ideas into practice by exploring the basics of a Schenkerian approach to form, register, motives and dramatic structure Part IV provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion.
Book Synopsis Classical Form by : William E. Caplin
Download or read book Classical Form written by William E. Caplin and published by Oxford University Press. This book was released on 2000-12-28 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Book Synopsis First Theory Book by : Angela Diller
Download or read book First Theory Book written by Angela Diller and published by New York : G.S. Schirmer. This book was released on 1921 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Analyzing Schubert by : Suzannah Clark
Download or read book Analyzing Schubert written by Suzannah Clark and published by Cambridge University Press. This book was released on 2011-09-15 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: When Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitutes a theory of tonal and formal order.
Book Synopsis The Oxford Handbook of Neo-Riemannian Music Theories by : Edward Gollin
Download or read book The Oxford Handbook of Neo-Riemannian Music Theories written by Edward Gollin and published by OUP USA. This book was released on 2011-12-22 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.
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