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A Lecole Du Cinema
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Book Synopsis Framing the Nation by : Alison J. Murray Levine
Download or read book Framing the Nation written by Alison J. Murray Levine and published by A&C Black. This book was released on 2011-11-03 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Argues that interwar documentary film made a substantial contribution to the rewriting of the French national narrative
Book Synopsis The Cinema Hypothesis by : Alain Bergala
Download or read book The Cinema Hypothesis written by Alain Bergala and published by Austrian Film Museum. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Alain Bergala's The cinema hypothesis is a seminal text on the potentials, possibilities, and problems of bringing film to schools and other educational contexts. It is also the passionate confirmation of a love for cinema and an effort to think of education differently. This book stages a dialogue between larger concepts of cinema and a hands-on approach to teaching cinema. Its detailed insights derive from the author's own experiences as a teacher, critic, filmmaker and advisor to the French Minister of Education. Bergala, who also served as chief editor of Cahiers du cinéma, promotes an understanding of film as an autonomous art form that has to be taught accordingly. Confronting young people with cinema can create friction with established norms and serve as a productive rupture for both institution and pupil: perhaps more than any other art form, the cinema enables a lived, intimate experience of otherness"--Back cover.
Book Synopsis Le 'Verbe' au cinema by : Boulou Ebanda de B'béri
Download or read book Le 'Verbe' au cinema written by Boulou Ebanda de B'béri and published by Lulu.com. This book was released on 2013 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Un essai, politique, sur l'oralite dans un corpus de films d'Afrique noire francophone de 1950 a 2000. Dans un langage clair, l'auteur illustre comment dans les societes de l'ecriture, le texte engagerait l'Homme et que cette ecriture aurait impose un genre, un style et des modes de production de sens qui sont propres a ces societes de l'ecriture d'ou, par exemple, la naissance du langage cinematographique formalise. Ainsi il se demande ce qui arriverait a une analyse de film calquee sur ce langage dont les articulations discursives ne sont pas necessairement en adequation avec la mysticite de la parole qui, elle, engagerait veritablement l'Homme en Afrique noire? Qu'arrive-t-il a l'analyse quand l'image d'une parole detourne le sens prescrit dans les modes operatoires du langage cinematographique des societes de l'ecrit ? Comment le cinema, a travers la technique audiovisuelle, devient-il une technologie par excellence capable de nous faire voir la nature mystique et culturelle de cette parole ?
Book Synopsis The Classic French Cinema, 1930-1960 by : C. G. Crisp
Download or read book The Classic French Cinema, 1930-1960 written by C. G. Crisp and published by Indiana University Press. This book was released on 1993 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.
Book Synopsis Agnes Varda Between Film, Photography, and Art by : Rebecca J. DeRoo
Download or read book Agnes Varda Between Film, Photography, and Art written by Rebecca J. DeRoo and published by Univ of California Press. This book was released on 2018 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Proceeding chronologically, from the beginning of Varda's career in the 1950s to the present, this book focuses on moments where Varda's invocation of different artistic traditions within film opens onto complex commentary on broader aesthetic, theoretical, feminist, and political discussions. I reinterpret some of her best known films, but also focus attention on other less familiar works that merit further consideration. I reassess individual works with the goal of interrogating Varda's visual dialogues to reconstruct the cultural politics of the periods in which they were made. This process of reading new strands of meaning across Varda's oeuvre relies on a richly interdisciplinary approach. The result is a new cultural history of Varda and her work that makes clear how she actively engaged and subtly broadened some of the most advanced aesthetic and political discourse of her day. Many of Varda's sophisticated commentaries on controversial issues of her time have receded from view in the biographical frameworks in which her work often has been considered. The range of her engagement in her work with cinema, art history, photography, and visual culture has not been fully recognized. This decontextualization of Varda's work has been compounded by the frequent emphasis on her exceptionality within her fields of practice. In contrast, I view Varda's work as a projection of cultural history that illuminates multiple disciplines, including art history, cinema studies, visual culture, and modern French history"--Provided by publisher.
Book Synopsis The Brighton School and the Birth of British Film by : Frank Gray
Download or read book The Brighton School and the Birth of British Film written by Frank Gray and published by Springer. This book was released on 2019-07-16 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study is devoted to the work of two early British filmmakers, George Albert Smith and James Williamson, and the films that they made around 1900. Internationally, they are known collectively as the ‘Brighton School’ and are positioned as being at the forefront of Britain’s contribution to the birth of film. The book focuses on the years 1896 to 1903, as it was during this short period that film emerged as a new technology, a new enterprise and a new form of entertainment. Beginning with a historiography of the Brighton School, the study goes on to examine the arrival of the first 35mm films in Britain, the first film exhibitions in Brighton and the first projection of film in Brighton. Both Smith and Williamson’s work features a progression from the production of single shot unedited films to multi-shot edited films. Their subject matter was inspired by a knowledge of contemporary pantomime, humour, literature, theatre, mesmerism, the magic lantern and current affairs and their practices were underpinned by active involvement in the new film trade. Through the exploration of how these filmmakers cultivated a new way of understanding film and its commercial potential, this book establishes them as key figures in the development of British film culture.
Download or read book Shadow Cinema written by James Fenwick and published by Bloomsbury Publishing USA. This book was released on 2020-11-12 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filmmakers and cinema industries across the globe invest more time, money and creative energy in projects and ideas that never get produced than in the movies that actually make it to the screens. Thousands of projects are abandoned in pre-production, halted, cut short, or even made and never distributed – a “shadow cinema” that exists only in the archives. This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why 'failures' occur and considers how understanding those failures can transform the disciplines of film and media history. The first survey of this new area of empirical study across transnational borders, Shadow Cinema is a vital and fascinating demonstration of the importance of the unmade, unseen, and unknown history of cinema.
Book Synopsis Canadian Film and Video by : Loren R. Lerner
Download or read book Canadian Film and Video written by Loren R. Lerner and published by University of Toronto Press. This book was released on 1997-01-01 with total page 1862 pages. Available in PDF, EPUB and Kindle. Book excerpt: This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
Book Synopsis Henri-Georges Clouzot by : Christopher Lloyd
Download or read book Henri-Georges Clouzot written by Christopher Lloyd and published by Manchester University Press. This book was released on 2007-07-15 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite his controversial reputation and international notoriety as a filmmaker, no full-length study of Clouzot has ever been published in English. This book offers a significant revaluation of Clouzot's achievement, situating his career in the wider context of French cinema and society, and providing detailed and clear analysis of his major films (Le Corbeau, Quai des Orfèvres, Le Salaire de la peur, Les Diaboliques, Le Mystère Picasso).
Book Synopsis French Film Theory and Criticism, Volume 1 by : Richard Abel
Download or read book French Film Theory and Criticism, Volume 1 written by Richard Abel and published by Princeton University Press. This book was released on 2020-12-08 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Download or read book Counter-Archive written by Paula Amad and published by Columbia University Press. This book was released on 2010-09-28 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Counter-Archive brilliantly reflects the visual character of philosophy, geography, and historiography in twentieth-century France. Organized hermetically and crafted meticulously, this volume offers a wealth of information as it considers film theory."---Tom Conley, Harvard University Tucked Away in a Garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planete (1908-1931). Kahn's vast photo-cinematographic experiment preserved world memory through the privileged lens of everyday life, and Counter-Archive situates this project in its biographic, intellectual, and cinematic contexts. Tracing the archive's key influences, such as the philosopher Henri Bergson, the geographer Jean Brunhes, and the biologist Jean Comandon, Paula Amad maps an alternative landscape of French cultural modernity, in which vitalist philosophy cross-pollinated with early film theory, documentary film with the avant-grade, cinematic models of temporality with the early Annales school of history, and film's appropriation of the planet with human geography and colonial ideology. At the heart of the book is an insightful meditation upon the transformed concept of the archive in the age of cinema and an innovative argument about film's counter-archival challenge to history. "This impressive book carves out a field of interest that, prior to Paula Amad's scrutiny, did not exist. Amad displays extraordinary erudition, assembling a remarkable bibliography of primary sources. She invites us to ponder her ideas in relation to our own digital, counter-archival, image overload."---Antonia Lant, New York University, editor of Red Velvet Seat: Women's Writings on the First Fifty Years of Cinema. "Paula Amad handles technical details with flourish and mastery, and the research in the French archives is exhilarating."---Donald Crafton, University of Notre Dame "Paula Amad's book is far more than an unusually successful effort to recover and analyze Kahn's unique dream of `archiving the planet.' It stages a theoretical interrogation of the terms archive, everyday life, and modernity, arguing that the emergence of motion pictures produced a revisionist concept of the archive or what she calls the counter-archive. Her book ultimately mounts a highly original methodological exploration of the intersection of history and theory."---Richard Abel, University of Michigan
Book Synopsis The Emergence of Film Culture by : Malte Hagener
Download or read book The Emergence of Film Culture written by Malte Hagener and published by Berghahn Books. This book was released on 2014-09-01 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today.
Book Synopsis Encyclopedia of French Film Directors by : Philippe Rège
Download or read book Encyclopedia of French Film Directors written by Philippe Rège and published by Scarecrow Press. This book was released on 2009-12-11 with total page 1486 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.
Book Synopsis Art in the Cinema by : Steven Jacobs
Download or read book Art in the Cinema written by Steven Jacobs and published by Bloomsbury Publishing. This book was released on 2020-10-15 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others.
Book Synopsis A Companion to Contemporary French Cinema by : Alistair Fox
Download or read book A Companion to Contemporary French Cinema written by Alistair Fox and published by John Wiley & Sons. This book was released on 2015-01-27 with total page 717 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time
Book Synopsis The Concise Routledge Encyclopedia of the Documentary Film by : Ian Aitken
Download or read book The Concise Routledge Encyclopedia of the Documentary Film written by Ian Aitken and published by Routledge. This book was released on 2013 with total page 1104 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reference work explores the history of the documentary film. It discusses individual films and filmmakers; examines national and regional filmmaking traditions; elaborates on production companies, organizations, festivals, and institutions; explores themes, issues, and representations; and describes various styles, techniques, and technical issues.
Download or read book Badiou and Cinema written by Alex Ling and published by Edinburgh University Press. This book was released on 2013-03-31 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alex Ling employs the philosophy of Alain Badiou, and examples ranging from Hiroshima mon amour to Vertigo to The Matrix, to answer the question central to all serious film scholarship: 'can cinema be thought?'.
