A History of the Oratorio: The oratorio in the nineteenth and twentieth centuries

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Publisher :
ISBN 13 :
Total Pages : 862 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis A History of the Oratorio: The oratorio in the nineteenth and twentieth centuries by : Howard E. Smither

Download or read book A History of the Oratorio: The oratorio in the nineteenth and twentieth centuries written by Howard E. Smither and published by . This book was released on 1977 with total page 862 pages. Available in PDF, EPUB and Kindle. Book excerpt:

A History of the Oratorio

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Publisher : UNC Press Books
ISBN 13 : 0807837784
Total Pages : 854 pages
Book Rating : 4.8/5 (78 download)

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Book Synopsis A History of the Oratorio by : Howard E. Smither

Download or read book A History of the Oratorio written by Howard E. Smither and published by UNC Press Books. This book was released on 2012-09-01 with total page 854 pages. Available in PDF, EPUB and Kindle. Book excerpt: With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored the genre in the Classical era. Here, Smither surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France. Continuing the approach of the previous volumes, Smither treats the oratorio in each language and geographical area by first exploring the cultural and social contexts of oratorio. He then addresses aesthetic theory and criticism, treats libretto and music in general, and offers detailed analyses of the librettos and music of specific oratorios (thirty-one in all) that are of special importance to the history of the genre. As a synthesis of specialized literature as well as an investigation of primary sources, this work will serve as both a springboard for further research and an essential reference for choral conductors, soloists, choral singers, and others interested in the history of the oratorio. Originally published 2000. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

A History of the Oratorio

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Publisher : UNC Press Books
ISBN 13 : 0807836613
Total Pages : 740 pages
Book Rating : 4.8/5 (78 download)

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Book Synopsis A History of the Oratorio by : Howard E. Smither

Download or read book A History of the Oratorio written by Howard E. Smither and published by UNC Press Books. This book was released on 2012-09-01 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oratorio in the classical Era is the third volume of Howard Smither's monumental History of the Oratorio, continuing his synthesis and critical appraisal of the oratorio. His comprehensive study surpasses in scope and treatment all previous works on the subject. A fourth and final volume, on the oratorio in the nineteenth and twentieth centuries, is forthcoming. In this volume Smither discusses the Italian oratorio from the 1720s to the early nineteenth century and oratorios from other parts of Europe from the 1750s to the nineteenth century. Drawing on works that represent various types, languages, and geographical areas, Smither treats the general characteristics of oratorio libretto and music and analyzes twenty-two oratorios from Italy, England, Germany, France, and Russia. He synthesizes the results of specialized studies and contributes new material based on firsthand study of eighteenth-century music manuscripts and printed librettos. Emphasizing the large number of social contexts within which oratorios were heard, Smither discussed examples in Italy such as the Congregation of the Oratory, lay contrafraternities, and educational institutions. He examines oratorio performances in German courts, London theaters and English provincial festivals, and the Parisian Concert spirituel. Though the volume concentrates primarily on eighteenth-century oratorio from the early to the late Classical styles, Smither includes such transitional works as the oratorios of Jean-Francios le Seur in Paris and Stepan Anikievich Degtiarev in Moscow. A History of the Oratorio is the first full-length history of the genre since Arnold Schering's 1911 study. In addition to synthesizing current thought about the oratorio, this volume contributes new information on relationships between oratorio librettos and contemporary literary and religious thought, and on the musical differences among oratorios from different geographical-cultural regions. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

A History of the Oratorio, 4 volumes, Omnibus E-book

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Publisher : UNC Press Books
ISBN 13 : 9781469606491
Total Pages : 2523 pages
Book Rating : 4.6/5 (64 download)

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Book Synopsis A History of the Oratorio, 4 volumes, Omnibus E-book by : Howard E. Smither

Download or read book A History of the Oratorio, 4 volumes, Omnibus E-book written by Howard E. Smither and published by UNC Press Books. This book was released on 2012-07-01 with total page 2523 pages. Available in PDF, EPUB and Kindle. Book excerpt: The University of North Carolina Press is proud to announce Howard Smither's ground-breaking four-volume A History of the Oratorio, are now available in one convenient Omnibus E-Book edition. Published as UNC Press Enduring Editions, these volumes bring Smither's landmark scholarship to a new generation of readers and scholars. Written by an eminent scholar in a style that represents American musicological writing at its communicative best, A History of the Oratorio offers a synthesis and critical appraisal so exhaustive and reliable that the serious student of the oratorio will be compelled to look to these volumes as an indispensable source. No work on the history of the oratorio has yet appeared in the English language that is comparable in scope and treatment with Smither's comprehensive four-volume work. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored the genre in the Classical era. The final volume, Volume 4, published in 2000, surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France. A History of the Oratorio is the first full-length history of the genre since Arnold Schering published his Geschichte des Oratoriums in 1911. In addition to synthesizing current thought about the oratorio, these volumes contribute new information on relationships between oratorio librettos and contemporary literary and religious thought, and on the musical differences among oratorios from different geographical-cultural regions. Information on the 4 volumes included in this Omnibus E-Book: A HISTORY OF THE ORATORIO Howard E. Smither Volume 1: The Oratorio in the Baroque Era: Italy, Vienna, Paris 507 pp., 59 illus., 74 music examples Volume 2: the Oratorio in the Baroque Era: Protestant Germany and England 415 pp., 48 illus., 75 music examples Volume 3: the Oratorio in the Classical Era 736 pp., 37 illus., 30 tables, 110 music examples Volume 4: The Oratorio in the Nineteenth and Twentieth Centuries 856 pp., 24 illus., 33 tables, 90 figs. About UNC Press Enduring Editions UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

A History of the Oratorio

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Author :
Publisher : UNC Press Books
ISBN 13 : 0807837733
Total Pages : 513 pages
Book Rating : 4.8/5 (78 download)

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Book Synopsis A History of the Oratorio by : Howard E. Smither

Download or read book A History of the Oratorio written by Howard E. Smither and published by UNC Press Books. This book was released on 2012-09-01 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911. This volume is the first of a four-volume comprehensive study that offers a new synthesis of what is known to date about the oratorio. Volume 1, divided into three parts, opens with the examination of the medieval, Renaissance, and early Baroque antecedents and origins of the oratorio, with emphasis on Rome and Philip Neri's Congregation of the Oratory and with special attention to the earliest works for which the term oratorio seems appropriate. The second part recounts the development of the oratorio in Italy, circa 1640-1720. It reviews the social contexts, patrons, composers, poets, librettos, and music of the oratorio in Italy, especially in Vienna and Paris. The procedure adapted throughout the work is to treat first the social context, particularly the circumstances of performance of the oratorio in a given area and period, then to treat the libretto, and finally the music. For each geographic area and period, the author has selected for special attention a few oratorios that appear to be particularly important or representative. He has verified the information offered in the specialized literature whenever possible by reference to the music or documents. In a number of areas, particular seventeenth-century Italy, in which relatively few previous studies have been undertaken or secondary sources have proven to be inadequate, the author has examined the primary sources in manuscript and printed form -- music, librettos, and documents of early oratorio history. Impressive research and intelligent integration of disparate elements make this complicated, diffuse subject both readable and accessible to the student of music. Volume 2, The Oratorio in the Baroque Era: Protestant Germany and England, and Volume 3, The Oratorio in the Classical Era, continue and expand the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume. This new work--the first English-language study of the history of the oratorio will become the standard work on its subject and an enduring contribution to music and scholarship. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

A History of the Oratorio: The oratorio in the nineteenth and twentieth centuries

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Author :
Publisher : UNC Press Books
ISBN 13 : 9780807825112
Total Pages : 900 pages
Book Rating : 4.8/5 (251 download)

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Book Synopsis A History of the Oratorio: The oratorio in the nineteenth and twentieth centuries by : Howard E. Smither

Download or read book A History of the Oratorio: The oratorio in the nineteenth and twentieth centuries written by Howard E. Smither and published by UNC Press Books. This book was released on 1977 with total page 900 pages. Available in PDF, EPUB and Kindle. Book excerpt: With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored th

Choral Music

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Publisher : Routledge
ISBN 13 : 0415994195
Total Pages : 389 pages
Book Rating : 4.4/5 (159 download)

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Book Synopsis Choral Music by : Avery T. Sharp

Download or read book Choral Music written by Avery T. Sharp and published by Routledge. This book was released on 2011 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.

Choral Music

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Publisher : Routledge
ISBN 13 : 1135848203
Total Pages : 389 pages
Book Rating : 4.1/5 (358 download)

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Book Synopsis Choral Music by : James Michael Floyd

Download or read book Choral Music written by James Michael Floyd and published by Routledge. This book was released on 2012-07-26 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.

The Voice of Judith in 300 Years of Oratorio and Opera

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Publisher : Bloomsbury Publishing
ISBN 13 : 0567687317
Total Pages : 288 pages
Book Rating : 4.5/5 (676 download)

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Book Synopsis The Voice of Judith in 300 Years of Oratorio and Opera by : Helen Leneman

Download or read book The Voice of Judith in 300 Years of Oratorio and Opera written by Helen Leneman and published by Bloomsbury Publishing. This book was released on 2021-03-25 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume focuses on the story of Judith as presented by composers, librettists and playwrights over four centuries. Helen Leneman analyzes numerous examples of music, librettos and the librettists' views of Judith – strongly influenced by societal attitudes of their time – and how these works in turn suggest unexpected ways of understanding biblical women and their stories. Music adds nuances, colors and emotions, becoming a subtext that suggests character and emotions. Leneman presents in-depth analyses of the librettos and music of 16 operas and oratorios based on the book of Judith that span 300 years (1694-1984), in addition to two influential plays that inspired several librettos in the nineteenth century. Exploring works by such varied composers as Vivaldi, Mozart, Parry, Honegger, Serov, Chadwick and von Reznicek, Leneman reveals the ways in which each adaptation expands, distils or reinterprets Judith's character and story. In this first ever extensive study of musical settings of the Book of Judith, Leneman enables the biblical heroine to transcend her source.

A Conductor's Guide to Nineteenth-century Choral-orchestral Works

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Publisher : Scarecrow Press
ISBN 13 : 9780810860469
Total Pages : 356 pages
Book Rating : 4.8/5 (64 download)

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Book Synopsis A Conductor's Guide to Nineteenth-century Choral-orchestral Works by : Jonathan D. Green

Download or read book A Conductor's Guide to Nineteenth-century Choral-orchestral Works written by Jonathan D. Green and published by Scarecrow Press. This book was released on 2008 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text serves as a field guide to the principal choral-orchestral repertoire of the nineteenth century. It provides conductors with the information they will need to make programming decisions, and it provides scholars with a starting point for research on these works.

Music and Theology in Nineteenth-century Britain

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Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9781409409892
Total Pages : 284 pages
Book Rating : 4.4/5 (98 download)

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Book Synopsis Music and Theology in Nineteenth-century Britain by : Martin V. Clarke

Download or read book Music and Theology in Nineteenth-century Britain written by Martin V. Clarke and published by Ashgate Publishing, Ltd.. This book was released on 2012 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays explores the interrelationship of music and theology in relation to the religious, musical and social history of nineteenth-century Britain. The book examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.

The Folly of the Cross

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Publisher : Oxford University Press
ISBN 13 : 019087600X
Total Pages : 281 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis The Folly of the Cross by : Richard Viladesau

Download or read book The Folly of the Cross written by Richard Viladesau and published by Oxford University Press. This book was released on 2018 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Folly of the Cross is the fourth book in Richard Viladesau's series examining the aesthetics and theology of the cross through Christian history. Previous volumes have brought the story up through the Baroque era. This new book examines the reception of the message of the cross from the European Enlightenment to the turn of the twentieth century. The opening chapters set the stage in the transition from the Baroque to the Classical eras, describing the changing intellectual and cultural paradigms of the time. Viladesau examines the theology of the cross in the eighteenth and nineteenth centuries, and the aesthetic mediation of the cross in music and the visual arts. He shows how in the post-Enlightenment era the aesthetic treatment of the cross widely replaced the dogmatic treatment, and how this thought was translated into popular spirituality, piety, and devotion. The Folly of the Cross shows how classical theology responded to the critiques of modern science, history, Biblical scholarship, and philosophy, and how both classical and modern theology served as the occasions for new forms of representation of Christ's passion in the arts and music.

Music in the London Theatre from Purcell to Handel

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Publisher : Cambridge University Press
ISBN 13 : 1108124569
Total Pages : 285 pages
Book Rating : 4.1/5 (81 download)

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Book Synopsis Music in the London Theatre from Purcell to Handel by : Colin Timms

Download or read book Music in the London Theatre from Purcell to Handel written by Colin Timms and published by Cambridge University Press. This book was released on 2017-06-29 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is concerned with a hundred years of musical drama in England. It charts the development of the genre from the theatre works of Henry Purcell (and his contemporaries) to the dramatic oratorios of George Frideric Handel (and his). En route it investigates the objections to all-sung drama in English that were articulated in the decades around 1700, various proposed solutions, the importation of Italian opera, and the creation of the dramatic oratorio - English drama, all-sung but not staged. Most of the constituent essays take an in-depth look at a particular aspect of the process, while others draw attention to dramatic qualities in non-dramatic works that also were performed in the theatre. The journey from Purcell to Handel illustrates the vigour and vitality of English theatrical and musical traditions, and Handel's dramatic oratorios and other settings of English words answer questions posed before he was born.

Sourcebook for Research in Music, Third Edition

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Publisher : Indiana University Press
ISBN 13 : 0253014565
Total Pages : 518 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Sourcebook for Research in Music, Third Edition by : Allen Scott

Download or read book Sourcebook for Research in Music, Third Edition written by Allen Scott and published by Indiana University Press. This book was released on 2015-06-01 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.

Scripture and Song in Nineteenth-Century Britain

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501376381
Total Pages : 169 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Scripture and Song in Nineteenth-Century Britain by : James Grande

Download or read book Scripture and Song in Nineteenth-Century Britain written by James Grande and published by Bloomsbury Publishing USA. This book was released on 2023-11-16 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together new approaches to music history to reveal the interdependence of music and religion in nineteenth-century culture. As composers and performers drew inspiration from the Bible and new historical sciences called into question the historicity of Scripture, controversies raged over the performance, publication and censorship of old and new musical forms. From oratorio to opera, from parlour song to pantomime, and from hymn to broadside, nineteenth-century Britons continually encountered elements of the biblical past in song. Both elite and popular music came to play a significant role in the formation, regulation and contestation of religious and cultural identity and were used to address questions of class, nation and race, leading to the beginnings of ethnomusicology. This richly interdisciplinary volume brings together musicologists, historians, literary and art historians and theologians to reveal points of intersection between music, religion and cultural history.

The Bible in Music

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Publisher : Rowman & Littlefield
ISBN 13 : 0810884526
Total Pages : 373 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis The Bible in Music by : Siobhán Dowling Long

Download or read book The Bible in Music written by Siobhán Dowling Long and published by Rowman & Littlefield. This book was released on 2015-09-03 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.

History in Mighty Sounds

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Publisher : Boydell Press
ISBN 13 : 1843837544
Total Pages : 312 pages
Book Rating : 4.8/5 (438 download)

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Book Synopsis History in Mighty Sounds by : Barbara Eichner

Download or read book History in Mighty Sounds written by Barbara Eichner and published by Boydell Press. This book was released on 2012 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed, shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University.