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A Comparison Between The French And Italian Musick And Operas Translated From The French With Some Remarks To Which Is Added A Critical Discourse Upon Operas In England And A Means Proposed For Their Improvement
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Book Synopsis A comparison between the French and Italian Musick and Operas. Translated from the French [from F. Raguenet's “Parallèle des Italiens et des François,” etc.] with some remarks. To which is added a critical discourse upon Operas in England, etc by :
Download or read book A comparison between the French and Italian Musick and Operas. Translated from the French [from F. Raguenet's “Parallèle des Italiens et des François,” etc.] with some remarks. To which is added a critical discourse upon Operas in England, etc written by and published by . This book was released on 1709 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Short History of Opera by : Donald Jay Grout
Download or read book A Short History of Opera written by Donald Jay Grout and published by Columbia University Press. This book was released on 2003 with total page 1049 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.
Book Synopsis Pasticcio opera in Britain by : Peter Morgan Barnes
Download or read book Pasticcio opera in Britain written by Peter Morgan Barnes and published by Manchester University Press. This book was released on 2024-07-09 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.
Book Synopsis The Cambridge Companion to Seventeenth-Century Opera by :
Download or read book The Cambridge Companion to Seventeenth-Century Opera written by and published by Cambridge University Press. This book was released on with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music and the Benefit Performance in Eighteenth-Century Britain by : Matthew Gardner
Download or read book Music and the Benefit Performance in Eighteenth-Century Britain written by Matthew Gardner and published by Cambridge University Press. This book was released on 2019-10-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Book Synopsis The Making of European Music in the Long Eighteenth Century by : D. R. M. Irving
Download or read book The Making of European Music in the Long Eighteenth Century written by D. R. M. Irving and published by Oxford University Press. This book was released on 2024-09-03 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.
Book Synopsis The Cambridge Companion to Seventeenth-Century Opera by : Jacqueline Waeber
Download or read book The Cambridge Companion to Seventeenth-Century Opera written by Jacqueline Waeber and published by Cambridge University Press. This book was released on 2022-12-22 with total page 723 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cambridge Companion to Seventeenth-Century Opera is a much-needed introduction to one of the most defining areas of Western music history - the birth of opera and its developments during the first century of its existence. From opera's Italian foundations to its growth through Europe and the Americas, the volume charts the changing landscape – on stage and beyond – which shaped the way opera was produced and received. With a range from opera's sixteenth-century antecedents to the threshold of the eighteenth century, this path breaking book is broad enough to function as a comprehensive introduction, yet sufficiently detailed to offer valuable insights into most of early opera's many facets; it guides the reader towards authoritative written and musical sources appropriate for further study. It will be of interest to a wide audience, including undergraduate and graduate students in universities and equivalent institutions, and amateur and professional musicians.
Download or read book Sound Judgment written by Richard Leppert and published by Taylor & Francis. This book was released on 2023-05-31 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in Sound Judgment span the full career of Richard Leppert, from his earliest to work that appears here for the first time, on subjects drawn from early modernity to the present concerning music both popular and classical, European and North American. Noted for his path-breaking interdisciplinary scholarship on music and visual culture, the collection includes key essays on music's visualization in art practices in virtually all visual media, including film. The fourteen essays comprising this volume demonstrate Leppert's many contributions to critical musicology, particularly in the areas of aesthetics as well as social and intellectual history, all of it grounded in a heterodox body of critical and cultural theory, with the work of Theodor W. Adorno particularly noteworthy. The collection is preceded by an introduction in which Leppert traces his intellectual development, defined in large part by the social, cultural, and political upheavals of the 1960s and their aftermath both in the academy and in society at large.
Book Synopsis Opera in Theory and Practice, Image and Myth by : Lorenzo Bianconi
Download or read book Opera in Theory and Practice, Image and Myth written by Lorenzo Bianconi and published by University of Chicago Press. This book was released on 2003-11 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: The History of Italian Opera marks the first time a team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting its focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon. This sixth volume in the series centers on the sociological and critical aspects of opera in Italy, considering the art in the context of an Italian literary and cultural canon rarely revealed in English and American studies. In its six chapters, contributors survey critics' changing attitudes toward opera over several centuries, trace the evolution of formal conventions among librettists, explore the historical relationships between opera and Italian literature, and examine opera's place in Italian popular and national culture. In perhaps the volume's most striking contribution, German scholar Carl Dahlouse offers his most important statement on the dramaturgy of opera.
Book Synopsis Musical Prodigies by : Gary McPherson
Download or read book Musical Prodigies written by Gary McPherson and published by Oxford University Press. This book was released on 2016 with total page 833 pages. Available in PDF, EPUB and Kindle. Book excerpt: What makes a prodigy? Although child prodigies can be found in various disciplines such as music, mathematics, chess, and art, the origins of exceptional has long been controversial. Some have dismissed the notion of innate talent, arguing that prodigies benefit from strong parental, cultural, and environmental influences that helped them develop their extraordinary abilities. Others emphasize the role of genes supported by inborn predispositions. And what role do cognitive processes, from memory to the use of imagery and language, play in such rapid and early talent development? The notion of prodigy reaches to the heart of questions about creativity, intelligence, development, and the relationship between nature and nurture. This ground-breaking book presents the first scientific exploration of musical prodigies, bringing together research from psychology, neurobiology, genetics, education, musicology, and ethnomusicology, to provide a thorough exploration of prodigious talent. With fascinating case studies of prodigies and their often complex transitions into adolescence and adulthood, this is a unique investigation of a remarkable phenomenon, for anyone interested in child development, music, and the arts. --Cover.
Book Synopsis Bach and the Patterns of Invention by : Laurence Dreyfus
Download or read book Bach and the Patterns of Invention written by Laurence Dreyfus and published by Harvard University Press. This book was released on 2004-03-01 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this major new interpretation of the music of J. S. Bach, we gain a striking picture of the composer as a unique critic of his age. By reading Bach’s music “against the grain” of contemporaries such as Vivaldi and Telemann, Laurence Dreyfus explains how Bach’s approach to musical invention in a variety of genres posed a fundamental challenge to Baroque aesthetics. “Invention”—the word Bach and his contemporaries used for the musical idea that is behind or that generates a composition—emerges as an invaluable key in Dreyfus’s analysis. Looking at important pieces in a range of genres, including concertos, sonatas, fugues, and vocal works, he focuses on the fascinating construction of the invention, the core musical subject, and then shows how Bach disposes, elaborates, and decorates it in structuring his composition. Bach and the Patterns of Invention brings us fresh understanding of Bach’s working methods, and how they differed from those of the other leading composers of his day. We also learn here about Bach’s unusual appropriations of French and Italian styles—and about the elevation of various genres far above their conventional status. Challenging the restrictive lenses commonly encountered in both historical musicology and theoretical analysis, Dreyfus provocatively suggests an approach to Bach that understands him as an eighteenth-century thinker and at the same time as a composer whose music continues to speak to us today.
Book Synopsis A Land of Liberty? by : Julian Hoppit
Download or read book A Land of Liberty? written by Julian Hoppit and published by OUP Oxford. This book was released on 2000-06-22 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Glorious Revolution of 1688-9 was a decisive moment in England's history; an invading Dutch army forced James II to flee to France, and his son-in-law and daughter, William and Mary, were crowned as joint sovereigns. The wider consequences were no less startling: bloody war in Ireland, Union with Scotland, Jacobite intrigue, deep involvement in two major European wars, Britain's emergence as a great power, a 'financial revolution', greater religious toleration, a riven Church, and a startling growth of parliamentary government. Such changes were only part of the transformation of English society at the time. An enriching torrent of new ideas from the likes of Newton, Defoe, and Addison, spread through newspapers, periodicals, and coffee-houses, provided new views and values that some embraced and others loathed. England's horizons were also growing, especially in the Caribbean and American colonies. For many, however, the benefits were uncertain: the slave trade flourished, inequality widened, and the poor and 'disorderly' were increasingly subject to strictures and statutes. If it was an age of prospects it was also one of anxieties.
Book Synopsis Catalogue of Early Books on Music (before 1800) by : Library of Congress. Music Division
Download or read book Catalogue of Early Books on Music (before 1800) written by Library of Congress. Music Division and published by . This book was released on 1913 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Francesco Bartolomeo Conti by : Hermine Weigel Williams
Download or read book Francesco Bartolomeo Conti written by Hermine Weigel Williams and published by Routledge. This book was released on 2018-08-17 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1999, Hermine Weigel Williams’ study draws on more than thirty years of research to fill this noticeable lacuna , and presents here the first full scale life and works of the composer for over ninety years. Part One of the book surveys the biographical aspects of Conti’s career. Appointed court theorist at the age of nineteen, Conti was promoted to court composer in 1713-14. Williams examines Conti’s creative collaborations with some of the leading poet-librettists of the day, and the influence of his music that can be identified in works by Telemann, Bach and Handel. Part Two comprises close analyses of Conti’s compositions: his instrumental music, cantatas, operas, intermezzos, oratorios and sacred music. Williams reveals Conti as a composer who constantly experimented with a wide range of French, German and Italian ideas and techniques to create his own diverse musico-dramatic style.
Download or read book Baroque Music written by Peter Walls and published by Routledge. This book was released on 2017-07-05 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Book Synopsis Music and Theatre by : Nigel Fortune
Download or read book Music and Theatre written by Nigel Fortune and published by Cambridge University Press. This book was released on 2005-02-17 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of eleven essays, compiled as a tribute to Winton Dean on his seventieth birthday, focuses on that area which has absorbed Winton Dean's interest throughout his distinguished career: opera and other theatre music. The first half of the book covers the period from the late seventeenth century to the mid-eighteenth. The second half of the book ranges over later opera: operacomique; Mendelssohn's operas; the influence of Wagner; the finales of Janácek's operas; and Britten's first two major operas, Peter Grimes and The Rape of Lucretia.
Download or read book Voice Machines written by Bonnie Gordon and published by University of Chicago Press. This book was released on 2023-05-31 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of the castrato as a critical provocation to explore the relationships between sound, music, voice instrument, and machine. Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood. Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldviews, the printing press, gunpowder, and the telescope—participated in making castrati. In Bonnie Gordon’s revealing study, castrati serve as a critical provocation to ask questions about the voice, the limits of the body, and the stories historians tell.
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