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Yoruba Performance Theatre And Politics
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Book Synopsis Yorùbá Performance, Theatre and Politics by : Glenn Odom
Download or read book Yorùbá Performance, Theatre and Politics written by Glenn Odom and published by Springer. This book was released on 2015-06-23 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explains the connections between traditional performance (e.g. masked dances, prophecy, praise recitations), contemporary theatre (Wole Soyinka, Ola Rotimi, Tess Onwueme, Femi Osofisan, and Stella Oyedepo) , and the political sphere in the context of the Yorùbá people in Nigeria.
Book Synopsis Yorùbá Performance, Theatre and Politics by : Glenn Odom
Download or read book Yorùbá Performance, Theatre and Politics written by Glenn Odom and published by Springer. This book was released on 2015-06-23 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explains the connections between traditional performance (e.g. masked dances, prophecy, praise recitations), contemporary theatre (Wole Soyinka, Ola Rotimi, Tess Onwueme, Femi Osofisan, and Stella Oyedepo) , and the political sphere in the context of the Yorùbá people in Nigeria.
Book Synopsis Theatre, Margins and Politics by : Arnab Ray
Download or read book Theatre, Margins and Politics written by Arnab Ray and published by Taylor & Francis. This book was released on 2022-11-30 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book interrogates the relationship of theatre and the dialectics of centre and the margins. It looks into the exciting world of performance to examine how theatre as an art form is perfectly placed to both perform and critique complex relations of power, politics, and culture. The volume looks into how drama has historically served as a stage for expressing and showcasing prevalent social, historical, and cultural contexts from which it has emerged or intends to critique. Including a wide range of performative practices like Dalit Theatre, Australian Aboriginal theatre, Western realism, and Yoruba theatre, it explores varied lived experiences of people, and voices of subversion, subalternity, resistance, and transformation. The book scrutinises the strategies of representation enunciated through textuality, theatricality, and performance in these works and the politics they are inextricably linked with. This book will be of interest and use to scholars, researchers, and students of theatre and performance studies, postcolonial studies, race and inequality studies, gender studies, and culture studies.
Book Synopsis Performance, Politics and Activism by : P. Lichtenfels
Download or read book Performance, Politics and Activism written by P. Lichtenfels and published by Springer. This book was released on 2013-04-09 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considering both making political performance and making performance politically, this collection explores engagements of political resistance, public practice and performance media, on various scales of production within structures of neoliberal and liberal government and power.
Book Synopsis Routledge Handbook of African Theatre and Performance by : Kene Igweonu
Download or read book Routledge Handbook of African Theatre and Performance written by Kene Igweonu and published by Taylor & Francis. This book was released on 2024-06-10 with total page 811 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice. Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication. An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association.
Book Synopsis Yoruba Ritual by : Margaret Thompson Drewal
Download or read book Yoruba Ritual written by Margaret Thompson Drewal and published by Indiana University Press. This book was released on 1992-03-22 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: Yoruba peoples of southwestern Nigeria conceive of rituals as journeys -- sometimes actual, sometimes virtual. Performed as a parade or a procession, a pilgrimage, a masking display, or possession trance, the journey evokes the reflexive, progressive, transformative experience of ritual participation. Yoruba Ritual is an original and provocative study of these practices. Using a performance paradigm, Margaret Thompson Drewal forges a new theoretical and methodological approach to the study of ritual that is thoroughly grounded in close analysis of the thoughts and actions of the participants. Challenging traditional notions of ritual as rigid, stereotypic, and invariant, Drewal reveals ritual to be progressive, transformative, generative, and reflexive and replete with simultaneity, multifocality, contingency, indeterminacy, and intertextuality. Throughout the book prominence is given to the intentionality of actors as knowledgeable agents who transform ritual itself through play and improvisation. Integral to the narrative are interpolations about performances and their meanings by Kolawole Ositola, a scholar of Yoruba oral tradition, ritual practitioner, diviner, and master performer. Rich descriptions of rituals relating to birth, death, reincarnation, divination, and constructions of gender are rendered all the more vivid by a generous selection of field photos of actual performances.
Book Synopsis The Politics of Interweaving Performance Cultures by : Erika Fischer-Lichte
Download or read book The Politics of Interweaving Performance Cultures written by Erika Fischer-Lichte and published by Routledge. This book was released on 2014-01-10 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a timely intervention in the fields of performance studies and theatre history, and to larger issues of global cultural exchange. The authors offer a provocative argument for rethinking the scholarly assessment of how diverse performative cultures interact, how they are interwoven, and how they are dependent upon each other. While the term ‘intercultural theatre’ as a concept points back to postcolonialism and its contradictions, The Politics of Interweaving Performance Cultures explores global developments in the performing arts that cannot adequately be explained and understood using postcolonial theory. The authors challenge the dichotomy ‘the West and the rest’ – where Western cultures are ‘universal’ and non-Western cultures are ‘particular’ – as well as ideas of national culture and cultural ownership. This volume uses international case studies to explore the politics of globalization, looking at new paternalistic forms of exchange and the new inequalities emerging from it. These case studies are guided by the principle that processes of interweaving performance cultures are, in fact, political processes. The authors explore the inextricability of the aesthetic and the political, whereby aesthetics cannot be perceived as opposite to the political; rather, the aesthetic is the political. Helen Gilbert’s essay ‘Let the Games Begin: Pageants, Protests, Indigeneity (1968–2010)’won the 2015 Marlis Thiersch Prize for best essay from the Australasian Drama, Theatre and Performance Studies Association.
Book Synopsis Routledge Companion to Audiences and the Performing Arts by : Matthew Reason
Download or read book Routledge Companion to Audiences and the Performing Arts written by Matthew Reason and published by Routledge. This book was released on 2022-04-05 with total page 774 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities.
Book Synopsis The Generation of Plays by : Karin Barber
Download or read book The Generation of Plays written by Karin Barber and published by Indiana University Press. This book was released on 2003-03-21 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1980s, Yoruba popular theatre has virtually disappeared due to radio, TV and other mass media in Nigeria. This is the personal account of a theatre worker on tour with the Oyin Adejobi Company. Drawing on archives, interviews and transcribed plays, she describes a successful Yoruba drama.
Book Synopsis Theatrical Jazz by : Omi Osun Joni L. Jones
Download or read book Theatrical Jazz written by Omi Osun Joni L. Jones and published by Black Performance and Cultural. This book was released on 2023-01-08 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length study of the theatrical jazz aesthetic, that draws on the jazz principles of ensemble--the break, the bridge, and the blue note.
Book Synopsis Black Theatre by : Paul Carter Harrison
Download or read book Black Theatre written by Paul Carter Harrison and published by Temple University Press. This book was released on 2002-11-08 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Generating a new understanding of the past—as well as a vision for the future—this path-breaking volume contains essays written by playwrights, scholars, and critics that analyze African American theatre as it is practiced today.Even as they acknowledge that Black experience is not monolithic, these contributors argue provocatively and persuasively for a Black consciousness that creates a culturally specific theatre. This theatre, rooted in an African mythos, offers ritual rather than realism; it transcends the specifics of social relations, reaching toward revelation. The ritual performance that is intrinsic to Black theatre renews the community; in Paul Carter Harrison's words, it "reveals the Form of Things Unknown" in a way that "binds, cleanses, and heals."
Book Synopsis The Routledge Companion to Scenography by : Arnold Aronson
Download or read book The Routledge Companion to Scenography written by Arnold Aronson and published by Routledge. This book was released on 2017-09-11 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Scenography is the largest and most comprehensive collection of original essays to survey the historical, conceptual, critical and theoretical aspects of this increasingly important aspect of theatre and performance studies. Editor and leading scholar Arnold Aronson brings together a uniquely valuable anthology of texts especially commissioned from across the discipline of theatre and performance studies. Establishing a stable terminology for a deeply contested term for the first time, this volume looks at scenography as the totality of all the visual, spatial and sensory aspects of performance. Tracing a line from Aristotle’s Poetics down to Brecht and Artaud and into contemporary immersive theatre and digital media, The Routledge Companion to Scenography is a vital addition to every theatre library.
Book Synopsis Antigone on the Contemporary World Stage by : Erin B. Mee
Download or read book Antigone on the Contemporary World Stage written by Erin B. Mee and published by Oxford University Press on Demand. This book was released on 2011-06-16 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sophocles' Antigone has been staged all over the world, and many of these productions have reconceived and remade the play to address local issues and concerns. This collection of essays explores the play's reception in numerous countries, as diverse as The Congo and Australia, Argentina and Japan.
Book Synopsis Theatre and Postcolonial Desires by : Awam Amkpa
Download or read book Theatre and Postcolonial Desires written by Awam Amkpa and published by Routledge. This book was released on 2004-06 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism of theatre. The struggles it describes unfolded in two cultural settings separated by geography, but bound by history in a common web of colonial relations spun by the imperatives of European modernity. In post-imperial England, as in its former colony Nigeria, the colonial experience not only hybridized the process of national self-definition, but also provided dramatists with the language, imagery and frame of reference to narrate the dynamics of internal wars over culture and national destiny happening within their own societies. The author examines the works of prominent twentieth-century Nigerian and English dramatists such as Wole Soyinka, Femi Osofisan, Davd Edgar and Caryl Churchill to argue that dramaturgies of resistance in the contexts of both Nigerian as well as its imperial inventor England, shared a common allegiance to what he describes as postcolonial desires. That is, the aspiration to overcome the legacies of colonialism by imagining alternative universes anchored in democratic cultural pluralism. The plays and their histories serve as filters through which Ampka illustrates the operation of what he calls 'overlapping modernities' and reconfigures the notions of power and representation, citizenship and subjectivity, colonial and anticolonial nationalisms and postcoloniality. The dramatic works studied in this book embodied a version of postcolonial aspirations that the author conceptualises as transcending temporal locations to encompass varied moments of consciousness for progressive change, whether they happened during the hey day of English imperialism in early twentieth-century Nigeria, or in response to the exclusionary politics of the Conservative Party in Thatcherite England. Theatre and Postcolonial Desires will be essential reading for students and researchers in the areas of drama, postcolonial and cultural studies.
Book Synopsis African Drama and Performance by : John Conteh-Morgan
Download or read book African Drama and Performance written by John Conteh-Morgan and published by Indiana University Press. This book was released on 2004-10 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title explores the diversity of the performing arts in Africa and the diaspora, from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films.
Book Synopsis Auteuring Nollywood by : Afolayan, Adeshina
Download or read book Auteuring Nollywood written by Afolayan, Adeshina and published by University Press, Nigeria. This book was released on 2015-02-28 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning from an auteur standpoint, this book interrogates extant cinematic re-presentation of African and Nigerian postcolonial realities in Nollywood. It makes a case, using Kunle Afolayan's The Figurine, for a critical space-clearing gesture around the notion of a neo-Nollywood, which transcends the formulaic cinematic re-presentation of African and Nigerian realities to embrace a visionary and philosophic rearticualtion of the role of film-making, and of Nollywood, in the Nigerian imagination. The Idea of neo-Nollywood, and a visionary director, therefore stands at the core of a cinematic production process that challenges, disturbs and stimulates perceptions of current and future African identities
Book Synopsis Decolonizing the Stage by : Christopher B. Balme
Download or read book Decolonizing the Stage written by Christopher B. Balme and published by Oxford University Press. This book was released on 1999 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of post-colonial drama and theatre. It examines how dramatists from various societies have attempted to fuse the performance idioms of their traditions with the Western dramatic form, demonstrating how the dynamics of syncretic theatrical texts function in performance.
