Word and Music Studies Defining the Field

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Author :
Publisher : Rodopi
ISBN 13 : 9789042005877
Total Pages : 372 pages
Book Rating : 4.0/5 (58 download)

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Book Synopsis Word and Music Studies Defining the Field by : Walter Bernhart

Download or read book Word and Music Studies Defining the Field written by Walter Bernhart and published by Rodopi. This book was released on 1999 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif').

Word and Music Studies: Defining the Field

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Author :
Publisher : BRILL
ISBN 13 : 9004649212
Total Pages : 368 pages
Book Rating : 4.0/5 (46 download)

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Book Synopsis Word and Music Studies: Defining the Field by :

Download or read book Word and Music Studies: Defining the Field written by and published by BRILL. This book was released on 1999 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif').

Word and Music Studies

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Author :
Publisher : Rodopi
ISBN 13 : 9789042015654
Total Pages : 276 pages
Book Rating : 4.0/5 (156 download)

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Book Synopsis Word and Music Studies by : Walter Bernhart

Download or read book Word and Music Studies written by Walter Bernhart and published by Rodopi. This book was released on 2001 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today s popular culture."

Word and Music Studies

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Publisher : Rodopi
ISBN 13 : 9789042015753
Total Pages : 272 pages
Book Rating : 4.0/5 (157 download)

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Book Synopsis Word and Music Studies by : Walter Bernhart

Download or read book Word and Music Studies written by Walter Bernhart and published by Rodopi. This book was released on 2001 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today's popular culture.

Word and Music Studies

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Author :
Publisher : Rodopi
ISBN 13 : 9789042009936
Total Pages : 340 pages
Book Rating : 4.0/5 (99 download)

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Book Synopsis Word and Music Studies by : Suzanne M. Lodato

Download or read book Word and Music Studies written by Suzanne M. Lodato and published by Rodopi. This book was released on 2002 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher's many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner. The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate - and often problematize - widespread assumptions regarding 'national' and 'cultural' music, language, plots, and production values in musical stage works. Topics include the National Socialists' construction of German national identity; reception-based examinations of cultural identity and various "national" opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.

Word and Music Studies

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Author :
Publisher : BRILL
ISBN 13 : 9004334068
Total Pages : 332 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Word and Music Studies by :

Download or read book Word and Music Studies written by and published by BRILL. This book was released on 2016-08-29 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher’s many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner.The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate – and often problematize – widespread assumptions regarding ‘national’ and ‘cultural’ music, language, plots, and production values in musical stage works. Topics include the National Socialists’ construction of German national identity; reception-based examinations of cultural identity and various “national” opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.

Selected Essays on Intermediality by Werner Wolf (1992–2014)

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Author :
Publisher : BRILL
ISBN 13 : 9004346643
Total Pages : 691 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Selected Essays on Intermediality by Werner Wolf (1992–2014) by : Werner Wolf

Download or read book Selected Essays on Intermediality by Werner Wolf (1992–2014) written by Werner Wolf and published by BRILL. This book was released on 2017-11-13 with total page 691 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume collects twenty-two major essays by Werner Wolf published between 1992 and 2014, all of them revised but retaining the original argument. They form the core of those seminal writings which have contributed to establishing 'intermediality' as an internationally recognized research field, besides providing a by now widely accepted typology of the field and opening intermedial perspectives on areas as varied as narratology, metareferentiality and iconicity. The essays are presented chronologically under the headings of “Theory and Typology”, “Literature–Music Relations”, “Transmedial Narratology”, and “Miscellaneous Transmedial Phenomena” and cover a wide spectrum of topics of both historical and contemporary relevance, ranging from J.S. Bach, Mozart, Schubert and Gulda through Sterne, Hardy, Woolf and Beckett to Jan Steen, Hogarth, Magritte and comics. The volume should be essential reading for scholars of literature, music and art history with an interdisciplinary orientation as well as general readers interested in the fascinating interaction of the arts.

Essays on Literature and Music (1985 – 2013) by Walter Bernhart

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Author :
Publisher : BRILL
ISBN 13 : 9004302743
Total Pages : 515 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Essays on Literature and Music (1985 – 2013) by Walter Bernhart by : Walter Bernhart

Download or read book Essays on Literature and Music (1985 – 2013) by Walter Bernhart written by Walter Bernhart and published by BRILL. This book was released on 2015-07-28 with total page 515 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is dedicated to the musico-literary oeuvre of Walter Bernhart, professor of English literature at Karl-Franzens-Universität Graz/Austria and pioneer in the field of intermedial relations between literature and other arts and media. It renders accessible a wide variety of texts which are sometimes no longer easily retrievable. The 37 texts collected here in chronological order span the period from 1985 to 2013 and thematically range from contributions to opera programmes and the discussion of musical aspects of Romantic and modernist poetry to inquiries into individual operas and composers as well as into theoretical aspects of word and music relations (e. g. the ways of setting poetry to music, musico-literary ‘comparative poetics’, the concept of ‘genre’ in music and literature, iconicity in both media, their narrative as well as metareferential and illusionist capacities). The volume is of relevance to literary scholars and musicologists but also to all those with an interest in intermediality studies in general and in the relations between literature and music in particular.

"The Given Note"

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Author :
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527565556
Total Pages : 312 pages
Book Rating : 4.5/5 (275 download)

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Book Synopsis "The Given Note" by : Seán Crosson

Download or read book "The Given Note" written by Seán Crosson and published by Cambridge Scholars Publishing. This book was released on 2021-02-03 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The oldest records indicate that the performance of poetry in Gaelic Ireland was normally accompanied by music, providing a point of continuity with past tradition while bolstering a sense of community in the present. Music would also offer, particularly for poets writing in English from the eighteenth century onwards, a perceived authenticity, a connection with an older tradition perceived as being untarnished by linguistic and cultural division. While providing an innovative analysis of theoretical work in music and literary studies, this book examines how traditional Irish music, including the related song tradition (primarily in Irish), has influenced, and is apparent in, the work of Irish poets. While looking generally at where this influence is evident historically and in contemporary Irish poetry, this work focuses primarily on the work of six poets, three who write in English and three who write primarily in the Irish language: Thomas Kinsella, Seamus Heaney, Ciaran Carson, Gearóid Mac Lochlainn, Nuala Ní Dhomhnaill and Cathal Ó Searcaigh.

Essays on Literature and Music (1967-2004)

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Author :
Publisher : Rodopi
ISBN 13 : 9789042017528
Total Pages : 552 pages
Book Rating : 4.0/5 (175 download)

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Book Synopsis Essays on Literature and Music (1967-2004) by : Steven Paul Scher

Download or read book Essays on Literature and Music (1967-2004) written by Steven Paul Scher and published by Rodopi. This book was released on 2004 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present volume meets a frequently expressed demand as it is the first collection of all the relevant essays and articles which Steven Paul Scher has written on Literature and Music over a period of almost forty years in the field of Word and Music Studies. Scher, The Daniel Webster Professor of German and Comparative Literature at Dartmouth College, Hanover, NH, USA, is one of the founding fathers of Word and Music Studies and a leading authority in what is in the meantime a well-established intermedial field. He has published very widely in a variety of journals and collections of essays, which until now have not always been easy to lay one's hands on. His work covers a wide range of subjects and comprises theoretical, methodological and historical studies, which include discussions of Ferruccio Busoni, Thomas Mann, Bertolt Brecht, Judith Weir, the Talking Heads and many others and which pay special attention to E. T. A. Hoffmann and German Romanticism. The range and depth of these studies have made him the 'mastermind' of Word and Music Studies who has defined the basic aims and objectives of the discipline. This volume is of interest to literary scholars and musicologists as well as comparatists and all those concerned about the rapidly expanding field of Intermedia Studies.

Description in Literature and Other Media

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Publisher : BRILL
ISBN 13 : 9401205213
Total Pages : 351 pages
Book Rating : 4.4/5 (12 download)

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Book Synopsis Description in Literature and Other Media by :

Download or read book Description in Literature and Other Media written by and published by BRILL. This book was released on 2007-01-01 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: In contrast to narrative, description is a much less researched phenomenon, and where it so far has found attention at all, scholars have almost always discussed it with fiction in mind. The all but exclusive concentration on literature has hitherto obscured the fact that description transcends literature and indeed the verbal media in general and is not only a transgeneric but also a transmedial phenomenon that can be found in many other media and arts. This book is a pioneering interdisciplinary study of description since it for the first time undertakes to close this research lacuna by highlighting description and its relevance with reference to a wide spectrum of arts and media. The volume opens with a detailed introductory essay, which aims at clarifying the descriptive as a basic semiotic form of organizing signs from a theoretical perspective but also provides a first overview of the uses of description as well as its problematics in fiction, painting and instrumental music. In the main part of the book, nine contributions by scholars from various disciplines explore description in individual media and different cultural epochs. The first section of the book is dedicated to literature and related (partly) verbal media and includes a typological and historical survey of description in fiction as well as discussions of its occurrence in poetry, nature writing, radioliterature and film. The second part deals with the (purely) visual media and ranges from a presentation of the descriptive techniques used in Dürer’s graphic reproductions to general reflections on ‘the descriptive’ in the visual arts as well as in photography. A third section on description in music provides a perspective on yet another medium. The volume, which is the second one in the series ‘Studies in Intermediality’, is of relevance to students and scholars from various fields: intermedial studies, literary and film studies, history of art, and musicology.

Musical Portraits

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Publisher : Oxford University Press
ISBN 13 : 0190653507
Total Pages : 201 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis Musical Portraits by : Joshua S. Walden

Download or read book Musical Portraits written by Joshua S. Walden and published by Oxford University Press. This book was released on 2018 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joshua S. Walden's study of the genre of musical portraiture since 1945 focuses on significant composers of the period, including Pierre Boulez, Morton Feldman, Philip Glass, and György Ligeti. Grounding his exploration in key works, Walden uncovers contemporary understandings of music's capacity to depict identity, and of intersections between music, literature, theater, film, and the visual arts.

Music Writing Literature, from Sand via Debussy to Derrida

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Author :
Publisher : Routledge
ISBN 13 : 1351557106
Total Pages : 222 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music Writing Literature, from Sand via Debussy to Derrida by : Peter Dayan

Download or read book Music Writing Literature, from Sand via Debussy to Derrida written by Peter Dayan and published by Routledge. This book was released on 2017-07-05 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why does poetry appeal to music? Can music be said to communicate, as language does? What, between music and poetry, is it possible to translate? These fundamental questions have remained obstinately difficult, despite the recent burgeoning of word and music studies. Peter Dayan contends that the reasons for this difficulty were worked out with extraordinary rigour and consistency in a French literary tradition, echoed by composers such as Berlioz and Debussy, which stretches from Sand to Derrida. Their writing shows how it is both necessary and futile to look for music in poetry, or for poetry in music: necessary, because each art defines itself by reference to what it is not, and cannot be, in order to point to an idealized totality outside itself; futile, because the musicality of poetry, like the poetic meaning of music, must remain as elusive as that idealized totality; its distance is the very condition of the art. Thus is generated a subtle but unmistakable general definition of the nature of art which has proved uniquely able to survive all the probings of poststructuralism. That definition of art is inseparable from a disturbingly effective scepticism towards all forms of explication and explanation in critical discourse, so it is doubtless not surprising that critics in general have done their best to ignore it. But by bringing out what Sand, Baudelaire, Mallarmé, Proust, Debussy, Berlioz, Barthes, and Derrida all do in the same way as they work on the limits of the analogy between music and literature, this book shows how it is possible, productive, illuminating, and fascinating to work on those limits; though to do so, as we find repeatedly, in Chopin's dreams as in Derrida's 'tombeaux', requires us to have the courage to face, in music, our literal death, and the limits of our intelligence.

Music and Literature in German Romanticism

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Publisher : Camden House
ISBN 13 : 9781571132581
Total Pages : 274 pages
Book Rating : 4.1/5 (325 download)

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Book Synopsis Music and Literature in German Romanticism by : Siobhán Donovan

Download or read book Music and Literature in German Romanticism written by Siobhán Donovan and published by Camden House. This book was released on 2004 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the Romantic era, many in Germany believed music to be the highest art form, representing the quintessence of Romanticism and able to express what could not be expressed in words. This book studies the work of composers during this period and examines the cross-over between music and literature.

East Germany

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Publisher : Rodopi
ISBN 13 : 9789042005693
Total Pages : 212 pages
Book Rating : 4.0/5 (56 download)

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Book Synopsis East Germany by : Paul Cooke

Download or read book East Germany written by Paul Cooke and published by Rodopi. This book was released on 2000 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of papers first presented at a colloquium for postgraduate students held at the Institute for German Studies, University of Birmingham 1998.

Subjectivity

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Publisher : Rodopi
ISBN 13 : 9789042007383
Total Pages : 356 pages
Book Rating : 4.0/5 (73 download)

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Book Synopsis Subjectivity by : Willem van Reijen

Download or read book Subjectivity written by Willem van Reijen and published by Rodopi. This book was released on 2000 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Subjectivity is one of the central issues of twentieth-century philosophy, literature and art. Modernism, which "discovered" the subconscious, put an end to the belief in the Cartesian Subject as the autonomous centre of knowledge and self-consciousness. Instead, the subject became something uncontrollable, unreliable, incomplete and fragmentary. The attempts to recapture the unity of the subject led to the existential quest and the flight into ideology (nazism, communism). Postmodernism, the cultural movement of the second half of the twentieth century, did not consider the subject any longer as an important category. Attention was focused on the "I" and the "Other", on dialogism and polyphonism (Bakhtin). Ideology lost its appeal and so did the "great" stories (Lyotard). In this issue of Avant-Garde Critical Studies the problem of subjectivity in twentieth-century culture is discussed from various angles by specialists in the field of philosophy, literature, film, music and dance.

Mallarmé and Debussy

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Publisher : Oxford University Press
ISBN 13 : 9780199266371
Total Pages : 246 pages
Book Rating : 4.2/5 (663 download)

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Book Synopsis Mallarmé and Debussy by : Elizabeth McCombie

Download or read book Mallarmé and Debussy written by Elizabeth McCombie and published by Oxford University Press. This book was released on 2003 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines afresh the web of similarities and differences between music and poetry using works by Mallarm and Debussy as case studies. It challenges the easy metaphorical impressionism that has characterized much of the scholarly literature to date. Analyzing Mallarm 's vision of a shared musico-poetic aesthetic, Elizabeth McCombie derives a set of performative structural motifs, analytical tools that express our experience of the two arts and their middle ground.