What Is Japanese Cinema?

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Publisher : Columbia University Press
ISBN 13 : 0231549482
Total Pages : 305 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis What Is Japanese Cinema? by : Yomota Inuhiko

Download or read book What Is Japanese Cinema? written by Yomota Inuhiko and published by Columbia University Press. This book was released on 2019-04-16 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: What might Godzilla and Kurosawa have in common? What, if anything, links Ozu’s sparse portraits of domestic life and the colorful worlds of anime? In What Is Japanese Cinema? Yomota Inuhiko provides a concise and lively history of Japanese film that shows how cinema tells the story of Japan’s modern age. Discussing popular works alongside auteurist masterpieces, Yomota considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in its historical, technological, and global contexts. Yomota shows how Japanese film has been shaped by traditonal art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry’s rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Yomota provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography. An incisive and opinionated history, What Is Japanese Cinema? is essential reading for admirers and students of Japan’s contributions to the world of film.

A New History of Japanese Cinema

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1441161546
Total Pages : 415 pages
Book Rating : 4.4/5 (411 download)

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Book Synopsis A New History of Japanese Cinema by : Isolde Standish

Download or read book A New History of Japanese Cinema written by Isolde Standish and published by Bloomsbury Publishing USA. This book was released on 2006-05-08 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s - as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.

Japanese Cinema

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Publisher : Routledge
ISBN 13 : 1134334214
Total Pages : 466 pages
Book Rating : 4.1/5 (343 download)

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Book Synopsis Japanese Cinema by : Alastair Phillips

Download or read book Japanese Cinema written by Alastair Phillips and published by Routledge. This book was released on 2007-12-18 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society. Studying a range of important films, from Late Spring, Seven Samurai and In the Realm of the Senses to Godzilla, Hana-Bi and Ring, the collection includes discussion of all the major directors of Japanese cinema including Ozu, Mizoguchi, Kurosawa, Oshima, Suzuki, Kitano and Miyazaki. Each chapter discusses the film in relation to aesthetic, industrial or critical issues and ends with a complete filmography for each director. The book also includes a full glossary of terms and a comprehensive bibliography of readings on Japanese cinema. Bringing together leading international scholars and showcasing pioneering new research, this book is essential reading for all students and general readers interested in one of the world’s most important film industries.

The Japanese Cinema Book

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Publisher : Bloomsbury Publishing
ISBN 13 : 1844576817
Total Pages : 625 pages
Book Rating : 4.8/5 (445 download)

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Book Synopsis The Japanese Cinema Book by : Hideaki Fujiki

Download or read book The Japanese Cinema Book written by Hideaki Fujiki and published by Bloomsbury Publishing. This book was released on 2020-04-02 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions

Historical Dictionary of Japanese Cinema

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Publisher : Scarecrow Press
ISBN 13 : 0810875411
Total Pages : 564 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Historical Dictionary of Japanese Cinema by : Jasper Sharp

Download or read book Historical Dictionary of Japanese Cinema written by Jasper Sharp and published by Scarecrow Press. This book was released on 2011-10-13 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: The cinema of Japan predates that of Russia, China, and India, and it has been able to sustain itself without outside assistance for over a century. Japanese cinema's long history of production and considerable output has seen films made in a variety of genres, including melodramas, romances, gangster movies, samurai movies, musicals, horror films, and monster films. It has also produced some of the most famous names in the history of cinema: Akira Kurosawa, Hayao Miyazaki, Beat Takeshi, Toshirô Mifune, Godzilla, The Ring, Akira, Rashomon, and Seven Samurai. The Historical Dictionary of Japanese Cinema is an introduction to and overview of the long history of Japanese cinema. It aims to provide an entry point for those with little or no familiarity with the subject, while it is organized so that scholars in the field will also be able to use it to find specific information. This is done through a detailed chronology, an introductory essay, and appendixes of films, film studios, directors, and performers. The cross-referenced dictionary entries cover key films, genres, studios, directors, performers, and other individuals. This book is an excellent access point for students, researchers, and anyone wanting to know more about Japanese cinema.

The Oxford Handbook of Japanese Cinema

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Publisher : Oxford University Press
ISBN 13 : 0199731667
Total Pages : 497 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis The Oxford Handbook of Japanese Cinema by : Daisuke Miyao

Download or read book The Oxford Handbook of Japanese Cinema written by Daisuke Miyao and published by Oxford University Press. This book was released on 2014 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a multifaceted single-volume account of Japanese cinema. It addresses productive debates about what Japanese cinema is, where Japanese cinema is, as well as what and where Japanese cinema studies is, at the so-called period of crisis of national boundary under globalization and the so-called period of crisis of cinema under digitalization.

Nippon Modern

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Publisher : University of Hawaii Press
ISBN 13 : 0824863747
Total Pages : 201 pages
Book Rating : 4.8/5 (248 download)

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Book Synopsis Nippon Modern by : Mitsuyo Wada-Marciano

Download or read book Nippon Modern written by Mitsuyo Wada-Marciano and published by University of Hawaii Press. This book was released on 2008-01-22 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Devastated by the 1923 earthquake, Tokyo re-built itself in symbiosis with an image of modernity concocted by its own film studios. Nippon Modern renders that image, aspect after fascinating aspect, in sharp detail. Scores of films make up that image, a few resurrected in this volume for intense and delightful analysis. A sensitive viewer and an honest resourceful historian, Wada-Marciano lays out what she’s found in relation to other studies of this precious period, and she does so without hyperbole and without a glaring agenda. She makes you understand how, after Tokyo would again be devastated in 1945, these ‘modern’ films could become objects of nostalgia. Such is the care she gives her subject and such the fragility of that subject." —Dudley Andrew, Yale University "Nippon Modern will be recognized as one of the core books of Japanese film studies, a must-read for anyone interested in Japanese cinema. Because it brings Japanese cinema study into dialogue with important debates in history, area studies, and post colonial studies, it should have a wide and heterogeneous readership that will be attracted to its compelling analysis of important films and straightforward narration of biographies and studio history." —Abé Mark Nornes, University of Michigan Nippon Modern is the first intensive study of Japanese cinema in the 1920s and 1930s, a period in which the country’s film industry was at its most prolific and a time when cinema played a singular role in shaping Japanese modernity. During the interwar period, the signs of modernity were ubiquitous in Japan’s urban architecture, literature, fashion, advertising, popular music, and cinema. The reconstruction of Tokyo following the disastrous earthquake of 1923 high lighted the extent of this cultural transformation, and the film industry embraced the reconfigured space as an expression of the modern. Shochiku Kamata Film Studios (1920–1936), the focus of this study, was the only studio that continued filmmaking in Tokyo following the city’s complete destruction. Mitsuyo Wada-Marciano points to the influence of the new urban culture in Shochiku’s interwar films, acclaimed as modan na eiga, or modern films, by and for Japanese. Wada-Marciano’s thought-provoking examinations illustrate the reciprocal relationship between cinema and Japan’s vernacular modernity—what Japanese modernity actually meant to Japanese. Her thorough and thoughtful analyses of dozens of films within the cultural contexts of Japan con tribute to the current inquiry into non-Western vernacular modernities.

Kurosawa

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Publisher : Duke University Press
ISBN 13 : 9780822325192
Total Pages : 500 pages
Book Rating : 4.3/5 (251 download)

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Book Synopsis Kurosawa by : Mitsuhiro Yoshimoto

Download or read book Kurosawa written by Mitsuhiro Yoshimoto and published by Duke University Press. This book was released on 2000 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work will become not only the newly definitive study of Kurosawa, but will redefine the field of Japanese cinema studies, particularly as the field exists in the west.

Time Frames

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Publisher : U of Minnesota Press
ISBN 13 : 9781452909233
Total Pages : 324 pages
Book Rating : 4.9/5 (92 download)

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Book Synopsis Time Frames by : Scott Nygren

Download or read book Time Frames written by Scott Nygren and published by U of Minnesota Press. This book was released on 2007 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Japanese Cinema and Otherness

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Publisher : Routledge
ISBN 13 : 1135238863
Total Pages : 241 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis Japanese Cinema and Otherness by : Mika Ko

Download or read book Japanese Cinema and Otherness written by Mika Ko and published by Routledge. This book was released on 2013-05-13 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last 20 years, ethnic minority groups have been increasingly featured in Japanese Films. However, the way these groups are presented has not been a subject of investigation. This study examines the representation of so-called Others – foreigners, ethnic minorities, and Okinawans – in Japanese cinema. By combining textual and contextual analysis, this book analyses the narrative and visual style of films of contemporary Japanese cinema in relation to their social and historical context of production and reception. Mika Ko considers the ways in which ‘multicultural’ sentiments have emerged in contemporary Japanese cinema. In this respect, Japanese films may be seen not simply to have ‘reflected’ more general trends within Japanese society but to have played an active role in constructing and communicating different versions of multiculturalism. In particular, the book is concerned with how representations of ‘otherness’ in contemporary Japanese cinema may be identified as reinforcing or subverting dominant discourses of ‘Japaneseness’. the author book also illuminates the ways in which Japanese films have engaged in the dramatisation and elaboration of ideas and attitudes surrounding contemporary Japanese nationalism and multiculturalism. By locating contemporary Japanese cinema in a social and political context, Japanese Cinema and Otherness makes an original contribution to scholarship on Japanese film study but also to bridging the gap between Japanese studies and film studies.

Eros Plus Massacre

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Publisher : Indiana University Press
ISBN 13 : 9780253204691
Total Pages : 260 pages
Book Rating : 4.2/5 (46 download)

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Book Synopsis Eros Plus Massacre by : David Desser

Download or read book Eros Plus Massacre written by David Desser and published by Indiana University Press. This book was released on 1988-05-22 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The decade of the 1960s encompassed a "New Wave" of films whose makers were rebels, challenging cinematic traditions and the culture at large. The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film. Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.

The Japanese Film

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Publisher : Princeton University Press
ISBN 13 : 0691187460
Total Pages : 527 pages
Book Rating : 4.6/5 (911 download)

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Book Synopsis The Japanese Film by : Joseph L. Anderson

Download or read book The Japanese Film written by Joseph L. Anderson and published by Princeton University Press. This book was released on 2018-06-05 with total page 527 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the development of the Japanese cinema from 1896 (when the first Kinetoscope was imported) through the golden ages of film in Japan up to today, this work reveals the once flourishing film industry and the continuing unique art of the Japanese film. Now back in print with updated sections, major revaluations, a comprehensive international bibliography, and an exceptional collection of 168 stills ranging over eight decades, this book remains the unchallenged reference for all who seek a broad understanding of the aesthetic, historical, and economic elements of motion pictures from Japan.

Japanese Cinema Between Frames

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Publisher : Springer
ISBN 13 : 3319663739
Total Pages : 177 pages
Book Rating : 4.3/5 (196 download)

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Book Synopsis Japanese Cinema Between Frames by : Laura Lee

Download or read book Japanese Cinema Between Frames written by Laura Lee and published by Springer. This book was released on 2017-11-08 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the rich complexity of Japan’s film history by tracing how cinema has been continually reshaped through its dynamic engagement within a shifting media ecology. Focusing on techniques that draw attention to the interval between frames on the filmstrip, something that is generally obscured in narrative film, Lee uncovers a chief mechanism by which, from its earliest period, the medium has capitalized on its materiality to instantiate its contemporaneity. In doing so, cinema has bound itself tightly with adjacent visual forms such as anime and manga to redefine itself across its history of interaction with new media, including television, video, and digital formats. Japanese Cinema Between Frames is a bold examination of Japanese film aesthetics that reframes the nation’s cinema history, illuminating processes that have both contributed to the unique texture of Japanese films and yoked the nation’s cinema to the global sphere of film history.

The End of Japanese Cinema

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Publisher : Duke University Press
ISBN 13 : 0822372460
Total Pages : 320 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis The End of Japanese Cinema by : Alexander Zahlten

Download or read book The End of Japanese Cinema written by Alexander Zahlten and published by Duke University Press. This book was released on 2017-09-15 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. A Study of the Weatherhead East Asian Institute, Columbia University

To the Distant Observer

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Publisher : Univ of California Press
ISBN 13 : 9780520038776
Total Pages : 392 pages
Book Rating : 4.0/5 (387 download)

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Book Synopsis To the Distant Observer by : Noël Burch

Download or read book To the Distant Observer written by Noël Burch and published by Univ of California Press. This book was released on 1979-01-01 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Reframing Japanese Cinema

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Publisher :
ISBN 13 :
Total Pages : 392 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Reframing Japanese Cinema by : Arthur Nolletti

Download or read book Reframing Japanese Cinema written by Arthur Nolletti and published by . This book was released on 1992 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Japanese Cinema Goes Global

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Publisher : Hong Kong University Press
ISBN 13 : 9888083325
Total Pages : 215 pages
Book Rating : 4.8/5 (88 download)

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Book Synopsis Japanese Cinema Goes Global by : Yoshiharu Tezuka

Download or read book Japanese Cinema Goes Global written by Yoshiharu Tezuka and published by Hong Kong University Press. This book was released on 2011-11-01 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Japan’s film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan’s national culture and the traditional sense of national belonging among Japanese people?