Victorian Theatrical Burlesques

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Victorian Theatrical Burlesques

Author : Richard Schoch
Publisher : Routledge
ISBN 13 : 1317242378
Total Pages : 304 pages
Book Rating : 4.3/5 (172 download)

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Book Synopsis Victorian Theatrical Burlesques by : Richard Schoch

Download or read book Victorian Theatrical Burlesques written by Richard Schoch and published by Routledge. This book was released on 2018-01-29 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2003. Wildly popular in their own day, Victorian burlesques are now little read, scarcely studied, and never performed. Giving long overdue emphasis to an unjustly neglected theatrical tradition, this critical edition - the first to focus on Victorian burlesques of Victorian plays - represents a valuable scholarly tool for students and scholars of modern drama, theatre history, and nineteenth-century popular culture. Victorian Theatrical Burlesques includes a 'state-of-the-art' introduction which provides a general overview of theatrical burlesques in the Victorian era, emphasising performance history. Sustained reference is made to burlesques other than those presented in the anthology. Through its general introduction, prefaces and annotations to individual plays, checklist of burlesque plays, and bibliography, the unique volume allows both specialist and non-specialist readers to see Victorian burlesques as a rich historical record of shifting attitudes toward drama and the theatre.

Victorian Theatrical Burlesques

Author : Richard W. Schoch
Publisher :
ISBN 13 : 9781315192796
Total Pages : pages
Book Rating : 4.1/5 (927 download)

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Book Synopsis Victorian Theatrical Burlesques by : Richard W. Schoch

Download or read book Victorian Theatrical Burlesques written by Richard W. Schoch and published by . This book was released on 2017 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "This title was first publihsed in 2003. Burlesque was one of the most reviled - and most appealing - types of theatrical performance in the Victorian age. Wildly popular in their own day, burlesque plays are now little read, scarcely studied, and never performed. Yet, as Richard Schoch here shows, burlesques are a distinctive form of metatheatrical criticism-plays about plays-and thus offer us a unique opportunity to understand how drama changes over time. This critical edition is the first to focus exclusively on Victorian burlesques of Victorian plays. Victorian Theatrical Burlesques provides a general overview of theatrical burlesques in the period, emphasizing performance history. Sustained reference is made to burlesques other than those presented in the anthology. The volume also includes prefaces to each of the plays, fully annotated scripts, illustrations of burlesque performances, a checklist of burlesque plays, and a bibliography. The plays presented include H.J. Byron's 'Miss Eily O'Connor' (1861), a burlesque of Dion Boucicault's sensation melodrama 'The Colleen Bawn'; Byron's '1863; or, The Sensations of the Past Season' (1863), a burlesque of a stage version of Mary Elizabeth Braddon's novel 'Lady Audley's Secret'; F.C. Burnand's 'The Very Latest Edition of Black-Eyed Susan' (1866), a burlesque of Douglas Jerrold's nautical melodrama 'Black Eyed-Susan'; Byron's The 'Corsican 'Bothers'; or, The Troublesome Twins' (1869), a burlesque of Dion Boucicault's melodrama 'The Corsican Brothers'; and Charles Brookfield's and J.M. Glover's 'The Poet and the Puppets' (1892), a burlesque of Oscar Wilde's 'Lady Windermere's Fan'. Through its general introduction, prefaces and annotations to individual plays, checklist of plays, and bibliography, the volume allows both specialist and non-specialist readers to see Victorian burlesques as a rich historical record of shifting attitudes toward drama and the theatre. Giving long overdue emphasis to a unjustly neglected theatrical tradition, this"--Provided by publisher.

Victorian Epic Burlesques

Author : Rachel Bryant Davies
Publisher : Bloomsbury Publishing
ISBN 13 : 1350027197
Total Pages : 299 pages
Book Rating : 4.3/5 (5 download)

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Book Synopsis Victorian Epic Burlesques by : Rachel Bryant Davies

Download or read book Victorian Epic Burlesques written by Rachel Bryant Davies and published by Bloomsbury Publishing. This book was released on 2018-10-04 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology presents annotated scripts of four major burlesques by key playwrights: Melodrama Mad! or, the Siege of Troy by Thomas John Dibdin (1819); Telemachus; or, the Island of Calypso by J.R. Planché (1834); The Iliad; or, the Siege of Troy by Robert Brough (1858) and Ulysses; or the Ironclad Warriors and the Little Tug of War by F.C. Burnand (1865). Beloved legend, archaeological riddle and educational staple: Homer's epic tales of the Trojan War and its aftermath were vividly reimagined in nineteenth-century Britain. Classical burlesques-exceptionally successful theatrical entertainments-continually mined the Iliad and Odyssey to lucrative comic effect. Burlesques combined song, dance and slapstick comedy with an eclectic kaleidoscope of topical allusions. From namedropping boxing legends to recasting Shakespearean combats, epic adaptations overflow with satirical commentary on politics, cultural highlights and everyday current affairs. In uncovering Homer's irreverently playful afterlife, this selection showcases burlesque's development and wide appeal. The critical introduction analyses how these plays contested the accessibility of classical antiquity and dramatic performance. Textual and literary annotations, with contemporary illustrations, illuminate the juxtaposed sources to establish these repackaged epics as indispensable tools for unlocking nineteenth-century social, cultural and political history. Resources for further study are available online.

Victorian Classical Burlesques

Author : Laura Monros-Gaspar
Publisher : Bloomsbury Publishing
ISBN 13 : 1472537858
Total Pages : 313 pages
Book Rating : 4.4/5 (725 download)

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Book Synopsis Victorian Classical Burlesques by : Laura Monros-Gaspar

Download or read book Victorian Classical Burlesques written by Laura Monros-Gaspar and published by Bloomsbury Publishing. This book was released on 2015-10-22 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: An annotated critical anthology of four major classical burlesques, exploring the popular, iconic and literary refigurations of classical myths on the Victorian popular stage.

Victorian Classical Burlesques

Author : Laura Monros-Gaspar
Publisher : Bloomsbury Publishing
ISBN 13 : 1472537882
Total Pages : 313 pages
Book Rating : 4.4/5 (725 download)

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Book Synopsis Victorian Classical Burlesques by : Laura Monros-Gaspar

Download or read book Victorian Classical Burlesques written by Laura Monros-Gaspar and published by Bloomsbury Publishing. This book was released on 2015-10-22 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Victorian classical burlesque was a popular theatrical genre of the mid-19th century. It parodied ancient tragedies with music, melodrama, pastiche, merciless satire and gender reversal. Immensely popular in its day, the genre was also intensely metatheatrical and carries significance for reception studies, the role and perception of women in Victorian society and the culture of artistic censorship. This anthology contains the annotated text of four major classical burlesques: Antigone Travestie (1845) by Edward L. Blanchard, Medea; or, the Best of Mothers with a Brute of a Husband (1856) by Robert Brough, Alcestis; the Original Strong-Minded Woman (1850) and Electra in a New Electric Light (1859) by Francis Talfourd. The cultural and textual annotations highlight the changes made to the scripts from the manuscripts sent to the Lord Chamberlain's office and, by explaining the topical allusions and satire, elucidate elements of the burlesques' popular cultural milieu. An in-depth critical introduction discusses the historical contexts of the plays' premieres and unveils the cultural processes behind the reception of the myths and original tragedies. As the burlesques combined spectacular effects with allusions to contemporary affairs, ambivalent and provocative attitudes to women, the plays represent an essential tool for reading the social history of the era.

Troy, Carthage and the Victorians

Author : Rachel Bryant Davies
Publisher : Cambridge University Press
ISBN 13 : 1108135544
Total Pages : 413 pages
Book Rating : 4.1/5 (81 download)

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Book Synopsis Troy, Carthage and the Victorians by : Rachel Bryant Davies

Download or read book Troy, Carthage and the Victorians written by Rachel Bryant Davies and published by Cambridge University Press. This book was released on 2018-03-15 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: Playful, popular visions of Troy and Carthage, backdrops to the Iliad and Aeneid's epic narratives, shine the spotlight on antiquity's starring role in nineteenth-century culture. This is the story of how these ruined cities inspired bold reconstructions of the Trojan War and its aftermath, how archaeological discoveries in the Troad and North Africa sparked dramatic debates, and how their ruins were exploited to conceptualise problematic relationships between past, present and future. Rachel Bryant Davies breaks new ground in the afterlife of classical antiquity by revealing more complex and less constrained interaction with classical knowledge across a broader social spectrum than yet understood, drawing upon methodological developments from disciplines such as history of science and theatre history in order to do so. She also develops a thorough critical framework for understanding classical burlesque and engages in in-depth analysis of a toy-theatre production.

Not Shakespeare

Author : Richard W. Schoch
Publisher : Cambridge University Press
ISBN 13 : 9780521800150
Total Pages : 236 pages
Book Rating : 4.8/5 (1 download)

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Book Synopsis Not Shakespeare by : Richard W. Schoch

Download or read book Not Shakespeare written by Richard W. Schoch and published by Cambridge University Press. This book was released on 2002-01-03 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Burlesque has been a powerful and enduring weapon in the critique of 'legitimate' Shakespearean culture by a seemingly 'illegitimate' popular culture. This was true most of all in the nineteenth century. From Hamlet Travestie (1810) to Rosencrantz and Guildenstern (1891), Shakespeare burlesques were a vibrant, yet controversial form of popular performance: vibrant because of their exuberant humour; controversial because they imperilled Shakespeare's iconic status. Richard Schoch, in this study of nineteenth-century Shakespeare burlesques, explores the paradox that plays which are manifestly 'not Shakespeare' purport to be the most genuinely Shakespearean of all. Bringing together archival research, rare photographs and illustrations, close readings of burlesque scripts, and an awareness of theatrical, literary and cultural contexts, Schoch changes the way we think about Shakespeare's theatrical legacy and nineteenth-century popular culture. His lively and wide-ranging book will appeal to scholars and students of Shakespeare in performance, theatre history and Victorian studies.

Playfulness in Shakespearean Adaptations

Author : Marina Gerzic
Publisher : Routledge
ISBN 13 : 1000073122
Total Pages : 269 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis Playfulness in Shakespearean Adaptations by : Marina Gerzic

Download or read book Playfulness in Shakespearean Adaptations written by Marina Gerzic and published by Routledge. This book was released on 2020-04-30 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Four hundred years after William Shakespeare’s death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new ‘Shakespeares’ to emerge, revealing Shakespeare’s ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations—adaptations of both the works of Shakespeare, and of Shakespeare the man—and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare’s works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare’s works, and more generally how play and playfulness can make Shakespeare ‘relatable,’ ‘relevant,’ and entertaining for successive generations of audiences and readers.

Theatre in the Victorian Age

Author : Michael R. Booth
Publisher : Cambridge University Press
ISBN 13 : 9780521348379
Total Pages : 244 pages
Book Rating : 4.3/5 (483 download)

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Book Synopsis Theatre in the Victorian Age by : Michael R. Booth

Download or read book Theatre in the Victorian Age written by Michael R. Booth and published by Cambridge University Press. This book was released on 1991-07-26 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive survey of the theatre practice and dramatic literature of the Victorian period.

W.S. Gilbert

Author : Jane W. Stedman
Publisher : Oxford University Press, USA
ISBN 13 : 9780198161745
Total Pages : 424 pages
Book Rating : 4.1/5 (617 download)

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Book Synopsis W.S. Gilbert by : Jane W. Stedman

Download or read book W.S. Gilbert written by Jane W. Stedman and published by Oxford University Press, USA. This book was released on 1996 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sir William Schwenck Gilbert (1836-1911) was the most brilliant dramatist of Victorian England. A daring and cynical playwright, the forerunner of Oscar Wilde and George Bernard Shaw, he was also a prolific journalist and humorous poet (his Bab Ballads are still widely read), and he achieved worldwide fame through his long collaboration with the composer Arthur Sullivan, a collaboration that created such classics as H. M. S. Pinafore, The Mikado, and all the other Savoy operas. Now the story of this remarkable writer's life - and of his stormy relationship with Sullivan - is here chronicled by a renowned authority on Gilbert and on the theatrical and literary scene in Victorian London. For this biography, Jane W. Stedman has returned to original sources, has interviewed survivors, and has scoured a whole variety of Victorian periodicals for reviews, and personal comment. Gilbert emerges as a much more complex and interesting figure than has previously been thought. The book is a worthy companion piece to Arthur Jacobs's recent biography Arthur Sullivan: A Victorian Musician.

Prefaces to English Nineteenth-century Theatre

Author : Michael R. Booth
Publisher : Manchester University Press
ISBN 13 : 9780719008238
Total Pages : 252 pages
Book Rating : 4.0/5 (82 download)

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Book Synopsis Prefaces to English Nineteenth-century Theatre by : Michael R. Booth

Download or read book Prefaces to English Nineteenth-century Theatre written by Michael R. Booth and published by Manchester University Press. This book was released on 1980 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This compilation of the prefaces from the author's "English plays of the nineteenth century" (5 vols. ; London : Oxford Univ. Press, 1969-1976) provides an introduction to the critical interpretations of most genres of English drama.

National Traditions in Nineteenth-Century Opera, Volume I

Author : Steven Huebner
Publisher : Routledge
ISBN 13 : 1351915851
Total Pages : 465 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis National Traditions in Nineteenth-Century Opera, Volume I by : Steven Huebner

Download or read book National Traditions in Nineteenth-Century Opera, Volume I written by Steven Huebner and published by Routledge. This book was released on 2017-03-02 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.

The Golden Age of Pantomime

Author : Jeffrey Richards
Publisher : Bloomsbury Publishing
ISBN 13 : 085773587X
Total Pages : 682 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis The Golden Age of Pantomime by : Jeffrey Richards

Download or read book The Golden Age of Pantomime written by Jeffrey Richards and published by Bloomsbury Publishing. This book was released on 2014-10-23 with total page 682 pages. Available in PDF, EPUB and Kindle. Book excerpt: Of all the theatrical genres most prized by the Victorians, pantomime is the only one to have survived continuously into the twenty-first century. It remains as true today as it was in the 1830s, that a visit to the pantomime constitutes the first theatrical experience of most children and now, as then, a successful pantomime season is the key to the financial health of most theatres. Everyone went to the pantomime, from Queen Victoria and the royal family to the humblest of her subjects. It appealed equally to West End and East End, to London and the provinces, to both sexes and all ages. Many Victorian luminaries were devotees of the pantomime, notably among them John Ruskin, Charles Dickens, Lewis Carroll and W.E. Gladstone. In this vivid and evocative account of the Victorian pantomime, Jeffrey Richards examines the potent combination of slapstick, spectacle and subversion that ensured the enduring popularity of the form. The secret of its success, he argues, was its continual evolution. It acted as an accurate cultural barometer of its times, directly reflecting current attitudes, beliefs and preoccupations, and it kept up a flow of instantly recognisable topical allusions to political rows, fashion fads, technological triumphs, wars and revolutions, and society scandals. Richards assesses throughout the contribution of writers, producers, designers and stars to the success of the pantomime in its golden age. This book is a treat as rich and appetizing as turkey, mince pies and plum pudding.

Adapting King Lear for the Stage

Author : Lynne Bradley
Publisher : Routledge
ISBN 13 : 1317185439
Total Pages : 305 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Adapting King Lear for the Stage by : Lynne Bradley

Download or read book Adapting King Lear for the Stage written by Lynne Bradley and published by Routledge. This book was released on 2016-03-16 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's History of King Lear (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society. In identifying and relocating different adaptive gestures within this historical framework, Bradley explores the link between the critical and the creative in the history of Shakespearean adaptation. Focusing on works such as Gordon Bottomley's King Lear's Wife (1913), Edward Bond's Lear (1971), Howard Barker's Seven Lears (1989), and the Women's Theatre Group's Lear's Daughters (1987), Bradley theorizes that modern rewritings of Shakespeare constitute a new type of textual interaction based on a simultaneous double-gesture of collaboration and rejection. She suggests that this new interaction provides constituent groups, such as the feminist collective who wrote Lear's Daughters, a strategy to acknowledge their debt to Shakespeare while writing against the traditional and negative representations of femininity they see reflected in his plays.

Comic Medievalism

Author : Louise D'Arcens
Publisher : Boydell & Brewer Ltd
ISBN 13 : 1843843803
Total Pages : 222 pages
Book Rating : 4.8/5 (438 download)

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Book Synopsis Comic Medievalism by : Louise D'Arcens

Download or read book Comic Medievalism written by Louise D'Arcens and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: The role of laughter and humour in the postmedieval citation, interpretation or recreation of the middle ages has hitherto received little attention, a gap in scholarship which this book aims to fill. Examining a wide range of comic texts and practices across several centuries, from Don Quixote and early Chaucerian modernisation through to Victorian theatre, the Monty Python films, television and the experience of visiting sites of "heritage tourism" such as the Jorvik Viking Museum at York, it identifies what has been perceived as uniquely funny about the Middle Ages in different times and places, and how this has influenced ideas not just about the medieval but also about modernity. Tracing the development and permutations of its various registers, including satire, parody, irony, camp, wit, jokes, and farce, the author offers fresh and amusing insight into comic medievalism as a vehicle for critical commentary on the present as well as the past, and shows that for as long as there has been medievalism, people have laughed at and with the middle ages. Louise D'Arcens is Associate Professor in English Literatures at the University of Wollongong.

Carmen and the Staging of Spain

Author : Michael Christoforidis
Publisher :
ISBN 13 : 0195384563
Total Pages : 345 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Carmen and the Staging of Spain by : Michael Christoforidis

Download or read book Carmen and the Staging of Spain written by Michael Christoforidis and published by . This book was released on 2019 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Georges Bizet's Carmen and its staging of an exoticized Spain was progressively reimagined between its 1875 Paris premiere and 1915. This book explores Carmen's dynamic interaction with Spanishness in this cosmopolitan age of spectacle, across operatic productions, parodies, and theatrical adaptations from Spain to Paris, London, and New York.

Greek Tragedy and the British Theatre 1660-1914

Author : Edith Hall
Publisher : OUP Oxford
ISBN 13 : 0191541419
Total Pages : 768 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis Greek Tragedy and the British Theatre 1660-1914 by : Edith Hall

Download or read book Greek Tragedy and the British Theatre 1660-1914 written by Edith Hall and published by OUP Oxford. This book was released on 2005-07-14 with total page 768 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavishly illustrated book offers the first full, interdisciplinary investigation of the historical evidence for the presence of ancient Greek tragedy in the post-Restoration British theatre, where it reached a much wider audience - including women - than had access to the original texts. Archival research has excavated substantial amounts of new material, both visual and literary, which is presented in chronological order. But the fundamental aim is to explain why Greek tragedy, which played an elite role in the curricula of largely conservative schools and universities, was magnetically attractive to political radicals, progressive theatre professionals, and to the aesthetic avant-garde. All Greek has been translated, and the book will be essential reading for anyone interested in Greek tragedy, the reception of ancient Greece and Rome, theatre history, British social history, English studies, or comparative literature.