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Trattenimenti Armonici Per Camera
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Book Synopsis Trattenimenti armonici per camera by : Tomaso Albinoni
Download or read book Trattenimenti armonici per camera written by Tomaso Albinoni and published by . This book was released on 1720 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Trattenimenti armonici per camera by : Tomaso Albinoni
Download or read book Trattenimenti armonici per camera written by Tomaso Albinoni and published by . This book was released on 1990 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Trattenimenti armonici per camera by : Tomaso Albinoni
Download or read book Trattenimenti armonici per camera written by Tomaso Albinoni and published by . This book was released on 1981 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Trattenimenti armonici per camera: No. 5-8 by : Tomaso Albinoni
Download or read book Trattenimenti armonici per camera: No. 5-8 written by Tomaso Albinoni and published by . This book was released on 1981 with total page 78 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Trattenimenti armonici per camera by : Tomaso Albinoni
Download or read book Trattenimenti armonici per camera written by Tomaso Albinoni and published by . This book was released on 1990 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Bolognese Instrumental Music, 1660-1710 by : Gregory Barnett
Download or read book Bolognese Instrumental Music, 1660-1710 written by Gregory Barnett and published by Routledge. This book was released on 2017-07-05 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, the first of its kind, is a study of Bolognese instrumental music during the height of the city's musical activity in the late seventeenth century. The period?marked by a rapid expansion of the cappella musicale of the principal city church, San Petronio, by the founding of the Accademia Filarmonica, and by increasingly lavish patronage of musical events?witnessed the proliferation of repertory for instrumental ensembles. This music not only reveals crucial stages in the development of the sonata and concerto but also recalls the elaborate church rituals and the opulent public and private celebrations in which they figured prominently. Moreover, the late seventeenth century saw the heyday of Bolognese music publishing, whose output of sonatas and related instrumental genres easily surpassed that of the once-dominating Venetian presses. The approach taken here departs from composer- and genre-centered monographs on Italian instrumental music in order to illuminate an array of topics that center on the Bolognese repertory: the social condition of instrumentalist-composers; the acumen of music publishers in the creation of the repertory; the diverse contexts of the instrumental dances; the influence of liturgical traditions on sonata topoi; the impact of psalmodic practice on tonal style; and the innovative climate that led to experiments with scoring and form in the earliest instrumental concertos. In sum, this book not only illustrates the historically significant and defining features of the music, but also links the surviving repertory to the flourishing musical culture in which it was created.
Book Synopsis Catalog of Copyright Entries by : Library of Congress. Copyright Office
Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1951 with total page 1504 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music for a Mixed Taste by : Steven Zohn
Download or read book Music for a Mixed Taste written by Steven Zohn and published by Oxford University Press. This book was released on 2015 with total page 721 pages. Available in PDF, EPUB and Kindle. Book excerpt: Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste, Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.
Book Synopsis The Piano in Chamber Ensemble, Third Edition by : Maurice Hinson
Download or read book The Piano in Chamber Ensemble, Third Edition written by Maurice Hinson and published by Indiana University Press. This book was released on 2021-07-27 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this expanded and updated edition, The Piano in Chamber Ensemble: An Annotated Guide features over 3200 compositions, from duos to octets, by more than 1600 composers. Maurice Hinson and Wesley Roberts catalog published works for piano with two or more instruments with information on performance level, length, individual movements, overall style, and publisher. Divided into sections according to the number and types of instruments involved, The Piano in Chamber Ensemble then subdivides entries according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and teachers will find a wealth of chamber works from all periods in this invaluable guide.
Book Synopsis The Piano in Chamber Ensemble, Second Edition by : Maurice Hinson
Download or read book The Piano in Chamber Ensemble, Second Edition written by Maurice Hinson and published by Indiana University Press. This book was released on 2006-04-04 with total page 732 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Piano in Chamber Ensemble describes more than 3,200 compositions, from duos to octets, by more than 1,600 composers. It is divided into sections according to the number of instruments involved, then subdivided according to the actual scoring. Keyboard, string, woodwind, brass, and percussion players and their teachers will find a wealth of chamber works from all periods.
Book Synopsis The Cambridge Companion to the Violin by : Robin Stowell
Download or read book The Cambridge Companion to the Violin written by Robin Stowell and published by Cambridge University Press. This book was released on 1992-12-10 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Enth. S.1 - 29: The violin and bow - origins and development / John Dilworth
Book Synopsis Tonal Space in the Music of Antonio Vivaldi by : Bella Brover-Lubovsky
Download or read book Tonal Space in the Music of Antonio Vivaldi written by Bella Brover-Lubovsky and published by Indiana University Press. This book was released on 2008-06-25 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
Book Synopsis Perspectives on Early Keyboard Music and Revival in the Twentieth Century by : Rachelle Taylor
Download or read book Perspectives on Early Keyboard Music and Revival in the Twentieth Century written by Rachelle Taylor and published by Routledge. This book was released on 2017-12-15 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: The twentieth-century revival of early music unfolded in two successive movements rooted respectively in nineteenth-century antiquarianism and in rediscovery of the value of original instruments. The present volume is a collection of insights reflecting the principal concerns of the second of those revivals, focusing on early keyboards, and beginning in the 1950s. The volume and its authors acknowledge Canadian harpsichordist Kenneth Gilbert (b. 1931) as one of this revival’s leaders. The content reflects international research on early keyboard music, sources, instruments, theory, editing, and discography. Considerations that echo throughout the book are the problematics of source attributions, progressive institutionalization of early music, historical instruments as agents of artistic change and education, antecedents and networks of the revival seen as a social phenomenon, the impact of historical performance and the quest for understanding style and genre. The chapters cover historical performance practice, source studies, edition, theory and form, and instrument curating and building. Among their authors are prominent figures in performance, music history, editing, instrument building and restoration, and theory, some of whom engaged with the early keyboard revival as it was happening.
Book Synopsis 12 Sonate da Trattenimenti armonici da camera by : Giacomo Cattaneo
Download or read book 12 Sonate da Trattenimenti armonici da camera written by Giacomo Cattaneo and published by . This book was released on 2001 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement by : British Museum. Department of Printed Books
Download or read book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement written by British Museum. Department of Printed Books and published by . This book was released on 1912 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Catalogue of a very fine collection of ancient and modern music, musical treatises and manuscripts by : Alfred Whittingham
Download or read book Catalogue of a very fine collection of ancient and modern music, musical treatises and manuscripts written by Alfred Whittingham and published by . This book was released on 1864 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Aspects of the Secular Cantata in Late Baroque Italy by : Michael Talbot
Download or read book Aspects of the Secular Cantata in Late Baroque Italy written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.