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Author : Neelima Vashishtha
Publisher :
ISBN 13 : 9788173053900
Total Pages : 226 pages
Book Rating : 4.0/5 (539 download)
Download or read book Tradition and Modernity in Indian Arts written by Neelima Vashishtha and published by . This book was released on 2010-01-01 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : K. G. Subramanyan
Publisher :
ISBN 13 :
Total Pages : 128 pages
Book Rating : 4.3/5 (91 download)
Download or read book The Living Tradition written by K. G. Subramanyan and published by . This book was released on 1987 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'The fulfilment of a modern Indian artist's wish to be a part of a living tradition, i.e. to be individual and innovative, without being an outsider in his own culture, will not come of itself, it calls for concerted effort.' K.G. Subramanyan, the eminent Indian artist, offers a theoretical groundwork for that effort in his critical study of modern Indian art as it has evolved through continuous interaction with several traditions, foreign and indigenous. In the course of his study, he touches on the natural distinctions between India's folk tradition, and on the attempts of several thinkers and artists to identify an Indian artistic tradition or to deny it altogether in a quest for personal expression or universality. A generous selection of illustrations accompanies the text and greatly contributes to the enjoyment and understanding of Subramanyan's discourse.
Author : Sunil Kumar Bhattacharya
Publisher : M.D. Publications Pvt. Ltd.
ISBN 13 : 9788185880211
Total Pages : 142 pages
Book Rating : 4.8/5 (82 download)
Download or read book Trends in Modern Indian Art written by Sunil Kumar Bhattacharya and published by M.D. Publications Pvt. Ltd.. This book was released on 1994 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: Trends in Modern Indian Art is a study of Indian Art from the end of 19th century to 1990. Indian Art started with academic realism of Raja Ravi Varma at the close of the 19th century. Abanindranath Tagore who was trained by Samuel Palmer and Japanese artist. Okakura, established the wash process of water colour painting known as the Bengal School in the beginning of the 20th century. His disciples like Nandalal Bosa and Ventappa further elaborated the style of the Bengal School later known as the Oriental Style.
Author : A. Raghuramaraju
Publisher : Oxford University Press
ISBN 13 : 0199088365
Total Pages : pages
Book Rating : 4.1/5 (99 download)
Download or read book Modernity in Indian Social Theory written by A. Raghuramaraju and published by Oxford University Press. This book was released on 2010-12-06 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Unlike the West, India presents a fascinating example of a society where the pre-modern continues to co-exist with the modern. Modernity in Indian Social Theory explores the social variance between India and the West to show how it impacted their respective trajectories of modernity. A. Raghuramaraju argues that modernity in the West involved disinheriting the pre-modern, and temporal ordering of the traditional and modern. It was ruthlessly implemented through programmes of industrialization, nationalism, and secularism. This book underscores that India did not merely the Western model of modernity or experience a temporal ordering of society. It situates this sociological complexity in the context of the debates on social theory. The author critically examines various discourses on modernity in India, including Partha Chatterjee’s account of Indian nationalism; Javeed Alam’s reading of Indian secularism; the use of the term pluralism by some Indian social scientists; and Gopal Guru’s emphasis on the lived Dalit experience. He also engages with the readings on key thinkers including Vivekananda, Aurobindo, Gandhi, and Ambedkar.
Author : Harsha V. Dehejia
Publisher : Motilal Banarsidass Publishe
ISBN 13 : 9788120817555
Total Pages : 148 pages
Book Rating : 4.8/5 (175 download)
Download or read book Despair and Modernity written by Harsha V. Dehejia and published by Motilal Banarsidass Publishe. This book was released on 2000 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dehejia has tried to create a place within the main frame of culture and philosophy of Indian art for a legitimate analytic theory called despair. Dehejia's effort creates a space for the modern within Indian classicism by negotiating the philosophy of despair in classical terms. As a result the basic schism that has grown in recent years between the philosophy and history of modern art on the one hand and the philosophy and history of traditional arts is today cloder to being breached.
Author : Bill Anthes
Publisher : Duke University Press
ISBN 13 : 9780822338666
Total Pages : 330 pages
Book Rating : 4.3/5 (386 download)
Download or read book Native Moderns written by Bill Anthes and published by Duke University Press. This book was released on 2006-11-03 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Author : Lloyd I. Rudolph
Publisher : University of Chicago Press
ISBN 13 : 0226731375
Total Pages : 316 pages
Book Rating : 4.2/5 (267 download)
Download or read book The Modernity of Tradition written by Lloyd I. Rudolph and published by University of Chicago Press. This book was released on 1984-07-15 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stressing the variations in meaning of modernity and tradition, this work shows how in India traditional structures and norms have been adapted or transformed to serve the needs of a modernizing society. The persistence of traditional features within modernity, it suggests, answers a need of the human condition. Three areas of Indian life are analyzed: social stratification, charismatic leadership, and law. The authors question whether objective historical conditions, such as advanced industrialization, urbanization, or literacy, are requisites for political modernization.
Author : Elizabeth Harney
Publisher : Duke University Press
ISBN 13 : 0822372614
Total Pages : 432 pages
Book Rating : 4.8/5 (223 download)
Download or read book Mapping Modernisms written by Elizabeth Harney and published by Duke University Press. This book was released on 2018-11-16 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. Contributors. Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian Skinner, Nicholas Thomas, Norman Vorano
Author : Geeta Kapur
Publisher :
ISBN 13 : 9788189487249
Total Pages : 439 pages
Book Rating : 4.4/5 (872 download)
Download or read book When was Modernism written by Geeta Kapur and published by . This book was released on 2000 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: A commitment to modernity is the underlying theme of this volume. Through essays that are interpretive and theoretical, the author seeks to situate the modern in contemporary cultural practice. She sets up an ideological vantage point to view modernism along its multiple tracks in India and the third world.The essays divide into three sections. The first two sections, Artists and ArtWork and Film/Narratives, raise questions of authorship, genre, and contemporary features of national culture that materialize into an aesthetic in the Indian context. The last section, Frames of Reference, formalizes the polemical options developed across the book. The essays here propose resistance to the depoliticization of narratives, and affirm an open-ended engagement with the avant-garde. They explore the possibility of art practice finding its own signifying space that is still a space for radical transformation.Geeta Kapur is an independent art critic and curator living in New Delhi. Her extensive publications on modern Indian art include the book Contemporary Indian Artists (Delhi, 1978), exhibition catalogues and monographs on artists. She is currently writing a monograph on Tyeb Mehta. Her essays on cultural criticism have been widely presented in forums of art history and cultural studies. Her curatorial work includes the show Bombay/Mumbai 1992 2001 in the multi-part exhibition titled Century City: Art and Culture in the Modern Metropolis , at Tate Modern, London, in 2001. Geeta Kapur is a founder-editor of the Journal of Arts & Ideas and advisory editor to Third Text. She has held research fellowships at Indian Institute of Advanced Study, Shimla, Nehru Memorial Museum and Library, New Delhi, and Clare Hall, Cambridge University. For the past three decades, [Geeta Kapur s] has been the singular dominant presence in the field to a point that her writings alone seem to have constituted the whole field of modern Indian art theory and criticism. Tapati Guha-Thakurta, Biblio (Delhi), May June 2001. Geeta Kapur is a magisterial presence in the sphere of modern Indian art. [The] insistence on the primacy of bearing witness to creative practice has been the leitmotif of Kapur s work. . . . Kapur s contribution . . . is best understood by reflection on the radical change that her activity has brought about in Indian art criticism. Ranjit Hoskote, Art India (Mumbai), Vol. VI, 1, 2001. When Was Modernism is a book of essays: imaginative, interpretive, argumentative, polemical, political and, in the combined sense of all these, historical. . . . [It] provides an instance of passionate engagement that, at its best moments, verges on the poetic. Chaitanya Sambrani, ART AsiaPacific (Australia), Issue 30, 2001.
Author : Balraj Khanna
Publisher : Thames & Hudson
ISBN 13 : 9780500280461
Total Pages : 144 pages
Book Rating : 4.2/5 (84 download)
Download or read book Art of Modern India written by Balraj Khanna and published by Thames & Hudson. This book was released on 1998 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an explanation of the reasons behind the current artistic renaissance in India, a country steeped in traditionalism, and ruled by a foreign power for two centuries. It demonstrates that the coming of independence created an uninhibited context for Indian creative genius to flower again. In the 1950s artists embarked on a quest for identity that was new, and yet would reflect their country's heritage. Since then, Indian artists have quietly brought about what may be described as a charmed revolution in Indian art. The results of this revolution, as yet little known in the West and seen in this text in colour reproductions, connect India's timeless tribal and folk art traditions with developments in 20th-century Western art, in ways which are as Indian in spirit as they are universal in appeal.
Author : Ratan Parimoo
Publisher :
ISBN 13 :
Total Pages : 168 pages
Book Rating : 4.3/5 (91 download)
Download or read book Studies in Modern Indian Art written by Ratan Parimoo and published by . This book was released on 1975 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Ananda Kentish Coomaraswamy
Publisher :
ISBN 13 :
Total Pages : 160 pages
Book Rating : 4.3/5 (91 download)
Download or read book Introduction to Indian Art written by Ananda Kentish Coomaraswamy and published by . This book was released on 1969 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Coomaraswamy's Introduction to Indian Art traverses the historic panorama of Indian art, from its Indo-Sumerian and Vedic-Mound beginnings to the various peaks reached during the Maurya, Sunga, Andhra, Kusana and Gupta periods and beyond the seas to further India and Indonesia. It is a handbook of immense value both to the beginner and scholar alike." "This present reprint, appearing after more than half a century, has been ably edited by Mrs. Coomaraswamy and incorporates new material earmarked for the book by Coomaraswamy himself."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author : Iftikhar Dadi
Publisher : Univ of North Carolina Press
ISBN 13 : 0807895962
Total Pages : 356 pages
Book Rating : 4.8/5 (78 download)
Download or read book Modernism and the Art of Muslim South Asia written by Iftikhar Dadi and published by Univ of North Carolina Press. This book was released on 2010-05-15 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Author : Yashodhara Dalmia
Publisher :
ISBN 13 :
Total Pages : 148 pages
Book Rating : 4.3/5 (91 download)
Download or read book Contemporary Indian Art written by Yashodhara Dalmia and published by . This book was released on 2002 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides A Perspective On Contemporary Indian Art, Offering A Dynamic Rather Than A Static Way Of Approaching The Subject. The Essays Deal With Questions, Though Often Asked Remain Open-Ended. The Works Of Individual Artists Are Discussed With In The Based Conceptual Framework Of Each Essays.
Author : Rebecca M. Brown
Publisher : Duke University Press
ISBN 13 : 0822392267
Total Pages : 222 pages
Book Rating : 4.8/5 (223 download)
Download or read book Art for a Modern India, 1947-1980 written by Rebecca M. Brown and published by Duke University Press. This book was released on 2009-03-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture, film, and photography—in the years between independence and 1980, by which time the Indian art scene had changed significantly and postcolonial discourse had begun to complicate mid-century ideas of nationalism. Through close analyses of specific objects of art and design, Brown describes how Indian artists engaged with questions of authenticity, iconicity, narrative, urbanization, and science and technology. She explains how the filmmaker Satyajit Ray presented the rural Indian village as a socially complex space rather than as the idealized site of “authentic India” in his acclaimed Apu Trilogy, how the painter Bhupen Khakhar reworked Indian folk idioms and borrowed iconic images from calendar prints in his paintings of urban dwellers, and how Indian architects developed a revivalist style of bold architectural gestures anchored in India’s past as they planned the Ashok Hotel and the Vigyan Bhavan Conference Center, both in New Delhi. Discussing these and other works of art and design, Brown chronicles the mid-twentieth-century trajectory of India’s modern visual culture.
Author : Vasudha Dalmia
Publisher : Cambridge University Press
ISBN 13 : 1139825461
Total Pages : 327 pages
Book Rating : 4.1/5 (398 download)
Download or read book The Cambridge Companion to Modern Indian Culture written by Vasudha Dalmia and published by Cambridge University Press. This book was released on 2012-04-05 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: India is changing at a rapid pace as it continues to move from its colonial past to its globalised future. This Companion offers a framework for understanding that change, and how modern cultural forms have emerged out of very different histories and traditions. The book provides accounts of literature, theatre, film, modern and popular art, music, television and food; it also explores in detail social divisions, customs, communications and daily life. In a series of engaging, erudite and occasionally moving essays the contributors, drawn from a variety of disciplines, examine not merely what constitutes modern Indian culture, but just how wide-ranging are the cultures that persist in the regions of India. This volume will help the reader understand the continuities and fissures within Indian culture and some of the conflicts arising from them. Throughout, what comes to the fore is the extraordinary richness and diversity of modern Indian culture.
Author : Elizabeth Hutchinson
Publisher : Duke University Press
ISBN 13 : 0822392097
Total Pages : 304 pages
Book Rating : 4.8/5 (223 download)
Download or read book The Indian Craze written by Elizabeth Hutchinson and published by Duke University Press. This book was released on 2009-03-23 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation. Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.
